Mexico - Animal Paintings
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Item Ships From: Mexico
Ocelote (1/3)
Located in San Francisco, CA
Rocca Luis César
Ocelote, 2023, (1/3)
Acrylic on canvas
24.40 x 24.40 in
This original painting comes framed as shown in one of the images.
Rocca Lu...
Category
21st Century and Contemporary Modern Mexico - Animal Paintings
Materials
Canvas, Acrylic
"La muerte del cisne siamés" - figurative, animals, swan, hunting, pastels
Located in Ciudad de México, MX
Artist statement:
My work as a figurative painter examines my experience as a gay male living in Mexico today. My early paintings and drawings are explicitly
erotic in that they foc...
Category
2010s Contemporary Mexico - Animal Paintings
Materials
Oil, Linen
Untitled (Owl)
Located in Nuevo Leon, MX
Pintura
Category
Mid-20th Century Mexico - Animal Paintings
Sardine Run Painting Oil
Located in Zofingen, AG
Fish painting 100% original art by Olga Nikitina
*Title: Sardine Run Bait Ball
*Size: 32 by 24 inches, 80x60cm
*Materials: oil, 100% cotton canvas, palette knife
** Shipping: gallery...
Category
2010s Impressionist Mexico - Animal Paintings
Materials
Canvas, Cotton Canvas, Oil
Los recuerdos del mono vivo
By Jose Bedia
Located in Mexico City, CDMX
José Bedia
(Havana, Cuba, 1959) Lives and works in Miami, FL
José Bedia is the most solid representative of post-1959 revolution Cuban art. He was part of the now mythical group s...
Category
2010s Contemporary Mexico - Animal Paintings
Materials
Mixed Media
Discovering
By Rusudan Khizanishvili
Located in Ciudad de México, MX
Presented paintings and drawings by Rusudan Khizanishvili, created in 2024-2025, all focus on offerings, albeit of different types. There is not a single tautology or repetition in t...
Category
21st Century and Contemporary Surrealist Mexico - Animal Paintings
Materials
Graphite
Nahual (1/3)
Located in San Francisco, CA
Rocca Luis César
Nahual, 2023, (1/3)
Acrylic on canvas
24.40 x 24.40 in
This original painting comes framed as shown in one of the images.
Rocca Lui...
Category
21st Century and Contemporary Modern Mexico - Animal Paintings
Materials
Canvas, Acrylic
Espiritu del adiós
By Rafael Galdámez
Located in Guadalajara, Jalisco
Ferewell Sprit
Rafael Galdámez
Oil on Canvas
80 x 180 cm
2015, MX
Unframed
Rafael Galdámez was born in Berriozábal, Chiapas, in 1984. He was artist- in-residence at painter Alejand...
Category
2010s Abstract Impressionist Mexico - Animal Paintings
Materials
Oil
$5,500 Sale Price
26% Off
Untitled (Pigeon)
Located in Nuevo Leon, MX
Pintura
Category
Mid-20th Century Mexico - Animal Paintings
Transformatio Et Metum
By Jose Bedia
Located in Mexico City, CDMX
José Bedia
(Havana, Cuba, 1959) Lives and works in Miami, FL
José Bedia is the most solid representative of post-1959 revolution Cuban art. He was part of the now mythical group s...
Category
2010s Contemporary Mexico - Animal Paintings
Materials
Mixed Media
Cenzontle (1/3)
Located in San Francisco, CA
Rocca Luis César
Cenzontle, 2023, (1/3)
Acrylic on canvas
24.40 x 24.40 in
This original painting comes framed as shown in one of the images.
Rocca ...
Category
21st Century and Contemporary Modern Mexico - Animal Paintings
Materials
Canvas, Acrylic
Xólotl en la caverna
By Erik Perez
Located in Mexico City, CDMX
An innate and atypical landscape artist, Eric Pérez is an intellectual who paints. He knows and loves Mexican and world history, from which he derives his contemporary context. His p...
Category
2010s Conceptual Mexico - Animal Paintings
Materials
Canvas, Oil
Perro
By Erik Perez
Located in Mexico City, CDMX
An innate and atypical landscape artist, Eric Pérez is an intellectual who paints. He knows and loves Mexican and world history, from which he derives his contemporary context. His p...
Category
2010s Conceptual Mexico - Animal Paintings
Materials
Oil, Linen
$1,900
Luna 1
By Erik Perez
Located in Mexico City, CDMX
An innate and atypical landscape artist, Eric Pérez is an intellectual who paints. He knows and loves Mexican and world history, from which he derives his contemporary context. His p...
Category
2010s Conceptual Mexico - Animal Paintings
Materials
Linen, Oil
$1,850
La música de los canes II
By Miguel Villafuerte
Located in Mexico City, CDMX
#fantastic #zoology #texture #piano #keya #sound #music #color #dog #animal
miguel villafuerte (Quito 1991) graphic designer and visual artist, litirature, editorial.
the work as...
Category
2010s Conceptual Mexico - Animal Paintings
Materials
Wood, Oil, Acrylic
La música de los canes I
By Miguel Villafuerte
Located in Mexico City, CDMX
#fantastic #zoology #texture #piano #keya #sound #music #color #dog #animal
miguel villafuerte (Quito 1991) graphic designer and visual artist, litirature, editorial.
the work as...
Category
2010s Conceptual Mexico - Animal Paintings
Materials
Wood, Oil, Acrylic
Into the whale
By Miguel Villafuerte
Located in Mexico City, CDMX
#fantastic #zoology #texture #eye #paper, #color, #hole and #eye, into the #whale, from film Into The Woods,
miguel villafuerte (Quito 1991) graphic designer and visual artist, lit...
Category
2010s Conceptual Mexico - Animal Paintings
Materials
Wood, Oil, Acrylic
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"Diablito 2" art toy, red devil, pop art, Mexican, mask, contemporary, sculpture
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Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life.
In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture.
Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future.
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"Tigre atacando II" art toy, tiger, pop art, Mexican, contemporary, sculpture
Located in Ciudad de México, MX
A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote.
Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life.
In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture.
Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future.
The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...
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21st Century and Contemporary Contemporary Mexico - Animal Paintings
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"Tigre I" art toy, tiger, pop art, mexican art, mask, nature, contemporary
Located in Ciudad de México, MX
A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote.
Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life.
In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture.
Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future.
The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...
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21st Century and Contemporary Contemporary Mexico - Animal Paintings
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Resin, Paint, Spray Paint, Acrylic
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"Diablito colgando" art toy, red devil, pop art, Mexican, contempo, sculpture
Located in Ciudad de México, MX
A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote.
Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life.
In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture.
Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future.
The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...
Category
21st Century and Contemporary Contemporary Mexico - Animal Paintings
Materials
Resin, Paint, Spray Paint, Acrylic
H 11.8 in W 7.9 in D 3 in
"Diablito 3" art toy, red devil, pop art, Mexican, mask, contemporary, sculpture
Located in Ciudad de México, MX
A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote.
Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumul...
Category
21st Century and Contemporary Contemporary Mexico - Animal Paintings
Materials
Resin, Paint, Spray Paint, Acrylic
H 19.7 in W 23.6 in D 5.9 in
"Tigre IV" art toy, smiling jaguar, pop art, mexican art, mask, nature
Located in Ciudad de México, MX
A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote.
Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life.
In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture.
Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future.
The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...
Category
21st Century and Contemporary Contemporary Mexico - Animal Paintings
Materials
Resin, Paint, Spray Paint, Acrylic
"Tigre gris II" art toy, jaguar, gray, pop art, mexican art, mask, nature
Located in Ciudad de México, MX
A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote.
Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life.
In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture.
Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future.
The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...
Category
21st Century and Contemporary Contemporary Mexico - Animal Paintings
Materials
Resin, Paint, Spray Paint, Acrylic
H 10.6 in W 10 in D 3.5 in