Miami Torchères

Pair of large and impressive bronze, marble and composition Louis XVI style six light painted and gilt torchères. Electrified. Bronze and composition mounted on Sienna marble bases.  

Italian Florentine hand carved wood torchère as floor lamp, a tall solid cembran pinewood pricket carved on three sides, with a deep acanthus leaf and flowers carving, resting on tri...

Spanish Baroque style wrought iron torchère floor lamp with black patina. Beautifully hand wrought and turned shaft supported by a tripod base. This date from the early 20th century, a time when Italian and Spanish Baroque furniture...

A good 19th century Italian 'Florentine' or 'Lucerne' 4 burner brass oil lamp, in the Renaissance Revival manner, circa 1860. Designed to burn whale oil which is placed into a reserv...

A Large and Impressive Italian 19th Century Patinated Bronze Figural Torchere, after a model by Niccolò Roccatagliata (Genoa 1593 - Venice 1636). The triangular foot base with projecting putti supporting the stem and oval reserves within cartouche motifs, one containing the initials "S.D" with an olive tree in-between and a bull-head below. The stem knot with figures of winged caryatids and festoons and upper part with cherub heads, acanthus leaves and egg and bead patterns and topped with a later white glass globe. The decorative system refers to the documented artistic production of the Venetian workshop of Niccolò Roccatagliata and takes inspirational model from the base of the Renaissance bronze of the Scuola Grande di San Teodoro in Venice, a work signed by Andrea del Bartolomeo di Alessandri known as Brescianino. Electrified. Circa: Venice, 1850-1880. RELATED LITERATURE L. Planiscig, Venezianische Bildhauer der Renaissance, Vienna, 1921, figs. 661-664; C. Avery, 'Andrea del Bartolomeo di Alessandri detto il Bresciano" lavator di gettar di Bronzo": candelabri, satiri e battenti', M. Ceriana and V. Avery (eds.), L'Industria artistica del Bronzo del Rinascimento a venezia e nell'Italia settentrionale, Venice, 2008, pp. 233-252. Similar models of this torchere were part of the interior decor collection at the Vanderbilt Mansion in New York (see black and white photo). The Cornelius Vanderbilt II House was a large mansion built in 1883 at 1 West 57th Street in Manhattan, New York City. It occupied the frontage along the west side of Fifth Avenue from West 57th Street up to West 58th Street at Grand Army...

A very fine pair of French 19th-20th century neoclassical style patinated cast iron figural torchères by A. Durenne, Paris, each representing a figure of a standing young maiden, her arms raised forward while holding a a flaming urn gas light (Now electrified) with a frosted glass flame, each raised on a veined grey marble column stand, both cast-signed 'A. Durenne, Paris'. Antoine Durenne was an internationally renowned French art founder. He attended École Nationale Supérieure des Beaux-Arts in 1842. Durenne purchased a small foundry in Sommevoire, near the Val d'Osne, Haute-Marne, France and established The Durenne firm, circa Paris, 1900. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic Expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...

A fine pair of champlevé enamel candlesticks in a chinoiserie style by Ferdinand Barbedienne (1810 - 1892), made in Paris ca.1880. Signed "F. Barbedienne" They are an example of the ...

Fine pair of 19th century French empire gilt bronze candle sticks. You're exploring a truly regal category—French Empire gilt bronze candlesticks are the epitome of early 19th-centur...

Impressive pair of Italian Empire finely chiseled ormolu Flambeaux, on triform base, each with 25 scrolled gilt-bronze candle arms. Attributed to Luigi Manfredini the famous bronze a...

From the base rise 5 stems forming a trunk, which spread out from each other at the top, each of them serving as a support for a light. Each stem is crowned with a corolla and 4 leav...

Impressive Louis XVI style torchere bases with up lighters. Beautifully hand-carved and gilded by hand using traditional methods in an antique finish.

This pair of Spanish Colonial-style iron prickets, dating from the early 20th century or possibly 19th century, is a striking example of hand-forged craftsmanship from a bygone era. Crafted in the tradition of Spanish Colonial metalwork, these prickets feature a central stem adorned with four meticulously hand-forged roundels, which ascend in a graceful, rhythmic pattern. The prickets rest upon three elegantly splayed feet, further exemplifying the organic yet functional design characteristic of Spanish Colonial aesthetics. The distressed, rusted surface of each pricket tells the story of centuries of use and exposure, enhancing their historical and visual appeal. The patina, developed over time, lends these prickets a timeless quality that underscores their authenticity and age, evoking the rustic charm and enduring beauty of early Colonial furniture...