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Manhattan - Still-life Drawings and Watercolors

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Item Ships From: Manhattan
Intertwining Vines, 2025
By Marilla Palmer
Located in New York, NY
Marilla Palmer Intertwining Vines, 2025 watercolor, embroidery, pressed flowers, Durabright prints on Arches paper 30 x 22 in. (pal265) Marilla Palmer lives and works in Brooklyn, N...
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Sequins, Watercolor

"Kissing the Stamen" 2025
By Marilla Palmer
Located in New York, NY
Marilla Palmer Kissing the Stamen, 2025 watercolor, sequins, pressed petals, Durabrite prints, stitching on Arches cold press paper 30 x 22 in. (pal255) Marilla Palmer lives and wo...
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Gold Leaf

Snapshot Series No. 2 (Iris), photorealist colored pencil still life drawing
By David Morrison
Located in New York, NY
David Morrison's freshly bloomed Magnolia and Iris drawings further his play with artifice and hyperrealism. Cream and rose-colored blossoms seem to jump boldly from their branches. ...
Category

2010s Photorealist Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Color Pencil

"Euphoria" 2025
By Marilla Palmer
Located in New York, NY
Marilla Palmer Euphoria, 2025 watercolor, gold leaf, pressed flowers, sequins, holographic vinyl, Durabrite prints, mushroom spores, millinery velvet, stitching on Arches cold press ...
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Gold Leaf

Amaryllis, Flower Painting, Bold Red Botanical Artwork, 16 x 16 Inches, Framed
By Elisabeth Condon
Located in New York, NY
Elisabeth Condon’s Memorial Flowers series reimagines the still life as a meditation on memory, impermanence, and renewal. Using gouache and ink, she stages vibrant floral arrangemen...
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Ink, Gouache, Handmade Paper

Marilla Palmer "Parrot, Poppy, and Lily" Pressed Flowers on Paper
By Marilla Palmer
Located in New York, NY
"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Sequins, Mixed Media, Watercolor

Unique hand signed flower drawing on Michael Jackson Bubbles print from SFMOMA
By Jeff Koons
Located in New York, NY
JEFF KOONS Original Flower drawing on Michael Jackson and Bubbles poster (Hand Signed), 1992 Drawing done in marker on offset lithograph 25 × 39 inches Hand signed and dated '92 in b...
Category

1990s Pop Art Manhattan - Still-life Drawings and Watercolors

Materials

Felt Pen, Permanent Marker, Lithograph, Offset

"Heavy Bounty" 2025 oil on yupo 38 x 25 in.
By Tess Michalik
Located in New York, NY
Tess Michalik Heavy Bounty, 2025 oil on yupo 38 x 25 in. (mic035)
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Oil

George Drittler, (Still Life)
Located in New York, NY
British-born, New Jersey-based, George Drittler was primarily know for landscapes. In this still life that expansive approach serves him well. Richly drawn, with pottery, books and a...
Category

Mid-20th Century American Modern Manhattan - Still-life Drawings and Watercolors

Materials

Watercolor

Orange Envelope, Watercolor and pencil realist still life, 2016
By Margot Glass
Located in New York, NY
Margot Glass explores the fragility of communication, and people’s natural drive to find narrative in even the most ordinary of objects. In her Envelopes series, Glass works in water...
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Watercolor, Illustration Board, Pencil

"Floral Escapades 1 2" 2025 Oil on yupo 38 x 25 in.
By Tess Michalik
Located in New York, NY
Tess Michalik Floral Escapades 1 & 2, 2025 Oil on yupo 38 x 25 in. (mic032)
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Oil

19th century American watercolor - Flowers Butterfly Alps Switzerland Germany
Located in Aartselaar, BE
This beautiful and vibrant 19th century American watercolor is an hommage by Paul de Longpré to the Alps, as it features a rich variety of Alpine flowe...
Category

Late 19th Century Manhattan - Still-life Drawings and Watercolors

Materials

Watercolor

Original Flower Drawing inscribed signed twice bound in Whitney Museum monograph
By Jeff Koons
Located in New York, NY
Jeff Koons Original Flower Drawing (signed twice), 2016 Original, hand signed drawing inscribed to Nadine, done with silver sharpie, and held in hardback monograph with dust jacket, ...
Category

2010s Pop Art Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Mixed Media, Permanent Marker, Lithograph, Offset

"Caught" 2025 watercolor on paper
By Katie DeGroot
Located in New York, NY
Katie DeGroot Caught, 2025 watercolor on paper 40 x 26 in. (groo122)
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Watercolor

"This Way More Than That" 2025, watercolor on paper
By Katie DeGroot
Located in New York, NY
Katie DeGroot This Way More Than That, 2025 watercolor on paper 50 x 60 in. (groo121)
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Watercolor

Samantha Haring "Opaque - Chalk Pastel on Paper
Located in New York, NY
"I make quiet paintings in a noisy world. My work is an intimate meditation on humble objects and the detritus of studio life. I aim to promote a reengagement with the mundane while ...
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Chalk, Pastel

"Butterfly Altar" 2025 Oil on yupo 38 x 25 in.
By Tess Michalik
Located in New York, NY
Tess Michalik Butterfly Altar, 2025 Oil on yupo 38 x 25 in. (mic033)
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Oil

Jeff Koons Original Signed Inscribed Flower Drawing and Limited Edition Plate
By Jeff Koons
Located in New York, NY
Mixed Media Boxed Set includes original signed and inscribed drawing plus limited edition plate held in bespoke Bernardaud presentation plate Jeff Koons ...
Category

2010s Pop Art Manhattan - Still-life Drawings and Watercolors

Materials

Porcelain, Mixed Media, Permanent Marker

Samantha Haring "Cover" - Chalk Pastel on Paper
Located in New York, NY
"I make quiet paintings in a noisy world. My work is an intimate meditation on humble objects and the detritus of studio life. I aim to promote a reengagement with the mundane while ...
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Chalk, Pastel

Pomegranate Section, Hyperreal Red Fruit Drawing in Colored Pencil on Paper
By David Morrison
Located in New York, NY
This striking colored pencil drawing by David Morrison showcases his unrivaled mastery of the medium. Rendered with extraordinary precision, this larger-than-life section of pomegran...
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Archival Paper, Color Pencil

Garden Flowers
By Charles Demuth
Located in New York, NY
Charles Demuth was one of the most complex, talented, and deeply sensitive artists of the American modern period. Whether he was painting floral still lifes, industrial landscapes, or Turkish bathhouses, art was, for Demuth, fraught with personal meaning. A fixture of the vanguard art scene in New York, Demuth navigated the currents of Modernism, producing some of the most exquisite watercolors and original oil paintings in twentieth-century American art. Demuth was born in Lancaster, Pennsylvania, the only child of a well-to-do family. He had an awkward and introverted childhood shaped by a childhood illness, Perthes, a disease of the hip that not only left him permanently lame, but, as part of the “cure,” bedridden for two years in the care of his mother. This long period of incapacitation had a deep impact on Demuth, who came to see himself as an invalid, an outsider who was different from everyone else. It was perhaps during this period of indoor confinement that his keen interest in art developed. Several relatives on his father’s side had been amateur artists, and, following his convalescence, his mother encouraged his artistic pursuits by sending him to a local painter for instruction. The majority of his early pictures are of flowers, a subject for which Demuth maintained a lifelong passion. Following high school, Demuth enrolled at the Drexel Institute of Art in Philadelphia, a school renowned for its commercial arts program. He advanced through the program rapidly, and, in 1905, at the encouragement of his instructors, he began taking courses at the Pennsylvania Academy of the Fine Arts. The two leading teachers then at the Academy were William Merritt Chase and Thomas Anshutz. Anshutz, himself a former student of Thomas Eakins, was well liked by his students, and is best known as the teacher of Robert Henri, John Sloan, and several of the other artists of the Ashcan School. Demuth, too, adopted a similar idiom, working in a controlled, realistic manner while at the Academy, where he remained until 1910. In 1907, Demuth made his first trip to Europe, staying in Paris. He spent time on the periphery of the art scene composed of the numerous American artists there, including John Marin and Edward Steichen. He returned to Philadelphia five months later, and immediately resumed courses at the Academy. Despite his introduction to advanced modern styles in Europe, Demuth’s work of this period retains the academic style he practiced before the trip. It wasn’t until he had summered at New Hope, Pennsylvania, in 1908 and 1911, that his style began to evolve. New Hope was a prominent American Impressionist art colony whose members were largely affiliated with the Pennsylvania Academy. Demuth dropped the conservative tone of his style and adopted a freer and more colorful palette. Although he remained based in Philadelphia, Demuth frequently went to New York during this period. Many of the same American artists of the Parisian art scene Demuth had encountered on his earlier European trip now formed the nucleus of New York’s avant-garde, which centered around Alfred Stieglitz’s 291 gallery. It wasn’t long before Demuth began to apply modernist-inspired strategies to his work. He was particularly influenced by the watercolor work of John Marin, also a former student of Anshutz, whose bold use of color in the medium Demuth freely adapted into looser washes of color. In 1912, Demuth again left for Paris, this time studying in the Académie Moderne, Académie Colorossi, and Académie Julian. In Paris Demuth met the American modernist Marsden Hartley. Hartley, a principal figure in the expatriate art circle, acted as a mentor to Demuth, and introduced him to the wide array of modern styles currently practiced in Europe. Hartley also introduced Demuth to many of the members of the Parisian avant-garde, including Gertrude Stein. Demuth was an aspiring writer, and he spent many hours in conversation with Stein. He wrote extensively during this period, and published two works shortly after his return to America. He also developed an interest in illustrating scenes from literary texts. From 1914 to 1919, Demuth produced a series of watercolors of scenes from books such as Emile Zola’s Nana and Henry James’s The Turn of the Screw. Upon his return to America, Demuth settled in New York. In 1914, Demuth had his first one-man show at Charles Daniel’s gallery, which promoted emerging modern American artists, including Man Ray, Rockwell Kent, Yasuo Kuniyoshi, Stuart Davis, and Max Weber. Demuth drew closer to the artistic vanguard in New York, becoming friends with many in the Stieglitz and Daniel circles, including Georgia O’Keeffe, Marcel Duchamp, Carl Van Vechten, and Edward Fiske. New York’s cosmopolitan atmosphere and active nightlife appealed greatly to Demuth. In a sketchy style well suited to watercolor, he painted many vaudeville and circus themes, as well as nightclub, café, and bathhouse scenes. Often with Duchamp, Demuth took part in an urban subculture replete with nightclubs, bars, drugs, and sexual permissiveness, which, for a homosexual artist like himself, allowed room for previously unattainable personal expression. Demuth’s pictures of sailors, bathhouses, and circus performers embody a sensual and sexual undercurrent, expressing the artist’s sense of comfort and belonging in the bohemian subculture of New York. Simultaneously, Demuth deepened his interest in floral pictures, painting these almost exclusively in watercolor. His style evolved from the broad color washes of his earlier pictures to more spare, flattened, and sinuous compositions, inspired by the drawings of Aubrey Beardsley and other artists of the Aesthetic Movement. Demuth’s flower watercolors are moody and atmospheric, sensuous and elegant, introspective and yet full of expressive power. Moreover they are beautiful, and are unequivocally among the finest still lifes in American art. Despite numerous subsequent artistic undertakings that led him in a variety of directions, Demuth never stopped painting flower pictures, ultimately adding fruits and other still-life objects to his repertoire. In 1916, Demuth began to develop a style later known as Precisionism, a form of landscape painting infused with Cubism, in which space is divided into precisely drawn geometric regions of color. Demuth first began to paint the landscape in an appropriated Cubist mode while on a trip with Hartley to Bermuda. In these early landscapes, in which the curvilinear forms of trees intersect the geometrically articulated architectural forms, Demuth explored ideas that shaped the future development of modernism in America. The full realization of Demuth’s explorations came after his return to America in 1917, when he turned his attention to industrial subjects. These works derive from a “machine aesthetic,” espoused by New York artists such as Francis Picabia, Joseph Stella, Albert Gleizes, and Duchamp, by which artists viewed machines as embodying mystical, almost religious significance as symbols of the modern world. Rather than painting the skyscrapers and bridges of New York as did most of his like-minded contemporaries, Demuth returned to his home town of Lancaster, where he painted factories and warehouses in a Precisionist idiom. The titles for these pictures are often contain literary references, which serve as clues for the viewer to aid in the decoding of the artist’s meaning. In 1923, Demuth planned a series of abstract “poster portraits” of his friends and contemporaries in the New York art and literary scene. In these “portraits,” Demuth combined text and symbolic elements to evoke the essential nature of his sitters’ distinguishing characteristics. In this fashion, he painted portraits of such artists as Georgia O’Keeffe, John Marin, and Arthur Dove. His most famous poster portrait, I Saw the Figure 5 in Gold...
Category

20th Century American Modern Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Watercolor

"Count on me" 2025 oil on Yupo paper 38 x 25 in.
By Tess Michalik
Located in New York, NY
Tess Michalik Count on me, 2025 oil on Yupo paper 38 x 25 in. (mic028)
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Oil

Jeff Koons, Flowers Sun, ink drawing, signed and inscribed in monograph Framed
By Jeff Koons
Located in New York, NY
Jeff Koons Original tulips in landscape drawing, 2011 Original drawing done in ink across the title pages of Gagosian Gallery monograph Signed, dated and warmly inscribed to Jennifer...
Category

2010s Pop Art Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Ink, Mixed Media, Lithograph, Offset

Large Thistle 1, contemporary realist botanical still life drawing
By Margot Glass
Located in New York, NY
Margot Glass reimagines color and tone, using luminescent ink to translate vivid shades into bursts of white-gold. Ever-interested in fragility and ephemerality, Glass lingers over t...
Category

2010s American Realist Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Ink

Original Painting Published Fortune Mag Cover 1935 Jewels Jewelry Illustration
By Antonio Petruccelli
Located in New York, NY
Original Painting Published Fortune Mag Cover 1935 Jewels Jewelry Illustration Antonio Petruccelli (1907 – 1994) Fortune cover published, Decembe...
Category

1930s American Modern Manhattan - Still-life Drawings and Watercolors

Materials

Gouache, Board

The Armory Show Flowers. Colored charcoal, acrylic on Italian paper florals
By Alysha Grace Marko
Located in New York, NY
This charcoal and acrylic flower drawn from life, taken from the amazing flowers at the Armory Show in NYC that the artist went home with. The renowned art fair is one of the most a...
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Charcoal, Acrylic

Barbara Regina Dietzsch Watercolor Painting of White Primrose, ca. 1730
Located in New York, NY
Barbara Regina Dietzsch, 1706-1783 White Primrose, Japanese Quince, a Beetle, and a Butterfly, ca. 1730 Opaque watercolor painting inscribed on...
Category

1730s Manhattan - Still-life Drawings and Watercolors

Materials

Watercolor

Illustration Framed on Canvas: Minute Maid
Located in New York, NY
The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...
Category

1980s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Canvas, Wood, Color Pencil, Mixed Media

Two Wood Ducks on a Flowering Branch
By Joseph Stella
Located in New York, NY
Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of Italian immigrants from poverty-stricken Southern Italy. But Stella was not a child of poverty. His father was a notary and respected citizen in Muro Locano, a small town in the southern Appenines. The five Stella brothers were all properly educated in Naples. Stella’s older brother, Antonio, was the first of the family to come to America. Antonio Stella trained as a physician in Italy, and was a successful and respected doctor in the Italian community centered in Greenwich Village. He sponsored and supported his younger brother, Joseph, first sending him to medical school in New York, then to study pharmacology, and then sustaining him through the early days of his artistic career. Antonio Stella specialized in the treatment of tuberculosis and was active in social reform circles. His connections were instrumental in Joseph Stella’s early commissions for illustrations in reform journals. Joseph Stella, from the beginning, was an outsider. He was of the Italian-American community, but did not share its overwhelming poverty and general lack of education. He went back to Italy on several occasions, but was no longer an Italian. His art incorporated many influences. At various times his work echoed the concerns and techniques of the so-called Ashcan School, of New York Dada, of Futurism and, of Cubism, among others. These are all legitimate influences, but Stella never totally committed himself to any group. He was a convivial, but ultimately solitary figure, with a lifelong mistrust of any authority external to his own personal mandate. He was in Europe during the time that Alfred Stieglitz established his 291 Gallery. When Stella returned he joined the international coterie of artists who gathered at the West Side apartment of the art patron Conrad Arensberg. It was here that Stella became close friends with Marcel Duchamp. Stella was nineteen when he arrived in America and studied in the early years of the century at the Art Students League, and with William Merritt Chase, under whose tutelage he received rigorous training as a draftsman. His love of line, and his mastery of its techniques, is apparent early in his career in the illustrations he made for various social reform journals. Stella, whose later work as a colorist is breathtakingly lush, never felt obliged to choose between line and color. He drew throughout his career, and unlike other modernists, whose work evolved inexorably to more and more abstract form, Stella freely reverted to earlier realist modes of representation whenever it suited him. This was because, in fact, his “realist” work was not “true to nature,” but true to Stella’s own unique interpretation. Stella began to draw flowers, vegetables, butterflies, and birds in 1919, after he had finished the Brooklyn Bridge series of paintings, which are probably his best-known works. These drawings of flora and fauna were initially coincidental with his fantastical, nostalgic and spiritual vision of his native Italy which he called Tree of My Life (Mr. and Mrs. Barney A. Ebsworth Foundation and Windsor, Inc., St. Louis, illus. in Barbara Haskell, Joseph Stella, exh. cat. [New York: Whitney Museum of American Art, 1994], p. 111 no. 133). Two Wood Ducks...
Category

20th Century American Modern Manhattan - Still-life Drawings and Watercolors

Materials

Color Pencil

Set of 5 Watercolor on Paper Flowers
Located in New York, NY
Boy Kong (b. 1993, Orlando) is a self-taught multi-media artist. Raised in Orlando and of Chinese-Vietnamese heritage, his growing body of work draws inspiration from a vast array of...
Category

2010s Manhattan - Still-life Drawings and Watercolors

Materials

Watercolor

Still Life
Located in New York, NY
Signed (at lower right): Bailey 1977
Category

Late 20th Century Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Pencil

Pears (Holly Solomon Gallery Readers Digest Collection) Signed painting Framed
By Robert Kushner
Located in New York, NY
Robert Kushner Pears, 1985 Acrylic Collage on Paper; Framed with Holly Solomon Gallery Label Reader's Digest Art Collection Label Signed and titled by the artist on the f...
Category

1980s Abstract Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Mixed Media, Acrylic

Dandelions With Buds, Botanical Wildflower Plant Flowers Brown Walnut Ink, 16x12
By Margot Glass
Located in New York, NY
This delicate contemporary botanical drawing is made with handmade walnut ink on Arches 100% cotton heavyweight paper. The exploration of ephemerality, and the fragility of a dandeli...
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Walnut, Ink, Archival Paper

Jamie Nares, Original flower monotype (unique, hand signed) Framed, de-accession
By James Nares
Located in New York, NY
James Nares Untitled flower monotype, 1988 Monotype on hand made paper Pencil signed and dated by James Nares on the lower right front Frame included: floated in the original wood fr...
Category

1980s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Handmade Paper, Monotype

Bee Balm (3)
By Margot Glass
Located in New York, NY
Margot Glass focuses primarily on drawing, using traditional techniques and materials as the foundation for her work -- including silverpoint and 14k goldpoint, homemade organic inks...
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Walnut, Ink, Handmade Paper

"Mellow Yellow" 2025
By Marilla Palmer
Located in New York, NY
Marilla Palmer Mellow Yellow, 2025 watercolor, sequins, pressed petals, Durabrite prints, stitching on Arches cold press paper 30 x 22 in. (pal254) Marilla Palmer lives and works i...
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Sequins, Watercolor

Eucalyptus Leaves/Bolinas (exhibited at the Denver Art Museum and U of T Museum)
By Joe Brainard
Located in New York, NY
Joe Brainard Eucalyptus Leaves/Bolinas, 1971 Collage on thin board (with original labels from Fischbach Gallery, The Denver Art Museum and University...
Category

1970s Modern Manhattan - Still-life Drawings and Watercolors

Materials

Mixed Media

Three Flowers
By Joseph Stella
Located in New York, NY
Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of ...
Category

20th Century American Modern Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Crayon

"Why Don’t You Want Me" 2024
By Marilla Palmer
Located in New York, NY
Marilla Palmer Why Don’t You Want Me, 2024 watercolor, sequins, embroidery, millinery foliage, pressed euonymus leaves, Durabrite prints, glitter on Arches paper 29.5 x 41 in. (pal25...
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Sequins, Watercolor

"Ecstasy of the Sun" 2025
By Marilla Palmer
Located in New York, NY
Marilla Palmer Ecstasy of the Sun, 2025 watercolor, gold leaf, embroidery, millinery foliage, pressed flowers, Durabright prints on Arches paper 29.5 x 41 in. (pal256) Marilla Palm...
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Gold Leaf

"Nope" 2025 watercolor on paper
By Katie DeGroot
Located in New York, NY
Katie DeGroot Nope, 2025 watercolor on paper 40 x 26 in. (groo125)
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Watercolor

"The Interloper" 2025 watercolor on paper
By Katie DeGroot
Located in New York, NY
Katie DeGroot The Interloper, 2025 watercolor on paper 30 x 23 in. (groo124)
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Watercolor

Lilies 2, Modern Botanical Pink Lily Floral Painting on Paper, Contemporary Art
By Elisabeth Condon
Located in New York, NY
In Lilies 2, Elisabeth Condon captures the lush vitality of blossoms through her signature blend of ink and gouache. Broad washes of violet and black form a dramatic ground against w...
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Ink, Gouache, Archival Paper

Untitled (Rose) Unique original signed graphite drawing from MOCA Detroit Framed
By Donald Baechler
Located in New York, NY
Donald Baechler Untitled (Rose), 2015 Original Graphite drawing on archival bond paper. Framed, with museum provenance Signed and dated in graphite pencil on the front Provenance: Do...
Category

2010s Pop Art Manhattan - Still-life Drawings and Watercolors

Materials

Charcoal, Pencil, Graphite

"Birdvine Tangles" 2025 oil on yupo 38 x 25 in.
By Tess Michalik
Located in New York, NY
Tess Michalik Birdvine Tangles, 2025 oil on yupo 38 x 25 in. (mic034)
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Oil

"YAY!" 2025 watercolor on paper 72 x 52 in.
By Katie DeGroot
Located in New York, NY
Katie DeGroot YAY!, 2025 watercolor on paper 72 x 52 in. (groo119)
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Watercolor

"Plush Petals" 2025 oil on yupo 38 x 25 in.
By Tess Michalik
Located in New York, NY
Tess Michalik Plush Petals, 2025 oil on yupo 38 x 25 in. (mic037)
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Oil

"Lava Plume" 2025 oil on Yupo paper 38 x 25 in.
By Tess Michalik
Located in New York, NY
Tess Michalik Lava Plume, 2025 oil on Yupo paper 38 x 25 in. (mic027)
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Oil

"Sunkist Sherbert" 2025 oil on Yupo paper 38 x 25 in.
By Tess Michalik
Located in New York, NY
Tess Michalik Sunkist Sherbert, 2025 oil on Yupo paper 38 x 25 in. (mic029)
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Oil

"Thicket" 2025 oil on Yupo paper 38 x 25 in.
By Tess Michalik
Located in New York, NY
Tess Michalik Thicket, 2025 oil on Yupo paper 38 x 25 in. (mic030)
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Oil

David Morrison, Wind-Up Bird No. 6, hyperrealist color pencil animal drawing
By David Morrison
Located in New York, NY
David Morrison has extended his brand of hyperrealism to the artificial, capturing the intricate lithography that decorates his collection of vintage Kohler wind-up birds. His drawings are often mistaken for a photograph from afar - on approach, they dissolve into a mesmerizing display of mark-making.This new body of work plays with the boundaries between organic and manufactured: the metal imposters are resplendent as they perch, pert and expectant, on wilting greenery. Yet another layer of irony, the toy birds...
Category

2010s Photorealist Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Color Pencil

"Cocktail Party Vlll (couples)" 2023 watercolor on paper
By Katie DeGroot
Located in New York, NY
Katie DeGroot Cocktail Party Vlll (couples), 2023 watercolor on paper 48 x 72 in (groo117)
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Watercolor

Samantha Haring "Foggy" - Chalk Pastel on Paper
Located in New York, NY
"I make quiet paintings in a noisy world. My work is an intimate meditation on humble objects and the detritus of studio life. I aim to promote a reengagement with the mundane while ...
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Chalk, Pastel

Pomegranate, photorealist fruit still life drawing, colored pencil
By David Morrison
Located in New York, NY
David Morrison’s new series of drawings are regal in their naturalism. Morrison uses his extreme attention to detail to give equal weight to both the fruit's delicate features and si...
Category

2010s Photorealist Manhattan - Still-life Drawings and Watercolors

Materials

Paper, Color Pencil

Summer Set 8, watercolor monoprint (unique) on Dieu Donne handmade paper, signed
By Arlene Shechet
Located in New York, NY
Arlene Shechet Summer Set 8, 2005 Watercolor monoprint on dieu donné hand made paper 21 × 27 1/2 inches Signed and dated in graphite on the front Exquisite watercolor monoprint on di...
Category

Early 2000s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Watercolor, Handmade Paper, Monoprint, Mixed Media, Graphite

Dandelion Pair, Fine Graphite Botanical Artwork on Black Paper
By Margot Glass
Located in New York, NY
These elegant graphite dandelion drawings belie the rigor of their process. Once the surface of the paper is prepared, Glass uses a stylus to carefully delineate the lacy quality of ...
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Archival Paper, Graphite

Exquisite Rose Drawing (unique) done in graphite, hand signed with provenance
By Lowell Nesbitt
Located in New York, NY
Lowell Nesbitt Untitled Rose, 1983 Graphite on Lanaquarelle Watercolor Paper Signed and dated on the front Framed Unique, poignant, exquisitely rendered graphite drawing on watercolor paper with deckled edges. This work is framed and ready to hang; frame bears Alan Brown Gallery (Hartsdale) label verso. It was acquired from the Estate of Noel Frackman, renowned art historian, scholar, writer, and professor with a lifelong passion for 20th Century Art - and a close personal friend of Lowell Nesbitt. She earned a M.A. from Sarah Lawrence College in English Literature and a M.A. and Ph.D. in Art History from the Institute of Fine Arts of New York University. She was an art critic for the Patent Trader Newspaper and the Scarsdale Inquirer, contributing editor for Arts Magazine, author of numerous catalogs including ''John Storrs'', for the Whitney Museum of American Art. For 19 years she was a faculty member at Purchase College, State University of New York. Measurements: Framed: 13 inches by 13 inches x .5 Artwork: approx. 10.5 inches by 10.5 inches Lowell Nesbitt Biography: Lowell Blair Nesbitt, painter, printmaker, draughtsman, and sculptor, was born in Baltimore, Maryland on 4 October 1933. He studied at Tyler School of Art at Temple University in Philadelphia and at the Royal Academy of Arts in London. Nesbitt worked in abstraction until Robert Indiana suggested in the early 1960s that he explore realism in his paintings. As subjects for his work he favored studio interiors, articles of clothing, piles of shoes, his Rottweiler, the Neo-Classical facades of 19th century cast iron buildings, and Manhattan's bridges. He was also famous for his enormous paintings and prints of roses, lilies, irises, and other flowers. In 1980, the United States Post Office issued...
Category

1880s Realist Manhattan - Still-life Drawings and Watercolors

Materials

Graphite, Mixed Media

Two Dandelions, Delicate, Intimate Silverpoint Drawing of Flora on Toned Paper
By Margot Glass
Located in New York, NY
Delicate and meticulously rendered, Two Dandelions by Margot Glass is a silverpoint drawing on toned paper that showcases the artist’s masterful technique and deep appreciation for b...
Category

2010s Contemporary Manhattan - Still-life Drawings and Watercolors

Materials

Silver

Dancing Pears art about food Exquisite unique signed ink drawing Japanese artist
Located in New York, NY
Yookan Westfield Dancing Pears (art about food), 2024 Ink drawing done with pigment liner on Saunders Waterford 300 GSM Cold Press Watercolor paper Signed in ink on the front Unique ...
Category

2010s Realist Manhattan - Still-life Drawings and Watercolors

Materials

Ink

Blanche Grambs, (Shell Fish: Lobster, Crab, and Shrimp)
Located in New York, NY
In the 1950s and 60s Grambs worked on many commissions. This ink drawing with a lobster, crab, and a shrimp, was probably for a cookbook; the sheet is cut in a free-form, modernist...
Category

Mid-20th Century American Modern Manhattan - Still-life Drawings and Watercolors

Materials

Ink

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