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Item Ships From: Maine
Great Pumpkin, Painting, Oil on Canvas
By Stephanie Berry
Located in Yardley, PA
The corn stalks are drying out and the pumpkin patch reigns. But which is the Great Pumpkin? This was done with quality oil paints on stretched linen a...
Category

2010s Contemporary Maine - Art

Materials

Oil

Jungle Leaves, Painting, Oil on Canvas
By Stephanie Berry
Located in Yardley, PA
This was inspired by the many house plants we have had over the years. They are tropical plants exiled to a New England home. Not always warm, humid or sunny. This is done with qu...
Category

2010s Contemporary Maine - Art

Materials

Oil

In the Harbor
By Earl Horter
Located in Wiscasset, ME
Born in Germantown, Pennsylvania, Earl Horter was a self-taught artist who began his career working in New York City as a draftsman at an advertising agenc...
Category

1920s Modern Maine - Art

Materials

Aquatint

Sunflower Garden, Painting, Oil on Canvas
By Stephanie Berry
Located in Yardley, PA
This painting is a memory of a garden of mixed sunflowers. It was done with quality oil paints and cold wax on linen. It is ready to hang. :: Painting :: Contemporary :: This piece...
Category

2010s Contemporary Maine - Art

Materials

Oil

dali and the lizard king, Drawing, Pencil/Colored Pencil on Watercolor Paper
By Edward Zelinsky
Located in Yardley, PA
From a series of spontaneous drawings :: Drawing :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed:...
Category

2010s Contemporary Maine - Art

Materials

Pencil

Parker Schoolhouse, Painting, Oil on Canvas
By Stephanie Berry
Located in Yardley, PA
A weathered old Maine one-room schoolhouse painted on stretched linen ready to hang. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity sig...
Category

2010s Impressionist Maine - Art

Materials

Oil

Turkey Girl
By Keith Hamilton
Located in Wiscasset, ME
Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...
Category

21st Century and Contemporary Post-Modern Maine - Art

Materials

Archival Pigment

Mother and Child
By Hendrik Maarten Krabbe
Located in Wiscasset, ME
Born in Amsterdam in 1868, Hendrick Maarten Krabbe attended the Academie des Beauz-Arts d’Amsterdam where he studied with August Allebe. Krabbe was known for his genre paintings, por...
Category

Early 1900s Realist Maine - Art

Materials

Watercolor

Still/Movement, Painting, Oil on Canvas
By Gayle Fitzpatrick
Located in Yardley, PA
Still/Movement is another in my series on thoughts about existence. I think about my own movements and stillness and my place in the world ,along with the commonality of each of o...
Category

21st Century and Contemporary Abstract Maine - Art

Materials

Oil

Replant, Painting, Oil on Canvas
By Stephanie Berry
Located in Yardley, PA
When a gardener yanks out one plant, its time to replant something else. Maybe in 5 years that too will become a problem and be replaced. The rewards and challenges of gardening. ...
Category

2010s Impressionist Maine - Art

Materials

Oil

Poppy Seed Heads, Painting, Oil on Canvas
By Stephanie Berry
Located in Yardley, PA
Even after the flowers are gone, poppy seed heads add so much interest to the garden. They're like salt shakers and seed so a new batch of poppies will gro...
Category

2010s Contemporary Maine - Art

Materials

Oil

See the Light?, Painting, Oil on Canvas
By Stephanie Berry
Located in Yardley, PA
This is a semi-abstract painting with layers and textures where the eye can travel and explore. This mystical woods scene is what emerged. This was done with quality oils and cold ...
Category

2010s Contemporary Maine - Art

Materials

Oil

composition 19 - Original Abstract Wood Sculpture
Located in Boston, MA
composition 19 21.0 x 72.0 x 3.0, 20.0 lbs Wood Founder's stamp Artist's Commentary: "Wood wall sculpture. This piece is based on a style I made for the Health Partners' Behavioral Science Building in St. Paul, MN. I work with wood like a painter works with oils and a sculptor with stone. From a distance, lines, shapes, contours and shadows are easily seen but when you move from side to side, the change in perspective alters the image like the features of a face when it turns. If a light source moves, shadows in the piece move with it like the sun moving across a landscape. As you approach the piece, shallow contours appear like swells on a lake and intricate patterns emerge. You can't help but touch the smooth flowing surface to feel the highly finished solid wood. The furniture grade modified tung oil allows that. It also makes my art easy to clean if necessary. The lines and shapes in my art are the natural colors of solid wood joined along curves. No inlays, veneers, dyes or stains are used." About the Artist: Marc Lamm is a self-taught wood-artist who has been art since 1973. In 1996, he began developing techniques which he uses in his art. In 2011, he began making wood-wall-sculptures and has pieces in Mayo...
Category

21st Century and Contemporary Abstract Maine - Art

Materials

Wood

from the sea, Painting, Oil on Canvas
By Edward Zelinsky
Located in Yardley, PA
This anthropomorphic creature came to visit a few weeks ago- I was as surprised as anyone. it's why I love to paint :: Painting :: Contemporary :: This piece comes with an official c...
Category

2010s Contemporary Maine - Art

Materials

Oil

if it wasn t love, Painting, Oil on Canvas
By Edward Zelinsky
Located in Yardley, PA
This is a triptych. 3 different oil paintings side by side. I often paint several canvases at once and it seems to lead me to a narrative. :: Painting :: Contemporary :: This piece ...
Category

Early 2000s Contemporary Maine - Art

Materials

Oil

Success Doesn t Mean You Can Fly, Painting, Oil on Canvas
By Anita Clearfield
Located in Yardley, PA
large figurative abstraction, oil and ink on canvas :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Ye...
Category

2010s Abstract Maine - Art

Materials

Oil

The Well Out Front, Painting, Oil on Canvas
By Stephanie Berry
Located in Yardley, PA
The old farmhouses may be abandoned and fall in or burn down but the dug wells out front usually remain. This old house was painted with quality oil paints and cold wax on stretched...
Category

2010s Impressionist Maine - Art

Materials

Oil

Without a Map, Kiyomizu Dera, Painting, Oil on Canvas
By Gayle Fitzpatrick
Located in Yardley, PA
Kiyomizu Dera in Kyoto occupies a place in my mind and heart, where it is always, Autumn, with red leaves falling, and silent and serene.Light, color, scent, and fleeting shapes of i...
Category

2010s Contemporary Maine - Art

Materials

Oil

January Afternoon Light, Painting, Oil on Canvas
By Gayle Fitzpatrick
Located in Yardley, PA
The painting developed from my walks at The Wells Reserve at Laudholm Farm in Wells, Maine. The yellow of the historic buildings and the stark Maine winter...
Category

21st Century and Contemporary Contemporary Maine - Art

Materials

Oil

Without a Map, Ogunquit Beach, Painting, Oil on Canvas
By Gayle Fitzpatrick
Located in Yardley, PA
Without a Map, Ogunquit Beach is from my series expressing place, time and memory. Place has influenced me during the most significant periods of my life, Though I have traveled thr...
Category

2010s Abstract Maine - Art

Materials

Oil

the gray room, Painting, Watercolor on Watercolor Paper
By Edward Zelinsky
Located in Yardley, PA
This is one of an ongoing series about things in the room that is my mind... :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by th...
Category

21st Century and Contemporary Contemporary Maine - Art

Materials

Watercolor

homage, Painting, Oil on Canvas
By Edward Zelinsky
Located in Yardley, PA
I had a hard time titling this because it just came from nowhere (the best place). Today I remembered a wonderful little film that I saw about Rousseau called "Always on Sunday". It was made by Ken...
Category

2010s Contemporary Maine - Art

Materials

Oil

heresy, Drawing, Pen Ink on Watercolor Paper
By Edward Zelinsky
Located in Yardley, PA
A Drawing :: Drawing :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature Location: ...
Category

Early 2000s Contemporary Maine - Art

Materials

Pen

Porch Sitter, Painting, Oil on Canvas
By Stephanie Berry
Located in Yardley, PA
I've worked on and off at painting people sitting. This woman sits on the edge of her porch. This is oil on linen, ready to hang. :: Painting :: Impressionist :: This piece comes w...
Category

2010s Impressionist Maine - Art

Materials

Oil

loverboy, Painting, Oil on Canvas
By Edward Zelinsky
Located in Yardley, PA
This is a recent original oil painting done at my new studio in Portland, Maine. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed b...
Category

2010s Contemporary Maine - Art

Materials

Oil

the list goes on, Drawing, Pen Ink on Watercolor Paper
By Edward Zelinsky
Located in Yardley, PA
I just draw them... the things that go through my mind these days... The medium was derived from reduced beet juice. Something original in this busy world? I think so... :: Drawin...
Category

21st Century and Contemporary Contemporary Maine - Art

Materials

Pen

Sidewalk Sitting, Painting, Oil on Canvas
By Stephanie Berry
Located in Yardley, PA
This is a young girl sitting on the sidewalk while a festival goes on around her. Oil on linen, can be hung as is, edges are not painted. :: Painting :: Impressionist :: This piece ...
Category

2010s Impressionist Maine - Art

Materials

Oil

Elliotsville, Painting, Oil on Canvas
By Stephanie Berry
Located in Yardley, PA
Out in the middle of the Maine woods is an old abandoned house sitting next to train tracks. I don't think a train comes through here anymore. :: Painting...
Category

2010s Impressionist Maine - Art

Materials

Oil

Sumac, Painting, Oil on Canvas
By Stephanie Berry
Located in Yardley, PA
Sumac plants turn a glowing red and gold in the fall. They make me think of mini-palm trees. Every fall their colors inspire me. :: Painting :: Abstract :: This piece comes with ...
Category

2010s Abstract Maine - Art

Materials

Oil

Last Stand, Painting, Oil on Canvas
By Stephanie Berry
Located in Yardley, PA
A strong bunch of sunflowers make their last stand as the summer ends. This was done with quality oil paints and cold wax on linen and is ready to hang. I...
Category

2010s Contemporary Maine - Art

Materials

Oil

August Arrangment, Painting, Oil on Canvas
By Stephanie Berry
Located in Yardley, PA
A bouquet of hydrangeas and flowering crab branches create a backdrop for random apples. This was done in a free style with quality oil paints on linen and is ready to hang. :: Pain...
Category

2010s Impressionist Maine - Art

Materials

Oil

Birches, Painting, Oil on Canvas
By Stephanie Berry
Located in Yardley, PA
This is an upward view of a clump of birches. This is painted with quality oil paints on linen and may be hung without a frame. :: Painting :: Impressionist :: This piece comes with...
Category

2010s Impressionist Maine - Art

Materials

Oil

Rough Seas, Mixed Media on Canvas
By Stephanie Berry
Located in Yardley, PA
Is that a ship? Did someone abandon their beach blanket? Is the tide coming in? This was done with quality oil paints, cold wax and bits of mica on linen. The edges are painted b...
Category

2010s Abstract Maine - Art

Materials

Mixed Media

Deer Food, Painting, Oil on Canvas
By Stephanie Berry
Located in Yardley, PA
These apple trees are stripped of their leaves and fruit. Their sucker branches reach high and the drops on the ground will be food for wild critters. This was done with quality oi...
Category

2010s Impressionist Maine - Art

Materials

Oil

now come with me, Drawing, Pen Ink on Watercolor Paper
By Edward Zelinsky
Located in Yardley, PA
Drawings can be like dreams that come alive. It's hard to explain them. Each time you look there is a different meaning and story. :: Drawing :: Classical :: This piece comes with an...
Category

Early 2000s Other Art Style Maine - Art

Materials

Pen

Uphill Man, Painting, Oil on Canvas
By Anita Clearfield
Located in Yardley, PA
abstract Sisyphean figure merges with landscape :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes ::...
Category

2010s Abstract Maine - Art

Materials

Oil

fan 19 - Original Abstract Wood Sculpture
Located in Boston, MA
fan 19 48.0 x 35.0 x 3.0, 17.0 lbs Wood Founder's stamp Artist's Commentary: "Wood wall sculpture. 48 inches wide. I work with wood like a painter works with oils and a sculptor with stone. From a distance, lines, shapes, contours and shadows are easily seen but when you move from side to side, the change in perspective alters the image like the features of a face when it turns. If a light source moves, shadows in the piece move with it like the sun moving across a landscape. As you approach the piece, shallow contours appear like swells on a lake and intricate patterns emerge. You can't help but touch the smooth flowing surface to feel the highly finished solid wood. The furniture grade modified tung oil allows that. It also makes my art easy to clean if necessary. The lines and shapes in my art are the natural colors of solid wood joined along curves. No inlays, veneers, dyes or stains are used." About the Artist: Marc Lamm is a self-taught wood-artist who has been art since 1973. In 1996, he began developing techniques which he uses in his art. In 2011, he began making wood-wall-sculptures and has pieces in Mayo...
Category

21st Century and Contemporary Abstract Maine - Art

Materials

Wood

Thin Ice, Painting, Oil on Canvas
By Anita Clearfield
Located in Yardley, PA
abstract, colorful oil on canvas :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes ::...
Category

2010s Abstract Maine - Art

Materials

Oil

Golem, Painting, Oil on Canvas
By Edward Zelinsky
Located in Yardley, PA
This graphical depiction of a Golem like figure is framed in sturdy pine by the artist. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity s...
Category

Early 2000s Contemporary Maine - Art

Materials

Oil

Bacon, Painting, Acrylic on Wood Panel
By Joe Rosshirt
Located in Yardley, PA
Mesmerized hungry dog fantasizing about bacon. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Ye...
Category

2010s Contemporary Maine - Art

Materials

Acrylic

HURRICANE, Painting, Oil on Wood Panel
By Edward Zelinsky
Located in Yardley, PA
I painted HURRICANE during one of our crazy nor'easters. Painted in oil on a birch plank. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticit...
Category

Early 2000s Contemporary Maine - Art

Materials

Oil

oil portrait, Painting, Oil on Wood Panel
By Edward Zelinsky
Located in Yardley, PA
Portrait of a Dutch friend :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Si...
Category

Early 2000s Contemporary Maine - Art

Materials

Oil

A Window or a Coffin, Painting, Oil on Canvas
By Anita Clearfield
Located in Yardley, PA
Colors and gestural paintwork define a reclining nude woman, her hand on her side, looking away at a rectangular shape of fields or darkness. Intentionally enigmatic. :: Painting :...
Category

2010s Abstract Maine - Art

Materials

Oil

stetl, Painting, Oil on Canvas
By Edward Zelinsky
Located in Yardley, PA
One of a large series featuring rural villages :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No ...
Category

Early 2000s Contemporary Maine - Art

Materials

Oil

logos, Painting, Oil on Canvas
By Edward Zelinsky
Located in Yardley, PA
As a former Catholic I cannot get the imagery of the faith out of my head or thoughts. The cross is a logo, a symbol for a brand and it haunts. This painting is just the most recent....
Category

2010s Contemporary Maine - Art

Materials

Oil

Almost Gone, Painting, Oil on Canvas
By Anita Clearfield
Located in Yardley, PA
A woman sits for now, but looks away, ready to leave. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to H...
Category

2010s Impressionist Maine - Art

Materials

Oil

angel angel, Mixed Media on Canvas
By Edward Zelinsky
Located in Yardley, PA
This painting/drawing has touch of real 24 carat gold. It was inspired by a trip to Italy (As is much of my stuff -Thanks Mr Del Monte!) :: Mixed Media :: Contemporary :: This piece ...
Category

Early 2000s Contemporary Maine - Art

Materials

Mixed Media

SACADURA CABRAL E GAGO COUTINHO - HOMENAGEM AOS HEROICOS AVIADORES.
Located in Portland, ME
Candido, Alfredo. SACADURA CABRAL E GAGO COUTINHO - HOMENAGEM AOS HEROICOS AVIADORES. Jornal do Europa, 1922. Two posters comemmorating the 1922 flight from Lisbon, Portugal to Rio d...
Category

1920s Maine - Art

Materials

Offset

heat, Painting, Oil on Wood Panel
By Edward Zelinsky
Located in Yardley, PA
This is from my visionary series. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Y...
Category

2010s Contemporary Maine - Art

Materials

Oil

Lead Me Down, Painting, Acrylic on Canvas
By Lisa Kellner
Located in Yardley, PA
Synthetic Polymer, Flashe, Embroidered Thread on Silk Organza over Wood with recessed painted Wood. Silk organza is stretched over custom designed wood stretcher bars to create an...
Category

2010s Contemporary Maine - Art

Materials

Acrylic

WARWICK, Painting, Oil on Canvas
By Edward Zelinsky
Located in Yardley, PA
This is a work of design and imagination. A vividly colored abstract with a "landscape" feel. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity...
Category

2010s Abstract Maine - Art

Materials

Oil

Landscape #17 (Dutch), Painting, Oil on Canvas
By Edward Zelinsky
Located in Yardley, PA
There is a certain dynamic in every landscape. It's a matter of taking things away to reveal the energy beneath. I tried to do that here. :: Painting :: Contemporary :: This piece co...
Category

Early 2000s Contemporary Maine - Art

Materials

Oil

Mogan David - Original Abstract Wood Sculpture
Located in Boston, MA
Mogan David 42.0 x 4.0 x 3.0, 17.0 lbs Wood Founder's stamp Artist's Commentary: "The maple lines emanate from the maple border in a purpleheart background and intersect to create the subtle Mogan David (Jewish star). I work with wood like a painter works with oils and a sculptor with stone. From a distance, lines, shapes, contours and shadows are easily seen but when you move from side to side, the change in perspective alters the image like the features of a face when it turns. If a light source moves, shadows in the piece move with it like the sun moving across a landscape. As you approach the piece, shallow contours appear like swells on a lake and intricate patterns emerge. You can't help but touch the smooth flowing surface to feel the highly finished solid wood. The furniture grade modified tung oil allows that. It also makes my art easy to clean if necessary. The lines and shapes in my art are the natural colors of solid wood joined along curves. No inlays, veneers, dyes or stains are used." About the Artist: Marc Lamm is a self-taught wood-artist who has been art since 1973. In 1996, he began developing techniques which he uses in his art. In 2011, he began making wood-wall-sculptures and has pieces in Mayo...
Category

21st Century and Contemporary Conceptual Maine - Art

Materials

Wood

Mannequin
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Category

2010s Romantic Maine - Art

Materials

Photogravure

Grace
Located in Los Angeles, CA
Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...
Category

2010s Romantic Maine - Art

Materials

Photogravure

Braided
Located in Los Angeles, CA
Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...
Category

2010s Romantic Maine - Art

Materials

Photogravure

Homage
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist. The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Category

2010s Romantic Maine - Art

Materials

Photogravure

Through Leaves
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Category

2010s Romantic Maine - Art

Materials

Photogravure

Twilight
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Category

2010s Romantic Maine - Art

Materials

Photogravure

Waiting for Tomorrow
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Category

2010s Romantic Maine - Art

Materials

Photogravure

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