Michigan - Furniture

A striking pair of early 20th-century bronze vases by noted American metalsmith Carl Sorensen, each showcasing his signature rich hand-applied verdigris patina and finely incised gil...

HOLIDAY GIFT, Handsome English Mahogany And Satin Wood Humidor With Fitted Int.

Found in Italy, this clear glass decanter has hand-forged brass toned metal leafy vines that wraparound the bottle and fresh water pearl accents. Signed by Lionel. Other pieces by th...

This bold and emotionally charged acrylic painting on canvas by Niagara exemplifies her signature fusion of comic book aesthetics and feminist punk attitude. Signed lower right. Circ...

Clear Murano glass vessel has gold inclusions and a lid, circa 1950s. Other similar vessels in other sizes and shapes available at the time of the this posting.

Pair of occasional tables feature white enameled metal tubular frames with polished brass joiners/hardware and clear glass tops, circa 1970s. Unknown ...

Deep dense 100% wool shag pile square rya rug produced in Denmark circa 1965 by Dania Taepper in a geometric collage of contrasting reds and black. Measures: 90" x 90". Rya or rye is a traditional Scandinavian wool rug with a long pile of about 1 to 3 inches. Made using a form of the Ghiordes knot to make the double-sided pile fabric. Though rya means "rug" in English, the original meaning in Sweden of rya was a bed cover with a knotted pile. The first ryas originated in the early fifteenth century as coarse, long-piled, heavy covers used by mariners instead of furs. As time went on the rugs became more bright and colorful. Now very much a part of mid century interior design.

Vintage Indian block printed textiles from the 1940s-1960s have been sewn together in colorful patches with rows of running stitch embellish...

A mid-century modern pair of Japanese hand painted porcelain sculptures designed by Goldscheider. Stamped Goldscheider Everlast Corp on bottom. Circa mid-20th century. Intricate deta...

Pair of Italian glass lamps feature a black glass base and silver glass columns accented with white glass rings, circa 1980s. Fabric shades are included and have black and white wove...

USA, 1960 'Still Life in Red and Blue' by Joseph Mellor Hanson, British, 1900–1963. Gorgeous abstract oil painting on canvas in a modern, gilt Frame. Da...

Perez Celis' "Buenos Aires" is an abstract oil painting on paper, created in 1989, that captures the vibrant spirit and color of the Argentine capital. The piece features bold, swee...

Pair of wrought iron climbing vine wall planters attributed to Woodard. Nicely restored in forest green powder coat.

Tall, oval shaped oak barrel with six polished brass bands. Found in England, circa 1880s. Unknown maker.     

Organic Abstract California Studio Craft Wall Mirror style of Wendell Castle. Sculpted Oak frame around mirror.

A brass and glass mad men table lamp as shown in Don and Betty Drapers bed room. 28 tall (base), priced without shade.

Circa 1960s two light hanging Scandinavian light fixture with rectangular white glass globes, teak bodies and a brass frame. Unknown maker....

Nicely turned maple wood charger. Concentric ring design in the manner of Russel Wright.

Likely 1970s A designer friend referred to this as the 'magic baguette' and I started doing so after. You could also call it the leaning baguette. It has a stone (marble?) base. A s...

A contemporary Abstract Expressionist oil painting on canvas titled "Where We Met" by Paul VerBurg. Hand signed lower right. A bold field of golden yellow—punctuated by raised, dot-l...

Found in Italy, this pair of circa 1970’s triangular side tables feature lucite and brass frames with glass tops and lower shelves. Very good vintage condition with minor scattered s...

Large Murano Signed Art Glass Vase with applied vibrant stripes by Walter Furlan. Signed on the base as pictured.

A modernist figurative line drawing on paper titled “Beauty in the Simplicity” by Harold Cohn. Signed and dated 1955 on the lower right. Using a minimalist yet expressive ink line, C...

Rare saber leg dining chair by Edward Wormley for Dunbar. Listing is for 1 chair. Unrestored condition.

Nicely crafted pair of cuff links by and signed Rebaje . Hammered copper face with brass button on backside . Francisco Torres arrived in NY from Dominican Republic in 1922. Sleeping on couches and in basements of friends trying to make his fortune . . Gradually transformed himself into Frank Rebajes...

Please feel free to reach out for efficient shipping quote to your location. Lightolier Hanging Chandelier designed by Gerald Thurston. Formed Glass Discs, Chrome Trim.

An original pensive oil painting on canvas titled “Seated Girl” by American artist Raphael Soyer. Hand signed bottom right. Circa 1950s. The painting depicts a young woman in red dressed in mid-20th century attire that was fashionable in the era. The walls behind her are bare, creating a stark and minimal composition. The main figure seated seems isolated among dramatic shadows and lighting, like the artworks by Edward Hopper. A unique opportunity to own an original painting from a New York Modernist painter. From a private collection. Dimensions: 34”h x 39.75”w x 1.5”d (framed). In very good vintage condition. Raphael Soyer (1899-1987) was a painter, draughtsman, and printmaker who believed that art is to survive, it must describe and express people, their lives and times. It must communicate. From an early age Soyer and his brothers Moses and Isaac were encouraged to draw by their father, a teacher of Hebrew literature and history. Forced to leave Russia in 1912, they immigrated to the United States and settled in Brooklyn. In the mid 1920s, having studied at Cooper Union, the National Academy of Design, and the Art Students League, Soyer painted scenes of life on New York's east side. His portrayals of derelicts, working people, and the unemployed around Union Square during the Depression reveal more of a poignant vision of the human condition than the art of social protest popular with many of his contemporaries. Throughout his life Soyer painted people his friends, himself, studio models with an unerring eye...

Dimensions: 23.25"h x 30.75"w Richard Kozlow (1926-2008) was an artist who lived in Detroit, Michigan. During his prolific career he painted well over a thousand works. Richard Kozlo...

Stilnovo style Italian three light fixture, circa 1960. Brass tubing frame has red enamel accents and features adjustable length electrical cording...

USA, 1970s Op Art Mirror by Verner Panton / Turner Mfg. This is a vertical configuration of three squares with a black and white op art border around a cen...

A bright and lively serigraph titled “Embossed Flowers” by Serbian American artist Daniel Gelakoska. Artist embossed seal “Daniel Gelakoska Printworks...

Flat band steel with cylinder bases support solid maple top. Top has been restored base is in original patina finish.

Found in England, this circa 1960s set of three stacking tables feature brass frames and what appears to be teak table tops. One larger table with two smaller tables that fit below. ...

A modernist stoneware glazed ceramic bowl by Detroit artist John Glick of Plum Tree Pottery. Circa late 20th century. Glazed in earthtones. Artisisnal yet functional and makes a uniq...

Chandelier with silver tone metal frame, clear crystal beading and several handmade glass grape clusters with pale amethyst fruit and amber glass leaves. There are six candle style l...

Antonio da Ros Cenedese Fossili Incalmo Murano Glass Vase in black and amber glass decorated with irregular orange cane segments.

A set of Art Nouveau woodcuts on thin laid Japanese paper titled “Beethoven Hauser (Portfolio of 12)” by Austrian artist Carl Moll. Published circa 1902. The title page is hand signed by the artist in pencil on the bottom right. The series depicts architectural views of Beethoven’s houses. Carl Moll (1861-1945) was an Austrian Art Nouveau painter active in Vienna at the start of the 20th century. He took inspiration from the pointillist techniques of French Impressionists. Carl became a founding member of the Vienna Secession along with other prominent Austrian artists, including famed painter Gustav Klimt. In 2021, Carl Moll’s painting...

A modernist stoneware glazed ceramic tea pot by Detroit artist John Glick of Plum Tree Pottery. Circa late 20th century. Glazed in earthtones. Artisisnal yet functional and makes a u...

A fascinating found objects titled "Plate with Moustache" assemblage sculpture with original hand-painted details in acrylic by Karel Appel. Hand signed and dated 1977. The sculpture...

USA, 1970s Textile art in brilliant jewel tones of fuchsia, red, and tangerine with varied stitching and materials from smooth fabric to rich velvet. The frame is wooden and the inner edges are tipped in matching red. Unsigned, in the style of Mariska Karasz...

Pair of sculptural, floral and stem form chandeliers have six arms and nickel frames. Found in France, circa 1960s, unknown manufacturer. New wiring for US electrical standards. Sold...

A contemporary color screenprint on paper titled “Lulu” by American artist Tom Wesselmann. Hand signed in pencil and dated 1982 with an annotation of 206/250 on the lower right. Pub...

A beautifully preserved three-piece German carving set, likely dating to the mid-20th century, presented in its original green faux snakeskin case lined with ruched emerald satin. Th...

A modernist stoneware glazed ceramic tea pot by Detroit artist John Glick of Plum Tree Pottery. Circa late 20th century. Glazed in earthtones. Artisisnal yet functional and makes a u...

Giltwood mirror in sunburst form has rays with jagged tips and an incised scallop design on the inner frame, circa 1960s. Mirror has scattered black spots all-over but frame is in ex...

Italian turned wood pricket stick with painted finish of antique white and light golden brown stands three feet high, circa 1900. Two available. Sold and priced individually.  

Charles and Ray Eames for Herman Miller DKR lounge chair. The chair is earlier production evidenced by the solid steel "X" base. Original burlap back...

The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery #129 on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

Natural chunk of Colorado Aspen partially turned neck to create a weed pot but remaining wholly organic .

Pino Signoretto Murano Art Glass Aquarium Vase signed by the artist dated 1985. The fish is emerged in the water which is also solid glass.

USA, 1970s Full length female nude in conte crayon. The frame is in burnt sienna with a gilt inner edge and a natural linen matte. Illegible signature. R...

Tall late 19th-early 20th century English oak barrel with four polished brass bands. Unknown maker. Other similar styled English barrels in various ...

An expressive pencil drawing on paper by Thad Miller. Hand signed lower right. The composition features a striking array of detailed hands in varied positions—one reaching outward, a...

We are very pleased to offer an exquisite barware set, by Culver, circa the 1960s. This set epitomizes the quintessential Mid-century modern design era with a captivating pattern, e...

Please feel free to reach out for accurate shipping to your location. Streamline bridge floor lamp. Has milk glass diffuser. No shade. Walnut disc base has been repaired and refi...

This striking 20th-century portrait features a seated male figure rendered in bold, postmodern style with fractured forms and high-contrast colors. Signed and dated 1971 on the lower...

For your consideration is an astonishing, bronze table sculpture, of a woman sitting in a hand, "Illusion," signed by Jerry Soble, dated 1990s....

Tall table lamp has a base of walnut layered over brushed steel with walnut supports and a tightly pleated rectangular shade, circa 1970s. Unknown maker. Found in Italy. New wiring f...

A Lucid Crystal Glass Shell Ashtray by Art Vannes France 1970. This sleek and boujee ashtray is perfect for the elegant, sophisticated, and mindful smoker. Stay classy with this spec...

Post modern Memphis era F. Fabbian Italian torchiere . Red rectangular shaft with 11" square base supports geometric diffuser head that will adjust 180" side to side . Lamp head is t...