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Item Ships From: Montreal
Ruckenfigur
By Adam Gunn
Located in Montreal, Quebec
In his book Now or Never naturalist Tim Flannery describes a vision of a world with a dead purple ocean and a poisonous green sky. This is a world where warming has melted the ice ca...
Category
2010s Contemporary Montreal - Paintings
Materials
Acrylic, Wood Panel
Miroir, Painting, Acrylic on Canvas
By Sonego Sonego
Located in Yardley, PA
As a painter I love to use all colors and hapiness :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang:...
Category
2010s Contemporary Montreal - Paintings
Materials
Acrylic
The Wooden Moat
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Montreal - Paintings
Materials
Oil, Canvas
Untitled
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category
2010s Abstract Montreal - Paintings
Materials
Canvas, Oil
$1,400
Colza (triptych)
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category
2010s Abstract Montreal - Paintings
Materials
Canvas, Oil
Le bonheur de l’innocence, Painting, Acrylic on Canvas
By Sonego Sonego
Located in Yardley, PA
He capture the beauty.... Each painting is a single copy, after the paintings are finished they are covered with a special varnish to protect them. :: Painting :: Contemporary :: ...
Category
2010s Contemporary Montreal - Paintings
Materials
Acrylic
Observation, Painting, Acrylic on Canvas
By Sonego Sonego
Located in Yardley, PA
Une maitrise des couleurs et un esprit créatif comme lui, on n’en voit pas à tous les coins de rue! :: Painting :: Contemporary :: This piece comes with an official certificate o...
Category
2010s Contemporary Montreal - Paintings
Materials
Acrylic
Anything, Painting, Oil on Canvas
By Maxime Cousineau-Pérusse
Located in Yardley, PA
Inspired by Xavier Dolan's movie "Mommy", this painting discusses the sitgmatization of mental illness, and how it can overshadow one's identity in today's society. Shipping WORLD...
Category
2010s Contemporary Montreal - Paintings
Materials
Oil
Near and Far
By Adam Gunn
Located in Montreal, Quebec
My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from ...
Category
2010s Contemporary Montreal - Paintings
Materials
Oil, Wood Panel
Counterintuitive
By Adam Gunn
Located in Montreal, Quebec
My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from ...
Category
2010s Contemporary Montreal - Paintings
Materials
Oil, Wood Panel
Face of fear, Painting, Acrylic on Canvas
By Ala Ilescu
Located in Yardley, PA
"Face of fear" by Ala Ilescu 24 x 36 x 1.5 inch Modern, abstract painting. This is how I see that looks the Fear. To me it's the Fear of someone that I love to hurt me. Vertical po...
Category
2010s Abstract Montreal - Paintings
Materials
Acrylic
So many lies, Painting, Acrylic on Canvas
By Ala Ilescu
Located in Yardley, PA
Modern, abstract painting with geometrical shapes. Different forms, but the same colors. "Lies" become bigger and bigger moving upward. Signed on the back, I find it interesting in b...
Category
2010s Abstract Montreal - Paintings
Materials
Acrylic
Rising Tide, Painting, Oil on Canvas
By Maxime Cousineau-Pérusse
Located in Yardley, PA
This painting depicts relentless effort and hope in situations of self-doubt, and in the doubt of others. Shipping WORLDWIDE! By default unstretched, rolled in a tube. If you w...
Category
2010s Contemporary Montreal - Paintings
Materials
Oil
La belle époque
By Eric Lamontagne
Located in Montreal, Quebec
Interaction with one of Lamontagne’s works is, simply put, a surreal experience. By using one of several points of entrance, viewers are permitted to experience multiple views of com...
Category
2010s Contemporary Montreal - Paintings
Materials
Canvas, Acrylic, Oil
Clair de lune déchirant
By Eric Lamontagne
Located in Montreal, Quebec
Lamontagne has an interest for the conflicting relationship that exists between the end of the landscape and its contemplation, as well as for the so-called death of painting. The pa...
Category
2010s Contemporary Montreal - Paintings
Materials
Canvas, Oil, Acrylic
Outlook (I Dream of Japan)
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Montreal - Paintings
Materials
Oil, Canvas
Mismatch
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Montreal - Paintings
Materials
Oil, Wood Panel
Moat, Green Water and Rope
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Montreal - Paintings
Materials
Oil, Wood Panel
Episode
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Montreal - Paintings
Materials
Oil, Wood Panel
The Retelling
By Judith Berry
Located in Montreal, Quebec
To trip and retrip on a piece of land, a surface, a support that sets up not a bounce but a billow, a soft surge, a reverberation where the ground is friendly, known, familiar and th...
Category
2010s Abstract Montreal - Paintings
Materials
Oil, Canvas
Some Thoughts
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Montreal - Paintings
Materials
Oil, Wood Panel
Buisson
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category
2010s Abstract Montreal - Paintings
Materials
Canvas, Oil
$3,600
Supervision
By Judith Berry
Located in Montreal, Quebec
To trip and retrip on a piece of land, a surface, a support that sets up not a bounce but a billow, a soft surge, a reverberation where the ground is friendly, known, familiar and th...
Category
2010s Abstract Montreal - Paintings
Materials
Wood, Oil
Buisson 02
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category
2010s Abstract Montreal - Paintings
Materials
Canvas, Oil
Feuilles
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category
2010s Abstract Montreal - Paintings
Materials
Canvas, Oil
$3,400
Frêne
By Hédy Gobaa
Located in Montreal, Quebec
This series revolves around plants, plants, flowers, trees, and bushes. I first present a triptych, a darker, electric ambiance from a night photo of wild herbs illuminated by the ci...
Category
2010s Abstract Montreal - Paintings
Materials
Canvas, Oil
$3,500
Scorch
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Abstract Montreal - Paintings
Materials
Oil, Wood Panel
Strangely Prescient
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Abstract Montreal - Paintings
Materials
Oil, Wood Panel
Beneath the Night
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper, a rusted stove—is juxtaposed with the soft glow of a yellow circle. This continues Houston’s ongoing use of colour to question the particulars of perception.
Heritage of All, White with Greed and Iron, and The Spaces we Breath, Houston’s titles read like lines of a haiku. Composed as prose, they are also confrontational, mapping out the cultural and environmental impacts of the extraction of resources in the Arctic. We witness scenes of violent decay, and yet simply carry on, like Business As Usual. In What Nations Come and Go a pale purple oval nearly fills the frame, revealing only in the very far right a simple cabin in front of a rocky incline. A similar imposing cloud of colour, this time blue, dominates the landscape in Mapped, Claimed, and Evaluated.
The north is just as much an idea as it is a place, and is one that looms large in the Canadian imagination. There are few better examples than Glenn Gould...
Category
2010s Abstract Montreal - Paintings
Materials
Oil, Wood Panel
Beyond Recall
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Abstract Montreal - Paintings
Materials
Oil, Wood Panel
Sometimes I Forget What I Am
By Adam Gunn
Located in Montreal, Quebec
I am primarily a painter of things and my practice has grown out of a process of subverting the genre of still life. For my most recent paintings I have been working in an improvisat...
Category
2010s Abstract Montreal - Paintings
Materials
Mixed Media, Oil, Wood Panel
It’s So Quiet You Can Hear Them Breathing
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper, a rusted stove—is juxtaposed with the soft glow of a yellow circle. This continues Houston’s ongoing use of colour to question the particulars of perception.
Heritage of All, White with Greed and Iron, and The Spaces we Breath, Houston’s titles read like lines of a haiku. Composed as prose, they are also confrontational, mapping out the cultural and environmental impacts of the extraction of resources in the Arctic. We witness scenes of violent decay, and yet simply carry on, like Business As Usual. In What Nations Come and Go a pale purple oval nearly fills the frame, revealing only in the very far right a simple cabin in front of a rocky incline. A similar imposing cloud of colour, this time blue, dominates the landscape in Mapped, Claimed, and Evaluated.
The north is just as much an idea as it is a place, and is one that looms large in the Canadian imagination. There are few better examples than Glenn Gould...
Category
2010s Abstract Montreal - Paintings
Materials
Oil, Wood Panel
Where These Ways Crossed One Another
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper, a rusted stove—is juxtaposed with the soft glow of a yellow circle. This continues Houston’s ongoing use of colour to question the particulars of perception.
Heritage of All, White with Greed and Iron, and The Spaces we Breath, Houston’s titles read like lines of a haiku. Composed as prose, they are also confrontational, mapping out the cultural and environmental impacts of the extraction of resources in the Arctic. We witness scenes of violent decay, and yet simply carry on, like Business As Usual. In What Nations Come and Go a pale purple oval nearly fills the frame, revealing only in the very far right a simple cabin in front of a rocky incline. A similar imposing cloud of colour, this time blue, dominates the landscape in Mapped, Claimed, and Evaluated.
The north is just as much an idea as it is a place, and is one that looms large in the Canadian imagination. There are few better examples than Glenn Gould...
Category
2010s Abstract Montreal - Paintings
Materials
Oil, Wood Panel
Break
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Abstract Montreal - Paintings
Materials
Oil, Wood Panel
Maquette pour l’Hôpital Ste-Justine – Niveau 7
By Judith Berry
Located in Montreal, Quebec
Judith Berry was born in London, Ontario and grew up in Saskatoon, Saskatchewan. She studied at the Nova Scotia College of Art and Design in Halifax and spent one year in the Studio ...
Category
2010s Abstract Montreal - Paintings
Materials
Paper, Gouache
Exquisite Resting Place
By Adam Gunn
Located in Montreal, Quebec
y painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from l...
Category
2010s Abstract Montreal - Paintings
Materials
Oil, Wood Panel
Leak
By Judith Berry
Located in Montreal, Quebec
Judith Berry’s paintings impart that simultaneous sense of belonging, uncanny familiarity and uneasy otherworldliness common in science-fiction geographies. You are left with the fee...
Category
21st Century and Contemporary Montreal - Paintings
Materials
Canvas, Oil
$12,700
St Urbain, Montreal
Located in Westmount, QC
Terry Tomalty, Canadian, b.1938
St Urbain, Montreal
Oil on board
12 x 16 in
Signed lower left
signed, titled and dated verso
framed
For our US custom...
Category
1970s Montreal - Paintings
Materials
Oil
Double Portrait with Sticks
By Judith Berry
Located in Montreal, Quebec
Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...
Category
2010s Contemporary Montreal - Paintings
Materials
Oil, Wood Panel
The Weight of My Face
By Judith Berry
Located in Montreal, Quebec
Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...
Category
2010s Contemporary Montreal - Paintings
Materials
Canvas, Oil
Fissure
By Judith Berry
Located in Montreal, Quebec
Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...
Category
2010s Contemporary Montreal - Paintings
Materials
Oil, Wood Panel
Broken Mirror
By Judith Berry
Located in Montreal, Quebec
Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...
Category
2010s Contemporary Montreal - Paintings
Materials
Oil, Wood Panel
Tree Heads and Coloured Wall
By Judith Berry
Located in Montreal, Quebec
Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...
Category
2010s Contemporary Montreal - Paintings
Materials
Oil, Wood Panel
Portrait with Two Small Waves
By Judith Berry
Located in Montreal, Quebec
Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...
Category
2010s Contemporary Montreal - Paintings
Materials
Oil, Wood Panel
Head with Dominoes
By Judith Berry
Located in Montreal, Quebec
Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...
Category
2010s Contemporary Montreal - Paintings
Materials
Oil, Wood Panel
Towards the Storm
By Judith Berry
Located in Montreal, Quebec
Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...
Category
2010s Contemporary Montreal - Paintings
Materials
Oil, Wood Panel
Mountain of Sun (large)
By Brigitte Radecki
Located in Montreal, Quebec
From the beginning of my practice, I have maintained a feminist perspective and a
questioning of modernism. Conceptual queries and artistic explorations have taken
several aesthetic ...
Category
2010s Abstract Montreal - Paintings
Materials
Acrylic, Canvas
Hiding
By Brigitte Radecki
Located in Montreal, Quebec
From the beginning of my practice, I have maintained a feminist perspective and a
questioning of modernism. Conceptual queries and artistic explorations have taken
several aesthetic ...
Category
2010s Abstract Montreal - Paintings
Materials
Acrylic, Wood Panel
Achieve
By Brigitte Radecki
Located in Montreal, Quebec
From the beginning of my practice, I have maintained a feminist perspective and a
questioning of modernism. Conceptual queries and artistic explorations have taken
several aesthetic ...
Category
2010s Abstract Montreal - Paintings
Materials
Acrylic, Mixed Media
Enfolding
By Brigitte Radecki
Located in Montreal, Quebec
From the beginning of my practice, I have maintained a feminist perspective and a
questioning of modernism. Conceptual queries and artistic explorations have taken
several aesthetic ...
Category
2010s Abstract Montreal - Paintings
Materials
Acrylic, Wood Panel
Holothurian
By Colleen Wolstenholme
Located in Montreal, Quebec
With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...
Category
2010s Contemporary Montreal - Paintings
Materials
Oil, Wood Panel
Triptych
By Colleen Wolstenholme
Located in Montreal, Quebec
With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...
Category
2010s Contemporary Montreal - Paintings
Materials
Oil, Wood Panel
Triptych
By Colleen Wolstenholme
Located in Montreal, Quebec
With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...
Category
2010s Contemporary Montreal - Paintings
Materials
Oil, Wood Panel
Radiolarian
By Colleen Wolstenholme
Located in Montreal, Quebec
With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...
Category
2010s Contemporary Montreal - Paintings
Materials
Oil, Wood Panel
Pollution (diptych)
Located in Montreal, Quebec
Oli Sorenson’s solo exhibition, «Après moi, le déluge » discloses a series of impactful works on the deadly perils of capitalism through a group of paintings, prints, watercolours, a...
Category
2010s Contemporary Montreal - Paintings
Materials
Canvas, Spray Paint, Acrylic
Horne Foundry
Located in Montreal, Quebec
Oli Sorenson’s solo exhibition, «Après moi, le déluge » discloses a series of impactful works on the deadly perils of capitalism through a group of paintings, prints, watercolours, a...
Category
2010s Contemporary Montreal - Paintings
Materials
Canvas, Epoxy Resin, Acrylic, Spray Paint
The Flood (diptych)
Located in Montreal, Quebec
Oli Sorenson’s solo exhibition, «Après moi, le déluge » discloses a series of impactful works on the deadly perils of capitalism through a group of paintings, prints, watercolours, a...
Category
2010s Contemporary Montreal - Paintings
Materials
Acrylic, Wood Panel, Canvas, Epoxy Resin
Homeless
Located in Montreal, Quebec
Oli Sorenson’s solo exhibition, «Après moi, le déluge » discloses a series of impactful works on the deadly perils of capitalism through a group of paintings, prints, watercolours, a...
Category
2010s Contemporary Montreal - Paintings
Materials
Acrylic, Wood Panel, Burlap, Mixed Media
Blood Diamond
Located in Montreal, Quebec
Oli Sorenson’s solo exhibition, «Après moi, le déluge » discloses a series of impactful works on the deadly perils of capitalism through a group of paintings, prints, watercolours, and installations. The title draws a parallel between our times and Louis the XV’s sentiment, the French king’s citation indicating his disconnect with what chaos he left in the wake of his excesses. The same phrase was later revisited by Marx to stigmatize the bourgeoisie of his era, as the leitmotif of the flood strongly features throughout history and human consciousness from past myths to our very factual and impending future. Biblical creatures were punished for their sins by torrents, and today with climate change, we are also faced with rising seas and historic inundations worldwide. Hence the mood of Sorenson’s show reflects our anxieties in the face of natural disasters and the weight of the Anthropocene—the impact of human activities on the Earth’s ecosystem—bearing down on our collective psyche.
Sorenson’s oeuvre depicts a myriad of humanitarian crises occurring as we stand on the edge of an ecological precipice. We find evidence of this pending collapse in African mining industries with Blood Diamond...
Category
2010s Contemporary Montreal - Paintings
Materials
Canvas, Spray Paint, Acrylic
The Old Bridgewater Theater
By Adam Gunn
Located in Montreal, Quebec
This exhibition highlights Adam Gunn’s latest work, consisting of oil paintings on wood panels. This recent body of work was inspired by three coinciding events in the artist’s life:...
Category
2010s Contemporary Montreal - Paintings
Materials
Oil, Wood Panel
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Get to know the key movements and artists who have influenced visual culture for more than a century.
With a Show at MoMA, Marlon Mullen Paints Pictures That Are beyond Words
The nonspeaking California artist is having a moment, with vivacious paintings that play on art-magazine covers as well as more mysterious abstractions.
The Vibrant Beauty of Orphist Art Supersedes Its Perplexing Name
This kaleidoscopic early-modern art style has long deserved another look. Now, the Guggenheim museum is doing just that.