Miami - Landscape Paintings

" Mallorca " original impressionist oil painting Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, s...

Giner Bueno (1935-2000) Reparando Las Redes Painter from Alicante, son of the painter Luis Giner Valls. He studied at the School of Arts and Crafts of Valencia and finished his stu...

Giner Bueno (1935-2000) Jugando en la playa Painter from Alicante, son of the painter Luis Giner Valls. He studied at the School of Arts and Crafts of Valencia and finished his stu...

Multidisciplinary painter who explores his art in multiple contexts and through various forms of expression, such as painting, printmaking, video, and photography. His work spans fro...

CHARLES LEVIER – UNTITLED [PONT AU-DESSUS DU CANAL] Oil on Canvas ⚜ Signed Lower Right ⚜ Custom Conservation Frame A STYLIZED MIDCENTURY CITYSCAPE WITH CUBIST RHYTHM AND MODERN ELEG...

Agudo Clará, Ignacio (Zaragoza 1880 – Ibiza 1966) ARTS On May 25, 1936, he married the painter Pura Ortí and with her and her family, he moved to Ibiza, facing the imminent Civil War...

Hand signed lower left corner Oil on masonite Dimensions: Frame H 18.25" x W 22.25". Sight H 11.25" x W 15.25 This is a great scene, vintage Americana. Possibly Crown Heights in Brooklyn New York City. Done in a mid century modern style with great vibrant colors and loose, adept, brushwork. Fruit vendor with ladies shopping. George Schwacha, Jr. (1908 - 1986) New Jersey artist. Known for Landscape painting and snow scenes. He studied Arthur W. Woelfle; John Grabach; Edward Dufner and A. Schweider. George Schwacha was president of the American Artists Professional League and a past president of the Audubon Artists and Art Center of New Jersey. He belongs to the American Watercolor Society, The National Society of Painters in Casein, and the Philadelphia Watercolor Club. His paintings have been shown throughout the country at museums such as the Pennsylvania Academy, the Corcoran Gallery in Washington, DC and the Birmingham Art Museum, The Butler Art Institute in Youngstown, Ohio the Connecticut Academy of Fine Arts, as well as in leading New Jersey and New York exhibitions, including the American Society of Arts and Letters. He is listed in Who's Who in American Art and International Directory of Arts. His work is represented nationally in over 30 museums and public collections including the Newark Museum, Montclair Museum, Birmingham Art Museum, the Isaac Delgado Museum in New Orleans, and the Butler Art Institute. Worldwide he is also represented in collections in the following countries: Austria, Belgium, Canada, Egypt, England, France, Germany, Greece, Holland, Hong Kong, Israel, Scotland and Switzerland. Seymour Zayon, Bertram Hartman, Hugh Campbell, Frank Herbst, Joseph Newman, Theodore Valenkamph, Robert John McClelland, Nicolai Cikovsky, Ben Benn, George Howell Gay, Robert Brackman, Vernon Wood...

This charming rural winter scene of ice skaters fully displays Norman Rockwell's America, but it was painted by female artist Charlotte Joan Sternberg. She combines the mid-century A...

Danish-American artist Søren Emil Carlsen paints a post-impressionist landscape that blurs the line between representation and abstraction. With its open composition, the artist capt...

" ALMOND original acrylic painting. framed Julien was born in 1948 in Vichy, France. He studied art and theater in Clermont-Ferrand at the same time as finishing his degree in Fren...

ROBERT KENNETH WHITE – "CAIRN ROAD" ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A QUIET TESTAMENT TO ENDURANCE AND SOLITUDE In “Cairn Road” (2012), Robert Kenneth ...

ALFRED JANSSON (1863-1931) – UNTITLED [LAKESCAPE] Oil on Canvas ⚜ Signed ⚜ Dated ⚜ Framed A SERENE MIDWEST LAKESCAPE WITH ATMOSPHERIC DEPTH This original 1923 oil painting by Swedis...

Marc Khonsky (American Russian, 1927-2017) Untitled (Winged Prophet Playing Music) 1978 Oil on board Hand signed and dated lower right Dimensions: board: 14"h x 11"w, overall (with frame): 19.5"h x 16.5"w This depicts a winged angel in the guise of a rabbi, possibly the messiah, moshiach, or Prophet Elijah blowing a shofar over the old city of Jerusalem. A masterpiece laden with mystical symbolism. Marc Klionsky (Марк Клионский) (1927 – 2017) was a Russian-American Jewish artist who worked in New York City from his immigration in 1974 until his passing in 2017. Klionsky developed a style of American Realism uniquely defined by his classical training in the Soviet Union and his perspective of daily life in New York and America. Over the course of his career, Klionsky painted portraits of prominent world figures who shaped the 20th century. John Russell, art critic for The New York Times, described him as "a good man and a brave man and one of the most eloquent painters around. We need him" and as "one of the best portrait painters around." Marc Klionsky was born in Minsk, Belarus to a Jewish family in 1927. His father, Leo (Zev Vulf) Klionsky was a printer from Borisov, Belarus. The son of a woodcutter and engraver Klionsky's father moved to Minsk and eventually married Liza (née Rozenstein) in 1926. As a child, Klionsky attended the Art School for Gifted Children in Minsk. During World War II, Klionsky's family was evacuated to Kazan, Republic of Tatarstan, where Klionsky began to earn a living producing anti-Fascist posters and illustrations for local newspapers and other publications. Klionsky studied at the Drama Institute at the Kazan Theater, where he primarily focused on developing costume designs for various productions. After the war, Mark Klionsky attended first the Serov Art Institute before entering the Ilya Repin Leningrad Institute for Painting, Sculpture and Architecture (now known as the Russian Academy of Arts in Saint Petersburg). Klionsky's diploma piece was reproduced in an edition of 50,000 copies and distributed throughout the USSR. Klionsky received his PhD in 1957, during which period he studied with Professor Boris Ioganson. Klionsky became the youngest artist to be exhibited at the Tretyakov National Gallery in Moscow. During this period, Klionsky met his future wife of nearly 59 years, Irina Klionsky (née Korolik), with whom he had two daughters, Nadia, an artist, and Elena, a pianist. Klionsky established himself in the Soviet Union initially by producing official Social Realist works that depicted political figures and daily life in the Soviet Union. However, in the privacy of his own studio, Klionsky began to explore the themes of Jewish life, anti-Semitism and the Holocaust. He soon discovered the creative and intellectual restrictions of working as a Jewish artist in the Soviet Union. After Klionsky left the Soviet Union with his family in 1974, traveling first to Rome, Italy and then to New York, he expressed in his work the newborn freedom that he found in America. Shortly after his arrival, he was recognized in an ABC television production about his work, Canvases of Freedom. This was followed by a U.S. State Department documentary (produced by the U.S. Information Agency) shown in ninety-two countries about one of his exhibitions at Hammer Galleries. During this period, Klionsky also taught at the School of Visual Arts in New York and at the Pennsylvania Academy of Fine Arts in Philadelphia, birthplace of the Ashcan School of American Realism. While Klionsky took advantage of his creative freedom in the United States to explore a range of abstract styles and media, he ultimately gained prominence as a master of portrait painting and of American Realism. His works include portraits of leaders in the world of politics and humanitarianism, such as Israeli premier Golda Meir, Elie Wiesel, Prince Bandar Bin Sultan, and Vernon Jordan; music, including Dizzy Gillespie, Mstislav Rostropovich, and B.B. King; business leaders Armand Hammer, Steve Forbes, and Dwayne Andreas; and many others. His portraits are in the permanent collections of the National Portrait Gallery in Washington, D.C., the Russian Museum in St. Petersburg, and the Museum of Contemporary Art in Lausanne, Switzerland. Klionsky was also honored during his lifetime to have been selected to sculpt the Nobel Peace Prize Commemorative Medal for Elie Wiesel. During his lifetime, Marc Klionsky's paintings and prints were exhibited throughout the Soviet Union, Europe, America, Israel and Asia, as well as Australia and New Zealand. His Soviet works were exhibited in the Tretyakov National Gallery in Moscow and the State Russian Museum in Leningrad multiple times throughout the 1950s. In 1962, his work was shown alongside that of Marc Chagall at Grosvenor Gallery in London. Separately, his work was shown along with other Soviet artists at the time in West Berlin, Hiroshima, Rome, and New York. After emigrating to New York in 1974, his first international exhibition was held in Paris at the Salon des Reprouves with Galleries Hardy in 1978. His first solo New York show took place a Nakhamkin Fine Arts Gallery on Madison Avenue in 1979, after which Klionsky was represented by Hammer Galleries for the remainder of his career. Klionsky had several solo shows in Europe between 1991 and 1992, showing at the Musée d’Art Contemporain in Lausanne, Switzerland, the Salon Internationale des Musées at the Grand Palais in Paris, France, and his "God Bless America" traveling retrospective that began at the St. Ingbert Museum in Germany. The last exhibition of Klionsky's work during his lifetime was at an event titled "Painting the Face of Russian Jewry: The Art and Journey of Marc Klionsky” at Brandeis University in Waltham, Massachusetts in 2010, with presentations made by Sir Antony Polonsky, Emeritus Professor of Holocaust Studies, and Professor Nancy Scott, former chair of the Fine Arts department at Brandeis University. Marc Klionsky's works hang in the collections of the National Portrait Gallery in Washington, D.C., The Elie Wiesel Foundation for Humanity in New York, the Musée d’Art Contemporain in Lausanne, Switzerland, the Yad Vashem Art Museum in Jerusalem, Israel, and the State Hermitage Museum and the State Russian Museum in St. Petersburg, Russia, among other private and public collections internationally. He was part of a tradition of Soviet Jewish artists that included El Lissitzky, and Natan Altman, Marc Chagall, Robert Falk, Anatoly Kaplan, Ilya Kabakov, Oscar Rabin...

green landscape and trees original impressionist oil canvas painting. framed Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Masters, soa...

Majorca II original watercolor paper expressionist painting. This Catalan painter, settled for years in Mallorca, offers a series of landscapes in which the natural is treated in th...

landscape of vineyar - original expressionist mixed media painting RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of F...

The key to this painting's charm is that the subject is a beautiful young woman who is showing her face. We see her with her charming smile. She lounges comfortably in a carpeted bo...

Marina original impressionist acrylic painting. SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smell and the pure scent of his environment...

Almond trees in bloom. Majorca original expressionist canvas painting framed Painter born in the town of Estellencs on the island of Mallorca, from his youth he dedicates himself to...

" Torello " original impressionist oil painting Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, sm...

Giner Bueno (1935-2000) Painter from Alicante, son of the painter Luis Giner Valls. He studied at the School of Arts and Crafts of Valencia and finished his studies in Paris, where...

A stylized horse is depicted grazing in an abstract landscape. Most likely, the location is Woodstock, New York, where the artist lived. Signed Lower Right; Framed; Note: titled and signed on verso. Ethel Magafan (August 10, 1916 – April 24, 1993) was an American painter and muralist. Magafan was born in Chicago to Greek parents who had recently immigrated to the U.S. The family soon relocated to Colorado Springs, Colorado, and Magafan's artistic training occurred at the Colorado Springs Fine Arts Center under the tutelage of Peppino Mangravite, Boardman Robinson and Frank Mechau, who hired Magafan and her twin sister, Jenne, to assist on mural projects. In 1937, aEthel won the commission to paint a mural in the U.S. post office in Auburn, Nebraska, making her the youngest recipient of such a commission. It would be the first of seven government-sponsored commissions for the artist. Murals "Andrew Jackson at the Battle of New Orleans, January 8, 1814" E. Magafan, 1943 Under President Franklin Roosevelt's New Deal, several programs were created to employ Americans during the Great Depression. The Magafan twins worked under the New Deal's Section of Painting and Sculpture, a program that hired thousands of artists to paint murals in public spaces, particularly post offices. Ethel and her twin sister, Jenne Magafan, became widely known for their murals painted during the Great Depression. Ethel received her first of seven Government commissions when she was commissioned to produce a painting for the United States post office in Auburn, Nebraska, titled Threshing.Other murals commissioned by the US Government hang in the United States Senate Chamber, the Social Security Building and the Recorder Deeds Building in Washington, D.C., and in post offices in Wynne, Arkansas, titled Cotton Pickers in 1940; in Madill, Oklahoma, titled Prairie Fire in 1941; and Englewood, Colorado, titled The Horse Corral in 1942.Her final mural, entitled Grant in the Wilderness, was installed in 1979 in the Chancellorsville Visitor Center at the Fredericksburg National Memorial Military Park in Virginia, She was a member of the National Academy of Design. Magafan died April 24, 1993, in Woodstock, New York, at the age of 76. References "Collections National Academy Museum". Retrieved 2017-03-08. "Jenne Magafan". Retrieved 2017-03-08. Marlene Park and Gerald E. Markowitz, Democratic Vistas: Post Offices and Public Art in the New Deal. Philadelphia: Temple University Press, 1984. "Browse New Deal projects by State and City". Living New Deal. Retrieved 9 January 2015. "Ethel Magafan Passes Away". New York Times. No. Obituary. April 29, 1993. Opitz, Glenn B, Editor, Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers, Apollo Book...

ROBERT KENNETH WHITE – "GOLDEN ROWS, TUSCANY" ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display SUNLIT VINEYARDS OF TUSCANY “Golden Rows, Tuscany” captures the luminous ...

Original and unique work of Maria A. RAVENTOS on canvas and collage Signed by the artist . RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elit...

Landscape of Mallorca- original expressionist watercolor painting virtual frame Work of the Spanish artist BENAVENTE SOLIS. Watercolor on paper. Perfect state . Transport costs inclu...

A majestic Canadian mountain rises to the sky with a small Canadian Mountie on hours viewing the scene, Mizen uses a creative technique of exposing...

Katherine Bowling (American, b. 1955) Oil on spackle on wood 1988 Hand signed, titled and dated verso, Dimensions: 48"h x 48"w Provenance: From an Important Private Collection, NYC; bears gallery label from Blum Helman Gallery, NYC Notes/Literature: Exhibited: "Earth and Sky: Recent Paintings by Katherine Bowling, Joan Nelson and Ellen Phelan", Hood Museum of Art, Dartmouth College 1992 Katherine Bowling (born 1955, Washington, D.C.) is a modernist painter known for her layered landscape paintings that draw inspiration from nature in the Hudson Valley. Katherine Bowling grew up in Tidewater, Virginia. She received her BFA from Virginia Commonwealth University in 1978. Bowling's first New York show, as well as her first solo exhibition, was in 1987. Bowling's works tend to be luminous landscape paintings that often feature woods and fields as well as roads. Many of her paintings are based on her photographs of woods and fields surrounding and in Schoharie County, where she rents a house. As Molly O'Neill notes in an essay on Bowling and her work, this area is "fifty miles northwest of the vistas that inspired the Hudson River School painters in the mid-1800s." Bowling focused in particular on the imagery of roads for the theme of her exhibition at Greenberg Van Doren, Divide. As the title implies, writes Lilly Wei in the exhibition's accompanying catalog, Bowling views the roads as "abstract marks in the landscape that divide and order space." Even with roads she has often traveled, Bowling finds something new on closer inspection that alters her perception of the familiar and mundane. Bowling explains that the roads "function as a metaphor for memory and displacement." In 2001, Bowling exhibited a number of seascape paintings. In her essay on the exhibition, art historian and critic Nancy Princenthal writes that, far from being an aberration from Bowling's typically home-based scenes, the ocean paintings are "a return to childhood memories and life long inclinations. A native of Virginia, she spent her first summers at the Atlantic shore and on the Chesapeake Bay." Primarily, however, Bowling's works focus on capturing the play of light and shadow. Art critic Eleanor Heartney notes that "Her paintings, like those of Monet, Pissarro, and Renoir, focus on the ephemeral moment and the fleeting impression, conjuring the flicker of sunlight through the trees, the shifting shadows of early evening, the reflections of clouds and foliage glancing across the rippling surface of a lake." They have a luminist quality to them. O'Neill argues that Bowling additionally "has an innate sense of abstraction and she ranges happy as an uncaged chicken, pecking elements from the Impressionists' obsession with light; from modern photography; and the drip paintings of Jackson Pollock." Bowling is influenced by the use of light in the paintings of European Romantics such as J. M. W. Turner and John Constable as well as by the later work of George Inness:  Her paintings also recall landscapes by Claude Lorraine, Albert Pinkham Ryder and Camille Corot. Bowling is known for her use of spackle. She uses a long process of layering and sanding to create the "back-lit" effect found in her paintings. First, the paintings begin as a photograph which she typically takes near her rented house in the Hudson Valley. Then, she uses these photographs, which serve as her "preliminary drawings," to aid in the painting process. She also paints from memory and direct observation. Bowling paints on square panels of plywood. Bowling considers rectangular pieces to be too horizontal and rife of implications already of landscapes and horizons. She sometimes paints on one of these square and sometimes paints on several square panels together. The seams between these adjoined panels are left visible. Next, Bowling applies layers of spackle. O'Neill remarks that "Inspired, perhaps, by her day job of painting houses, [Bowling] turned to more industrial media: damp vinyl spackle, a building compound that is applied to wooden panels to create a matte, fresco-like surface. Thinned oil pigments are poured, allowed to dry, and then the Sisyphean task of sanding begins."  Initial layers generally correspond with the color of the light—varying from pinks, golds, blues, and oranges. Through this layering and sanding, she creates a luminous quality in her landscapes. Despite rigorous sanding, air bubbles within the spackle layers are revealed occasionally on the surface. Rather than disguise them, Bowling integrates them. Heartney writes that Bowling "allows these irregularities to become part of the painting so that the viewer's perception of the play of light and shadow across the image cannot be separated from an awareness of surface itself." In later stages of painting, Bowling stands above panels to throw, dribble, and splatter paint with a hair dryer, recalling the techniques of Abstract Expressionist artists such as Jackson Pollock. Awards and honors 1991 National Endowment for the Arts Grant 1989 New York State Foundation for the Arts Fellowship 1988 Mid Atlantic Arts Foundation Fellowship Notable public collections The Metropolitan Museum of Art, New York, NY Brooklyn Museum of Art, New York, NY Mary and Leigh Block Museum of Art, Evanston, IL Phoenix Art Museum, Phoenix, AZ Norton Museum of Art, West Palm Beach, CA Fisher Landau Center, New York, NY Select exhibitions 2025 PS122 Gallery Lower East Side, New York 2022 Katherine Bowling: Trees Winston Wachter Fine Art, New York 2013 Woods, Lovely Dark and Deep. DC Moore Gallery Chelsea NY Featuring: Eric Aho, Milton Avery, Romare Bearden, Dozier Bell, Jake Berthot, Katherine Bowling, Charles Burchfield, Mary Frank, Noriko Furunishi, April Gornik, Marsden Hartley, Daniel Heidkamp, David Hilliard, Mark Innerst, Max Jansons, Sissel Kardel, Whitfield...

Landscape original expressionist painting. frame Work of the Spanish artist BENAVENTE SOLIS. Perfect state . During its first exhibition in Paris, the French press catalogs it lik...

Rooftop view of the upper West Side Manhattan as it looked in the 1930s. There is a rough indication of a billboard and a glimpse of the Hudson River. The cluster of buildings depic...

Original work of the Spanish artist Joan COPONS. -Barcelona-jardin. original acrylic painting

"Barcelona" - Original Cancas. urban landscape acrylic painting. B. Sarsanedas Planella was born in 1942 in Rupit (Barcelona). 1957. He attends drawing and painting classes at the ...

Almendros en Mallorca. original acrylic painting Onofre was born in Sant Joan Mallorca on March 4, 1930, he decided from a very young age for art in all its facets, designer, dancer,...

“PORT CORSE” BY CHARLES LEVIER (1920-2003) Oil on Canvas ⚜ Signed ⚜ Framed A MASTERPIECE OF POST-IMPRESSIONISM & CUBISM An exquisite example of Charles Levier’s signature style,...

Original oil on canvas painting. Hand signed lower right front by Nicola Simbari. Canvas size 27.5 x 39.5 inches. Frame size approx 37.5 x 49.25 inches. Artwork is in excellent c...

Artist Charles Perry Weimer employs thin black horizontal lines that intersect with thin black vertical lines. The result is a triumph of design w...

Bob Peak may be the heir to Norman Rockwell in portraying the American Scene. Yet Peak's graphic representations depart from Rockwell's tight academic style. In the present work from...

This work embodies a beautiful color scheme that is evident in the treatment of the sky and the huge cloud structure. that Signed and Dated lower right Original period hand-carved ...

JOHN HAYMSON – "BROOKLYN BRIDGE" ⚜ Oil on Canvas ⚜ Hand Signed ⚜ Conservation Frame NEW YORK ICON IN VIVID DETAIL This atmospheric oil painting by John Haymson captures the enduring...

Eugene Camille Fitsch paints a quick and loose impression of Old New York at night. In the foreground, we see people entering the El and some standing in front of a Newsstand. The ...

Oil on Board painting for American Weekly Magazine November 15, 1953. The decisive moment of a Cowboy and Horse is captured. As a determined team, t...

Haitian Artist Préfète Duffaut is part of a rare breed of painters who have an instantly recognizable style. This is no easy feat to have achieved. With tens of thousands of painter...

CHARLES LEVIER – UNTITLED [UNE PROMENADE DU DIMANCHE] Oil on Canvas ⚜ Signed Lower Right ⚜ Custom Conservation Frame A CHARMING MIDCENTURY PARISIAN STREET SCENE IN MOTION [Une Prome...

" ALMOND BLOSSOM original acrylic painting. framed Julien was born in 1948 in Vichy, France. He studied art and theater in Clermont-Ferrand at the same time as finishing his degree ...

After Hector Hyppolite, Philomé Obin may be Haiti's most significant painter. Les pèlerins sortant à la fête de Ste. Anne As with most Haitian painters, this work has a thin applicat...

Untitled (Sketch for Meditacion on a Water Sign, picture on a book cover), 1995 Graphite on paper 12 x 9 in Certificate of Authenticity by Tomas Sanchez included

Original oil painting on canvas. Hand signed on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Stretched. All reasonable offers will b...

Giner Bueno (1935-2000) Painter from Alicante, son of the painter Luis Giner Valls. He studied at the School of Arts and Crafts of Valencia and finished his studies in Paris, where...

JOHANNES SCHIEFER – UNTITLED [VUE SUR LA BAIE DES ANGES] Oil on Canvas ⚜ Signed Lower Left ⚜ Custom Conservation Frame A RADIANT MEDITERRANEAN VIEW BY POST-IMPRESSIONIST JOHANNES SC...

This classic Post cover combines the vastness of the American West landscape with the intimacy of iconic Americana: two kids swimming in a rura...

CONTINENTAL SCHOOL (19TH CENTURY EUROPEAN) – [MOONLIT RIVER] ⚜ Oil on Board ⚜ 19th Century Provenance ⚜ Gilt Wood Conservation Frame ROMANTIC MOONLIT LANDSCAPE This Continental Scho...

Josep Puigdengolas Barrella (Barcelona (1906 - 1987), was a Spanish landscape painter of the 20th century. work signed by the artist front and back The Marqués de...

Matskin Ruvim Izrailevich (Russian / Israeli, 1926-1996) - Sabbath Prayer Oil on Canvas 1991 Hand signed in Cyrillic 36 X 32 inches (90x80cm) Rare judaica by a Soviet realist artist. Ruvim Izrailevich Matskin was born in 1926 in Kryvy (Ukraine). In 1955 he graduated from Kharkov State Art School, and in 1970 joined the Kharkov Artists’ Union. Since 1963 he worked at the Industrial Art dep. of the UkraSSR Art Fund. In the late 1880s he and his family moved to Israel. Matskin passed away in 2002. Took part in numerous exhibitions of fine art in the USSR Select Exhibitions Behind the Iron Curtain. The Art of Socialist Realism 20 Years after the Fall of the Berlin Wall 1989-2009, Berlino 2009 Guardando all'URSS. Realismo socialista in Italia dal mito al mercato, Fruttiere di Palazzo Te, Mantova 2015 World Exposition, Milano 2015 The exhibition was held at the Jeschke-Van Vliet gallery in Berlin, which was located in the former Berlin Wall zone, adding a layer of symbolic resonance to the project artists included Askhat Gazizulinovich Safargalin, Petr Ivanovich Kostinsky, Vyacheslav Vasilevich Tokarev, Boris Eremeevich Vladimirski, Alexander Deyneka His most well-known work was the monumental revolutionary "The Defence of Petrograd" from 1928. His mosaics cover the ceiling of Mayakovskaya Metro station in Moscow. Yuri Pimenov A founder member of the Society of Easel Painters, he was well known for documenting Moscow's changes from the 1930s to the 60s, as in his 1937 painting "New Moscow". Geli Korzhev and Yablonska Olena Nylivna Bibliografia: Behind the Iron Curtain. The Art of Socialist Realism 20 Years after the Fall of the Berlin Wall 1989-2009, catalogo della mostra a cura di A.L. Coruzzi, H. Bayati, Milano 2009, p. 87, n. 115 Guardando all'URSS. Realismo socialista in Italia dal mito al mercato, catalogo della mostra a cura di V. Strukelj, F. Zanella, I. Bignotti, Ginevra-Milano 2015, p. 237, n. 17 He was part of a tradition of Soviet Jewish artists that included El Lissitzky, and Natan Altman, Marc Chagall, Robert Falk, Anatoly Kaplan, Ilya Kabakov, Mikhail Grobman, Oscar Rabin...

Playboy Female Illustrator Shaleen Pedersen paints a surreal landscape stuffed with a plethora of faceless people, devoid of eyes, mouths, or noses. Yet, they are fully dressed in t...

Original work of the Spanish artist Joan COPONS. PARK CIUTADELLA.-Barcelona-jardin. original acrylic painting

After Hector Hyppolite, Philomé Obin may be Haiti's most significant painter. In the present work, Philomé Obin depicts a familiar Haitian street scene with colorful facades and thre...

ROBERT KENNETH WHITE – "A PAUSE FOR BASQUIAT" ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display – Ready to hang BASQUIAT IN A MOMENT OF QUIET This large-scale oil on can...

STEPHEN STALLINGS – "AN EVERLASTING MYSTERY" ⚜ Mixed Media on Board ⚜ Hand Signed and Titled Lower Right; Signed Verso with Fingerprint ⚜ Conservation Frame MYSTICAL COASTAL SCENE P...

Ernest Fiene depicts Fifth Avenue, looking down from 57th Street, with an unobstructed view of the Empire State Building, as an evocation of night. The artist captures a dark, moody blue sky, with light bouncing back from the clouds. This contrasts with the somewhat haunting yellow glow given to pedestrians and street traffic. The absence of newer glass-and-steel architecture provides the painting with the charm of old New York. The people have a slightly zombie-like quality, akin to George Tooker. Best viewed with a top and direct gallery light...

ROBERT KENNETH WHITE – "THE SEA REMEMBERS THE SKY" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A COASTAL STORMSCAPE OF LIGHT, WATER, AND MEMORY In "The Sea Remember...

ROBERT KENNETH WHITE – "PACIFIC HORIZON" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A TRANQUIL VIEW OF THE CALIFORNIA COASTLINE IN EARLY LIGHT In “Pacific Horizon,...