Manhattan - Drawings and Watercolor Paintings

Antoniucci Volti (French, 1915-1989) Untitled (Double Sided Portrait), 1969 Red chalk on paper 14 3/4 x 11 in. Each side signed: Volti Sculptor, painter, and printmaker Antoniucci Volti was born in Albano, Italy, in 1915. His family lived in there until 1920 when the family moved to France to stay. Volti studied at the Ecole des Arts Decoratifs in Nice from 1928 to 1920. By 1932 the young artist had won a gold medal for two polychrome bas-reliefs before going to Paris, where he entered the studio of Jean Boucher at the Ecole Nationale des Beaux-Arts in Paris at the age of only fifteen. After serving in the Second World War, when he was interned as a prisoner of war in Bavaria, he returned in poor health to Paris, only to find his studio destroyed. From 1947 he showed work at various Paris Salons and, in 1954 and 1955 at the Brussels and Antwerp Biennales. In 1957 a retrospective of his work was organized at the Museum Rodin in Paris. He died in Paris in 1989 Works by Volti are in leading museums such as the Musee National d'Art Modern...

Artist David Morrison creates hyperrealistic, finely detailed pencil drawings of found natural objects, both by observing the object itself under magnification, and also by working f...

Angela A’Court’s narrative and still life drawings use a simple and direct vocabulary to show the relationship of experience to expression of beauty and the quirkiness of every day m...

Gordon Hope Grant (1875-1962) created the watercolor entitled “The Lumber Wharf” in circa 1947. It is signed in the lower left 1 inch above the paper edge. The watercolor paper size ...

AMERICA'S CUP - 1967. WING MARK. INTREPID - DAME PATTIE [AUS]. This Joseph Webster Golinkin watercolor of the 1967 America's Cup depicts the...

ABOUT Matt Kinney was born in Georgetown, Massachusetts. He attended Pratt Institute and The School of the Museum of Fine Arts, graduating in 1998. After graduation, Kinney began in...

Unknown Artist Untitled (Country Home), 20th Century Watercolor and ink on paper 21 x 29 in. Framed: 28 1/4 x 36 1/16 x 3/4 in.

Mary Reilly's "Cherry Blossoms 4" (2025) is a 24 x 18-inch graphite pencil drawing that captures the delicate beauty of cherry blossoms. Reilly's meticulous technique involves layeri...

David Fredrik Moussallem’s mixed-media abstract paintings tell different “stories from the streets” and respond to urban landscape. His palette is soft, mainly using white, beige an...

Bernard Nacion Untitled (Money Is The Drug), Late 20th Century Acrylic on artist board 15 x 13 in. A Surrealist representation, this piece shows a syri...

Two Men on a Street Early 20th Century w/c Fauvism Social Realism American Scene Note: We have three similar in style works from 1911 available now on 1stDibs. All are framed identi...

Alexander P. Thomson, R.S.W. (Scottish, 1887-1962) Plockton (Ross-shire, Scotland), 20th century Watercolor on paper 15 x 22 in. Framed: 25 1/16 x 32 in. Signed lower left: A.P. Thom...

Finesse and delicateness are what best characterize Antonin Anzil’s artistic practice. Using a sharp tool to carefully pull the fiber of the paper from the front, the artist gives bi...

This gouache painting by Werner Drewes was created in 1942. Signed with a pen in the lower right. Cypher and date are just under the signature. Painted to the papers edge - the pap...

In Lilies 1, Elisabeth Condon captures the lush vitality of blossoms through her signature blend of ink and gouache. Broad washes of violet and black form a dramatic ground against w...

Amy Cheng’s Plan A is a vibrant mixed media work on paper that exemplifies her signature fusion of intricate patterning, kaleidoscopic geometry, and cultural hybridity. Drawing from ...

Linda Stein, Profile Palette 426.003 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Drawing Profile Palette 426.003 is from Linda Stein's Profiles series--drawings, collages an...

Linda Stein, Profile Palette 426.007 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Drawing Profile Palette 426.007 is from Linda Stein's Profiles series--drawings, collages and...

Linda Stein, Profile Palette 426.009 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Drawing Profile Palette 426.009 is from Linda Stein's Profiles series--drawings, collages and...

Linda Stein, Profile Palette 426.010 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Drawing Profile Palette 426.010 is from Linda Stein's Profiles series--drawings, collages and...

Linda Stein, Profile Palette 426.011 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Drawing Profile Palette 426.011 is from Linda Stein's Profiles series--drawings, collages and...

Linda Stein, Profile Palette 426.024 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Drawing Profile Palette 426.024 is from Linda Stein's Profiles series--drawings, collages and...

Finesse and delicateness are what best characterize Antonin Anzil’s artistic practice. Using a sharp tool to carefully pull the fiber of the paper from the front, the artist gives bi...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

Robert Kipniss (American, b. 1931) At Dawn, 1975 Pencil on paper 10 1/2 x 7 1/4 in. Framed: 14 2/3 x 11 1/3 in. Signed upper right: Kipniss '75 Verso bears Hirschl & Adler Galleries Label Robert Kipniss, painter and printmaker, was born in New York City in 1931. He creates essentially monochromatic*, stylized vistas with natural and architectural elements intended to evoke an elegiac, nearly surrealistic mood in haunting, silent landscapes; the melancholy of nostalgia. Trees, in mid and far-distance, form clusters or act as misty individuals containing a haunted, indefinable presence, witnesses to the foreground drama of more specific shape, form and detail, often a close-up tree. Kipniss studied at the Art Students League* in 1947; Wittenberg University in Springfield, Ohio, 1948-50; and the University of Iowa, receiving a BA degree in English literature in 1952, and an MFA in painting and art history in 1954. The artist employs a meticulous technique combining a multiplicity of specific strokes, whether with brush, pencil or print-maker's needle and burin*, to create the essence of his generalized, non-specific forms. Light and darkness are clearly Kipniss' compositionally constructive elements. They also exist as contestants in the emotional drama at the heart of each work of art. The contrast, and sometimes combat, between these two opposites, symbolically represent with blackness -- ideas of threat, fear, trouble, evil; with whiteness safety, redemption, fulfillment and good. In Kipniss' 1995 mezzotint*, Clear Vase and Landscape, with a foreground image of precisely leafy stalks, the vase holding them, nearly invisible in its transparency, suggests an almost Salvador Dali-like surrealist device. This central image dominates but seems to invite association with, and commentary from, the surrounding clumps and individual round-topped, yet cedar-like trees. His mezzzotint, For Stella," 1997, depicts a gently twisting, curving, pale and smoothly-barked foreground, leafless tree limb or trunk, like a female human body, suggesting weakness, fatigue, an inability to deal with the staccato background screen of textured bush that seems to uncomfortably impinge upon it. This print is arguably a metaphor for a delicate soul struggling to overcome the prickly difficulties of domineering life. The classic mezzotint process, invented in the middle of the 17th Century, is the reverse of most of the other print-making media, since the artist works from a black ground to increasingly lighter areas. The copper plate is first roughened by a "rocker," creating a burr over the entire surface (the more burr left intact, the more ink it holds, the darker the final finished print). The artist, Robert Kipniss, in this instance, gradually burnishes, smoothes down the burr in varying degrees to produce the gradations of lights and darks of the final design. The deepest darks in the final picture are those areas on the plate that have been little touched after the initial roughening. Mezzotint relies on shade and tone rather than outline for its effect, which fits the Kipniss style of atmospheric* masses of value. A recent oil painting by Robert Kipniss, Hillside Silhouettes, 2001, 40 x 29, is somewhat more complex in composition than many, with four cubically-constructed houses each set in their own zones, seemingly unrelated to one another, with receding hills and similarly isolated, increasingly misty trees beyond. In his career, Robert Kipniss has had over 40 one-man shows since the first in New York in 1951, including an important retrospective exhibition at the Associated American Artist Gallery, New York in 1977. Many of these one-man exhibitions have been mounted by over 50 museums in the United States, South America and Europe, including the Chicago Art Institute, Metropolitan Museum of Art, Museum of Modem Art, Whitney Museum of American Art, Library of Congress and British Museum in London. Robert Kipniss is represented in the permanent collections of the institutions above, among many others, as well as the Philadelphia Museum of Art; New York Public Library; Museum of Fine Arts, Boston; Detroit Art Institute; Yale University Museum; National Collection of Fine Arts, Smithsonian Institution; Museum of Fine Arts, Houston; Los Angeles County Museum of Art; Portland Art Museum; and the New Orleans Museum of Art. He was elected to the National Academy of Design* in 1980, and to the Royal Society of Painter-Printmakers, London in 1998 Robert Kipniss can be referenced in numerous publications, including Who's Who in American Art from the 1950s to the present, and multiple reviews in periodicals like Art News, Art in America and Art Forum. There are also three important catalogues raisonne published on his work. Robert Kipniss has received many awards: 1965 - Ohio University National Drawing Show, Purchase Prize 1976 - National Academy of Design, New York City, The Ralph Fabri Prize 1978 - The Print Club of Philadelphia, Charles M Lea Prize 1979 - Charlotte Printmakers Society, Purchase Award 1979 - Society of American Graphic Artists, Printmaking Award 1979 - Wittenberg University, Springfield, OH, Honorary Doctorate 1980 - Elected to the National Academy of Design, New York City 1980 - Audubon Artists, New York City, Silver Medal 1980 - National Academy of Design, New York City, The Leo Meissner...

Antoniucci Volti (French, 1915-1989) Untitled, 1969 Red chalk on paper 14 3/4 x 11 in. Signed: Volti Sculptor, painter, and printmaker Antoniucci Volti was...

Wheeler Williams (American, 1897-1972) Untitled (Study of Three Graces), 1947 Pencil on paper 9 1/4 x 12 1/4 in. Signed lower right: Wheeler Williams, 1947 A native of Chicago, Wheeler Williams is known for his allegorical, narrative work including "Tablets to Pioneers" on the Michigan Avenue bridge in Chicago, and "Settlers of the Seaboard" in Fairmount Park in Philadelphia. He graduated with...

SACHA (American, b. 1965) Woman and Chair, 2006 Lithograph 20 x 16 in. Signed and inscribed lower right: Sacha '08 NYC "Woman and Chair" Numbered lower left: 1/13 Alejandro Jose Fra...

Self Portrait in Front of Easel Graphite on paper 4 x 9 inches (10.2 x 22.9 cm) $1,525 This work is offered by ClampArt in New York City.

Finesse and delicateness are what best characterize Antonin Anzil’s artistic practice. Using a sharp tool to carefully pull the fiber of the paper from the front, the artist gives bi...

Linda Stein, Profile Flying 446.155 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.155 is from Linda Stein's Profiles series--drawings, collages and paintin...

Wheeler Williams (American, 1897-1972) Study for Dawn, 1947 Pencil on paper 9 1/4 x 12 1/4 in. Signed lower right: Wheeler Williams, 1947 Inscribed: Study fo Dawn [illegible] "Dawn & Twilight" A native of Chicago, Wheeler Williams is known for his allegorical, narrative work including "Tablets to Pioneers" on the Michigan Avenue bridge in Chicago, and "Settlers of the Seaboard" in Fairmount Park in Philadelphia. He graduated with honors...

This graphite drawing by Mary Reilly captures the delicate beauty of blossoms she encountered on a walk in Vermont. Reilly, known for her mastery of graphite pencil, transforms ordin...

"Under and Behind" Contemporary artist Thomas Roese, inspired by the industrial landscape of steel mills, rail yards, architectural details, and urban neighborhoods surrounding him,...

Attributed to Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Watercolor and graphite on paper Largest: 24 x 18 in. Smallest: 22 3/4 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...

Sailor Painting 2003 Signed and dated, l.r. Watercolor on paper 10.5 x 13.5 inches, matted 19 x 23 inches, framed This work is offered by CLAMP in...

Todd Siler (American, b. 1953) Untitled, c. Late 20th Century Pen/ink on paper Framed: 32 3/4 x 24 in. Signed verso The following, submitted August 2005, is from the artist. The Am...

Pastel on paper 20 1/2 x 28 1/2 in. Framed: 30 1/2 x 38 1/2 in. Signed lower right: ME...

Linda Stein, Profile Solid 383.063 - Signed Feminist LGBTQ+ Acrylic and Goauche on Paper Drawing Profile Solid 383.063 is from Linda Stein's Profiles series--drawings, collages an...

Linda Stein, Profile Solid 383.065 - Signed Feminist LGBTQ+ Acrylic and Goauche on Paper Drawing Profile Solid 383.065 is from Linda Stein's Profiles series--drawings, collages an...

Linda Stein, Profile Solid 383.066 - Signed Feminist LGBTQ+ Acrylic and Goauche on Paper Drawing Profile Solid 383.066 is from Linda Stein's Profiles series--drawings, collages an...

Linda Stein, Profile Solid 383.070 - Signed Feminist LGBTQ+ Acrylic and Goauche on Paper Drawing Profile Solid 383.070 is from Linda Stein's Profiles series--drawings, collages an...

Linda Stein, Profile Solid 383.071 - Signed Feminist LGBTQ+ Acrylic and Goauche on Paper Drawing Profile Solid 383.071 is from Linda Stein's Profiles series--drawings, collages an...

Linda Stein, Profile Solid 383.077 - Signed Feminist LGBTQ+ Acrylic and Goauche on Paper Drawing Profile Solid 383.077 is from Linda Stein's Profiles series--drawings, collages an...

Finesse and delicacy are what characterize best Antonin Anzil’s artistic practice. Paper as a medium seems incompatible with the idea of engraving or sculpturing; and yet. Using a sh...

Unknown Artist Untitled, c. 1960s Ink on paper Sight size: 10 x 7 in. Framed: 15 1/4 x 12 1/4 in. Signed illegibly lower right: Jack Bl...?

This is a drawing by Paul Cadmus offered by CLAMP in New York City. Five Female Nudes n.d. Signed, u.r. Color crayon on paper 10.5 x 18.5 inches (26.7 x 47 cm), sheet

Mark Beard Portrait of Michael Feingold 1993 Signed and dated, l.l. Conté crayon and charcoal on paper 11 x 7.5 inches This work is offered by CLAMP in New York City.

Untitled (Little Girl with an Umbrella), 1998 Watercolor on paper Sight: 19 1/2 x 15 1/2 in. Framed: 19 2/3 x 23 x 3/4 in. Signed lower right: Cecil '98

This drawing by Zachari Logan is offered by CLAMP in New York City.

Bernard Nacion Untitled (DeBeers), Late 20th Century Mixed media on artist board 19 3/4 x 15 in. This illustration shows a woman wearing a sparkling di...

SACHA (American, b. 1965) La Sevillana, 2004 Pencil on paper 20 x 16 in. Signed lower right: Sacha '04 Inscribed lower left: "La Sevillana" Alejandro Jose Franco or better known as ...

SACHA (American, b. 1965) Two Pears in Love, 2008 Pencil on paper 20 x 16 in. Signed lower left: Sacha 2008 NYC Inscribed lower right: "Two Pears In Love" Alejandro Jose Franco or b...

Mystery Artist Untitled (Moths and Pots), c. Late 20th/Early 21st Century Pastel and pencil on paper Sight: 11 3/4 x 11 1/4 in. Framed: 18 x 17 1/4 x 7/8 in. Signed lower right

Mainau, 19th Century Watercolor on paper 7 1/4 x 5 1/8 in. Mat: 11 x 8 3/4 in. Inscribed lower left: Mainau IV.12 Inscription verso Mainau is an island in Lake Constance (on the Sou...

Two Navajo Colored Pencil drawings by Lois Rogers, New Mexico. Sight size: 3 x 4 2/3 in. Framed: 5 3/4 x 7 1/8 in. Both signed lower right, and inscribed verso: colored pencil, Lo...

Untitled, c. 20th Century Pastel on paper Sight: 21 1/2 x 31 in. Framed: 24 1/4 x 34 1/2 x 1 1/4 in. Signed lower left

Seymour Meyer (American, 1914-2009) Untitled, c. 21st Century Permanent marker on paper 28 x 22 in. Signed: S. Myer A hand surgeon who broke into the arts later in life, Seymour Mey...

Untitled (Double-Amputee with Gun) Signed, l.r. Ink, watercolor, and root beer on paper 12.5 x 9.75 inches, image This work is offered by CLAMP in New York City.