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Item Ships From: Maine
"Feathers" Contemporary Photograph
By Keith Hamilton
Located in Wiscasset, ME
Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...
Category
21st Century and Contemporary Post-Modern Maine - Figurative Photography
Materials
Archival Pigment
Are We Really There?
By Keith Hamilton
Located in Wiscasset, ME
Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...
Category
2010s Post-Modern Maine - Figurative Photography
Materials
C Print
ICE CREAM CONES
By Martin Lewis
Located in Portland, ME
Lewis, Martim (American, born Australia, 1881-1962). ICE CREAM CONES. McCarron 78. Drypoint, 1928. Edition of 75, of which only 70 were printed. Signed in pencil, lower right. 9 3/4 ...
Category
1920s Maine - Figurative Photography
Materials
Drypoint
SPANISH WAKE
By W. Eugene Smith
Located in Portland, ME
Smith, W. Eugene (American, 1918-1978). SPANISH WAKE. Gelatin Silver, 1951 (printed later). Titled and signed in pencil on the mount. 8 5/8 x 13 1/8 inches. In excellent condition.
Category
Mid-20th Century Maine - Figurative Photography
Materials
Acrylic, Silver Gelatin
A Flickering
Located in Los Angeles, CA
A Flickering
Archival pigment print
Signed and dated by the artist
16 x 20 - edition of 10
20 x 30 - edition of 5
Flickering in the Midday Silver
Beyond the pane
a glimmer,
ba...
Category
2010s Romantic Maine - Figurative Photography
Materials
Photogravure
Mannequin
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone
black and warm sepia inks on Hahnemühle Copperplate paper.
Edition of 109
7 x 9 photopolymer gravure
Signed numbered and dated by the artist
Framing options available
The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although
much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking.
Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly
touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed,
fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays.
Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making.
Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine.
She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020.
Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Category
2010s Romantic Maine - Figurative Photography
Materials
Photogravure
Grace
Located in Los Angeles, CA
Archival pigment print
Signed and dated by the artist
16 x 20 - edition of 10
20 x 30 - edition of 5
Flickering in the Midday Silver
Beyond the pane
a glimmer,
barely perceived...
Category
2010s Romantic Maine - Figurative Photography
Materials
Photogravure
Braided
Located in Los Angeles, CA
Archival pigment print
Signed and dated by the artist
16 x 20 - edition of 10
20 x 30 - edition of 5
Flickering in the Midday Silver
Beyond the pane
a glimmer,
barely perceived...
Category
2010s Romantic Maine - Figurative Photography
Materials
Photogravure
Homage
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone
black and warm sepia inks on Hahnemühle Copperplate paper.
Edition of 109
7 x 9 photopolymer gravure
Signed numbered and dated by the artist.
The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although
much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking.
Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly
touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed,
fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays.
Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making.
Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine.
She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020.
Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Category
2010s Romantic Maine - Figurative Photography
Materials
Photogravure
Through Leaves
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone
black and warm sepia inks on Hahnemühle Copperplate paper.
Edition of 109
7 x 9 photopolymer gravure
Signed numbered and dated by the artist
Framing options available
The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although
much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking.
Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly
touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed,
fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays.
Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making.
Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine.
She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020.
Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Category
2010s Romantic Maine - Figurative Photography
Materials
Photogravure
Twilight
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone
black and warm sepia inks on Hahnemühle Copperplate paper.
Edition of 109
7 x 9 photopolymer gravure
Signed numbered and dated by the artist
Framing options available
The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although
much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking.
Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly
touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed,
fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays.
Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making.
Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine.
She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020.
Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Category
2010s Romantic Maine - Figurative Photography
Materials
Photogravure
Waiting for Tomorrow
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone
black and warm sepia inks on Hahnemühle Copperplate paper.
Edition of 109
7 x 9 photopolymer gravure
Signed numbered and dated by the artist
Framing options available
The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although
much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking.
Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly
touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed,
fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays.
Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making.
Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine.
She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020.
Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Category
2010s Romantic Maine - Figurative Photography
Materials
Photogravure
Poe
s Daughter
By Keith Hamilton
Located in Wiscasset, ME
Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...
Category
2010s Post-Modern Maine - Figurative Photography
Materials
Archival Pigment
By Two
Located in Los Angeles, CA
Archival pigment print
Signed and dated by the artist
16 x 20 - edition of 10
20 x 30 - edition of 5
Flickering in the Midday Silver
Beyond the pane
a glimmer,
barely perceived...
Category
2010s Romantic Maine - Figurative Photography
Materials
Photogravure
And There I Find Myself Waiting
Located in Los Angeles, CA
Archival pigment print
Signed and dated by the artist
16 x 20 - edition of 10
20 x 30 - edition of 5
Flickering in the Midday Silver
Beyond the pane
a glimmer,
barely perceived...
Category
2010s Romantic Maine - Figurative Photography
Materials
Photogravure
Offered
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone
black and warm sepia inks on Hahnemühle Copperplate paper.
Edition of 109
7 x 9 photopolymer gravure
Signed numbered and dated by the artist
Framing options available
The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although
much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking.
Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly
touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed,
fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays.
Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making.
Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine.
She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020.
Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Category
2010s Romantic Maine - Figurative Photography
Materials
Photogravure
Maiden
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone
black and warm sepia inks on Hahnemühle Copperplate paper.
Edition of 109
7 x 9 photopolymer gravure
Signed numbered and dated by the artist
Framing options available
The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although
much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking.
Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly
touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed,
fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays.
Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making.
Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine.
She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020.
Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Category
2010s Romantic Maine - Figurative Photography
Materials
Photogravure
Lola
s World
Located in Los Angeles, CA
These images are available as hand-pulled polymer photogravures, made with bone
black and warm sepia inks on Hahnemühle Copperplate paper.
Edition of 109
7 x 9 photopolymer gravure
Signed numbered and dated by the artist.
The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although
much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking.
Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly
touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed,
fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays.
Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making.
Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine.
She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020.
Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...
Category
2010s Romantic Maine - Figurative Photography
Materials
Photogravure
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By Denis Piel
Located in Wiscasset, ME
Award winning, internationally acclaimed photographer and filmmaker Denis Piel was born in France in 1944 and raised in Australia. Piel opened his first photography studio in Austral...
Category
1970s Maine - Figurative Photography
Materials
C Print
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