Miami - Art

The iconic subject matter from Botke's oeuvre often features birds, particularly white peacocks, geese, egrets, and cockatoos. Women artists are on fire and very much in demand today...

The print is signed, dated, and numbered with an edition of 2/15. It's signed lower right recto. printed later. Other sizes are available and it's unframed. Printed on Hahnemühle F...

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reaso...

Unsigned screenprint on wallpaper, from the unpublished edition of unknown size, with the 'The Estate of Andy Warhol' and 'Authorized by the Andy Warhol Foundation for the Visual Art...

Santos art education is worldly, and his work has been seen around the globe, from the Museum of Contemporary Art in Sicily, Italy and the Beijing museum in...

The Billboard series by photographer Eduardo Rezende unfolds as a visual dialogue between art and urban architecture — a fusion that challenges the monotony of metropolitan life. Kno...

The Billboard series by photographer Eduardo Rezende unfolds as a visual dialogue between art and urban architecture — a fusion that challenges the monotony of metropolitan life. Kno...

The Billboard series by photographer Eduardo Rezende unfolds as a visual dialogue between art and urban architecture — a fusion that challenges the monotony of metropolitan life. Kno...

The Billboard series by photographer Eduardo Rezende unfolds as a visual dialogue between art and urban architecture — a fusion that challenges the monotony of metropolitan life. Kno...

Quick and confident brush strokes describe the gritty forms of perhaps steam engines or railroad yards. Luks bravura style of putting paint to canvas anticipates action painting of ...

Offset lithograph in colors on paper. Artist signature signed in the plate. Hand numbered in pencil. From the edition of 500. Published by Images International Hawaii. Printed by Tree Lautrec...

Cuca Romley, Spanish woman artist (born 1933) Color etching "Petite Fille" (young girl with blue eyes) Hand signed lower right, titled lower center, "epreuve d'artiste" lower left....

Screen print on 310gsm Somerset Tub Sized Satin paper. Hand signed, dated and numbered by the artist. Edition 249/300. Frame size approx 23 x 31 inches. Mr Doodle...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

Screen print with stencil, acrylic and spray paint on wove paper. Hand signed on front; signed and dated on verso with studio catalog number and thumbprint. Artwork size: 30 x 22 ...

For your consideration, we have a pen and ink drawing of an interpretation of The Three Graces, who strike a pose for a 1930s fashion ad. In Greek mythology, they were goddesses w...

Juliette Jourdain Big headed series - Self Portrait 60 x 48 inches 150 x 120cm edition of 8 Also available in: 40 x 32 inches 100 x 80cm edition of 8 Archival Pigment Print Si...

There is a reason why there are few contemporary painters who can paint a portrait of a man and bear this good. It's hard to do. It's easy to throw some paint or spray a mess of graf...

Hans Hartung (Germany, 1904-1989) Galerie Im Erker, 1963 lithograph on paper 36.5 x 22.7 in. (92.5 x 57.5 cm.) Excellent condition, unframed Ref: HAR100-204 Hans Hartung was born in...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print Unframed

Original mixed media painting on wood. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be cons...

Hand signed and numbered by the artist. Image size approx 20.5 x 16 inches. Frame size approx 32 x 27 inches. From the edition of 200. Artwork is in excellent condition. Certific...

Juliette Jourdain Big headed series - Self Portrait MOUNTED AND FRAMED FRAMED SIZE 48 x 40 inches 40 x 32 inches 100 x 80cm edition of 8 Archival Pigment Print Signature Label....

An American Female Artist in her late signature style depicts a Horse and a Colt in an abstract landscape. Ethel Magafan scapes the defining lines with a knife to add to the creative...

Luis Feito red original engraving limited edition painting. framed In this abstract expressionist, engraving, Luis Feito's palette has been simplified to black, red and purple. The d...

Massimo Listri Queluz Palace, Sintra, Portugal, 1992 71 x 88.5 inches 180 x 225 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Framing opti...

Serigraph in colors on Canaletto paper. Hand signed, dated, titled and numbered by Consuelo Castañeda. Edition of 50. Artwork is in excellent c...

Tulio Pinto Eduardo Rezende Gravitas explores the poetic tension between matter and body through the collaboration of sculptor Túlio Pinto and photographer Eduardo Rezende. The...

Salvatore Grippi was my art professor at Ithaca college from 1970- 1971 Who was doing paintings like this in 1950? Jackson Pollack, Willem De Kooning and Salvatore Grippi, and a few...

When it comes to abstract painting, the creation date is important. At the height of Abstraction Expressionism, overlooked Academic Artist John Atherton created a wonderfully complex painting that embodies many of the characteristics of what was going on in Mid-Century American Art. The work is simultaneously abstract as it is representational. Like a Bento Box, it's divided into sections by dividers. On close inspection, each section stands on it's own as a beautiful mini-painting yet coalesces as part of the whole. From a distance, it is eye-pleasing, but as the view gets closer and closer, new structures and details gloriously reveal themselves. This is an important painting and not unlike the work of Joaquín Torres-García. It was done in the last year of the artist's life. Signed lower right. Canvas is relined. Framed size: 30 x 41.25. The work is best viewed with top gallery lights to bring out color. Color will look different under different lighting conditions. Atherton exhibited at the famous Julien Levy Gallery in New York and his fine art is mainly associated with Magic Realism. He participated in the seminal 1943 Museum of Modern Art exhibition, American Realists and Magic Realists. The Museum of Modern Art has 4 Atherton paintings in its collection. As an Illustrator, Atherton did covers for the Saturday Evening Post, Fortune and Holiday Magazine...

Original illustration was done by Renna for the novel "Journey to the Center of the Earth" by Jules Verne, published in 1963. What makes this work special is how brilliantly the subj...

Original acrylic on canvas. Hand signed, titled and dated on verso by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will ...

Alfonzo's style developed significantly, and his career as an artist matured during a period in which neo-expressionist figurative art came to renewed global attention. As he was exp...

Bertha Corbett Melcher's The Sunbonnet Babies, with their flat, minimalist, semi-abstract, and symbolic style, are an early example of American Modernism/Surrealism by a lesser-known female artist/illustrator. The present work demonstrates a delicate balance between abstraction and representation and between the commonplace and the mysterious. Her signature use of a hat or sunbonnet to hide the identity of her subjects is a big conceptual and visual idea that has been overlooked in the fine art canon. The exact meaning of this is unknown, but 120 years after they were done, it resonates as somewhat surrealistic. Her work is a contradiction. She shows innocent children engaging in everyday activity but are depicted in vail of mystery. Why does she not show the faces of her subjects? Watercolor on paper (each) Six drawings in all on one board. 6-1/8 x 5 inches (15.6 x 12.7 cm) (each) One signed; two initialed; three not signed. Six drawing in all on one board. 6-1/8 x 5 inches (15.6 x 12.7 cm) (each) One signed; two initialed; three not signed The Sunbonnet Babies characters were created by illustration Bertha L. Corbett when she was challenged to create a faceless character who nonetheless was engaging and appealing. The characters were a wild hit and appeared in books, comics, and popular collectibles. They also became a popular motif in quilting. Few of Corbett's original drawings for the babies are known to survive, making this a rare offering. From: Wikipedia Sunbonnet Babies are characters created by commercial artist Bertha Corbett Melcher (1872–1950). Sunbonnet Babies featured two girls in pastel colored dresses with their faces covered by sunbonnets. Sunbonnet Babies appeared in books, illustrations and advertisements between the years of 1900 and 1930. Sunbonnet Babies were later used as a popular quilting pattern also known as Sunbonnet Sue.[1] Melcher created a male version of the Sunbonnet Babies, named the 'Overall Boys' in 1905.[2][3] History Bertha L. Corbett Melcher Sunbonnet Babies were created by Bertha Corbett Melcher (1872–1950).[4] Melcher was born in Denver and moved with her family to Minneapolis in the 1880s. Melcher attended art school in Minneapolis with plans to become a commercial artist.[5] She may have also studied with Howard Pyle.[6] By the 1920s, Melcher had moved to Topanga, California.[7][4] Melcher started drawing the Sunbonnet Babies in 1897. The origin of the signature style of the faces being covered by sunbonnets is contested by different members of Melcher's family and by Melcher herself. In an interview, Melcher's brother said their mother suggested Bertha avoid the difficulty of drawing faces by covering them with sunbonnets.[4] Melcher herself said that covering faces allowed her to communicate with body position.[4] Melcher has also said that the design came about in "answer to a friend’s challenge to convey emotion without a face."[2] Melcher published her first book, The Sun-Bonnet Babies in 1900.[3] Later, she shopped her illustrations to publisher Rand McNally of Chicago, and nine subsequent books were written by Eulalie Osgood Grover and illustrated by Bertha Corbett. In 1905, Melcher wrote The Overall Boys.[3] Many of these books were used as primers and used widely in primary schools in the midwest. Melcher used the sunbonnet babies in advertising and later established the Sunbonnet Babies Company. She started a studio to illustrate and create merchandise of the Sunbonnet Babies.[2] The characters also appeared in a comic strip.[2] Quilting Melcher herself did not originate the use of the sunbonnet babies as quilting pattern. The Sunbonnet Babies quilting pattern appeared in textile art 1910's in the Ladies Home Journal 1911–1912 in a quilt stitched by Marie Webster. The pattern was popular during the Great Depression. In the American South, it was often known as "Dutch Doll" until the 1970s.[3] There was also a quilt pattern based on the "Overall Boys," known by the various names including “Overall Bill, “Overall Andy,” “Sunbonnet Sam,” “Suspender Sam,” “Fisherman Jim."[3] Many patterns for quilts and sewing were designed by Ruby Short McKim and published in nationally syndicated newspapers.[8] Sunbonnet Sue became symbolic of 'female innocence and docility'.[9] Linda Pershing collected accounts from women quilters who depicted 'Sues' doing activities such as smoking, wearing more revealing clothing, and subverting feminine stereotypes.[10] In 1979, the “Seamsters Union Local #500," a group of quilters from Lawrence, Kansas, created “The Sun Sets on Sunbonnet Sue," a quilt depicting the character murdered in a variety of ways.[3] Collectibles Sunbonnet Babies merchandise includes school books, valentines cards, postcards, china, and quilts.[2][5][11] Sunbonnet Babies were adapted into three dimensional porcelain collectibles and pottery made by Royal Bayreuth Company in the early 1900s. The Royal Bayreuth China...

Color Photography pioneer Mitchell Funk is famous for blending representation with a broad emphasis on abstract qualities. He is a photographic minimalist cropping out extraneous d...

Nelson Dominguez (Cuba, 1947) 'Untitled', 2012 silkscreen on paper 18.2 x 12.6 in. (46 x 32 cm.) Edition of 7 ID: DOM-307 Hand-signed by author _______________________________________ "Biography. Nelson DOMÍNGUEZ.  Born: 1947, Santiago de Cuba, Cuba. Studies: 1970 National School of Art, Cuba. Experience: 1970 - 1985 Professor National School of Art, Cuba. He has been Professor of Painting and Engraving and Head of the Painting Department of the Higher Institute of Art (ISA). Member of the Union of Writers of Cuba and the International Association of Plastic Artists. Awards: Among the awards and recognitions that the Cuban artist received: Order for the National Culture, Cuba; Order Alejo Carpentier, Cuba; Diploma and Order of Honor from the Fuji Museum, Japan. In 1972, he received the National Prize at the International Painting Festival in Cagnes-sur-mer, France; 1976 Grand Prize, International Biennial of Wood Engraving, Banska Bystrika, Czechoslovakia and Painting Prize, Triennial of Committed Realist Art, Sofia, Bulgaria; Honor Prize, Graphic Biennial, India, as well as at the Jaime Guasch Biennial in Barcelona, Spain. Exhibitions In summary, exhibitions of personalities. In 1983 he made the exhibition ""Retrospective (10 years of professional work)"" at the National Museum of the Palace of Fine Arts of Cuba, in 1984 at the Francoise Tournie Gallery in Paris; in 1985 he did it in the National Welfare Organization of Athens, Greece and in 1986 in the Gallery del l 'Incisione in Venice, Italy. During the eighties and nineties his work was shown in Brazil, Italy, Puerto Rico, Japan, Mexico, Spain, the United States, Cuba and Mexico. In 2001, an individual exhibition was held at the Hotel Trip Cayo Coco in Cuba. Collections: Many of his works are exhibited in the Los Oficios Studio Gallery, Old Havana, Cuba and in the collections of the National Museum of Fine Arts of Cuba, Merugo Museum of Japan; Herbeat F. Johnson Museum of Art of the United States; The Presidential House, Los Pinos, of Mexico; Alejo Carpentier Foundation and José...

Luis Feito (Spain, 1929-2021) 'Untitled V', 2017 lithograph on paper 27.6 x 39.4 in. (70 x 100 cm.) Edition of 35. Original 46, 35 of the regular edition and B.A.T.: 1, P/A: 5, H.C.:...

Zhangjiajie 5, China, 2018 Series: CHINA Archival Pigment Print on Fine Art Baryta paper Mounted and Framed All available sizes and editions: 20" x 20" editions of 7 40" x 40" edi...

Serigraph on paper. Hand signed, titled and numbered by the artist. From the HC edition of 3. Artwork is in excellent condition. Certificate of Authenticity included. All reasona...

Daniel Mansur Available sizes: 60 x 40 inches 100 x 150cm 71 x 47 inches 180 x 120cm 88.5 x 60 inches 225 x 150 cm Edition of 6 copies overall - Archival Pigment Print Signat...

Happy world. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós expa...

Rogelio Polesello Untitled, 1990 ca. Acrylic 4 x4 x4 in At the end of the 1950s, Rogelio Polesello introduced into his work various materials and techniques used in industrial prod...

Original oil on canvas painting. Hand signed on front; signed and titled on verso by Charles Levier. Stretched canvas size 39.5 x 29.5 inches. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: Charles Levier (French, 1920–2003) aka Maurice Verrier...

Original oil painting on canvas. Hand signed lower front by Ferjo. Canvas image size 30 x 40 x 1 inches. Canvas is stretched. Artwork is in excellent condition. Certificate of au...

An uncanny juxtaposition of sleek design. The bold geometric forms of the Chrysler Building Spire are set against the equally sleek lines of a contempo...

Janela do Tempo is a visual meditation on impermanence and transformation — an ode to the fleeting nature of urban life. In a city where change is the only constant, Eduardo Rezende ...

the night- original abstract acrylic painting. framed GENOVART LLOPIS, Jaume (Barcelona, 1941-1994). Basically self - taught painter, was released in 1972. Grandson of typesetter ...

Jose Mijares Mujer con pescado, 1968 Oil on canvas 20 x 16 in

Serigraph on paper. Hand signed and numbered by the artist. Image size approx 34 x 44.5 inches. Artwork is in excellent condition. Certificate of Authenticity is included. All r...

ANTONI TAPIES was the maximum representative of Spanish abstract art of the 20th century. His works are represented in museums and foundations around the world. Antoni Tàpies Puig (...

Technical Information: Julian Stanczak Fractions, from Twelve Progressions 1971 Screenprint 26 1/2 x 26 1/2 in. Edition of 90 Pencil signed and numbered Accompanied with COA by Gre...

Giclee on on deluxe paper. Hand signed and numbered on front by the artist. Image size 19.25 x 26 in. Frame size approx 27 x 34 in. Artwork is in excellent condition. Certificate o...

Torso. Original resin esculpture Fili Plaza reflects in his work the emotional world of Mediterranean culture, with its sensuality and luminosity. The nature of this universe offer...

Edition of 5

Woodcut print on paper. Hand signed and dated by Lyonel Feininger. Unknow edition. Image size approx 3.9 x 3.9 inches. Sheet size 7 x 6.5 inches. Artwork is in excellent conditio...

A handsome man and a beautiful woman are depicted in a rapturous pose. Their bodies are intertwined with each other and with the surrounding floral elements. This masterfully render...

Pablo Atchugarry "Untitled" 2016 Pink marble from Portugal Signed to the base 13 1/2 x 13 x 6 1/2 in Provenance: Gallery Enlace Arte Contemporaneo Exhibited: “PABLO ATCHUGARRY. Mem...

Giclee on canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 295. Not stretched. All reasona...

Arnold Friedman studied with Robert Henri and Kenneth Hayes Miller at the Art Students League in 1905 . Yet as he developed his style he abandoned the academic influence of his teacher. He started experimenting with materials and techniques. Friedmans intimate style recalls a variety of post-impressionist artists such as Pointillism of Pisarro, Vuillard and Nabis, and perhaps even Seurat. His thick application of paint has definitive textual impasto that was influenced by his trip to Paris in 1909. In "Museum Piece...

The key to this painting's charm is that the subject is a beautiful young woman who is showing her face. She lounges comfortably in a carpeted boat with a lute by her side, running...