Miami - Metalwork

Japanese vase from the Meiji Period (1868-1912). Beautiful antique decorative vase, created in Japan during the Meiji period (1868-1912), circa 1890s. It was carefully crafted in so...

Large Planter Vase from imperial Japan. This a beautiful piece of Japanese decorative arts, created in Japan during the Meiji imperial period, circa 1900. The oversized vase can be ...

A brush pot from the Meiji imperial period. This is a beautiful brush vase-pot created in the Imperial Japan during the early Meiji period (1868-1912), circa 1890. The fabulous roun...

Japanese tripod Koro from the Meiji Period (1868-1912). This is a rare and beautiful antique koro censer, created in the imperial Japan during the Meiji period (1868-1912), circa 1900. It was carefully crafted in solid bronze and copper with silver wires and embellished with applications of polychromatic Cloisonné enamels and aventurine. The designs depict organics and natural motifs such mythological animals and flowers. The Chrysanthemum Symbol In Imperial Japan, the chrysanthemum (Kiku) was a potent symbol of the imperial family and the emperor himself, representing longevity, royalty, and divine power. The 16-petaled chrysanthemum is the Imperial Seal and crest, found on passports, coins, and the Chrysanthemum Throne. This association dates back to the Kamakura period (1185–1333), particularly with Emperor Go-Toba's fondness for the flower, establishing its link to imperial authority and lineage. The connection between the chrysanthemum and the imperial family began when Emperor Go-Toba adopted it as a personal emblem, aligning it with the strength and refinement of the emperor's rule. During the Meiji Period, the 16-petaled chrysanthemum crest, solidifying the association with the imperial family, was established during this time. The Meiji Imperial Period This is an era of Japanese history that extended from October 23, 1868 to July 30, 1912.The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keiō era and was succeeded by the Taishō era, upon the accession of Emperor Taishō. Country: Imperial Japan. Period: Meiji, 1890-1910. Technique: Silver Wire Cloisonné over copper and bronze. Weight: 416.80 Grams, (0.417 Kg). Measurements:118 mm by 115 mm (4.65 x 4.52 Inches). Koro This term refers to a Japanese censer, incense burner, perfume burner or pastille burner is a vessel made for burning incense or perfume in some solid form. They vary greatly in size, form, and material of construction, and have been in use since ancient times throughout the world. They may consist of simple earthenware bowls or fire pots to intricately carved silver or gold vessels, small tabletop objects a few centimeters tall to as many as several meters high. Many designs use openwork to allow a flow of air. In many cultures, burning incense has spiritual and religious connotations, and this influences the design and decoration of the censer. Cloisonné This is an enameling technique in which the pattern is formed by wires soldered to the surface of the object to be decorated, which is usually made from copper, forming cells or cloisons, each of which holds a single colour of enamel paste which is then fired, and ground and polished. The champleve technique also uses an enameling technique, but the cells are formed by carving into the surface of the object, or in the casting. The cloisonne technique has been in use since the 12th century BC in the west, but the technique did not reach China until the 13th or 14th century. It became popular in China in the 18th century. Initially bronze or brass bodies were used, and in the 19th century copper, at which time the quality of the items produced began to decline. Chinese cloisonné is the best-known enamel cloisonné, though the Japanese produced large quantities from the mid-19th century, of very high technical quality. In the west the cloisonne technique was revived in the mid-19th century following imports from China, and its use continued in the Art Nouveau and Art Deco periods. Condition: Basically, is in great antique condition, near mint, with insignificant and minimal usage, in great condition. All parts are secured in the settings. This Japanese Meiji Koro...

An early 19th century dragons censer from the Qing Dynasty. This is a beautiful antique pair of censers, heavily cast in high relief in the early of the 19th century during the Qing...

A 19th century enthroned Mazu Quan Ying from the Qing Dynasty. This is a beautiful antique sculptural figure of an enthroned Mazu Quan Yin, cast in bronze in high relief in the late...

Pair of cloisonne vases designed by Ota Jinnoei. Beautiful pair of small cabinet vases, created in Japan circa 1890, during the meiji Imperial period (1868-1912). These vases has ...

Panabas short sword from the Philippines. A rare late 18th early 19th century Panabas short sword from the Mindanao, Malabang and the Moro cultures in Lanao Del Sur, the southern p...

Japanese vase from the Meiji Period (1868-1912). This is a beautiful antique decorative vase created in the imperial Japan during the Meiji period (1868-1912), circa 1890s. It was c...

Offering vessel from the Chinese Song Dynasty (960/1279 AD ). A beautiful "offering spiritual vessel" from the Yunnan province region in the ancient China. This rare vessel was created in red bronze during the Song Dynasty period. between 960/1279 AD. This is one of the most unusual forms of red bronze jar. A large vessel, the sides are virtually perpendicular to the base. The stepped lid design is also among the more rare types. The predominant lid design among the Yunnan offering bronzes is the "wheel" pattern, with a few lids having the lotus design. This is also one of the few bronzes displaying clear riveting of a two-part vessel body, with the original twisted elements Has a combined measures including the lid of 12.5 by 8.75 inches (31.75 x 22,23 Cm). The Song Dynasty, was an imperial dynasty of China that began in 960 and lasted until 1279. The dynasty was founded by Emperor Tizu of Song following his usurpation of the throne of the later Zhou, ending the Five-Dynasties and Ten Kingdoms period. The Song often came into conflict with the contemporaneous Liao, Western Xia and Jin dynasties in northern China. After decades of armed resistance defending southern China, it was eventually conquered by the Mongol-led Yuan dynasty. The dynasty is divided into two periods: Northern Song and Southern Song...

A 19th century enthroned Mazu Quan Ying from the Qing Dynasty. This is a beautiful antique sculptural figure of an enthroned Mazu Quan Yin, cast in bronze in high relief in the late...