Manhattan - Paintings

A fine antique Russian icon of The Protection of the Mother of God, Pokrov Moscow School 19th century The Protection Icon depicts the Mother of God appearing above congregants a...

Interests: Royalty, Enlightened Absolutism, 18th century European painting, Joseph Hickel, Marie Antoinette A fine pair of 18th century portraits depicting Maria Theresa, Holy Roman Empress consort, Queen consort of Germany, Hungary, Croatia and Bohemia and Archduchess of Austria and her son Joseph II, Holy Roman Emperor, King of the Romans, Germany and Archduke of Austria. Empress Maria...

An exceptional, museum quality very large 18th century Greek icon of the Pentecost. Egg tempera and gold leaf on wood, primed with gesso. Attributed to Mount Athos...

Iran, Qajar School, Early 20th Century Oil on canvas depicting a man in traditional Persian attire, holding a bird of prey perched on his hand, before an architectural backdrop with ...

Robert Swain Painting, Abstract, Acrylic on Canvas, Pink, Blue, Green, Signed. Medium scale optical grid painting in a spectrum of colors by Manhattan artist, Robert Swain. Mr. Swain...

Untitled by Tadasky, acrylic painting on paper, stripes signed. Small scale hard edge acrylic painting on paper by Op artist, Tadasky (Tada...

"Memorie" #14033, mixed media on paper depicting some of his favorite subjects - his dog, his mother, his farm, his chicken. Gallery framed in matte white wood frame, live image measures 37 x 28.5 inches. Gianfranco Asveri was born in Fiorenzuola D’Arda, Italy, in 1948. The artist lives and works at Gasperini on the hills between Parma and Piacenza with his beloved dogs. He began to paint in 1969. His first work was merely figurative. In the 1980s he moved closer to the “Art Brut” style. Renowned in Italy, Asveri has just finished a solo exhibition in Genoa at the Medioeval “Commenda” and will be presented in Paris next February during the Contemporary Art Fair in Port de Versailles. Recently, the newspaper “Il Sole 24 Ore” (The Italian Economic newspaper) included Asveri among the artists to watch in terms of investment in the Italian Art Market. An appreciable number of famous critics have written essays about his works: Paolo Bledinger, Luca Beatrice, Flaminio Gualdoni and Martina Corgnati. Most important exhibitions: 2016 – Sogni dipinti, Galleria Rotaross, Novara. – Lo sguardo nascosto, Galleria Biffi Arte, Piacenza. 2015 – Abracadabra, Galleria Leonardus, Sestri Levante...

Monica Perez "Lovers" from Love & Courage Original Acrylic Painting on Canvas, 2021. W 40" x H 60" Monica Perez’s works are expressions of emotion—impuls...

Pair of circa 1940's oil on canvas Adam and Eve paintings with vintage frames. Measurements: Height: 74.25" Width: 32.75" Depth: 2.25"

A circa 1940's Peruvian large framed painting of an Archangel. Measurements: Height: 64.5" Width: 45" Depth: 1.5"

Large-format painting of a mythological scene with references to Triton and other sea creatures as well as male nude figures by Aksel Jorgensen (1887 Copenhagen - 1957, ibid.). The p...

A painting of the famous Hindenburg disaster in 1937. This was used as an illustration in SHIPS OF THE AIR, a book by award winning children's book author and illustrator Lynn Curlee...

A beautiful, relatively small, Italian artwork painting of a portion of Venice, Italy; a waterfront scene of old buildings and a church, signed by artist, Sabbioni, circa late-20th c...

A circa 1940's large Mexican painted wood panel of the Virgin of Guadalupe. Measurements: Height: 60" Width: 36" Depth: 2"

Iran, Qajar School, Early 20th Century Oil on canvas depicting a woman holding a fan, dressed in an ornate turquoise robe with floral motifs, leggings, and a patterned veil adorned w...

Large abstract painting "Rainforest" in patinated and engraved bronze and pewter with deep green and blue enamels by Philip Kelvin LaVerne, American 1970s (signed “Philip. Kelv...

1987 modern oil on canvas abstract artwork painting, purchase at a estate in Maine, signed by the artist in vintage original condition with minor wear and patina due to age and use.

Thierry Despont, best-known as a very successful architect, was also an accomplished artist. In his painting practice, when not analyzing the smallest, most detailed creatures of the...

Unique Impressionist painting "Caribbean" in patinated and engraved bronze and pewter with enamel cloisonne in green, yellow, blue, and red with hand-brazed braided bronze frame by P...

A Marvelous 19th Century Italian Oil on Canvas titled "The Cardinal's Present" by Arturo Ricci. This oil on canvas is truly incredible and one of Ricci's best works of art. The sce...

Iran, Qajar School, Early 20th Century Oil on canvas depicting a woman holding a tambourine, dressed in a vibrant green robe with floral motifs, fitted leggings, and a patterned veil...

Charming oil on canvas in period frame by the Russian-born American artist, Charles Polowetski (1884-1955) depicting a lovely seated female. Stretcher 21.5 by 29.5 inches and the fr...

Oil on board titled "Sky" by outsider artist extraordinaire Robert Loughlin, painted in 2011. Set into an aluminum jet engine turbine fan. The only work of numerous I've handled that I commissioned from Robert, a friend, colleague, and frequent supplier of vintage modern design. The turbine fan was a cool found object in the Machine Age tradition that I had no idea what to do with so I asked Robert to use it as a frame for one of his paintings. "Sky" was the result--an iconic image of The Brute with a jet stream of cigarette smoke...

"Remanso En El Tendido" Acrylic on canvas abstract artwork by Mexicasn artist Maricruz Hernandez Covarrubias 1947-2016 Painting measurements: Width 39.25 Height 33.25 Maricruz H. ...

A circa 1920s Spanish Colonial painting of an angel holding olive branch. Measurements: Height: 27.5" Width: 21.5" .

A fine antique Adam Style watercolor interior design rendering reminiscent of Osterley Park, London. Dramatic blue-grey and pale salmon tones...

Amazing Antique French Tapestry Unique Square Fisherman Verdure Beige 7'4" x 7'10" (8' x 8') 224cm x 239cm Circa 1890 This piece will be shipped free to anywhere worldwide! "Th...

Monica Perez "Title Processing" from Love & Courage. Original Acrylic Painting on Canvas 2021. W 40" x H 60" Monica Perez’s works are expressions of emo...

Meiji Period (1868-1912) – Ca. 1880/1890 This group of portraits was shown at Chicago World’s Fair in 1893. DIMENSIONS (Framed) Width: 24” inches Height: 57.5

19th Century Orientalist Oil on Canvas by Étienne Billet (1821–1888), depicting a lively coastal village scene with figures, camels, palm trees, whitewashed architecture, and a mosqu...

"Mar Azul" Abstract artwork by Mexican artist Maricruz Hernandez Covarrubias 1947-2016 Painting measurements: width 51.25'' height 39.25'' Maricruz H. Covarrubias – Biography Ea...

Exceptional antique (late 19th to early 20th century) paintings on canvas laid on wooden panels after the door panels by Pierre Rousseau installed in 1786 in Marie Antoinette's boudo...

A beautiful watercolor painting of the iconic Chanel No. 5 perfume bottle, signed by artist, 2012, New York, USA. A beautiful and well-done watercolor painting of the iconic Chanel N...

"FANTASY" by Thomas Hart Benton. Oil on canvas laid on wood with a gorgeous gold gilded frame. Price upon request.

Gouache and pen work by André Arbus (1903-1969). Signed Andre Arbus. Origin: Drawing of dining table by Andre Arbus for the apartment of Mme Pedersen, Paris, 1938. Literature:...

Pair of circa 1920's Italian still life paintings. Measurements: Height: 50.25" Width: 26.25" Depth: 1.5"

An exceptionally fine and quite larege Meissen hand-painted porcelain plaque depicting four royals hunting in the woods with a hunting dog and rifles. This is the finest quality of a...

Locomotive Original painting by Lynn Curlee This painting was used as an illustration in trains, a picture book for older kids published by Simon & Schuster in 2009. This was the c...

Hand-picked by buyers at Ann-Morris Inc.

"Fruit Bowl" acrylic on canvas, by Swedish abstract expressionist painter Peter Astrom, b. 1946. The monumental painting measures 5' x 5' , canvas is str...

Beautiful painting in acrylic on canvas of a horse accompanied by two dalmations.    

An Incredible 19th Century Orientalist Oil on Canvas 'Prince and Princess in the Harem" signed by Antonio Rivas. Antonio Rivas (1845–1911) was a Spanish painter active in Rome, know...

Victor Burgin painting abstract color field red green blue signed. Acrylic on canvas. A student work by Burgin, who became well known as a photographer and a conceptual artist. Signe...

Very large 19th century oil on canvas depicting a large bouquet in a metal bowl (or brazier) beside a pitcher and bounty of fruits and vegetables. Mounted in a period giltwood frame...

'Lysistrata', signed and dated 1962 Oil on board Anthony Thomas Triano (1928–1997) Size: 17 3/4" high x 19 wide x 3 /4" deep. Triano was a...

Spanish Colonial Penitent Mary Magdalene Original oil on canvas painting XIX century Details Original period frame. Painting dimensi...

This Mughal miniature was painted at one of the princely courts of India. It depicts a raven-haired princess in a gold-trimmed saffron-colored silk sari. Under a glowering evening sky she dawdles on a white marble terrace, with a pet fawn on a leash, before a landscape dotted with buildings nestled amongst trees beyond a river. Her hair, falling loosely about her shoulders, rather than carefully dressed on her head, indicates that she is a maiden. The overall mood is one of expectancy. Perhaps walking a pet and catching an evening breeze is a pretext to escape palace scrutiny for a lovers’ assignation. In Mughal India tender sentiments were a bridge to the erotic – and if this seems contradictory, so too is the balance of realism and caricature, and naturalism with the schematic. Both are hallmarks of miniatures painted in this place and time. The earliest Mughal Indian miniatures date to the 16th century. They were inspired by those painted at the refined Moslem courts of the neighboring Persian empire. They incorporated figures in spite of the Moslem faith’s proscription against depicting the human form. Such was the nature of sophisticated courtly life everywhere that beauty and pleasure trumped systems of morality. This was no less the case at the provincial Indian courts, where our miniature, marked by a charming pictorial naiveté, was most likely painted. Yet the artist was undeniably accomplished. His command of perspective, introduced by Jesuit missionaries in the 17th century, is seen in the landscape, which rolls back to a distant horizon, contrary to the flat two-dimensional ones following Indian-painting traditions. And if Mughal artists were influenced by Western art, the compliment was returned by Rembrandt and Sir Joshua Reynolds, among others, who collected Indian miniatures (as did, perhaps, Giovanni Bellini who painted in Mughal style the famous miniature of a Persian man...

A beautiful example of English family portraits The family of baron Tollemache have owned Helmington hall in Ipswich, England for hundreds of years and served as knights and squir...

Hand-picked by buyers at Ann-Morris Inc.

Hand-picked by buyers at Ann-Morris Inc.

Monica Perez "Let Them Go #3" Original Acrylic Painting on Canvas 2021. W 40" x 60" Monica Perez’s works are expressions of emotion—impulsive, spontane...

Thierry Despont, best-known as a very successful architect, was also an accomplished artist. In his painting practice, when not analyzing the smallest, most detailed creatures of the...

Still life painting (Violin, Flowers), Oil on canvas, by Agnes Weinrich, Signed and dated "22", Unframed: 20" x 16", Framed 27.5 x 23". Agnes Weinrich (1873-1946) was an early female, American modernist artist at a time when there was little interest in Modern Art in the USA and when few women were artists. She was a ground breaker in modern art. She was one of the first American artists to make works of art that were modernist, abstract, and influenced by the Cubist style. She was also an energetic and effective proponent of modernist art in America, joining with like-minded others to promote experimentation as an alternative to the generally conservative art of their time. Despite the quality of her work and despite the energy and skill with which she worked both to develop her own talent and to further the progressive movement in American art, Weinrich received little recognition during her lifetime and is only recently being recognized for her leadership as an important female artist bringing the modern movement to the USA. The painting shown is an important example of her mature phase of her work. Exhibitions This is a selective list of exhibitions in which she participated during her life. Its main source is Louise Noun's article on Weinrich in Woman's Art Journal, supplemented by contemporary news accounts in The New York Times, the Brooklyn Daily Eagle, the New York Evening Post, The Philadelphia Inquirer, and The Christian Science Monitor. 1915 onward: Provincetown Art Association 1917: Pennsylvania Academy of Fine Arts 1917: Pennsylvania Academy of Fine Arts, Philadelphia 1917-23: Society of Independent Artists, New York 1919: Art Institute of Chicago 1920: Boston Arts Club 1926 onward: New York Society of Women Artists 1928: Grace Horn Gallery, Boston 1929: Pennsylvania Academy of Fine Arts, Philadelphia 1932: Boston Public Library 1936: Harley Perkins Gallery, Boston (solo) 1938: Boston Society of Independent Artists 1938: Washington Public Library, Washington, D.C. 1939: Corcoran Gallery Biennial, Washington, D.C. 1939: Fogg Art Museum Twentieth Century Club, Boston 1939: Witherstine Gallery, Boston 1939: Institute of Modern Art, Boston 1945: Woljeska Gallery, Brooklyn, New York    Detailed Biography: Agnes Weinrich was born in 1873 on a prosperous farm in south east Iowa. Both her father and mother were German immigrants and German was the language spoken at home. Following her mother's death in 1879 she was raised by her father, Christian Weinrich. In 1894, at the age of 59, he retired from farming and moved his household, including his three youngest children—Christian Jr. (24), Agnes (21), and Lena (17), to nearby Burlington, Iowa, where Agnes attended the Burlington Collegiate Institute from which she graduated in 1897.[1][2][3] Christian took Agnes and Lena with him on a trip to Germany in 1899 to reestablish links with their German relatives. When he returned home later that year, he left the two women in Berlin with some of these relatives, and when, soon after his return, he died, they inherited sufficient wealth to live independently for the rest of their lives. Either before or during their trip to Germany Lena had decided to become a musician and while in Berlin studied piano at the Stern Conservatory. On her part, Agnes had determined to be an artist and began studies toward that end at the same time.[1][4] In 1904 the two returned from Berlin and settled for two years in Springfield, Illinois, where Lena taught piano in public schools and Agnes painted in a rented studio. At this time Lena changed her name to Helen. In 1905 they moved to Chicago where Agnes studied at the School of the Art Institute of Chicago under John Vanderpoel, Nellie Walker, and others. In 1909 Agnes and Helen returned to Berlin and traveled from there to Munich, where Agnes studied briefly under Julius Exter, and on to Rome, Florence, and Venice before returning to Chicago.[5] They traveled to Europe for the third, and last, time in 1913, spending a year in Paris. There, they made friends with American artists and musicians who had gathered there around the local art scene. Throughout this period, the work Agnes produced was skillful but unoriginal—drawings, etching, and paintings in the dominant academic and impressionist styles. On her return from Europe in 1914, she continued to study art, during the warm months of the year in Provincetown, Massachusetts,[1] where she was a member of the Provincetown Printers art colony in Massachusetts,[6] and during the colder ones in New York City. In Provincetown she attended classes at Charles Hawthorne's Cape Cod School of Art and in New York, the Art Students League.[ In 1930 Weinrich put together a group show for modernists at the GRD Gallery in New York. The occasion was the first time a group of Provincetown artists exhibited together in New York. For it she selected works by Knaths, Charles Demuth, Oliver Chaffee, Margarite and William Zorach, Jack Tworkov, Janice Biala, Niles Spencer, E. Ambrose Webster, and others. Although she had led a full and productive life devoted to development of her own art and to the advancement of modernism in art, she did not cease to work toward both objectives. She continued to work in oil on canvas and board, pastel and crayon on paper, and woodblock printing. Her output continued to vary in subject matter and treatment. For example, Still Life with Leaves, circa 1930 (oil on canvas, 18 x 24 inches) contains panels of contrasting colors with outlining similar to Knaths's style. Movement in C Minor, circa 1932 (oil on board, 9 x 12 inches) is entirely abstract. It too relates to Knaths's work, both in treatment (again, outlined panels of contrasting colors) and in its apparent relationship to music, something in which Knaths was also interested. Fish Shacks...

Unframed Collection painted scientific illustrations of various insects from the early 20th century: Each measures approximately: 8" x 6" ...

"Follow The Leader," a large framed blue oil and acrylic painting by Renée Rey, shows that the connection between nature, technology and people are paramount...

"You So Sweet" (2023) by Lowell Boyers is a luminous, high-energy composition-an explosion of color that feels both intimate and cosmic. Against an inky black ground, bursts of hot ...

The Honorable John Maler Collier (British, 1850-1934) was an important artist who painted portraits, dramatic themes, and landscapes. Maler painted in the Pre-Raphaelite style, and was one of the most prominent portrait painters of his generation. He was educated at the Eton School and studied art in Munich and Heidelberg, as well as at the Slade School under Poynter and in Paris under Laurens. He also was encouraged by Millais and Alma-Tadema. Presented is a large hillside and river landscape signed oil painting by Collier. Framed it measures 48" wide, 30.5" high and 3" deep. Canvas is 42" wide and 24" high. Frame has very light wear. Painting is in very fine condition. Collier was one of the 24 founding members of the Royal Society of Portrait Painters, of which he became Vice President and was also a member of the Royal Institute of Oil Painters. He exhibited no fewer than one hundred and thirty paintings at the Royal Academy and one hundred and sixty five at the Royal Society of Portrait Painters, as well as many others in galleries throughout the country and abroad. He was the author of The Primer of Art (1882), A Manual of Oil Painting (1886) and The Art of Portrait Painting (1905). He was awarded the O.B.E. in 1920 and he was the subject of The Art of the Honourable John Collier...

Oil on canvas. Framed. Image size: 160 x 120 cm. Monogrammed and dated ‘AW’24’ at bottom left. Andreas Wachter was born in Chemnitz in 1951. He studied under Volker Stelzmann an...

Oil on hardboard Canvas Dimensions: 147 x 89.5 cm Monogrammed and dated AW’23 at the lower right. Signed, dated and titled on the reverse. Andreas Wachter was born in Chemnitz in 19...

Francesco Scavullo cow skull, screenprint on canvas, coral, black, teal, signed. Screenprint in colors on canvas, signed and dated in ink on the reverse, 1985. Scavullo, 1921–2004, w...