Manhattan - Black and White Photography
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Item Ships From: Manhattan
Antonio Banderas, Dreamer II, British Elle, North Carolina
Located in New York, NY
11x14 inches / 28x36 cm Edition of 12 + 3 Artist’s Proofs
20x30 inches / 51x76 cm Edition of 9 + 3 Artist’s Proofs
30x40 inches / 76x102 cm Edition of 9 + 3 Artist’s Proof...
Category
1990s Manhattan - Black and White Photography
Materials
Silver Gelatin, Archival Pigment
Heath Ledger, One Too Many, Premiere
Located in New York, NY
11x14 inches / 28x36 cm Edition of 12 + 3 Artist’s Proofs
20x30 inches / 51x76 cm Edition of 9 + 3 Artist’s Proofs
30x40 inches / 76x102 cm Edition of 9 + 3 Artist’s Proof...
Category
21st Century and Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin, Archival Pigment
Price Upon Request
Jimmy Choo, Milan
Located in New York, NY
11x14 inches / 28x36 cm Edition of 12 + 3 Artist’s Proofs
20x30 inches / 51x76 cm Edition of 9 + 3 Artist’s Proofs
30x40 inches / 76x102 cm Edition of 9 + 3 Artist’s Proof...
Category
2010s Manhattan - Black and White Photography
Materials
Silver Gelatin, Archival Pigment
Price Upon Request
Masked Ball, Grazia, Lake Como
Located in New York, NY
11x14 inches / 28x36 cm Edition of 12 + 3 Artist’s Proofs
20x30 inches / 51x76 cm Edition of 9 + 3 Artist’s Proofs
30x40 inches / 76x102 cm Edition of 9 + 3 Artist’s Proof...
Category
2010s Manhattan - Black and White Photography
Materials
Silver Gelatin, Archival Pigment
Price Upon Request
Naeem Khan + McLaren III, New York
Located in New York, NY
11x14 inches / 28x36 cm Edition of 12 + 3 Artist’s Proofs
20x30 inches / 51x76 cm Edition of 9 + 3 Artist’s Proofs
30x40 inches / 76x102 cm Edition of 9 + 3 Artist’s Proof...
Category
2010s Manhattan - Black and White Photography
Materials
Silver Gelatin, Archival Pigment
Price Upon Request
The Kiss, East Hampton
By Priscilla Rattazzi
Located in New York, NY
Signed by the Photographer
Category
Early 2000s Manhattan - Black and White Photography
Materials
Archival Pigment
Price Upon Request
Untitled
By Chuck Close
Located in New York, NY
1967/printed 1999
Signed, dated, and numbered in pencil, recto
Iris print (Edition of 100)
30 x 22 inches (76.2 x 55.9 cm), sheet
20 x 16 inches (50.8 x 40.6 cm), image
Contact ga...
Category
1960s Contemporary Manhattan - Black and White Photography
Materials
Digital
Price Upon Request
Gerri (Sailor), New York, NY, 1992
By Jose Picayo
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones.
With Robin’s extensive experience as a gallery curator, all Robin Rice...
Category
1990s Modern Manhattan - Black and White Photography
Materials
Silver Gelatin
Price Upon Request
Fish Circle, Para, Brazil, 2011
By Steve Miller
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones.
With Robin’s extensive experience as a gallery curator, all Robin Rice...
Category
Early 2000s Modern Manhattan - Black and White Photography
Materials
Digital Pigment
Price Upon Request
Participant at Transpitt Transgender conference in Pittsburgh, Pennsylvania
By Mariette Pathy Allen
Located in New York, NY
Participant at Transpitt Transgender conference in Pittsburgh, Pennsylvania
1991
Signed and numbered, verso
Selenium-toned gelatin silver print (Edition of 3)
20 x 16 inches
Cont...
Category
1990s Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
Ramona and Cindy
By Mariette Pathy Allen
Located in New York, NY
Ramona and Cindy
Signed and numbered, verso
Selenium-toned gelatin silver print (Edition of 3)
16 x 20 inches
Contact gallery for price.
This work is offered by ClampArt in New Y...
Category
1980s Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
Price Upon Request
Marilyn with Nikon (Close Up)
By Bert Stern
Located in New York, NY
Photographed in 1962 and created as a digital pigment print in 2012, Bert Stern's Marilyn with Nikon (Close Up) is hand-signed, titled and numbered by the photographer, (recto); and ...
Category
20th Century Manhattan - Black and White Photography
Materials
Digital Pigment
Price Upon Request
Marilyn
By Bert Stern
Located in New York, NY
This digital pigment print is from The Last Sitting, commissioned by Vogue Magazine in 1962 and printed in 2013. Signed and numbered by the photographer with copyright stamp (verso) ...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Digital Pigment
Price Upon Request
LE JARDIN
By Reka Nyari
Located in New York, NY
Print is also available in a Medium size : 40'' x 56'' and is priced at : $14,000. It is a black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Manhattan - Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Archi...
Price Upon Request
DANDELION
By Reka Nyari
Located in New York, NY
Print is also available in a Large size: 63'' x 50'' and is priced at: $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Manhattan - Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Pigme...
Price Upon Request
VENATION
By Reka Nyari
Located in New York, NY
Print is also available in a large size: 63'' x 50'' and is priced at: $16,000 Each work is a one-of-a-kind, unique piece that is hand punctured. The work also comes with a black floating frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Manhattan - Black and White Photography
Materials
Pigment, Pigment, Archival Pigment, Digital Pigment, Plexiglass, Archiva...
Price Upon Request
PATRONNE
By Reka Nyari
Located in New York, NY
Print is also available in Medium size: 50'' x 40'' and is priced at $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Manhattan - Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Paper...
Price Upon Request
FLEURS SAUVAGES
By Reka Nyari
Located in New York, NY
Print is also available in a small size : 50'' x 40'' and is priced at : $13,000. Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black floating frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Manhattan - Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Adhes...
Price Upon Request
EFFECT PAPILLON
By Reka Nyari
Located in New York, NY
Print is framed and total size is 50 x 40. The work is framed in a a black floating frame with conservation acrylic.
Print is also available in a large size : 63'' x 50'' and is priced at : $16,000 Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black floating frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Manhattan - Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Digit...
Price Upon Request
Marilyn with Chinchilla Coat
By Bert Stern
Located in New York, NY
As one of the iconic images from The Last Sitting, commissioned by Vogue Magazine, Marilyn with Chinchilla Coat was created in 2011 from the negative ...
Category
20th Century Manhattan - Black and White Photography
Materials
Digital Pigment
Price Upon Request
Marilyn with Sequin Gloves
By Bert Stern
Located in New York, NY
As one of the iconic images from The Last Sitting, commissioned by Vogue Magazine, Marilyn with Sequin Gloves was created in 2011 from the negative Bert Stern shot in 1962. It is a ...
Category
20th Century Manhattan - Black and White Photography
Materials
Digital Pigment
Price Upon Request
L
ARTISTE
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Manhattan - Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Price Upon Request
PHANTASMA
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 56'' x 74'' and is priced at : $19,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Manhattan - Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Price Upon Request
LUNE DE SANG
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 63'' x 50'' and is priced at : $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Manhattan - Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Price Upon Request
ROUTES
By Reka Nyari
Located in New York, NY
Print is also available in a small size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in ...
Category
2010s Contemporary Manhattan - Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Price Upon Request
BELOVED
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 63'' x 50'' and is priced at : $16,000 Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black f...
Category
2010s Contemporary Manhattan - Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Price Upon Request
SORCIER
By Reka Nyari
Located in New York, NY
A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
Print is also available in large size: 63'' x 50'' and i...
Category
2010s Contemporary Manhattan - Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Price Upon Request
Josephine Baker, 1929
By George Hoyningen-Huene
Located in New York, NY
Estate Stamped
Category
1920s Manhattan - Black and White Photography
Materials
Platinum
Price Upon Request
Flood Dream
By Arthur Tress
Located in New York, NY
Ocean City, New Jersey, 1971
Signed, titled, dated, and numbered, recto
Gelatin silver print (Edition of 50)
14 x 11 inches, sheet
10 x 10 inches, image
Contact gallery for price.
Literature:
John Minahan, The Dream Collector (Westover Publishing Company: Richmond, Virginia, 1972)
Michel Tournier...
Category
1970s Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
Price Upon Request
Michael and Cathy in Les Baux, France
By Will McBride
Located in New York, NY
Michael and Cathy in Les Baux, France
1978
Signed, titled, and dated in pencil, verso
Gelatin silver print
11.75 x 17.25 inches, image
16 x 20 inches, shee...
Category
1970s Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
Price Upon Request
Boys on a Wall
By Will McBride
Located in New York, NY
Boys on a Wall
1959/1992
Signed, titled, dated, numbered, and inscribed in pencil, verso
Gelatin silver print (Edition of 30)
24 x 20 inches
Contact gallery for price.
This work...
Category
1990s Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
Price Upon Request
Kamakura, Buddha
s Hand
Located in New York, NY
2000
Signed, titled, dated, and inscribed, verso of mount
Vintage gelatin silver print (mounted) (Edition of 25)
20 x 16 inches (50.8 x 40.6 cm), sheet
Contact gallery for price....
Category
Early 2000s Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
Price Upon Request
Surf Race Start
Located in New York, NY
Signed by the photographer.
Category
1940s Manhattan - Black and White Photography
Materials
Photographic Paper, Silver Gelatin
Price Upon Request
Brooklyn Dodger fans celebrating World Series victory, Flatbush Avenue, Brooklyn
Located in New York, NY
Brooklyn Dodger fans celebrating 1955 World Series victory, Flatbush Avenue, Brooklyn, 1955
Signed by the photographer.
Additional sizes may be availa...
Category
1950s Manhattan - Black and White Photography
Materials
Photographic Paper, Silver Gelatin
Ted Williams (Left Fielder for Boston Red Sox), Fenway Park, Boston
By Slim Aarons
Located in New York, NY
Signed by the photographer.
Category
1950s Manhattan - Black and White Photography
Materials
Photographic Paper, Silver Gelatin
Celtics vs. Rangers, Glasgow, Scotland
By Harry Benson
Located in New York, NY
Signed by the photographer.
Additional sizes may be available upon request.
Category
1970s Manhattan - Black and White Photography
Materials
Photographic Paper, Archival Pigment
Price Upon Request
Costas, Rolling Stone
By Pamela Hanson
Located in New York, NY
Signed by the photographer.
Category
1990s Manhattan - Black and White Photography
Materials
Photographic Paper, Silver Gelatin
Price Upon Request
Float Like A Butterfly, Sting Like A Bee: Muhammad Ali, Miami
By Harry Benson
Located in New York, NY
Signed by the photographer.
Additional sizes may be available upon request.
Category
1960s Manhattan - Black and White Photography
Materials
Photographic Paper, Archival Pigment
Marilyn Monroe on the patio of her bungalow at the Bel Air Hotel, Los Angeles
By Andre de Dienes
Located in New York, NY
Vintage Print.
Stamped and inscribed by the photographer.
Category
1950s Manhattan - Black and White Photography
Materials
Photographic Paper, Silver Gelatin
Marion Davies playing tennis
By James Manatt
Located in New York, NY
Vintage Print
Embossed by the photographer’s studio.
Category
1930s Manhattan - Black and White Photography
Materials
Photographic Paper, Silver Gelatin
Price Upon Request
Regret
By Drew Tal
Located in New York, NY
Portrait photography
Drew Tal's work combines photography with digital media to render highly stylized and realistic figurative imagery.
Focusing on faces and dramatic close-up po...
Category
2010s Contemporary Manhattan - Black and White Photography
Materials
Plexiglass, Photographic Paper, Black and White, Varnish
Price Upon Request
Tom, Adirondack Park
By Bruce Weber
Located in New York, NY
Tom, Adirondack Park
1988
Signed, titled, dated, and numbered in pencil, verso
Gelatin silver print (Edition of 3)
10 x 8 inches (25.4 x 20.3 cm)
Contact gallery for price.
This...
Category
1980s Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
Price Upon Request
Ted Williams
Dr. Martin Luther King, Chicago
By Ted Williams
Located in New York, NY
Ted Williams
Dr. Martin Luther King, 1964
Silver gelatin print
16 x 20 inches
Estate stamped and numbered edition
with certificate of authenticity
Dr. Martin Luther King makes a sp...
Category
1960s Modern Manhattan - Black and White Photography
Materials
Silver Gelatin
Price Upon Request
Diana Vreeland at home, 550 Park Avenue, New York, 21 July 1979
By Jonathan Becker
Located in New York, NY
Diana Vreeland at home, 550 Park Avenue, New York, 21 July 1979
Photographed by Jonathan Becker
Contemporary
44" x 44.5" Archival Pigment Print
Edition Nº 1 of 9
Certificate of Orig...
Category
1970s Contemporary Manhattan - Black and White Photography
Materials
Archival Pigment
Portrait of a Seated Woman
By George Platt Lynes
Located in New York, NY
Portrait of a Seated Woman
Gelatin silver print
10 x 8 inches (25.4 x 20.3 cm)
Contact gallery for price
This work is offered by ClampArt in New York City.
Category
1940s Manhattan - Black and White Photography
Materials
Silver Gelatin
Price Upon Request
Portrait of a Woman Leaning
By George Platt Lynes
Located in New York, NY
Portrait of a Woman Leaning
Studio stamp in black ink, verso
Gelatin silver print
10 x 8 inches (25.4 x 20.3 cm)
Contact gallery for price.
This work is offered by ClampArt in Ne...
Category
1940s Manhattan - Black and White Photography
Materials
Silver Gelatin
Price Upon Request
Woman in Patterned Dress
By George Platt Lynes
Located in New York, NY
Woman in Patterned Dress
Studio stamp in black ink, verso
Gelatin silver print
10 x 8 inches (25.4 x 20.3 cm)
Contact gallery for price.
This work ...
Category
1940s Manhattan - Black and White Photography
Materials
Silver Gelatin
Price Upon Request
Portrait of a Woman From Behind
By George Platt Lynes
Located in New York, NY
Portrait of a Woman From Behind
Gelatin silver print
10 x 8 inches (25.4 x 20.3 cm)
Contact gallery for price.
This work is offered by ClampArt in...
Category
1940s Manhattan - Black and White Photography
Materials
Silver Gelatin
Price Upon Request
Horst as an ancient Greek horseman, Paris
By George Hoyningen-Huene
Located in New York, NY
Estate Stamped
Category
1930s Manhattan - Black and White Photography
Materials
Photographic Paper
Price Upon Request
Miss E. Carise in Swimwear with Hula Hoop, Paris
By George Hoyningen-Huene
Located in New York, NY
From the collection of and signed by Horst
Category
1930s Manhattan - Black and White Photography
Materials
Photographic Paper
Beachwear by Schiaparelli, Bettina Jones
By George Hoyningen-Huene
Located in New York, NY
From the collection of and signed by Horst
Category
1920s Manhattan - Black and White Photography
Materials
Photographic Paper
Price Upon Request
Katharine Hepburn
By George Hoyningen-Huene
Located in New York, NY
Photographer’s stamp on verso
From the collection of and signed by Horst
Category
1930s Manhattan - Black and White Photography
Materials
Photographic Paper
Price Upon Request
Art in Fashion: Model in Balenciaga in front of painting by Miro
By Horst P. Horst
Located in New York, NY
Photographer’s stamp on the verso
From the collection of and signed by Horst
Category
1930s Manhattan - Black and White Photography
Materials
Photographic Paper
Jean Cocteau
By George Hoyningen-Huene
Located in New York, NY
From the collection of and signed by Horst
Category
1930s Manhattan - Black and White Photography
Materials
Photographic Paper
Price Upon Request
Toto Koopman
By George Hoyningen-Huene
Located in New York, NY
From the collection of and signed by Horst
Category
1930s Manhattan - Black and White Photography
Materials
Photographic Paper
Price Upon Request
Alicia in swimwear by Patou
By Horst P. Horst
Located in New York, NY
From the collection of and signed by Horst
Category
1920s Manhattan - Black and White Photography
Materials
Photographic Paper
Price Upon Request
Lelong Beachwear with Horst and models
By George Hoyningen-Huene
Located in New York, NY
Photographer’s stamp on the verso
Category
1920s Manhattan - Black and White Photography
Materials
Photographic Paper
Price Upon Request
Johnny Weissmuller
By George Hoyningen-Huene
Located in New York, NY
Estate Stamped
Category
1930s Manhattan - Black and White Photography
Materials
Photographic Paper
Price Upon Request
Divers, Paris
By George Hoyningen-Huene
Located in New York, NY
From the collection of and signed by Horst
Category
1930s Manhattan - Black and White Photography
Materials
Photographic Paper
Price Upon Request
End of the Party, Rome
By Horst P. Horst
Located in New York, NY
Signed by the photographer
Category
1950s Manhattan - Black and White Photography
Materials
Photographic Paper
Price Upon Request
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