Missouri

Michael Mardikes Benton on the Couch (Thomas Hart Benton Plate #28) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Size: 19x13.5 in Paper Size: 22x17 in Edition: 10 (9 Mon...

Joel D. Sager (b. 1980) is a contemporary American painter of landscapes, still-life and portraiture. Often drawing on such standard subject matter with economy and singularity— a so...

Christian Lacroix Paris Massive huge scale avant-garde couture statement necklace c 1980s The extraordinary avant-garde huge scale artisan necklace is designed with a massive rigid silver metal free form chest plate...

Classic Florence Knoll tufted leather lounge chairs, originally designed in 1954, this pair is of recent production. Original Spinneybeck tan leather on satin chrome frame, both an u...

Chanel Boutique scarlet silk black velvet evening jacket c 1990s The elegant jacket is designed with the front facade of sumptuous red sil...

Rare Mid-Century Modern signed 1949 cubist gouache painting of skyscrapers, rooftops and skyline of the City of New York including The Chrysler building by painter Theodore "Theo" Ha...

Rid-Jid Mid Century Modern folding outdoor patio chairs with newly refinished black metal and mesh frames. Classic 1960s mid century silhouette with ergonomic simplicity that's both ...

Rare set of four "Vice Jars" all signed, Raymor. Opium, Morphine, Cocaine and Marijuana. Rarely seen and virtually never seen in this condition. No chips, cra...

The Alabaster Light is a flush mount light that sits closely to the ceiling. The piece features three lighting pods that have been made using thin strips of resin to create a natural...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Just ask Jennifer Lopez how much she loves her pair of majestic, organic and inspiring tall lotus flower brass lamps famously made by the Feldman Lighting Company beginning in the 1950s. These lamps are show stopper attention seekers. A delicate organic lotus flower silhouette made of glowing brass. As if born from light - each layer representing a season of life - rings of lotus flower petals bloom in size. A symbol of strength and beauty, Lotus flowers can grow in even the harshest conditions and still bloom. Brass petals are embossed with small lines softening the brass and adding more organic detail. They are also malleable and can be gently bent to your pleasure. Black lacquered wood base highlights and anchors the brass elements. Professionally polished bringing back its original glamorous glow and clear coat lacquered to retain it. Works beautifully in any setting from chinoiserie to Hollywood Regency to Contemporary and Eclectic. This tall lotus lamp is rare and sought after by collectors and fans of the Feldman Lighting Lotus Flower Line. Featured in Architectural Digest (last photo). Single lamp also available. Want to see more beautiful things? Scroll down below and click "View All From Seller" or favorite our shop to get your 1stDibs on our new inventory. Diameter of lamp shade 18" Photographed along with and also currently available in our shop: James Mont Attributed Black Lacquered Sideboard or Bar Cabinet, circa 1940s Pair of Billy Baldwin Style Leopard Velvet Stools with Leather Piping circa 1970s Curtis Jere Mars & Venus Gold Gilt Bookends Sculptures Signed Jeré, 1968 Rare Pair of Tall Parzinger Style Brass Lotus Candle...

Contemporary Porcelain Sculpture, Traditional Korean Vessel Form, Deconstructed Steven Young Lee is the Resident Artist Director of the Archie Bray Foundation in Helena, Montana. A...

Japanese artist Harumi Nakashima creates free-form ceramic sculptures that feature organic, yet psychedelic characteristics. Nakashima, mostly known for beautifully structured, odd g...

Artist : Kory Twaddle Title : Map from Home to Kaz's Gallery Materials : Oil, acrylic, charcoal, conté crayon, oil pastel, pastel, paper, marker, and mixed media on paper Date : 200...

John Marak 18x24-05-05-2021 Plaster, Acrylic Year: 2019 Size: 24x18 in Signed by hand COA provided ------------------------------------- John Marak is a seco...

Classic 1970s vintage Gucci wrap sunglasses or eyewear, plated in 22-karat gold with brown plastic lenses, with nice knurled texture to front of frames. Some wear to gold plating, al...

Dorothea Tanning (American, 1910–2012) Initially associated with the Surrealist movement, Dorothea Tanning developed a personal visual language that blurred the boundaries between r...

Joan Miro Terres Grand de Feu (one plate from Artigas) Medium: Original lithograph Size: 14.1875 x 19.625 in Year: 1956 Edition: 1,500 Unsigned Printed text on verso as issued Portf...

Paul Klee (after) Country House In The North (Landhaus im Norden) Year: 1925 Serigraph Size: 14x16.9 on 19x21.5 inches Edition: 440 Signed in the stone, numbered by hand Publisher: K...

Nick Vedros Dog in Bed Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 10x10in Edition: 15 Signed, dated and numbered by hand on label Stamped COA provide...

Nancy Charak Title: Geologies Series 9050 Materials: Drawing on 140# Fabriano Artistico Date: 2018 Dimensions: 30"x22" Nancy Charak makes paintings and drawings in her studio in Tuc...

The coffee table has an ascending bent wood design with intricate detail. The clear glass top is balanced using vertical brass. The single length of wood has been bent in a design to...

Pair of jeweled enamel gilt metal butterfly brooches c 1980s The elegant gold metal butterflies are embellished with tiles of shiny enamel in muted burgundy and light mocha brown ...

Limited Edition: 7 of 25 Signed, dated and numbered in ink on label affixed verso COA provided In Sherman's photographs she is experimenting with groupings of different objects wit...

Gucci Italy Sleek chrome black leather ice bucket c 1970s The stylish Italian ice bucket is designed with a chrome metal lid, swivel handle and a w...

Mixed Media 1990 19.68 x 11.81 in (50 x 30 cm) Unique within an edition of 12 Signed by hand lower left COA provided Tags: #PeterTelljohann #GermanArtist #Ibbenbüren #ArtExhibition ...

Rare and very desirable Kurt Ostervig Model 12 easy chair and ottoman. As comfortable as is is good looking. Large scale especially for a mid century modern design. The original y...

Karl Lagerfeld Sleek large silver metal designer brooch in K.L. presentation box c 1980s The large scale silver metal brooch is designed with Karl Lagerfeld's iconic script initials ...

Artisan stone turquoise color howlite statement necklace c 1990s The massive necklace is designed with a collection of organic sliced smooth dyed turquoise color tiles The large sca...

With gorgeous patinaed oak, custom cushions handcrafted from cashmere throws by Saved NY, and a finishing touch of beautiful Loro Piana leather, this one-of-...

White Pedestal / Table designed by Philippe Starch as a store display piece in Los Angeles, 1990s. Undulating, organic, draped fabric table cloth d...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Nora Othic is considered one of the top regionalist painters in the Midwest. She builds on a legacy from her artistic predecessors such as Grant Wood, Thomas Hart Benton and the WPA ...

Late 1960's Camerino brocaded vest of metallic gold thread on quilted satin. Lined in brown velvet. Deeply cut sleeves. Simple clean lines allow the luxurious, Asian inspired,...

Soft and luxurious, the Forsyth Circle Ottoman is designed to be a versatile piece in a room adding an element of natural texture. The perfect coffee table, ottoman, or extra seating...

1980s Wall Street Bear & Bull stock market bookends . Each having a cast brass design on top of a solid block of angled green marble base. Perfect gift for that Wall Street broker, ...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman Vintage Moth IV (Wall Piece/Dish (handpainted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2022 Size: 4.5x6x0.5in Signed by hand COA provided Ref.: 924802-1329 ------------------------ My ceramics are handmade and painted with the finest overglazes from Europe. The gold luster used is 24k liquid Gold from Germany. Every piece is unique. My imagery is inspired by vintage Meissen dinnerware, William Morris wallpaper and other historical sources. Porcelain, Ceramics, Pottery, Ornament Vintage Moth Wall Piece Ornament Small Dish Candy Sugar Tea handpainted handmade butterfly peacock 24k German gold luster ceramics porcelain charm, jewelry, personalized, family, tree, retro, heart, mother, moon, baby, feet, gemstone, flower, mom, birth, year, art, chinapaint, luster, lustre, contemporary ceramics, futility of pleasure, herend, meissen, sevre, pattern, arita, arita ware, imari, imari ware, dresden, germany, japan, jingdezhen, china, photography, momento mori, flowers, flower motif, drawing, illustration, peacock, cherry blossom, chrysanthemum, kiku, 菊, kikka, 菊花, Ōka, 黄花, Kiku no hana...

Signed, dated, and numbered to lower right ‘15/35 Judd '74’. This work is number 15 from the edition of 35 (with one artist's proof) printed by Styria Studio, New York and co-publish...

Sterling crystal pair of crown brooches c 1950 The elegant mid century brooches are embellished with jewel tone crystals with diamante crystal accents The pair of sterling coronation crown...

This is a rare "Anchorage Teapot" by designer and artist Peter Shire. Rossi e Arcandi for Memphis, Milano, 1982. The teapot is completely original and shows signs of wear to be expec...

Bonnie Seeman grew up in Miami, Florida with a propensity towards anatomy illustration and the dazzling colors and rich foliage of the Miami landscape. Developing her technique with...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Judy Hornby Couture black silk floral burnout dress c 1990 The stylish dress is designed with a dramatic ruffled pastel silk collar that emulates flower...

1960s MCM barware set of 8, 22k gilt & white highball glasses, with Early American Families names and countries crest gold over white. List of names from S...

Title : Just Ducky Daffy! Materials : stamps, ink, crayon,marker,pen Date : 2017 Dimensions : 8.5x11"

Burkhart Beyerle Berweg Linoleum Cut on light Paper 1990s 17.32 x 24.01 inches (44 x 61 cm) Edition: 14 Signed, numbered and titled by hand COA provided Burkhart Beyerle is a German...

Joel Sager (1980) was born in Saint Joseph, Missouri, the son of a minister and a stay-at-home mother who fostered from an early age his love of drawing and painting. It was under th...

Robert Kipniss, painter and printmaker, was born in New York City in 1931. Born to two artists, Kipniss quickly fostered his love for art. His formal artistic education began at New ...

Set of 6 Joe's bar & grill theme by Cera, tables for Ladies, Mid-Century Modern Barware whiskey lowball glasses. Signed Cera. No chips noted.

Jeffrey Vaughn, from Alton, Illinois, received his Bachelor of Fine Arts degree in 1978 from Washington University, St. Louis, Missouri, and his Master of Fine Arts in 1983 from the ...

A one-of-a-kind ottoman designed by Forsyth and beautifully handmade using a vintage Iranian gabbeh rug (100% hand-spun sheep wool). The rug is finished w...

Unique pair of sterling silver figural women brooches c 1980s The pair of artisan brooches are designed with the silhouette of a pair of chic women dress...

Albrecht Fuchs Drew Straker at Work Giclee on heavy Baryta Rag 2018 24.01 x 18.5 inches (61 x 47 cm) Edition: 20 - BAT (respectively "Archive") Signed, da...

A 1960s Danish Modern Jens Quistgaard Salt & peppermill made of teak, in the style of a chess piece. Stamped Dansk Designs Ltd Denmark JHQ. Nice o...

Belle Cramer (American, 1883 - 1978) was a painter whose vivid color and expressive compositions made her a central figure in mid-20th-century St. Louis a...

Ken Ferguson Basket with handle Material: Stoneware, glaze Year: Circa 1980 Size: 18 x 13 inches Stamped Kenneth Richard Ferguson was an American c...

Christopher Ross Massive huge scale artisan silver matte metal lion belt buckle c 1984 The dramatic enormous size belt buckle is designed with a stylized lio...

LEONOR FINI Lounging Cat 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Contemporary Figurative Acrylic Painting on Canvas, Floral Background, Realism Growing up in Cuba, I was surrounded by silence where music should have been. Western bands like The ...

Joan Miró Lithographie Originale V Color Lithograph Year: 1977 Size: 12.5 × 9.6 inches Catalogue Raisonné: Teixidor, Miro Lithographe III, 1964-1969 Publisher: Maeght Editeur, Paris, France Verso: Typographically annotated: 'Joan Miro - Lithographie originale V' Unsigned, Unknown Edition Size COA provided --------------------------------------- Joan Miró i Ferrà was a Spanish painter, sculptor, and ceramicist born in Barcelona. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró, was established in his adoptive city of Palma de Mallorca in 1981 Surrealism, Fauvism, Cubism, Abstract expressionism, Naive art, Expressionism, Suprematism Pablo Picasso, André Breton, Hans Arp, André Masson, Hieronymus Bosch, Tristan Tzara, Modest Urgell