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Item Ships From: Michigan
Red Nude and Bird 1981 Signed Limited Edition Lithograph
By Guillaume Cornelis van Beverloo (Corneille)
Located in Rochester Hills, MI
Guillaume Corneille
Red Nude and Bird 1981
Nu Rouge Á L'Oiseau
Print, Signed Lithograph on wove paper
25.5 x 20 " inches
Signed in pencil and dated and marked AP 25/25 ( Artist Proo...
Category
1980s Abstract Michigan - Nude Prints
Materials
Lithograph
Afternoon Tea
By Hua Chen
Located in Chesterfield, MI
Hua Chen captured the ethereal beauty of this woman sitting down for an afternoon cup of tea.
This piece is a limited edition, embellished giclee, numbered 155/300 and signed by the...
Category
Late 20th Century Impressionist Michigan - Nude Prints
Materials
Giclée
$1,060
Complicite 1980 Signed Lithograph with Screen Printing
By Guillaume Cornelis van Beverloo (Corneille)
Located in Rochester Hills, MI
Guillaume Corneille
Complicite 1980
Print, Signed Lithograph on wove paper
25½ x 19½ " inches
Signed in pencil and dated
Cat added by artist
As a co-founder of the famed experimen...
Category
1980s Abstract Expressionist Michigan - Nude Prints
Materials
Lithograph, Screen
Overture Sur L
Ete 1981 Signed Limited Edition Lithograph
By Guillaume Cornelis van Beverloo (Corneille)
Located in Rochester Hills, MI
Guillaume Corneille
Summer 1981
Overture Sur L'Ete
Print, Signed Lithograph on wove paper
25.5 x 20 " inches
Signed in pencil and dated and marked AP 16/25 ( Artist Proof )
As a ...
Category
1980s Abstract Michigan - Nude Prints
Materials
Lithograph
Portrait Imaginare 1981 Signed Limited Edition Lithograph
By Guillaume Cornelis van Beverloo (Corneille)
Located in Rochester Hills, MI
Guillaume Corneille
Portrait Imaginare 1981
Print, Signed Lithograph on wove paper
25.5 x 19.5 " inches
Signed in pencil and dated and marked 200/200
As a co-founder of the famed ...
Category
1980s Abstract Michigan - Nude Prints
Materials
Lithograph
L
arbre extatique, 1981 Signed Lithograph Artist Proof
By Guillaume Cornelis van Beverloo (Corneille)
Located in Rochester Hills, MI
Guillaume Corneille
L'arbre Extatique 1981
Print, Signed Lithograph on wove paper
25.5 x 19.5 " inches
Signed in pencil and dated and marked AP 25/25 (artist proof)
Hinges attached f...
Category
1980s Abstract Michigan - Nude Prints
Materials
Lithograph
Red Horse 1981 Signed Limited Edition Lithograph
By Walasse Ting
Located in Rochester Hills, MI
Walasse Ting
Red Horse – 1981
Print – Lithograph on Arches Paper 17.5” x 23.5”
Edition: H.C. signed Hors d'Commerce
Walasse Ting was a Chinese-American vi...
Category
1980s Pop Art Michigan - Nude Prints
Materials
Lithograph
Image D’Un Ete, 1981 Signed Lithograph Artist Proof
By Guillaume Cornelis van Beverloo (Corneille)
Located in Rochester Hills, MI
Guillaume Corneille
Image D'Un Ete 1981
Print, Signed Lithograph on wove paper
25.5 x 19.5 " inches
Signed in pencil and dated and marked AP 16/25 (artist proof)
Hinges attached from...
Category
1980s Abstract Michigan - Nude Prints
Materials
Lithograph
"Seated Nude Woman, 1916-1917" Silkscreen Print. Printed In Italy.
By Amedeo Modigliani
Located in Chesterfield, MI
Published By Top Art Milano, 1999.
Silkscreen Print.
Printed In Italy.
In Good Condition.
Measures 27.5 x 19.75 in.
Category
20th Century Michigan - Nude Prints
Materials
Screen
Grape Flavor 1979 Signed Limited Edition Lithograph
By Walasse Ting
Located in Rochester Hills, MI
Artist: Walasse Ting
Title: Grape Flavor
Year: 1979
Print - Lithograph on Somerset paper 21'' x 28.75''
Edition: Signed in pencil and marked 198/200
Image size: 17.5" x 26" inches
...
Category
1970s Michigan - Nude Prints
Materials
Lithograph
Summer Bird 1981 Signed Limited Edition Lithograph
By Guillaume Cornelis van Beverloo (Corneille)
Located in Rochester Hills, MI
Guillaume Corneille
Summer Bird 1981
Femme et l'Oiseau d'Ete
Print, Signed Lithograph on wove paper
25.5 x 20 " inches
Signed in pencil and dated and mark...
Category
1980s Abstract Michigan - Nude Prints
Materials
Lithograph
L
Ete Exalte 1981 Signed Limited Edition Lithograph
By Guillaume Cornelis van Beverloo (Corneille)
Located in Rochester Hills, MI
Guillaume Corneille
Summer 1981
L'Ete Exalte
Print, Signed Lithograph on wove paper
25.5 x 20 " inches
Signed in pencil and dated and marked AP 20/25 ( Artist Proof )
As a co-fo...
Category
1980s Abstract Michigan - Nude Prints
Materials
Lithograph
Running Nubians-Limited Edition Serigraph with Gold Leafing, Signed by Artist
By Thomas McKnight
Located in Chesterfield, MI
Limited Edition Serigraph with Gold Leafing, HC 29/50. Print measures 27.5 x 36.5 inches and is unframed. Signed by the Artist. The piece is in
Good Condition-the print shows signs ...
Category
Late 20th Century Michigan - Nude Prints
Materials
Screen
"Two Reclining Nudes" Lithograph on Paper, Figurative, Female Nudes
By Philip Pearlstein
Located in Detroit, MI
"Two Reclining Nudes" is an exceptional Lithograph of Pearlstein's Realistic style. The nudes are posed reclining, neither engaged with either each other or the viewer, and give the atmosphere of being in a dream state. It is an intimate scene without intimacy. Their full-figured bodies exude power and strength which is reinforced by not fitting within the frame. This Lithograph is #42 of an edition of 100 with one blind stamp, and signed by the artist all located in the upper left corner.
Philip Pearlstein is an American painter born in Pittsburgh, PA, and best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums.
In 1941, his junior year in high school, he received his first recognition when awarded first and third prizes in Scholastic Magazine’s 14th National High School Art Exhibition. Upon graduation from high school in 1942, he enrolled in the Carnegie Institute of Technology but the draft limited his attendance to one year. After discharge from the army in 1946, he returned to Carnegie Tech where he received his BFA in 1949. Upon graduation, he moved to New York City where he pursued work in graphic design and received a Master’s degree in art history from New York University in 1955.
Pearlstein worked as a graphic designer for Life Magazine before becoming an instructor at the Pratt Institute, and then a professor at Brooklyn College; he has also served as a visiting artist at several prestigious institutions throughout the country. His work has been exhibited in several solo exhibitions throughout the United States with paintings in the collections of over 70 public art museums. Pearlstein served as a President of the American Academy of Arts and Letters from 2003-2006 and currently lives and works in New York.
“It is what is painted between the outlines that makes the difference between merely competent painting and really meaningful art.” —Philip Pearlstein
In spring of 1946 he becomes assistant to Robert Lepper, head of the Design Program at Carnegie Institute of Technology, at the firm of Altenhof and Bown, Architects, and designs catalogs for building products through 1949. Meanwhile he enrolled at Carnegie Institute of Technology and studied with Robert Lepper, Balcomb Green, and Samuel Rosenberg. Meets Dorothy Cantor, George Klauber, and Andy Warhol (Warhola), fellow students at Carnegie Institute of Technology. Serves as art editor of the Carnegie Technical, the student publication of the Engineering School, through 1949 when he received his BFA and moved to New York to live with Andy Warhol. A few months later he worked with graphic designer Ladislav Sutnar in design and production of catalogs of plumbing fixtures and ventilators for the next eight years.
He graduated from the Institute of Fine Arts, New York University where he studied with Karl Lehmann, Craig Smith and Jose Lopez-Rey. In 1954 Clement Greenberg selectd Pearlstein to be in “Emerging Talent” show at Kootz Gallery, New York. Torso is shown. Show includes Herman Cherry, Paul Freeley, Paul Georges, Cornelia Langer, Saul Leiter, Morris Louis, Anthony Louvis, Sue Mitchell, Kenneth Noland, and Theophil Groell. He received his M.A. in Art History from Institute of Fine Arts, New York University. His thesis on Francis Picabia with Jose Lopez-Rey and H.W. Janson as advisors.
In September of 1958 he received a Fulbright Grant for Painting in Italy and traveled to Rome, Florence, Venice, Amalfi Coast and Sicily. Back in New York his drawing group includes at various times during the following thirteen years: Ann Arnold, Rudolph Burkhardt, Charles Cajori, Gretna Campbell, Lois Dodd, Louis Finkelstein, Joe Fiore, Sideo and Nora Fromboluti, Mary Frank, Stephen Greene, Theophil Groell (Repke), Philip Guston, Yvonne Jacquette, Diana Kurtz, Alex Katz, Gabriel Laberman, Mercedes Matter, George McNeil, Sidney Tillim, Jack Tworkov and William White. Meets initially in Mercedes Matter’s studio. Continues to meet with group at various locations, including his own studio through 1972. In 1969 and 1971 he received the John Simon Guggenheim Memorial Foundation grant. In 1982 he served as the Artist in Residence at the American Academy of Art, Rome. In addition to other numerous awards and honors he received an Honorary Doctorate Degree from the Center for Creative Studies and the College of Art & Design, Detroit, Michigan in 2000. Other known CCS faculty and graduates are Susan Aaron-Taylor, Richard Jerzy, Harry Bertoia, Doug Chaing, Stephen Dinehart, Tyree Guyton, Renee Radell, Herb Babcock, Jerome Ferretti...
Category
1970s Contemporary Michigan - Nude Prints
Materials
Lithograph
Dreams of Spring 1988 Signed Limited Edition Lithograph
By Kirk Reinert
Located in Rochester Hills, MI
Artist: Kirk Reinert
Title:Dreams of Spring
Year: 1988
Medium: Limited Edition Lithograph
Edition: Signed in pencil and marked 89/199
Size: Paper size 36 x 22" inches
Published by El...
Category
1980s Michigan - Nude Prints
Materials
Lithograph
$780 Sale Price
35% Off
"Urteil Des Paris" Piper-Druck No. 57. Printed in Germany
By Paul Cézanne
Located in Chesterfield, MI
Piper-Druck No. 57. Printed in Germany. Measures 25.75 x 29.25 inches and is unframed. The image is in Very Good Condition. The border is in Good/Fair Condition-yellowing/discolorati...
Category
Late 20th Century Michigan - Nude Prints
Materials
Lithograph
Larry Rivers Lithograph "For Adults Only I" Corseted Nude Female
By Larry Rivers
Located in Detroit, MI
"For Adults Only I" is an exquisite offset lithograph print with colors of an alluring corseted and stockinged nude female in a confrontational pose filling the frame inviting the vi...
Category
1970s Pop Art Michigan - Nude Prints
Materials
Lithograph, Offset
Titled "Aquarius Lavis" Water Color Print Etching with Gold Leaf, LE: 6/50.
By Guillaume Azoulay
Located in Chesterfield, MI
This unframed piece titled, "Aquarius Lavis" by Guillaume Azouky was created in 1995. The piece is a water color print etching with gold leaf, it is limited edition, being 6 out 50 t...
Category
20th Century Michigan - Nude Prints
Materials
Lithograph
Poster-Multiples...
By Robert Weil
Located in Chesterfield, MI
ROBERT WEIL (American, b. 1945). Poster-Multiples, March 9-April 17, Jerome Zucker & Assoc., NY, Paris, Rome, Zurich, Sidney. Measures 24 x 18 in. Unframed...
Category
Late 20th Century Michigan - Nude Prints
Materials
Screen
"Ribbons and Bows" by Unknown Artist, Artist Hand Signed.
Located in Chesterfield, MI
Lithograph print signed by artist-- possibly Etienne--however, illegible. The print measures is 22 x 29; it is in fair/good condition, with slight discoloration around the edges.
Category
20th Century Realist Michigan - Nude Prints
Materials
Lithograph
Poster-Orlando Orsini, Fine Arts Roma
By Robert Weil
Located in Chesterfield, MI
ROBERT WEIL (American, b. 1945). Poster-Orlando Orsini, Fine Arts Roma. Measures 32 x 22 in. Unframed. Excellent/Good Condition.
Category
Late 20th Century Michigan - Nude Prints
Materials
Screen
Soul Ascending-Serigraph, Regional Art Editions-Detroit
Located in Chesterfield, MI
Soul Ascending-Serigraph from original watercolor by Gwen Lux. Regional Art Editions-Detroit. Measures 23 x 14.25 inches and is unframed. The piece is in Good...
Category
1940s Michigan - Nude Prints
Materials
Screen
"Two People in Violet" Limited Edition Serigraph, 149/199
Located in Chesterfield, MI
"Two People in Violet" is a Limited Edition Serigraph, 149/199. The print measures 25.5 x 19.75 inches including its border. The piece is pencil-signed and numbered, although the art...
Category
Late 20th Century Michigan - Nude Prints
Materials
Screen
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Standing Female Nude
By Frederick Carl Frieseke
Located in Fairlawn, OH
Standing Female Nude
Drypoint, c. 1910
Unsigned
Estate authentication on verso (see photo)
Estate authentication verso by Frances Frieseke Kilmer (Mrs. Kenton Kilmer, 1914-1998) (see photo)
Probably depicts the artist's wife, the artist's favorite model
Extremely rare original drypoint by Frieseke
Printed with selective inking to highlight the figure
Condition: excellent
Image/Plate size: 10 x 6 5/8 inches
Frame size: 19 1/4 x 15 3/4 inches
Provenance: Estate of the Artist
By descent to his daughter Frances
Hirschl & Adler Gallery, Stock No. APG 1106.3D-B (see photo)
Biography
Frederick Carl Frieseke was born on April 7, 1874, in Owosso, Michigan. After studying for a short while at the Art Institute of Chicago and the Art Students League in New York, Frieseke left for France in 1898, and almost all of his career was spent as an expatriate, with ties to the United States maintained through his New York dealer, William MacBeth, and by occasional visits to America. Following the pattern of innumerable young Americans, he enrolled at the Academie Julian where he studied with Benjamin Constant (1845-1902) and Jean-Paul Laurens (1838-1921). He appears to have had at least brief contact with and to have been influenced by James McNeill Whistler, who had recently opened his Academie Carmen in Paris.
By 1900 Frieseke was spending summers in the town of Giverny, made famous by the residence of Monet and subsequently by other artists, among them many Americans. In 1906, the year after his marriage to Sarah O'Bryan, he leased a house once occupied by the American Impressionist Theodore Robinson. Although the property was adjacent to Monet's, Frieseke had only limited contact with the French master. Instead he apparently found Pierre Auguste Renoir the most influential of all the Impressionists. Frieseke's Giverny house and garden, as settings for a series of female models, provided nearly all of his subject matter for the next thirty years, although in 1930 he made a series of watercolors of Florida scenes remembered from his childhood and painted some Swiss landscapes. After World War I, the artist and his family settled in Normandy.
Frieseke's career falls roughly into three stages. In the first, figures most clearly show his academic training and draughtsmanship. Gradually these evolve into the most common images of the next decade, comprised of loosely-applied blotches of bright color. The vast majority of these show their subjects in the garden, standing among the flowers, taking tea, or just basking in the sun. Others include models in colorful, light-filled interiors. In Frieseke's latest paintings, the figures very often appear indoors, their forms are given greater solidity, and the brushwork is less broken.
At the height of his career, in the 1910s and early 1920s, Frieseke was perhaps the most popular of all living American artists. He received numerous awards and medals and saw his work purchased by private collectors and major museums. Decades after the initial introduction of Impressionism by Monet and his contemporaries, Frieseke assumed this style for his work, choosing to ignore the newer artistic movements of the early twentieth century. Nevertheless, his paintings were acclaimed in both the United States and in Europe. In 1904 he won a silver medal at the St. Louis Universal Exposition and a gold medal at Munich. He was elected a member of the Société National des Beaux Arts in 1908 and the National Academy of Design in 1912. Seventeen of his canvases were featured at the Venice Biennale in 1909 and he won the Grand Prize at the Panama-Pacific International Exposition in 1915. He was commissioned to execute several murals, including one for the New York store of John Wanamaker, one of his most loyal patrons.
He died on August 28, 1939, at his home in Normandy, in the town of Le Mesnil sur Blangy. In the decades following his death, however, after artistic tastes had changed considerably, his work was nearly forgotten until it received renewed attention as interest in American Impressionism grew in the 1960s Courtesy National Gallery of Art, Washington
Etchings by Frederick Carl Frieseke include The Balcony and Standing Female Nude. Frieseke was an American Impressionist painter who was popular in the 1910s and 1920s.
Etchings by Frederick Carl Frieseke:
The Balcony: An etching by Frieseke from 1904
Standing Female Nude
Other paintings by Frederick Carl Frieseke:
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1910s American Impressionist Michigan - Nude Prints
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Located in Brooklyn, NY
This artwork by Henri Matisse is a lithograph from the book Cinquante Dessins, published by Les Soins de L'Artiste in 1920.
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Late 20th Century Michigan - Nude Prints
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"Two Female Models on Rocker and Stool" Lithograph with Seated Nude Females
By Philip Pearlstein
Located in Detroit, MI
"Two Female Models on Rocker & Stool" is an exceptional Lithograph of Pearlstein's Realistic style. The nudes are posed seated frontally, are neither engaged with either each other or the viewer, and give the atmosphere of being happening upon as they take a break. It is an intimate scene and may suggest the viewer as voyeur. Their full-figured bodies exude power and strength which is reinforced by not fitting within the frame. This Lithograph is #11 of an edition of 20 with two blind stamps on the lower left corner and signed by the artist.
Philip Pearlstein is an American painter born in Pittsburgh, PA, and best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums.
In 1941, his junior year in high school, he received his first recognition when awarded first and third prizes in Scholastic Magazine’s 14th National High School Art Exhibition. Upon graduation from high school in 1942, he enrolled in the Carnegie Institute of Technology but the draft limited his attendance to one year. After discharge from the army in 1946, he returned to Carnegie Tech where he received his BFA in 1949. Upon graduation, he moved to New York City where he pursued work in graphic design and received a Master’s degree in art history from New York University in 1955.
Pearlstein worked as a graphic designer for Life Magazine before becoming an instructor at the Pratt Institute, and then a professor at Brooklyn College; he has also served as a visiting artist at several prestigious institutions throughout the country. His work has been exhibited in several solo exhibitions throughout the United States with paintings in the collections of over 70 public art museums. Pearlstein served as a President of the American Academy of Arts and Letters from 2003-2006 and currently lives and works in New York.
“It is what is painted between the outlines that makes the difference between merely competent painting and really meaningful art.” —Philip Pearlstein. In spring of 1946 he becomes assistant to Robert Lepper, head of the Design Program at Carnegie Institute of Technology, at the firm of Altenhof and Bown, Architects, and designs catalogs for building products through 1949. Meanwhile he enrolled at Carnegie Institute of Technology and studied with Robert Lepper, Balcomb Green, and Samuel Rosenberg. Meets Dorothy Cantor, George Klauber, and Andy Warhol (Warhola), fellow students at Carnegie Institute of Technology. Serves as art editor of the Carnegie Technical, the student publication of the Engineering School, through 1949 when he received his BFA and moved to New York to live with Andy Warhol. A few months later he worked with graphic designer Ladislav Sutnar in design and production of catalogs of plumbing fixtures and ventilators for the next eight years.
He graduated from the Institute of Fine Arts, New York University where he studied with Karl Lehmann, Craig Smith and Jose Lopez...
Category
Late 20th Century American Modern Michigan - Nude Prints
Materials
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"Femme sur fond juane" Abstract Lithograph with Colors and Nude Female
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Olympic Games Poster Munich 1972, artwork by Paul Wunderlich (German, 1927-2010)
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1970s Michigan - Nude Prints
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Charles H Grant
Charles Howard Artist
Charles Pompilius
Charles Vavrina
Chesapeake Bay Painting
Chinese Calligraphy Scroll
Chinese White Dolphin








