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Item Ships From: Montreal
Tiny Lariat
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Paintings

Materials

Oil, Wood Panel

Mesmerized
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Paintings

Materials

Oil, Wood Panel

Talking to Ourselves
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Paintings

Materials

Oil, Wood Panel

Tombe
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa combines photography and painting in his production. In 2018, he defended a doctoral thesis at UQAM where he questioned the role of digital devices in the artistical creat...
Category

2010s Contemporary Montreal - Paintings

Materials

Canvas, Oil

La Renne
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa combines photography and painting in his production. In 2018, he defended a doctoral thesis at UQAM where he questioned the role of digital devic...
Category

2010s Contemporary Montreal - Paintings

Materials

Canvas, Oil

Garden of Earthly Remains
By Adam Gunn
Located in Montreal, Quebec
In his book Now or Never naturalist Tim Flannery describes a vision of a world with a dead purple ocean and a poisonous green sky. This is a world where warming has melted the ice ca...
Category

2010s Contemporary Montreal - Paintings

Materials

Acrylic, Wood Panel

Ruin value (second version)
By Adam Gunn
Located in Montreal, Quebec
In his book Now or Never naturalist Tim Flannery describes a vision of a world with a dead purple ocean and a poisonous green sky. This is a world where warming has melted the ice caps and slowed down the circulation of the oceans so that they have become like a gigantic stagnant pond. This still oxygen depleted water will allow the proliferation of anoxygenic bacteria that will change the chemistry of the ocean making it poisonous to oxygen dependant life. These bacteria will also release hydrogen sulfide into the atmosphere causing a mass extinction of animal and plant life on land. This stark yet colourful world will be sublimely beautiful, but there will be no one around to see it. This series of paintings depicts an imagining of our world after the catastrophic consequences of climate change through a reinterpretation of well-known images with a romantic sensibility towards nature. Romanticism was in part a reaction to the industrial revolution marked by a nostalgia for an untouched natural world and a reverence for its overwhelming power. Ironically the spread and continuation of that industrialism is predicted to set in motion a new version of nature that will completely overpower the human world as we know it. With these thoughts in mind, I’ve sourced some paintings associated with the romantic movement and removed the human figures from them – the only evidence of people are the decaying ruins left behind in this uncanny green and purple landscape. I’ve also referenced some photographs from the Apollo moon missions that are thought to have influenced the beginning of modern environmental awareness. The starting point for this series of paintings was Arnold Böcklin’s Isle of the Dead...
Category

2010s Contemporary Montreal - Paintings

Materials

Acrylic, Wood Panel

Devouring the Future
By Adam Gunn
Located in Montreal, Quebec
In his book Now or Never naturalist Tim Flannery describes a vision of a world with a dead purple ocean and a poisonous green sky. This is a world where warming has melted the ice caps and slowed down the circulation of the oceans so that they have become like a gigantic stagnant pond. This still oxygen depleted water will allow the proliferation of anoxygenic bacteria that will change the chemistry of the ocean making it poisonous to oxygen dependant life. These bacteria will also release hydrogen sulfide into the atmosphere causing a mass extinction of animal and plant life on land. This stark yet colourful world will be sublimely beautiful, but there will be no one around to see it. This series of paintings depicts an imagining of our world after the catastrophic consequences of climate change through a reinterpretation of well-known images with a romantic sensibility towards nature. Romanticism was in part a reaction to the industrial revolution marked by a nostalgia for an untouched natural world and a reverence for its overwhelming power. Ironically the spread and continuation of that industrialism is predicted to set in motion a new version of nature that will completely overpower the human world as we know it. With these thoughts in mind, I’ve sourced some paintings associated with the romantic movement and removed the human figures from them – the only evidence of people are the decaying ruins left behind in this uncanny green and purple landscape. I’ve also referenced some photographs from the Apollo moon missions that are thought to have influenced the beginning of modern environmental awareness. The starting point for this series of paintings was Arnold Böcklin’s Isle of the Dead...
Category

2010s Contemporary Montreal - Paintings

Materials

Acrylic, Wood Panel

Water Vessel
By Holly King
Located in Montreal, Quebec
King’s interpretation of nature’s struggle takes the shape of small-format oil paintings, which depict landscapes merged with vessels that work to destroy or protect the environment ...
Category

2010s Contemporary Montreal - Paintings

Materials

Oil, Wood Panel

Rising Levels
By Holly King
Located in Montreal, Quebec
King’s interpretation of nature’s struggle takes the shape of small-format oil paintings, which depict landscapes merged with vessels that work to destroy or protect the environment ...
Category

2010s Contemporary Montreal - Paintings

Materials

Oil, Wood Panel

Delicate Balance
By Holly King
Located in Montreal, Quebec
King’s interpretation of nature’s struggle takes the shape of small-format oil paintings, which depict landscapes merged with vessels that work to destroy or protect the environment ...
Category

2010s Contemporary Montreal - Paintings

Materials

Oil, Wood Panel

Melting Shard
By Holly King
Located in Montreal, Quebec
King’s interpretation of nature’s struggle takes the shape of small-format oil paintings, which depict landscapes merged with vessels that work to destroy or protect the environment ...
Category

2010s Contemporary Montreal - Paintings

Materials

Oil, Wood Panel

Arid Storm
By Holly King
Located in Montreal, Quebec
King’s interpretation of nature’s struggle takes the shape of small-format oil paintings, which depict landscapes merged with vessels that work to destroy or protect the environment ...
Category

2010s Contemporary Montreal - Paintings

Materials

Oil, Wood Panel

Meat #3
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Category

2010s Contemporary Montreal - Paintings

Materials

Canvas, Oil

Meat #1
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Category

2010s Contemporary Montreal - Paintings

Materials

Canvas, Oil

Abery in the Ocean
By Adam Gunn
Located in Montreal, Quebec
In his book Now or Never naturalist Tim Flannery describes a vision of a world with a dead purple ocean and a poisonous green sky. This is a world where warming has melted the ice ca...
Category

2010s Contemporary Montreal - Paintings

Materials

Acrylic, Wood Panel

Nothing but Blue Skies
By Adam Gunn
Located in Montreal, Quebec
In his book Now or Never naturalist Tim Flannery describes a vision of a world with a dead purple ocean and a poisonous green sky. This is a world where warming has melted the ice ca...
Category

2010s Contemporary Montreal - Paintings

Materials

Acrylic, Wood Panel

Bottle Garden
By Adam Gunn
Located in Montreal, Quebec
My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from ...
Category

2010s Contemporary Montreal - Paintings

Materials

Oil, Wood Panel

Blue Skies Forever
By Adam Gunn
Located in Montreal, Quebec
My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from ...
Category

2010s Contemporary Montreal - Paintings

Materials

Oil, Wood Panel

Bending Roads and Targets
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Paintings

Materials

Canvas, Oil

The Making of the Mountains
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Paintings

Materials

Oil, Wood Panel

The Black and White Arena
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Paintings

Materials

Oil, Wood Panel

Le trou
By Eric Lamontagne
Located in Montreal, Quebec
Interaction with one of Lamontagne’s works is, simply put, a surreal experience. By using one of several points of entrance, viewers are permitted to experience multiple views of com...
Category

2010s Contemporary Montreal - Paintings

Materials

Canvas, Oil, Acrylic

Infiltration
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Paintings

Materials

Oil, Wood Panel

Stick Excursion
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Paintings

Materials

Oil, Wood Panel

Black and White Discs on Green
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Paintings

Materials

Oil, Wood Panel

Insomnia
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Paintings

Materials

Oil, Wood Panel

Celebration
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category

2010s Abstract Montreal - Paintings

Materials

Oil, Wood Panel

Conversation
By Judith Berry
Located in Montreal, Quebec
To trip and retrip on a piece of land, a surface, a support that sets up not a bounce but a billow, a soft surge, a reverberation where the ground is friendly, known, familiar and th...
Category

2010s Abstract Montreal - Paintings

Materials

Wood, Oil

Importation
By Judith Berry
Located in Montreal, Quebec
To trip and retrip on a piece of land, a surface, a support that sets up not a bounce but a billow, a soft surge, a reverberation where the ground is friendly, known, familiar and th...
Category

2010s Abstract Montreal - Paintings

Materials

Canvas, Oil

Untitled
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category

2010s Abstract Montreal - Paintings

Materials

Canvas, Oil

Untitled
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category

2010s Abstract Montreal - Paintings

Materials

Canvas, Oil

Lys 03
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category

2010s Abstract Montreal - Paintings

Materials

Canvas, Oil

Tilleul 05
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category

2010s Abstract Montreal - Paintings

Materials

Canvas, Oil

Œillet 03
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category

2010s Abstract Montreal - Paintings

Materials

Canvas, Oil

Tilleul 01
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category

2010s Abstract Montreal - Paintings

Materials

Canvas, Oil

Tilleul 03
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category

2010s Abstract Montreal - Paintings

Materials

Canvas, Oil

Œillet 02
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category

2010s Abstract Montreal - Paintings

Materials

Canvas, Oil

Laurier 03
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category

2010s Abstract Montreal - Paintings

Materials

Canvas, Oil

Herbes
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category

2010s Abstract Montreal - Paintings

Materials

Canvas, Oil

The Other Side of The Sky
By Adam Gunn
Located in Montreal, Quebec
“Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” – Immanuel Kant A recent online story in the German news outlet Deustche Welle post...
Category

2010s Abstract Montreal - Paintings

Materials

Oil, Wood Panel

Star Gazing Through the Wrong End of the Telescope
By Adam Gunn
Located in Montreal, Quebec
“Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” – Immanuel Kant A recent online story in the German news outlet Deustche Welle post...
Category

2010s Abstract Montreal - Paintings

Materials

Oil, Wood Panel

The Twisted Tongue Tied Truth
By Adam Gunn
Located in Montreal, Quebec
Messages in a Bottle Text by Cameron Skene “Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” - Immanuel Kant A recent online story i...
Category

2010s Abstract Montreal - Paintings

Materials

Oil, Wood Panel

One Damn Thing After Another
By Adam Gunn
Located in Montreal, Quebec
Messages in a Bottle Text by Cameron Skene “Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” - Immanuel Kant A recent online story i...
Category

2010s Abstract Montreal - Paintings

Materials

Oil, Wood Panel

In the Remote Parts
By Adam Gunn
Located in Montreal, Quebec
Messages in a Bottle Text by Cameron Skene “Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” - Immanuel Kant A recent online story i...
Category

2010s Abstract Montreal - Paintings

Materials

Oil, Wood Panel

Our Own Faults, Our Own Failures
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else? Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north. An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made. Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent. Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category

2010s Abstract Montreal - Paintings

Materials

Oil, Wood Panel

Leave It Be
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else? Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north. An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made. Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent. Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper, a rusted stove—is juxtaposed with the soft glow of a yellow circle. This continues Houston’s ongoing use of colour to question the particulars of perception. Heritage of All, White with Greed and Iron, and The Spaces we Breath, Houston’s titles read like lines of a haiku. Composed as prose, they are also confrontational, mapping out the cultural and environmental impacts of the extraction of resources in the Arctic. We witness scenes of violent decay, and yet simply carry on, like Business As Usual. In What Nations Come and Go a pale purple oval nearly fills the frame, revealing only in the very far right a simple cabin in front of a rocky incline. A similar imposing cloud of colour, this time blue, dominates the landscape in Mapped, Claimed, and Evaluated. The north is just as much an idea as it is a place, and is one that looms large in the Canadian imagination. There are few better examples than Glenn Gould...
Category

2010s Abstract Montreal - Paintings

Materials

Oil, Wood Panel

Maquette pour l’Hôpital Ste-Justine – Niveau 1
By Judith Berry
Located in Montreal, Quebec
Judith Berry was born in London, Ontario and grew up in Saskatoon, Saskatchewan. She studied at the Nova Scotia College of Art and Design in Halifax and spent one year in the Studio ...
Category

2010s Abstract Montreal - Paintings

Materials

Paper, Gouache

Maquette pour l’Hôpital Ste-Justine – Niveau A
By Judith Berry
Located in Montreal, Quebec
Judith Berry was born in London, Ontario and grew up in Saskatoon, Saskatchewan. She studied at the Nova Scotia College of Art and Design in Halifax and spent one year in the Studio ...
Category

2010s Abstract Montreal - Paintings

Materials

Paper, Gouache

Deep Down
By Adam Gunn
Located in Montreal, Quebec
My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from ...
Category

2010s Abstract Montreal - Paintings

Materials

Oil, Wood Panel

Moth Excursion
By Judith Berry
Located in Montreal, Quebec
Worlds Unseen Natasha Chaykowski It’s strange to look at a high definition photograph of red blood cells. They appear otherworldly and supple, formal and punctuated: so different...
Category

21st Century and Contemporary Abstract Montreal - Paintings

Materials

Oil, Wood Panel

Large Discs and Sticks
By Judith Berry
Located in Montreal, Quebec
Judith Berry’s paintings impart that simultaneous sense of belonging, uncanny familiarity and uneasy otherworldliness common in science-fiction geographies. You are left with the fee...
Category

21st Century and Contemporary Abstract Montreal - Paintings

Materials

Canvas, Oil

Erase
By Judith Berry
Located in Montreal, Quebec
Judith Berry’s paintings impart that simultaneous sense of belonging, uncanny familiarity and uneasy otherworldliness common in science-fiction geographies. You are left with the fee...
Category

21st Century and Contemporary Abstract Montreal - Paintings

Materials

Oil, Wood Panel

Expectations in the New City
By Judith Berry
Located in Montreal, Quebec
At first glance the subjects of Judith Berry’s paintings appear to be monumental forms such as prairies, forests and mountains. Upon closer inspection they could be smaller, more man...
Category

21st Century and Contemporary Contemporary Montreal - Paintings

Materials

Canvas, Oil

Still Life with Shrapnel (Study III)
By David Garneau
Located in Montreal, Quebec
The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...
Category

2010s Contemporary Montreal - Paintings

Materials

Acrylic, Wood Panel

Still Life with Shrapnel (Study I)
By David Garneau
Located in Montreal, Quebec
The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...
Category

2010s Contemporary Montreal - Paintings

Materials

Acrylic, Wood Panel

Cartesian Doubt
By David Garneau
Located in Montreal, Quebec
The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...
Category

2010s Contemporary Montreal - Paintings

Materials

Canvas, Acrylic

Bison Bookshelf
By David Garneau
Located in Montreal, Quebec
The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...
Category

2010s Contemporary Montreal - Paintings

Materials

Canvas, Acrylic

Empathetic Conformation
By David Garneau
Located in Montreal, Quebec
The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...
Category

2010s Contemporary Montreal - Paintings

Materials

Acrylic, Wood Panel

Trinity
By David Garneau
Located in Montreal, Quebec
The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...
Category

2010s Contemporary Montreal - Paintings

Materials

Acrylic, Canvas

Trinity
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