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Item Ships From: Louisiana
The Embalmer
s Helper
By Tony Dagradi
Located in New Orleans, LA
Medium: hardcover book, acrylic varnish
[New Orleans, LA ::: b. 1952 - Queens, NY]
TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educa...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Mixed Media
Survival of the Fittest
By Tony Dagradi
Located in New Orleans, LA
medium: hardcover book, acrylic varnish
My decades-long career in contemporary jazz directly informs my work as a visual artist. Music, for me, has always had a visual component, with the diverse elements of music suggesting colors, shapes, and textures. The juxtaposition of abstract shapes which come together as I work on a book, is very much how I perceive the interplay of melody, harmony, and rhythm.
Improvisation is also key to my approach in both genres. Within a jazz ensemble...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Paper, Varnish
Barbecue Nation
By Laura Tanner Graham
Located in New Orleans, LA
artwork dimensions (unframed): 59h x 41w inches
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing simil...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Mylar, Ink
Gather
By Monica Zeringue
Located in New Orleans, LA
Monica Zeringue received her MFA from the University of New Orleans in 2006, and her BA in 1993. In 1999 she was awarded the Prix de l'Acadamie de Paris, Societe Internationale des B...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Graphite, Linen, Silk, Thread
Consonance
By Paul Villinski
Located in New Orleans, LA
PAUL VILLINSKI has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of an Air Force navigator. He has lived and worked in New York City since 1982. A scenic route through the educational system included stops at Phillips Exeter Academy and the Massachusetts College of Art, and a BFA with honors from the Cooper Union for the Advancement of Science and Art in 1984. He lives with his partner, the painter Amy Park, and their son, Lark, in their studios in Long Island City, NY.
His work has been included in numerous exhibitions nationally. A mid-career retrospective, “Farther,” is currently on view at The Taubman Museum of Art in Roanoke, VA, through July, 2018. Recent solo exhibitions include “Paul Villinski: Burst” at the McNay Art Museum in San Antonio, TX and “Passage: A Special Installation,” at the Blanton Museum, University of Texas, Austin. Recent group shows include “Material Transformations” at the Montgomery Museum of Art, Montgomery, AL; “Re: Collection,” at the Museum of Arts and Design, New York, NY; “Making Mends,” at the Bellevue Museum of Arts, Bellevue, WA; and “Prospect .1,” an international Biennial in New Orleans, LA. “Emergency Response Studio,” a FEMA trailer transformed into an off-the-grid mobile artist...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Found Objects
Dead Eye #2
By Laura Tanner Graham
Located in New Orleans, LA
artwork dimensions (unframed): 37.5h x 13.5w inches
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing s...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Mylar, Ink
Dead Eye #1
By Laura Tanner Graham
Located in New Orleans, LA
artwork dimensions (unframed): 37.5h x 13.5w inches
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing s...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Mylar, Ink
Natural Lure
By Laura Tanner Graham
Located in New Orleans, LA
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society.
Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ.
STATEMENT
Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened.
Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism.
The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Mylar, Ink
Brotherly Love
By Trenity Thomas
Located in New Orleans, LA
edition 1/7
TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Archival Pigment
Untitled (Merged III)
By Nikki Rosato
Located in New Orleans, LA
medium: hand cut road map
Nikki Rosato earned her MFA from the School of the Museum of Fine Arts, Boston in 2013. Prior to studying at SMFA, Rosato received a Bachelor of Arts deg...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Ode to Metsys
Moneylenders
By E2 - Kleinveld
Julien
Located in New Orleans, LA
24 x 24 inches - Edition 1 of 5 with 2 APs
framing is an additional $420.
Shot in 2013 in Amsterdam
Inspired by Metsys’ Moneylenders, 1514
Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld...
Category
2010s Contemporary Louisiana - Art
Materials
Archival Pigment
IBM
By Skylar Fein
Located in New Orleans, LA
Skylar Fein was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...
Category
21st Century and Contemporary Pop Art Louisiana - Art
Materials
Aluminum
$12,500
Present
By Trenity Thomas
Located in New Orleans, LA
edition 1/5
TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Archival Pigment
Sidewalk Steppers
By Trenity Thomas
Located in New Orleans, LA
edition 2/5
TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Archival Pigment
Chicken (green agate)
By Artemis Antippas
Located in New Orleans, LA
edition 1/5
Antippas’ photographic series, Chicken, is an interpretation of the exceptional, yet contrastive people that make up New Orleans. The portraits of Popeyes chicken legs d...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Archival Pigment
Having two sides
By Barbara Kuebel
Located in New Orleans, LA
edition 1/5
BARBARA KUEBEL is a Daphne, AL-based artist who uses oil and pencil for her works on paper and on canvas. She was born and raised in Austria and earned two art degrees f...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Paper, Woodcut
Urban Foxes
By Sibylle Peretti
Located in New Orleans, LA
kiln cast glass, pigments, crystal inlay
Category
2010s Contemporary Louisiana - Art
Materials
Glass
Love
By Trenity Thomas
Located in New Orleans, LA
edition 1/5
TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Archival Pigment
$1,250
Back to Back
By Trenity Thomas
Located in New Orleans, LA
edition 1/7
TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Archival Pigment
"I
m gonna explain it"
By Barbara Kuebel
Located in New Orleans, LA
edition 1/5
BARBARA KUEBEL is a Daphne, AL-based artist who uses oil and pencil for her works on paper and on canvas. She was born and raised in Austria and earned two art degrees f...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Paper, Woodcut
BLM Protest
By Trenity Thomas
Located in New Orleans, LA
edition 1/5
TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Archival Pigment
Purple Heart
By Esperanza Cortes
Located in New Orleans, LA
The artist says of her work...
Arrested Symphony is an exhibition incorporating sculptures, reliefs, drawings and hanging works that explore the theme of injustice that is at the roots of the predatory gem and mineral excavation industry. While at a residency in Knoxville, Tennessee, I discovered that Oakridge was only 30 miles away. Oakridge played a key role in the development of the Atom Bomb and the Manhattan Project. I began an exploration and comparison of Uranium and Emeralds. These minerals look very much alike, beautiful but dangerous on their effect on civil conflict. Colombia my birthplace, has the finest Emeralds in the world. The mining of Emeralds was an important element in the continued colonization of the region. Emeralds have helped to fund the more than 60-year conflict which has taken over 450,000 lives and displaced about 5.7 million people. Uranium has brought destruction to a level which altered the future of warfare. The developments made during the Manhattan Project led to the death of about 700,000 people and its effects are still felt around the world. I use Colombia as an example, however this situation is repeating itself in many parts of the world. Sierra Leone, Liberia, the Republic of Congo, the Central African Republic and the Democratic Republic of Congo are all involved in brutal civil conflicts fueled by Blood Diamonds. This project will make visual the human cost extracted with these minerals, once exposed to the light of day they can never be unearthed.
My practice is an ongoing object-based exploration through which I create artworks which are organic and improvisational constructions that are infused with hope and renewal. The hand-crafted artworks are poetically and intricately crafted, creating an intimate repository for the individual and collective memory and implement the human body as a symbol and expression of nature, vulnerability and power. The work encourages viewers to reconsider social and historical narratives especially when dealing with the aftermath of Colonialism and raises critical questions about the politics of erasure and exclusion.
ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues including Smack Mellon Gallery, Neuberger Museum of Art, Bronx Museum of Art, Queens Museum, El Museo Del Barrio, MoMA PS1, Socrates Sculpture Park and White-box Gallery in New York City. Nationally Cortes exhibitions include Cleveland Art Museum, OH, CSU Galleries at Cleveland University, OH, Helen Day Art Center, VT and The Lorenzo Homar...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Metal
Chicken (yellow barite)
By Artemis Antippas
Located in New Orleans, LA
edition 3/5
Antippas’ photographic series, Chicken, is an interpretation of the exceptional, yet contrastive people that make up New Orleans. The portraits of Popeyes chicken legs d...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Archival Pigment
Ode to Suvée
s The Invention of the Art of Drawing
By E2 - Kleinveld
Julien
Located in New Orleans, LA
Edition 1 of 3, 2 APs
Large Size: 36 x 17.25 inches
STATEMENT:
e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from t...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Archival Pigment
Spine/Bit
By Gina Phillips
Located in New Orleans, LA
GINA PHILLIPS is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Wool, Thread, Acrylic
Corazón Plateado/ Silver Heart
By Esperanza Cortes
Located in New Orleans, LA
ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues including Smack Mellon Gallery, Neuberger Museum of Art, Bronx Museum of Art, Queens Museum, El Museo Del Barrio, MoMA PS1, Socrates Sculpture Park and White-box Gallery in New York City. Nationally Cortes exhibitions include Cleveland Art Museum, OH, CSU Galleries at Cleveland University, OH, Helen Day Art Center, VT and The Lorenzo Homar...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Metal
The Earliest Portrait of Everything
By Adam Mysock
Located in New Orleans, LA
after: the European Space Agency's Planck Observatory's imaging of Cosmic Microwave Background
Framed: 4h x 7.75w in
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 198...
Category
2010s Contemporary Louisiana - Art
Materials
Acrylic, Panel
Starry Camellia
By Margaret Evangeline
Located in New Orleans, LA
"Starry Camellia" is signed by the artist on the rear of the canvas.
MARGARET EVANGELINE received her MFA from the University of New Orleans (UNO) in 1978, where she was the first w...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Canvas, Oil
Blue Zippo
By Gina Phillips
Located in New Orleans, LA
GINA PHILLIPS is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of both regions influence her wo...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Fabric, Thread, Acrylic
Legends
By Tony Dagradi
Located in New Orleans, LA
My decades-long career in contemporary jazz directly informs my work as a visual artist. For me, music has always had a visual component, with the diverse elements of music suggesti...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Paper, Varnish
White Group 3
By Anastasia Pelias
Located in New Orleans, LA
In her studio practice, Pelias embraces a process that is both intuitive and deliberate. Her work moves from paintings on canvas and works on paper to site-specific installations, ob...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Canvas, Oil
Language 2
By Margaret Evangeline
Located in New Orleans, LA
MARGARET EVANGELINE received her MFA from the University of New Orleans (UNO) in 1978, where she was the first woman to graduate from the program. Margaret studied with Calvin Harlan...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Canvas, Oil
Get Out
By Nora See
Located in New Orleans, LA
NORA SEE grew up in Allentown, Pennsylvania, where, as a child, she taught herself to draw. She received a Bachelor of Fine Arts in Painting from the Corcoran College of Art and Design and a Master of Fine Arts from the University of New Orleans. She works and lives in New Orleans.
In her oil paintings, Nora See renders framed paintings on walls with which human figures interact. Through her classical painting style and the use of historical visual references, her pieces contrast the past with the present. By combining these temporal elements with the use of frames as containers, she explores themes of consumption, imprisonment, and liberation.
Nora’s work has been exhibited in a variety of venues and is also in the personal collection of Blake Lively and Ryan Reynolds.
The artist says of her work...
“Good artists borrow. Great artists steal.” A quote oft attributed to various sources that was never actually uttered by any of them. Though Mark Twain elaborated on the sentiment: “Ninety-nine parts of all things that proceed from the intellect are plagiarisms.” In the Framed Series, I use my 1% contribution to combine issues of consumption with my autobiography.
I paint copies of copies of paintings within paintings to reference the appropriation, commodification, and altered continuum of art. My paintings of paintings are based on photographs of originals to perpetuate the continual distillation of form, given the ease with which images are presently exchanged and modified. Further, by reducing historically significant paintings to framed objects...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Oil, Wood Panel
$10,000
Princess
By Nora See
Located in New Orleans, LA
NORA SEE grew up in Allentown, Pennsylvania, where, as a child, she taught herself to draw. She received a Bachelor of Fine Arts in Painting from the Corcoran College of Art and Design and a Master of Fine Arts from the University of New Orleans. She works and lives in New Orleans.
In her oil paintings, Nora See renders framed paintings on walls with which human figures interact. Through her classical painting style and the use of historical visual references, her pieces contrast the past with the present. By combining these temporal elements with the use of frames as containers, she explores themes of consumption, imprisonment, and liberation.
Nora’s work has been exhibited in a variety of venues and is also in the personal collection of Blake Lively and Ryan Reynolds.
The artist says of her work...
“Good artists borrow. Great artists steal.” A quote oft attributed to various sources that was never actually uttered by any of them. Though Mark Twain elaborated on the sentiment: “Ninety-nine parts of all things that proceed from the intellect are plagiarisms.” In the Framed Series, I use my 1% contribution to combine issues of consumption with my autobiography.
I paint copies of copies of paintings within paintings to reference the appropriation, commodification, and altered continuum of art. My paintings of paintings are based on photographs of originals to perpetuate the continual distillation of form, given the ease with which images are presently exchanged and modified. Further, by reducing historically significant paintings to framed objects...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Canvas, Oil
$8,125
#316
By Tiffany Calvert
Located in New Orleans, LA
This painting is based on Rachel Ruysch’s, Vase of Flowers, 1700. The painting contains an example of the Dutch tulip most prized during Tulipomania: Semp...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Canvas, Oil, Inkjet
$15,500
How long is forever
By Jenny Day
Located in New Orleans, LA
JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fa...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Canvas, Spray Paint, Acrylic, Color Pencil
The Gift II
By Esperanza Cortes
Located in New Orleans, LA
ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues ...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Glass, Ink, Handmade Paper
OF-Head25
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF
Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Paper, Acrylic
Reliquary, The Dead Photographed in Upper Derby PA
By Peter Olson
Located in New Orleans, LA
For the last six years, Peter Olson has harmonized photography and ceramics, two mediums that have forced their way into fine art. As bands of imagery spin around the thrown and asse...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Ceramic, Porcelain, Photographic Film
OF-Head22
By Adam Mysock
Located in New Orleans, LA
LOOKING AT STRANGERS TO FIND MYSELF
Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Paper, Acrylic
Untitled (Georgia I)
By Anastasia Pelias
Located in New Orleans, LA
In her studio practice, Pelias embraces a process that is both intuitive and deliberate. Her work moves from paintings on canvas and works on paper to site-specific installations, ob...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Paper, Charcoal, Ink
The Red Sentences
By Skylar Fein
Located in New Orleans, LA
SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Plexiglass, Plaster, Wood, Acrylic
Ode to Frida Kahlo
s Self-Portrait with Monkey
By E2 - Kleinveld
Julien
Located in New Orleans, LA
24 x 18 inches - Edition 1 of 5 with 2 APs
STATEMENT:
e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the histor...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Archival Pigment
Church of the Eggshell Plaintiff
By Skylar Fein
Located in New Orleans, LA
SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Plaster, Wood, LED Light, Acrylic, Latex
Days Since Last Hyperallergic Mention
By Skylar Fein
Located in New Orleans, LA
SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Plaster, Wood, Acrylic
I Have a Reason for Everything I Do (Red)
By Skylar Fein
Located in New Orleans, LA
SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Metal
Wahrheit, Schönheit, Güte (No Truth, No Beauty, No good)
By Skylar Fein
Located in New Orleans, LA
SKYLAR FEIN was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Plaster, Wood, Acrylic
Blue Blood
By Chris Barnard
Located in New Orleans, LA
A view of the sculpture in the entryway of the Yale Center for British Art. 'Blue Blood' is a nickname for Yale graduates, but as Nell Irvin Painter writes ...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Acrylic, Panel
Entrenched
By Maggie Evans
Located in New Orleans, LA
[b. 1980 – Denton, TX ::: lives & works – Savannah, GA]
MAGGIE EVANS is an artist based in Savannah, Georgia. She currently uses painting, drawing and installation to examine huma...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Canvas, Oil
After the After Party
By Aimée Farnet Siegel
Located in New Orleans, LA
Driven by her love of materials and process, New Orleans artist Aimée Farnet Siegel works with color, line, and form through the building and manipulation of paper, paint, and canvas...
Category
21st Century and Contemporary Abstract Louisiana - Art
Materials
Wood, Paper, Acrylic
Kicking and Screaming
By Chris Barnard
Located in New Orleans, LA
Based on one of the painting galleries at the Met, but with a fictionalized sculpture, the form of which is based on an iconic photo by Will Counts, capturing a white segregationist kicking Alex Wilson, a black journalist, in the head on Sep. 23, 1957. Alex Wilson was in Little Rock, AR, as the 'Little Rock Nine' attempted to enter the segregated public schools.
[b. 1977 – New York, NY ::: lives & works – New Haven, CT]
CHRIS BARNARD received his BA from Yale and his MFA from The University of Southern California (USC) in Los Angeles. Having previously held faculty positions at Denison University, Indiana University, and USC, Barnard is currently associate professor of art at Connecticut College in New London.
Barnard’s work has been shown in solo and group exhibitions in Los Angeles, New York, Chicago, and New Haven, among other locations, and can be found in public and private collections nationally and internationally. His work is represented by Fred Giampietro Gallery in New Haven, where he and his partner live.
artist statement
In my work I focus on white supremacy’s relationship to the privileged spaces of my experiences, such as private art and educational institutions. Amidst widening gaps in wealth and opportunity, discussions about race, power, justice and representation—across visual culture broadly—seem more relevant than ever.
In many of my compositions, which reference real sites, I have inserted fictional elements to raise questions about the allegiances and priorities of these institutions, as well as people—including myself—who have benefitted from, or continue to support them. The resulting works are representational, but through gestural passages and color and surface manipulation, I aim to suggest instability, corrosion and decay. In the end, I strive to make engaging paintings that suggest dissonance and ambivalence, that entice and challenge viewers, just as painting them does for me.
These paintings are rooted in my contemplating Whiteness and emerge from wrestling with the politics of painting—the connections and gaps between painting and lived experience. They also reflect: a love of paint, the act of painting, and the power of the painted image; a regard for practitioners past and present, as well as those for whom practice has not been possible; and an admission of painting’s complicity with hegemonic power. As always, my process remains driven by questions. In this case, questions like: What role does painting play in the face of concrete social crises? How can my paintings respectfully incorporate¬—rather than exploit—relevant and thought-provoking content and imagery? What does it mean to think about racism, dehumanization, injustice, etc., and then to paint such pictures, and in particular as a straight, White man?
These questions and this body of work owe much to the work of others, and most acutely to four scholars’ books in particular: The History of White People, by Nell Irvin Painter; Ebony and Ivy: Race, Slavery, and the Troubled History of America’s Universities by Craig Steven Wilder; The New Jim Crow: Mass Incarceration in the Age of Colorblindness, by Michelle Alexander; and White Rage, by Carol Anderson...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Canvas, Oil, Panel
Shooting Gallery
By Ruth Owens
Located in New Orleans, LA
RUTH OWENS was born in 1959 to a young German woman and a Black serviceman from Georgia. The nomadic military lifestyle of her childhood was complicated by restrictions to mixed fami...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Canvas, Oil
Another Season
By Bonnie Maygarden
Located in New Orleans, LA
BONNIE MAYGARDEN is a multimedia artist who received her MFA in Studio Arts from Tulane University. She attended Pratt Institute in New York, where she received her Bachelor's of Fin...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Canvas, Acrylic
Speculation
By Tony Dagradi
Located in New Orleans, LA
medium: hardcover book, acrylic varnish
My decades-long career in contemporary jazz directly informs my work as a visual artist. Music, for me, has always had a visual component, w...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Paper, Varnish
Low Front IV
By Laura Tanner Graham
Located in New Orleans, LA
[Tucson, AZ ::: b. 1987, Atlanta, GA]
LAURA TANNER GRAHAM's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes ...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Mylar, Ink
Excavation
By Tony Dagradi
Located in New Orleans, LA
medium: hardcover book, acrylic varnish
My decades-long career in contemporary jazz directly informs my work as a visual artist. Music, for me, has always had a visual component, w...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Paper, Varnish
Strange Shapes Revealed
By Tony Dagradi
Located in New Orleans, LA
medium: hardcover book, acrylic varnish
My decades-long career in contemporary jazz directly informs my work as a visual artist. Music, for me, has always had a visual component, w...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Paper, Varnish
Hail Mary
By Kat Flyn
Located in New Orleans, LA
I am paying homage to all those Black single parent moms who work menial jobs, often more than one, so their children can have a better life…Saints.
---
Kat Flyn is a self-taught a...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Mixed Media
$1,300
Oxalyl
By John Adelman
Located in New Orleans, LA
John Adelman was born in a small town in northwest Ohio in 1969. In 1992, he earned a BFA in painting, drawing and printmaking from Ohio State University in Columbus, Ohio. Upon graduating, he worked first for CM/SNP Printing, a local newspaper print shop, and then for Airwaves Inc. a t-shirt design silk screen-printing manufacturer for ten years, in which, it is estimated he produced over 12 million images during his tenure. In 2006, John earned his MFA from the University of North Texas in Denton, Texas. After moving to Houston, he worked with galleries in Santa Fe, New Mexico, Marfa Texas and Bradbury Gallery at Arkansas State University. John currently has representation by two galleries in Houston and Los Angeles. Adelman has been a finalist for the Hunting Art Prize, awarded by Hunting PLC, 3 times (in 2009, 2012, and 2014).
STATEMENT:
My work of drawing on canvas is an exploration of process, rules-based art. This procedure is comprised of a formula of specific actions based upon a variable circumstance and can be rooted in computer based algorithmic if, then statements. These procedural mandates are instituted from the beginning of a work and continue through its completion. The formula can dictate, structure, color, composition, scale and interior or exterior values. The formula not only controls my actions as the artist but likes organizes either the component parts of a (dismantled) object or the component parts of a single used dictionary. When the dictionary is put into play, I transcribe definitions from the 1979 Unabridged Webster's Encyclopedic Dictionary. I create dense, layered images of handwriting or convert letters of the definition into their numeric counterpart and proceed through the formula with the use of that number as a means a moving through the whole of the image. Primarily, the most used component is nails, an extension of the dismantled object, traced and sometimes labeled. Other works have included individual stitches from an entire embroidery, every part of a motorcycle, electric organ...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Acrylic
$3,750
Emerald City (1, 2, 3)
By Anastasia Pelias
Located in New Orleans, LA
[New Orleans, LA ::: b.1959 New Orleans, LA]
BIO
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of bo...
Category
21st Century and Contemporary Contemporary Louisiana - Art
Materials
Canvas, Oil
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