Michigan - Paintings

American, 20th Century Signed: Klug '67 (Right, Center) " Still Life of Peaches ", 1967 Oil on Masonite 24" x 30" House in a 3 1/2" Frame with a 1" Linen Liner Overall Size:...

Richard Weers (American, 1932-2022) Signed: Richard Weers (Lower, Left) " A Friend in the Forest " Oil on Canvas 12" x 16" Housed in a 1 1/2" Gol...

European School, 19th Century " Sailing Among the Moonlight ", circa 1880s Oil on Board 16" x 24" Housed in a Period 4" Ornamented Frame Overall Size: 23 5/8" x 31 1/2" A wond...

William H. Kinnicutt (American, 1865 - 1934) Signed: W. H. Kinnicutt (Lower, Right) " Evening Fog ", circa 1900 - 1910 Oil on Canvas 20" x 16" Housed in a 3" Carved Frame Overa...

American, 20th Century Signed: Smiley (Lower, Center) " Portrait of a Native American Man " Oil on Board 23 3/4" x 17 3/4" Housed in a 2" Vintage Gold Frame Overall Size: 27 3/...

Kent R. Wallis (American, Born 1945) Signed: Kent R. Wallis (Lower, Right) " Cottage Window ", circa 1997 Oil on Canvas 36" x 24" Housed in a 2 1/4" Frame Overall Size: 40 1/2"...

David Mead (British, 1906 - 1986) Signed: David Mead (Lower, Right) " The Upper Llugwy, North Wales ", 1977 Oil on Canvas 24" x 36" Housed in a 3 1/2" Ornamented Frame Overal...

Alois Arnegger (Austrian, 1879 - 1963) Signed: A. Arnegger (Lower, Right) " Kaisergeb " (Kaiser Mountains) Oil on Canvas 24" 36" Housed in a 3 1/2" Ornamented Frame Overall Siz...

"Geostructure XII" is an intensely colorful painting of the primary shapes of the circle, square, and triangle. Though the shapes are repetitive their mixed juxtapositions and the creative use of color moves the eye around the canvas with constant interest. This painting is an extraordinary example of Franklin Jonas...

Orville Bulman (American, 1904 - 1978 Signed: Bulman (Lower, Left) “ Little Mother ”, 1960 Oil on Canvas 14" x 18" Housed in a 2" Husar Frame with a 3/4" Linen liner and a Gold ...

" Sailing in Sunshine ", circa 1970s Oil on Canvas 50" x 40" Housed in a Slat-wood frame Overall Size: 50 1/2" x 40 3/4" Appears to be in very good condition. We are looking f...

English, Early 19th Century " Portrait of a Woman Reading ", circa 1820-1825 Oil on Mahogany Panel 9 1/2" x 7 3/4" Housed in a 2" Ornamented Frame Overall Size: 13 1/2" x 11 3/8...

John Pairman (Scottish, 1788 - 1843) Signed: J Pairman 1820 (Lower, Right) " Portrait of a Gentleman ", 1820 Oil on Canvas 22 1/4" x 18 5/8" Housed in a 2 3/4" Husar Frame Ove...

Mathias Alten (German/American 1871-1938) Signed: M. Alten (Lower, Left) " Summer Fields ", circa 1914 Oil on Canvas Laid on Board 10" x 14" Housed in a 2" Carved Newcomb Mackl...

Mathias Alten (German/American 1871-1938) Signed: M. Alten (Lower, Right) " Autumn Landscape with Country Road ", c. 1934 26" x 32" Oil on Canvas Housed in a 3 1/4" Frame Over...

Henri Julie (20th Century) Signed: Henri Julie (Lower, Right) " Flowers #13 " circa 1950s Oil on Panel 17 7/8" x 15 7/8" Housed in a 1 1/2" Period Antiqued Gold Leaf Frame...

Pinckney Marcius-Simons, (American, French, 1867-1909) Signed: Marcius-Simons, (lower, right) " Lost in Her Thoughts ", circa 1890-1892 Oil on mahogany panel bearing the stamp on verso of " H. Vieille e. Troisgros Sueei, 55 Rue de Laval...

Arturo Mallmann’s abstract landscapes radiate a shiny gloss that makes them appear as glass canvases, but they are not in fact glass. Mallmann’s process includes a complicated approa...

Thomas Rose Miles (British, 1844-1916) Signed: T R Miles (Canvas Verso) " Striving Hard to Reach the Wreck " Oil on Canvas 22" x 34" Housed in a 3 1/4" Fr...

Marcel Mouly was the last student of Pablo Picasso and painted this abstract original oil in Paris in 1968. The image size is 10" by 13.5" The frame size is 20.5" by 26" Le Cheval ...

Josef Heimerl (Austrian, 1867-1918) Signed: Jos. Heimerl (Lower, Right) " Kittens at Play ", circa 1900 Oil on Canvas 14 3/4" x 22 7/8" Housed in a 5 1/2" Ornamented Frame in Go...

Charcoal drawings add warmth to an artwork and this is a nice one by Terry Futvoye. It has a few minor imperfections but still looks nice in the frame. Reframing is an option if t...

SALE ONE WEEK ONLY Stephen Goodfellow's figurative paintings can be read as a narrative puzzle that are a challenge to pick apart. In this painting both characters are smiling suggesting something pleasant has happened or is about to happen. There is much more going on: sink full of forgotten dirty dishes...

SALE ONE WEEK ONLY UNTITLED by Fanny Rabel a Mexican artist who was born in Poland in 1922 is a soul wrenching work depicting among other things, the children killed by Nazi bombing in Spain during the Second World War. The lavender and purple surrounding the seated female figure and the kneeling child suggest both grief for the innocents' deaths and the prayers being offered for an end to the carnage. The bright gold and red can be read as either explosions or the hopeful light of redemption after death. Like Picasso's Guernica from 1937, this painting from 1965 can stand as a powerful anti-war statement. Numerous key galleries and museums such as Morton Auctions, Cerro de Mayka have featured Fanny Rabel's work in the past. Her anti-Nazi and anti-Fascism politics resulted in her participation in a mural called Retrato de la Burguesía in 1940 for the Sindicato Mexicano de Electricistas building on Alfonso Caso Street in Mexico City. Rabel met a group of exiled Spaniards in Mexico along with Antonio Pujol, who invited her to take part in a mural project headed by him, David Alfaro Siqueiros, Joseph Renau, Luis Arenal, Antonio Rodríguez Luna and Miguel Prieto. The artist died in 2008. Fanny Rabel born August 27, 1922, in Poland born Fanny Rabinovich, was a Polish-born Mexican artist who is considered to be the first modern female muralist and one of the youngest associated with the Mexican muralism of the early to the mid-20th century. She and her family arrived in Mexico in 1938 from Europe and she studied art at the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda", where she met and became friends with Frida Kahlo. She became the only female member of “Los Fridos” a group of students under Kahlo’s tutelage. She also worked as an assistant and apprentice to Diego Rivera and David Alfaro Siqueiros, painting several murals of her own during her career. The most significant of these is "Ronda en el tiempo" at the Museo Nacional de Antropología in Mexico City. She also created canvases and other works, with children often featured in her work, and was one of the first of her generation to work with ecological themes in a series of works begun in 1979. She is considered to be the first female muralist in Mexico. She was an assistant to Diego Rivera while he worked on the frescos for the National Palace and an apprentice to David Alfaro Siqueiros. Her most important mural is Ronda en el tiempo located in the Museo Nacional de Antropología, which was created from 1964 to 1965. She also created murals at the Unidad de Lavaderos Público de Tepalcatitlán (1945), Sobrevivencia, Alfabetización in Coyoacán in 1952 Sobrevivencia de un pueblo at the Centro Deportivo Israelita (1957) Hacia la salud for the Hospital Infantil de México (1982), La familia mexicana at the Registro Público de la Propiedad (1984) (which Rabel preferred to title Abolición de la propiedad privada) and at the Imprenta Artgraf. In collaboration with other artists, she participated in the creation of the murals at the La Rosita pulque bar (disappeared) and at the Casa de la Madre Soltera. She entered the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda" shortly after it was established in 1942, taking classes with José Chávez Morado, Feliciano Peña and Frida Kahlo, with whom she became close friends. She changed her last name from Rabinovich to Rabel during her career. Rabel married urologist Jaime Woolrich and had two children Abel and Paloma Woolrich, both of whom became actors. The first exhibition of her work was in 1945 with twenty-four oils, thirteen drawings, and eight engravings at the Liga Popular Israelita with Frida Kahlo writing the presentation. In 1955, she had an individual exhibition at the Salón de la Plástica Mexicana. She had a large exhibition at the Museum of the Palacio de Bellas Artes to commemorate a half-century of her work. Her last exhibition was in 2007 at the Universidad Autónoma Metropolitana. Her work can be found in collections in over fifteen countries including those of the New York Public Library, the Library of Congress in Washington, D.C., the Royal Academy of Denmark, the National Library in Paris, the Casa de las Américas in Havana, the Benemérita Universidad Autónoma de Puebla and the Museo de Arte Moderno in Mexico City. A retrospective of her work after her death called Retrospectiva in Memoriam, Fanny Rabel (1922-2008) was held at the Museum of the Universidad Popular Autónoma del Estado de Puebla . She is considered to be the first modern female muralist in Mexico although she also did significant work in painting, engraving, drawing, and ceramic sculpture. Her work has been classified as poetic Surrealism, Neo-expressionism and is also considered part of the Escuela Mexicana de Pintura (the dominant art movement of the early to mid 20th century in Mexico) as one of the youngest muralists to be associated with it along with Arnold Belkin and José Hernández Delga. Rabel was more drawn to depicting mankind’s pain rather than happiness, sharing other Mexican muralists' concerns about social injustice. However, she stated to Leopoldo Méndez that she could not create combative works, with clenched fists and fierce faces, and she wanted to leave the Taller de Gráfica Popular. Méndez convinced her to stay, saying that more tender images are important to political struggle as well. Children with Mexican faces...

Artist Name: Sam Karres Title: Cozy Corner Bar Wyandotte MI PAINTED 9-7-83 Year: 1983 Medium Type: Watercolor on Paper Paper Size-Width Size-Height: 15'' x 23" Signed, titled, and ...

"Untitled Abstract II" is an Original Oil on Canvas by G. CURTIS. The piece is part of a set. It measures 49.5 x 37.5 x 1 inches with frame. It is signed and dated by the artist. The...

Artist: Hilo Chen Title: City - 4 Year: 1977 Painting oil on canvas Size 54 x 54 inches 137 x 137 cm Contemporary photo-realist painter Hilo Chen (Yee-Lum) was born in 1942 in Taiwan and later became an American citizen. He is noted for his paintings of nudes and flowers. Chen's as painter is nothing less than superb. The skin tones of his nudes seem more "real" than life itself. You feel as though you can almost touch these women who are so oblivious to being observed. Chen's work is held in public collections at: The Solomon R. Guggenheim Museum, New York, NY; San Jose Museum of Art, San Jose CA...

George Yelich (American, 1926 - 2022) Signed: Yelich (Lower, Right) " Southern Italy ", circa 1960s Oil on Masonite 15" x 20" Housed in a 2 1/4" Frame with a 1 3/4" Linen Liner...

Arvid Frederick Nyholm (Swedish-American, 1866-1937) Signed: A Nyholm (Lower, Right and Lower, Left) " Mother and Child in a Landscape ", circa 1910-1920 Oil on Canvas 25" x 30"...

"Don't Cry Long" is a self-portrait of the artist and an unusual one at that in which the artist portrays herself shedding tears. Perhaps it is an expression of some grief experienced by Ms. Woodlock, but it also admonishes her to not "Cry Long" while at the same time poking fun because of her elongated face and the one lone "long" tear tracing a pattern down her face. In addition to self-portraits, Ethelyn painted commissioned portraits. In this painting her head is cocked and her famous bangs hang down her forehead. Compare two self-portraits, “Up From Under”, and “M’Eyes" to "Don't Cry Long." The major differences are the close facial view and the brilliant blood red paint that fills the entire canvas. This painting is included in the book, "Dreams Have Wings: An Artist's Journey into Magic and Mystery" printed in the United States, 1985. She describes "Don't Cry Long" as showing how funny looking we are, if we cry too long. Ethelyn Woodlock...

English Naive School, 19th Century " Portrait of a Seated Girl Holding a Bouquet ", cira 1830 Oil on Board, Laid on Canvas 13 1/4" x 10 1/2" Housed in a 3" Carved Frame with Acan...

Unknown artist, signed Payton 1970 Hawaii (Lower, Right) Untitled, 1970 Oil on Canvas 50" x 34" A wonderfully curious painting, whose untold history is something to marvel a...

August Laux (German/American, 1853-1921) Signed: August Laux (Lower, Right) " Hide and Seek ", circa 1880 Oil on Canvas 16" x 20" Housed in a 3" Period Ornamented Frame with a 1...

Austin Christian Fine Art is proud to represent this piece by what we believe to be one of the most important women artists of the 20th century. In addition to establishing a relatio...

George Raab (American, 1866 - 1943) Signed: G. Raab 1912 (Lower, Right) " Doctor Lake ", 1912 Oil on Canvas 18" x 22" Housed in a 3" Period Carved Frame in the style of Newcomb ...

Jack Lorimer Gray, 1927-1981, was born in Halifax, Nova Scotia to Scottish parents. His talents as an artist were spotted by E. Wyly Grier while Gray was still a child. He attended t...

Charles L. A. Smith (American, 1871 - 1937) Signed: CHAS. L. A. SMITH (Lower, Right) " Valley of Dreams ", 1934 (San Gabriel Valley) Oil on Canvas 39" x 46 3/8" Housed in a 5" ...

"Ohne Titel (Untitled, 1987)" is an Original Oil on Paper. The work is pencil-signed and dated by the artist. The image size is 21 x 15 in. and the full size is 23 x 17 in. The piece...

"Untitled" is a dramatically placed individual who appears to be withdrawing into herself surrounded by a soft pinkish color. She has a sad look in her non-reflective eyes. This pain...

Alfred Juergens (American, 1866 - 1934) Signed: Alfred Juergens (Lower, Left) " Indian Creek " (Michigan) Oil on Board 14 1/2" x 19" Housed in a 3...

Margaret Mary Virdet (American) Signed: Virdet, Paris (Lower, Right) " Return From The Masked Ball at The Opera ", circa 1880s Watercolor with Gouache on Board 21" x 14" Housed ...

Francois Gerome (French, Born 1895) Signed: Fr. Gerome (Lower, Left) " La Madeleine - Paris ", circa 1950s-1960s (Titled Lower, Left) Oil on Canvas 24 1/4" x 30 1/4" Housed in a...

"Untitled" portrays a young female nude in an intimate setting within the artist's studio. This painting is done in the classical vein of full portraiture. The model, however, is not posed quietly, but is engaged with a person or object off the frame, or, perhaps in an interior monologue with herself. Regardless of which, the viewer's attention is not only attracted to the beauty of the model's figure, but the intention of her actions. Charles Pompilius...

Alson Skinner Clark (American, 1856 - 1949) Signed: Alson Clark (Lower, Left) " Morning Sunlight in The Patio " Mission San Fernando Oil on Canvas 30" x 32" Housed in its original 3 1/2" Newcomb...

Original Oil on Canvas, Signed by the Artist. The piece measures 43 x 37 inches with frame. The image is in Good/Fair Condition-there are signs of wear due to age and handling (i.e. ...

Echo XXX is a quadriptych painting with each panel measuring 48"hx36"w. The painting is part of Jill Hackney's series entitled "REFLECTIONS, Ligh...

Valerie Beller’s abstract paintings encourage visual exploration. Organic forms are both revealed and concealed amidst layers of paint. The streaked and stained surfaces of the canva...

SALE ONE WEEK ONLY "Untitled" by Nicholas Bodde depicts vibrant layers of color on narrow aluminum strips. These pieces are interchangeable and can be hung in various ways. Each is signed on the verso and was created in 2013. All three are sold as a set. Each aluminum panel measures 39 " h x 2.5" w. Bodde was born in New York he lives and works in Germany. He considers himself a German painter, who uses lacquered aluminum to create works that are beautiful in their simplicity and in their joyful exploration of color. The artist drives upon the tradition of European constructivism as well as Colour Field Painting, noting influences by Mark Rothko and Barnett Newmann. Bodde claims that his paintings “reveal themselves differently from close up and from a distance. When viewed from a distance they clearly appear related to constructivist geometric tendencies. But from close proximity, one notices that my main objective is painting and not construction.” The artist has reduced his subject to parallel vertical or horizontal lines and fields that race across the hard surface in a controlled riot – as if the viewer were looking out of a fast moving car while driving by fields of colorful flowers. Bodde constantly questions the colors, focusing on creating a construction through using different colors. He sees his creations as a mode of communication with the world. He paints on aluminum plates by successive coats of painting that he applies with different utensils to finally obtain a result that imprints itself into the eye’s retina. The game of colorful stripes, more or less large, sometimes with the feeling of the brush, sometimes flat, reflects the light differently on each lap. The brightness of his palette, a willful choice, accentuates the vitality that emanates from this painting. His works hesitate between the vibrating and nearly irritating colors and the calm of a monastic construction.   Bodde received his formal education from the University of Arts in Bremen (1989) and has been exhibited in numerous solo and group shows across the world, including venues such as the Yeh Gallery in Seoul, Planet Art...

Framed Painting 24.5" x 22.5" inches Canvas size 17.5" x 15.5" inches Sam Karres Born in Wyandotte, Michigan in 1929, Sam Karres earned a B.F.A. and M.A. in art from Wayne Universit...

Now available, and ready to be hung and enjoyed! Unknown Artist Signed: Clayton ? (Lower, Right) " Still Life ", circa mid 20th Century? Oil on Canvas 36" x 24" Housed in a 3...

Elise Brennicke (German, Born 1855) Signed: Elise Brennicke 1909 (Lower, Right) " The Violin Player ", 1909 Oil on Canvas 39 3/4" x 30 7/8" Housed in a 2 5/8" Period Ornamented ...

SALE ONE WEEK ONLY Jennifer's "Untitled" piece appears to be a landscape with a colorful stripped form arising out of the grasses. It is an iconic image that she incorporates into her work. The following excerpt from her Artist Statement best describes her feeling about it: I stopped the slug imagery and started making purely abstract paintings. Eventually, abstract lines and forms evolved into “characters.” They lived in landscapes of a realistic sort. They were abstractions on a representational journey. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. They were the slugs transformed. Evolved slugs and broken out from their cocoons. They had become abstract “butterflies.” Jennifer Wynne Reeves was known for creating a body of paintings, drawings and photographs that speak to and confront formalist and humanist dilemmas. Beyond her achievements in the art world, Reeves enjoyed a considerable fan-base as a result of her astonishing Facebook presence where she chronicled and interwove her art and diaristic prose. Reeves solo exhibitions included Art & Public in Geneva, Gian Enzo Sperone in Rome; Max Protetch, Ramis Barquet and BravinLee programs, NYC. Reeves was also celebrated for her writing. She produced a graphic novel, The Anyway Ember and Soul Bolt, a book of images and prose. “Profoundly rewarding works” said LA Times writer, David Pagel, in a review her 2015 exhibition at CB1 Gallery. Reeves is a John Simon Guggenheim Fellow recipient. The following is an artist’s statement about her theory off work: “Twenty years ago, I called them slugs. In the beginning, they were like long lumps without arms or legs. Powerless. Difficult. Paralyzed. I thought maybe they were the symbols of sloth or depression or fear. They didn’t do anything. I wondered if I should stop making them? They were not beautiful. Nobody liked them. Nobody wanted to look at them. They were repellent and, worse, they were funny. I hated that. I wanted to be a “serious” artist. I was conflicted. I had to make the images that came to me but I was embarrassed. Maybe it wasn’t a fancy path but painting slugs was more honest than painting flowers (nothing against flower paintings, mind you). It came down to a moral choice. So, I determined to follow the slug road. Maybe it was a road that led somewhere? Or maybe not. After several years, I thought I hit a dead-end. I stopped the slug imagery and started making purely abstract paintings. Eventually, abstract lines and forms evolved into “characters.” They lived in landscapes of a realistic sort. They were abstractions on a representational journey. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. They were the slugs transformed. Evolved slugs and broken out from their cocoons. They had become abstract “butterflies.” Little kids liked them. I hated that. I wanted to be a “serious” artist. I’m not sure, exactly, who they are. They could be our conscience, our psychology, or simply the part inside us that yearns. They could be artists, modernists or the first of “us” that crawled out of the ocean. My best hunch is they are whatever it is that makes us want to make. I hope that’s a good thing and beautiful and seriously funny. Whatever the case, I’d like to know what it’s all about.” Jennifer Reeves...

Zula Kenyon (American, 1873-1947) Signed: Kenyon - '06 - " Curious Kittens ", 1906 Pastel on Paper 13 1/4" x 16 1/2" Housed in a 4" Period Ornamented Frame with a 1" Liner Over...

Alfred Cohen (American, 1920 - 2001) Signed: A. Cohen (Lower, Right) Stamped: Atelier Alfred Cohen (on Canvas Verso) " Off Boulogne ", circa 1950s Oi...

William Edward Powell (English, 1878/85 - 1955) Signed: W. E. Powell (Lower, Left) " Contemplation ", circa 1910 (Titled on Verso) Watercolor on Paper 22 1/2" x 18 1/2" Housed i...

Robert Hopkin (Scottish/American, 1832-1909) Signed: R Hopkin (Lower, Right) " In the Distance ", c. 1880s Oil on Canvas 14" x 20" Housed in a 2 3/4" Frame Overall Size: 19" x ...

"Geostructure II" is an intensely colorful painting of the primary shapes of the circle, square, and triangle. Though the shapes are repetitive their mixed juxtapositions and the creative use of color moves the eye around the canvas with constant interest. This painting is an extraordinary example of Franklin Jonas...

Merton Grenhagen (American, 1878-1941) Signed: Merton Grenhagen (Lower, Left) " Portrait of Bethy at 4 ", 1927 (Study of Elizabeth Wallen) Oil on Canvas 35" x 29" Housed in a 5"...

John Farrar (American, 1928-1972) Signed: John Farrar (Lower, Left) “ Pardner ”, 1943 Titled Above Signature (Lower, Left) Oil on Canvas 26 ⅛” x 32 ⅛” Housed in a 2 ½” period ornamented Newcomb-Macklin frame in toned gold leaf, in good original condition. Outside Size: 30 1/2" x 36 5/8" A recent discovery of a painting that appears to be Farrar’s family dog. This was done when he was just fifteen years old. As a teenager in the 1940s, Farrar received much local acclaim in the Washington D.C. art Scene. Words like “Child Prodigy”, “Brilliant” and “Gifted” were used to describe him in the local newspaper. He had a great bout of early success which included developing patrons among Washington DC’s art elite but this was short lived as he was afflicted with schizophrenia and alcoholism as an adult causing him to spend much of his life in mental institutions. In 1942, Farrar won the Washington Times-Herald's outdoor art fair. This painting was executed the following year when he was 15 (1943). That same year he won the top prize at Atlanta University’s third annual “ Exhibition of Paintings, Sculpture and Prints by Negro Artists ” with a piece titled “ Queenie ”. Approximately one hundred and fifty works of art were included in the show, representing the best works of more than seventy-five contemporary African American artists. This show included works by Romare Bearden, who was awarded Honorable Mention for his painting “ The Two Genrerations ”. Also included among the exhibitors - Charles H. Alston, Allen Rohen Crite, Aaron Douglas, Fredrick Flemister, Sargant Johnson, Horace Pippin, Jacob Lawrence, Marjorie Wheeler Brown, Hughie Lee Smith, Lois Mailou Jones...

Joseph Lavos (Austrian, 1807-1848) Signed: J. Lavos (Lower, Right) " Memories of The Year 1840 ", 1840 (written on the note within the sitter's hand, translated from German) Oil o...