Manhattan - Paintings

[Hippolyte-Alexandre Michallon] Le Soldat de Marathon (The soldier of the Marathon), 1869 n.d. Signed, l.l. Oil on canvas 57 x 45 inches 66 x...

Title: Rapeseed Flowers Medium: Oil on canvas Size: 11.75 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Th...

Title: Wild Flowers Medium: Oil on canvas Size: 23.5 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...

A charming depiction of an interior scene with piano. A cozy impressionistic scene with warmth and feeling. Whimsical details through out and beautiful brushwork. This piece captures...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold leaf with thick textured oils and glass t...

Artist: Slonem, Hunt Title: Silver Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed by Artist on Verso Edition: Uni...

A charming depiction of an interior scene with Piano and Chandelier. A cozy impressionistic scene with warmth and feeling. A sophisticated scene with stunning details and beautiful brushwork. Whisical, this piece captures the essence of a Parisian living room...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Title: Outside Scene Medium: Oil on canvas Size: 12 x 16 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a french rose background with thick use of paint. I...

Unsigned

Title: First Snow on Guiji I Medium: Oil on canvas Size: 11.75 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Not...

Title: 701 Tank Medium: Oil on canvas Size: 20 x 20.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting...

Title: Rocking Horse Medium: Oil on canvas Size: 20.5 x 19.75 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This ...

This painting depicts a whimsical portrait of a young girl with short brown hair against a light green background and she wears a blue dress. An emotion is felt with in her face. The...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Andrew Thomas Schwartz (American, 1867-1942) The Fates, c. 1900 Oil on canvas 30 x 30 in. Framed: 39 1/4 x 39 in. Andrew T. Schwartz was born in Louisville, Kentucky. His early education was in the public schools of his hometown, where he showed great promise as an artist. In 1890, he began intense art study with the famed Frank Duveneck at the Cincinnati ArtAcademy. He later studied with H. Siddons Mowbray at the Art Students League in New York, where he was awarded the Lazarus Scholarship for mural painting to study abroad, which resulted in three years of study in Italy, France, Germany and England. He was, at the time, only the second person to win that award. His work from the Lazarus trip was the subject of an individual show at the Pratt Institute in Brooklyn. He returned to the United States to assist his teacher Mowbray in decorating the University Club and J. P. Morgan's private library in New York. He later worked independently and developed a following as a mural painter. His reputation was certainly enhanced by the mural Christ, the Good Shepherd for the Baptist Church in South Londonderry, Vermont, which was considered at the time one of the best examples of mural painting. Other murals were painted for the Courthouse of New York, the New York YMCA, the Atkins Museum of Fine Art in Kansas City and the Kansas City Life Insurance Company Building. Schwartz also painted a number of other paintings in addition to his murals, including both figurative and landscapes. Many of his landscapes are views of New England. He exhibited extensively at the National Academy of Design, Pennsylvania Academy of the Fine Arts in Philadelphia, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, and other major cities. He was a member of the National Society of Mural Painters, the Salmagundi Club, the Architectural League of New York, Allied Artists of America, American Watercolor Society, the Circolo Artistico of Rome, Italy, and the Union International Des Beaux Arts et Des Lettres of Paris, France. A memorial show of Schwartz's work was held at the Lotus Club of New York City in 1944 through the efforts of the sculptor, Charles Keck. The dean of art critics of the time, Royal Cortissoz, viewed Schwartz's work before the exhibition in Keck's studio and wrote, "Schwartz could saturate an Italian scene in the handsome 'Roman Twilight' but when he came to paint the countryside of his native land he was moved solely by its racy sentiment. He had charm as well as craftsmanship." Perhaps the best tribute one artist can give another was given Schwartz by the famed American artist, Elihu Vedder...

With the medium of traditional oil paint, this charming piece by Chaval is exceptionally detailed and thought-provoking. Following a realist approach, yet depicting some playful impe...

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

Title: Festival Medium: Oil on canvas Size: 11.75 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold flakes with thick textured oils and glass...

Title: Flower Scenery Medium: Oil on canvas Size: 38 x 38 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Ci...

Title: Waves Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is u...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Marilla Palmer Nectar, 2025 Pressed foliage, , Durabrite prints, 12K gold leaf, beads, acrylic on Ampersand panel 16 x 12 in. (pal260) Marilla Palmer lives and works in Brooklyn, NY...

Francis Almeida Luzzatto (American, 1935-1999) Untitled, 1959 Oil on canvas 40 x 48 1/2 in. Signed and dated lower right: Luzzatto 59 Partial label verso: The Art Rental Gallery, Wa...

Original Mixed Media Figurative Painting by Cuban Painter Hector Frank. International acclaim as one Cuba’s foremost living artists, Havana born Hector Frank. Now, in his artistic p...

oil on linen

Impressionist pastoral scene of a quaint autumnal view of the bridge heading into New Hope, Bucks County, PA. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed much feeling into this miniature work. It is almost as if we are there in the early morning, bringing a beautiful feeling of nostalgia. Christopher is known for capturing the beauty and simplicity of an earlier time of the 20th Century; old New York, families working together, villages and farms and friends taking walks together. Many are depicted in recognizable historical settings and this piece is an excellent example of this as he captures a snow-filled historic setting of Bucks County with the calm, endearing charm of a snowy morning. Christopher engages his audience with the quick use of brushwork and great attention to picking up the energy passionately of his subjects. The piece comes housed in a contemporary dark tone wood frame with a gold tone edge and it is ready to be displayed with hanging wire on verso. Art measures 8 x 10 inches Frame measures 13.5 x 15.5 inches Christopher Willett...

Artist: Slonem, Hunt Title: Hoot 4 Series: Birds Date: 2023 Medium: Oil on Wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed Edition: Uni...

Varick Street in New York City is viewed at dusk. The sun is seen having the same light intensity as the street lamps. :: Painting :: Contemporary :: ...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

A beautiful oil painting on canvas by the French artist Georges Gerbier, depicting a tremendously vivid and alive street scene from Paris in the 20th Century with a view of "Maxims C...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a deep purple lavender background with thick use of...

Impressionist winter pastoral scene of a quaint snow covered home by theBuckingham, Bucks County, PA. Willett has portrayed this charming scene in a most intimate, yet energetic way,...

Painting description: This is a new example of a form I have been working with for many years. It is expressive and contains and reflects life in our constantly changing world. Robe...

Charles Hinman Untitled Minimalist Drawing (Mid-Century Modern), 1980 Pastel on off-white wove paper Signed in pencil and dated by the artist on the lower-right front. Jeffrey Fuller...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

This piece is a pertinent example of Jacques Weismann's most sought after works, depicting a Garden view with flowers by an elegant building in the background. As an American Impres...

“Jenny” is a small but unforgettable gem by Michele Mikesell, a surreal, wide-eyed cat rendered in oil on board and framed in a 6x6 inch wooden floater frame. With its elongated feat...

The Gray Kimono, 1901, by William Merritt Chase (1849-1916) Oil on canvas 20 x 16 inches unframed (50.8 x 40.64 cm) 28 x 24 1/16 inches framed (71.12 x 61.11875 cm) Paper (Alice Wil...

PETER HALLEY 6/21/96.9, 1998 Graphite and ink drawing Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 This is a unique work Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass Measurements: Framed 16.5 inches vertical by 13 inches horizontal by 1.5 inches Artwork (visible) 10 inches vertical by 8 inches horizontal Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Paul Pagk Untitled Geometric Abstraction, 1989 Gouache and watercolor on paper Signed, dated and inscribed "A Jacqueline". Frame included Excellent unique work on paper by contempora...

Title: Sunset Memories Medium: Oil on canvas Size: 11.75 x 15.75 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Th...

Spray Paint and Bronze Patina on Wood Panel Framed Diptych Signed to the lower left of the left panel and verso of right panel 62.25 x 47.25 each Signed by the Artist Comes with ...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold leaf with thick textured oils and glass t...

Ky Anderson Seedling 25.8, 2025 acrylic on watercolor paper 30 x 22 in. (and484) Artist Statement: My work falls somewhere between abstraction, formalism and narrative painting. I...

Night driving road landscape scene by Edie Nadelhaft Oil on canvas, 12 x 12 inches. Edie Nadelhaft's paintings focus on the visual nuances and psychol...

Depicting the iconic "Hollywood Land" sign in Southern California, Shaoul captures the essence of the time. With beautiful brushwork and whimsical details, this piece depicts the old...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Butterfly Collection” is a vibrant and energetic...

Hunt Slonem "John" Black and White Bunny A single rabbit gestured in black on a white background in a vintage frame Unframed: 8 x 6 inches Framed: 10.5 x 8.5 inches *Painting is fra...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on white background with thick use of paint. It is hou...

Title: Breakfast Morning Medium: Oil on canvas Size: 15.5 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Th...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

[Bruce Sargeant (1898-1938)] Frieze with Five Athletes n.d. Signed in red, u.r. Oil on canvas mounted to Masonite 35.5 x 86 inches (90.2 x 218.4 cm) $9,500 + $850 framing This w...

Title: Summer Dream III Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pa...

Paul Resika Skowhegan-Wesserunsett, 1976 Oil on board painting: Abstract Expressionist landscape Signed 'Resika' lower left, also signed, titled and dated on the reverse; verso also ...