Netherlands - Wall Decorations

Intriguing tonal textile art piece, made with layers of fabric, loosely stitched. “Abstract composition in textile”, signed and dated verso DIMENSIONS h 83 cm w 57 cm d 1 cm ...

Franzosen im Ruhrgebiet - Weimar Propaganda Portfolio A.M. Cay, 1923 This rare and complete 1923 propaganda portfolio documents the political and social tensions during the French o...

Holy Family in the Carpenter’s Workshop, Antique German Chromolithograph c.1900 This beautifully composed late nineteenth-century German chromolithograph portrays the Holy Family in an intimate domestic scene set in the carpenter’s workshop of Saint Joseph. Saint Joseph is shown at work with hand tools, shaping wood with calm concentration, while the young Christ stands beside him holding a carpenter’s mallet and plane, symbolically participating in the labor of His earthly father. The Virgin Mary sits quietly nearby, spinning or winding thread, watching over both with serene devotion. All three figures bear softly glowing halos, emphasizing their sacred presence within this everyday setting. The composition is rich in symbolic meaning. The carpenter’s tools and wooden beams reference Christ’s future Passion and the cross, while the youthful participation of Christ in Joseph’s trade underscores the themes of obedience, humility, and the sanctification of daily labor. The Madonna’s gesture toward her heart reflects maternal love and quiet contemplation. Through the open landscape beyond the wall, distant hills and buildings evoke the Holy Land and create depth and peace within the scene. This type of Holy Family imagery was especially popular in Catholic households at the turn of the century, intended as a model for family life rooted in faith, work, and devotion. The scene offered both spiritual instruction and emotional warmth, presenting the Holy Family not in glory, but in humble daily life. Such images were widely displayed in private homes, schools, convents, and parish buildings. The print was produced using traditional chromolithography, a complex multi-stone printing process that allowed for the rich, luminous colors and fine painterly detail visible in the drapery, skin tones, and landscape. The halos, floral elements, and wooden textures show exceptionally fine tonal control. This is a genuine period devotional chromolithograph and not a modern reproduction. The lower margin printing confirms German production for the Catholic devotional market. Large-format Holy Family scenes of this quality and color preservation are becoming increasingly scarce and are highly desirable to collectors of religious iconography and historic devotional prints. Condition report: Very good overall condition. Colors remain strong, fresh, and well saturated. Light age toning visible mainly in the margins. Minor handling wear consistent with age. No major tears, losses, or water damage observed. The image area itself is clean and visually striking. Framing tips: This print displays beautifully in a soft gilt or antique gold frame that complements the warm tones of the workshop setting. A light ivory or warm cream mat enhances the colors without overpowering the scene. Dark walnut or cherry wood frames also work exceptionally well for church, rectory, or classic interior settings. Technique: Chromolithograph Maker: German devotional press, printed in Germany, circa 1900 holy family carpenter workshop saint joseph carpenter print child jesus with tools virgin mary devotional art antique catholic chromolithograph holy family wall art german religious print christ child carpenter family devotion image religious home interior print antique christian wall art catholic household devotion sacred family scene turn of the century devotional saint joseph and child jesus holy family workshop scene printed in germany religious antique religious lithograph...

A Dutch delft Porceleyne Fles wall plate after Petrus van der Velden (1837-1915) A Dutch delft Porceleyne Fles wall plate after Petrus van der...

Title: Italy circa 1500, Antique Hand-Colored Renaissance Costume Print Description: This striking hand-colored costume plate presents a vivid and engaging view of Italian dress aro...

St Mary Protectress of Innocents, Antique German Chromolithograph c.1900 This exceptionally tender and beautifully composed late 19th–early 20th century German chromolithograph depi...

Polynesian and Maori Figures – Inhabitants of Nuku Hiva and New Zealand Canoe, c.1845 This beautifully hand-colored lithograph, titled “Océanie – Polynésie,” originates from Le Mond...

Recently lifted from its original home, a set of antique tiles from the early 20th century. With a beautiful geometric stylized design. Manufactur...

Set of small expressionist paintings. They were painted in 1961 by Dutch artist Jan Mammen. They represent the 14 stations of the Cross. Each painting is framed in brass and topped ...

Introducing the masterpiece that blends art, luxury, and exclusivity like never before – the limited edition Pop Art Liquid 500 Euro by the ren...

Antique Moth Pair Plusia Moneta Sepp Brants 1905 Handcolored Diptych This elegant matching pair of antique moth engravings originates from Parts 7–8 of t...

Antique print titled ‘La Torture, XVe Siecle.’ Original antique print of torture/punishment. This print originates from 'Costumes historiques de femmes du XIII, XIV et XV siècle' by ...

This macrame wall hanging, "Adamas", is MADE TO ORDER. The time needed to create this design is 11-12 weeks. Because this fiber art tapestry is made to order, please allow some sligh...

Kitten Playing with a Marble – Etching by Kurt Meyer-Eberhardt, 1977 Estate This charming etching depicts a playful kitten, rendered in exquisite detail by the talented German anima...

Title: Spectacular View of Valley La Cuesta, Rio Pecos - 19th Century Lithograph Description: This breathtaking lithograph captures the scenic beauty of the Valley of La Cuesta al...

Antique bird print titled 'Falco Tinnunculus'. Old bird print depicting the common kestrel. This print originates from 'Svenska Foglar Efter Naturen Och Pa Stenritade' by Magnus von ...

Antique Engraving of a Flying Squirrel (Sciurus aërobates Linn.), engraved by Johann Nußbiegel, circa 1800 This fine zoological engraving depicts the flying squirrel (Sciurus aëroba...

Fortress Assault Triptych – 1894 Japanese Meiji War Woodblock by Gekko This powerful Meiji-era woodblock triptych by Ogata Gekko (1859–1920) depicts the dramatic assault on a Chines...

Constantinopel Ottoman Street Scene Antique Dutch Engraving c1870 This atmospheric 19th-century engraving depicts a street scene in Constantinople, present-day Istanbul, centered ar...

Mater Dolorosa, 1899 German Chromolithograph of the Sorrowful Mother, Dresden This exquisite late-19th-century chromolithograph of the Mater Dolorosa—“Sorrowful Mother”—was printed ...

Antique Print of Capelin and Smelt (Mallotus villosus and Osmerus eperlanus) – Hand-Colored Lithograph, 1845 Description: This finely detailed hand-colored lithograph features two A...

The Good Shepherd, c.1900 German Devotional Chromolithograph (Printed in Germany) This early 20th-century German chromolithograph presents one of the most iconic and comforting Christian images: Christ as the Good Shepherd. Produced around 1900 by a major German devotional press, the print exemplifies the luminous colour layering, soft modelling, and serene atmosphere characteristic of high-quality chromolithography from this period. These works were widely distributed throughout Europe and the Americas and became treasured objects in Catholic homes, chapels, and pastoral settings. Christ stands barefoot in a verdant landscape, gently holding a lamb to his chest while a flock gathers around him. The rich red cloak, delicate golden halo, and pastoral backdrop are rendered with exceptional detail and depth, achieved through multiple stone plates typical of fine chromolithographic production. The artwork conveys both theological symbolism and emotional warmth: the shepherd guiding and protecting his flock, the gentle lamb symbolising innocence, and the tranquil landscape offering a sense of peace and reassurance. The lower margin features multilingual titles identifying the subject for international Catholic distribution: “Der Gute Hirt. The Good Shepherd. Le Bon Pasteur. Il Buon Pastore. El Divino Pastor.” This multilingual caption format is typical of German devotional publishers active from the late 19th into the early 20th century. The imprimatur line, “Imprimi permittitur. Ordinariatus episcopalis Limburgensis,” confirms that the image was officially approved for devotional use by the Catholic Church. The imprint “Printed in Germany” situates the work within one of the major German chromolithographic centres, likely Munich or Cologne, renowned for their beautifully saturated and technically refined religious images. This is unquestionably an original chromolithograph, not a modern reproduction. The velvety colour fields, warm matte lithographic paper, subtle stippling, and natural toning all align with authentic early 20th-century stone-based printing. The crisp border text and preserved pigments further confirm its originality. The Good Shepherd was among the most cherished devotional themes of the period, and examples in this level of condition are increasingly rare and desirable among collectors of sacred art. Condition Report: Very good condition. Colours bright and unfaded. Minor age toning and small, expected handling marks at the outer margins. No tears, creases, losses, or repairs. The plate text and imprimatur are sharp and fully legible. Tips for Framing: Ideal for framing in a warm walnut or gilded frame to enhance the halo and red cloak. A cream or ivory mat complements the pastoral greens and highlights the central figure. A clean black frame with a wide mat offers a more contemporary presentation while keeping the devotional character intact. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 the good shepherd christ the shepherd jesus with lamb pastoral christ catholic art devotional art religious art german chromolithograph printed in germany antique lithograph chromolithograph imprimi permittitur church imprimatur holy shepherd pastoral scene sacred art early 20th century religious print fine chromolitho religious ephemera christian iconography christ among the sheep antique christian art...

Antique print titled 'Principal Front of Kirby Hall'. Kirby Hall is an Elizabethan country house, located near Gretton, Northamptonshire, England. The nearest main town is Corby. One of the great Elizabethan houses of England, Kirby Hall was built for Sir Humphrey Stafford of Blatherwick, beginning in 1570. In 1575 the property was purchased by Sir Christopher Hatton of Holdenby,[1] Lord Chancellor to Queen Elizabeth I. It is a leading and early example of the Elizabethan prodigy house. Construction on the building began in 1570, based on the designs in French architectural pattern books and expanded in the Classical style over the course of the following decades. The house is now in a semi-ruined state with many parts roof-less although the Great Hall and state rooms remain intact. The gardens, with their elaborate "cutwork" design, complete with statues and urns, have been recently restored. Anne of Denmark stayed at Kirby on 9 August 1605 while King James stayed at Rockingham Castle. King James stayed for three days in August 1616. During a royal progress Esmé Stewart, 3rd Duke of Lennox died at Kirby of the "spotted ague" on 30 July 1624. The building and gardens are owned by the Earl of Winchilsea and are managed by English Heritage. Kirby Hall has been used as a filming location in many productions. These include the following; an episode (6. Protest and Communication) of Kenneth Clark...

Adoration of the Magi, c.1900 German Chromolithograph (Printed in Germany) This beautiful early 20th-century German chromolithograph depicts the Adoration of the Magi, one of the most cherished subjects in Christian art. Printed around 1900–1920 by a major German devotional press, the work displays the hallmarks of high-quality chromolithographic craftsmanship: deep, luminous color; soft tonal transitions; richly layered stone-based pigments; and a gentle atmosphere that recalls late 19th-century academic religious painting. The composition presents the Virgin Mary seated with the Christ Child, Joseph beside her, and the Three Kings kneeling in reverence as they present their gifts of gold, frankincense, and myrrh. A young attendant appears in the doorway holding another offering. The figures are rendered with delicately modeled expressions, soft haloes, and meticulously detailed robes—particularly the embroidered white garment of the kneeling king and the golden cloak of the standing monarch. These chromatic effects were achieved through multiple lithographic stones, a technique that reached its peak among German devotional publishers during this period. The multilingual caption along the lower margin identifies the print for international Catholic distribution: “Anbetung der Könige. Adoration of the Three Kings. L’adoration des rois mages. L’adorazione dei Magi. La adoración de los Reyes Magos. Pokłon Trzech Króli.” This reflects the broad export networks of German publishers who supplied churches, monasteries, and private devotional homes throughout Europe and the Americas. The note “Printed in Germany” confirms its origin, consistent with presses in Munich, Dresden, Cologne, and Limburg, known for producing richly colored religious chromolithographs from the late 19th to early 20th century. This work is unquestionably an original chromolithograph, not a modern reproduction. The image shows true stone-layered color rather than digital or offset dots, and the paper retains the matte texture, subtle toning, and characteristic stippled pigment structure associated with genuine early 20th-century chromolithography. The presence of the multilingual caption, period typography, and the “Printed in Germany” imprint further authenticate the piece. Condition Report: Very good condition. Colors vivid and unfaded. Minor age toning to outer margins and small handling marks consistent with age. No tears, losses, or repairs observed. The bottom title and imprint text are sharp and fully legible. Tips for Framing: Ideal for framing in a gilded or walnut frame to complement the warm palette and ceremonial richness of the scene. A cream or ivory mat enhances the devotional character and highlights the luminous tones of the garments. A darker frame with a wide mat can also create a refined, museum-style presentation. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 Keyword Block: adoration of the magi three kings epiphany art christ child holy family mary and jesus st joseph devotional art catholic art religious art chromolithograph german chromolithograph printed in germany antique lithograph german devotional print early 20th century religious print nativity scene christian iconography epiphany print anbetung der könige fine chromolitho religious ephemera magi kings christmas art holy family scene antique christian art...

Meiji-Era Triptych of the Battle of Pyongyang in the Sino-Japanese War, 1894 This striking 1894 woodblock triptych by Ogata Gekko (1859–1920) depicts the dramatic Battle of Pyongyan...

Title: French Regional Costumes – Bretons, Parisians and Savoyard, c.1845 This charming mid-19th-century hand-colored lithograph illustrates the regional diversity of traditional French costumes, taken from the rare Parisian publication Le Monde en Estampes: Types et Costumes des Principaux Peuples de l’Univers, issued around 1845–1850. The lithograph was executed by J. Bocquin after drawings by Fossey, printed by Lemercier in Paris, one of the most respected lithographic ateliers of the century. Published by Amédée Bedelet, this series presented detailed portrayals of national and regional dress from across Europe and beyond, accompanied by text by Élisabeth Müller. The composition, labeled “Europe – France,” presents an elegant gathering of figures from various French provinces. In the foreground, a Breton couple walks proudly in their regional attire—he in a broad-brimmed hat and embroidered vest, she in a richly colored dress and traditional lace cap. To their left, a seated woman from Caux wears a tall white headpiece, while another figure represents a Marin Maconnaise from Burgundy. At the center and right, mountaineers from the High Pyrenees converse with Parisians dressed...

Beautiful French Majolica wall plate from the Jugendstil / Art Nouveau period (ca 1900). Elegant design with a lovely lady in the middle. Nu...

Hand-Colored 1900 Print of Ancient American Figures, Pre-1500 Indigenous Art Description: An original early 1900s chromolithograph published by Ernst Wasmuth A.-G. in Berlin, illust...

Piazza di S. Pietro – Antique Hand-Coloured View of St. Peter’s Square (c.1840) This elegant 19th-century hand-coloured engraving presents a sweeping panoramic view of St. Peter’s S...

Jan Saudek, Czech photographer, born 1935 Original Silver Gelatin print, photograph Title: "Portrait of lady", # Model print Finished , January 18, 1894 Signed lower right Silver g...

Antique Map of the Pyramids of Saqqara and Dahshur – Egypt, c.1710s Description: This rare early 18th-century engraving presents a bird’s-eye topographic plan of the pyramids of Saq...

Views of Saqqara, Dahshur, and Thebes Pyramids with Ancient Babylon – c.1710 Description: This compelling composite engraving from the early 18th century features multiple scenic vi...

Ancient Scythians and Asia Minor Costumes – Antique Ethnographic Print, c.1905 This original early 20th-century ethnographic plate presents a detailed depiction of Scythian and Asia...

Modern Clemmen Clemmensen painting oil on canvas. 70 x 66 cm (27,5" x 26"), Denmark circa 1960. The painting is painted in a classic modern style with a slightly expressive character...

A finely executed pastel portrait of Louise Eleonore von Hohenlohe-Langenburg ( 1763-1837), a noblewoman whose life and status are beautifully captured in this artwork. Eleonore is p...

Kumi Sugaï, “Crossing 4”, 1978 — Signed & Numbered Silkscreen Printed by Ryoichi Ishida Studio Offered here is a striking limited edition silkscreen by renowned Japanese-French artist Kumi Sugaï (1919–1996), titled “Crossing 4”, created in 1978. Known for his refined visual language merging Zen philosophy, Japanese calligraphy, and European modernism, Sugaï’s work resonates with clarity, movement, and meditative strength. This particular work was printed by the prestigious Ryoichi Ishida printing company in Tokyo, a studio celebrated for its collaborations with contemporary masters including Andy Warhol. The print is hand-signed and numbered by the artist in pencil, marked 237/250, and was originally sold by Sarani Gallery in Tokyo in 1978 or 1979. Title: Crossing 4 Date: 1978 Medium: Silkscreen on paper Edition: 237/250, signed and numbered in pencil Printer: Ryoichi Ishida Studio, Tokyo Provenance: Sarani Gallery, Tokyo Sheet size (unframed): 18 x 18 cm / 7.1 x 7.1 in Condition: Excellent vintage condition, vibrant colors and sharp impression Sugaï’s works are part of major international collections, including MoMA (New York), the Centre Pompidou (Paris), and The National Museum of Modern Art (Tokyo). His “Crossing” series is particularly admired for its rhythmic balance of form and color—embodying motion, intersection, and harmony. This is a rare opportunity to acquire a signed print by a postwar master who bridged Eastern minimalism and Western abstraction, produced by one of the most respected printing studios of the 20th century. Price includes frame. The Art will be shipped insured overseas in a custom made wooden case. Transport to the US, Euro 275, is case included. Kumi Sugaï, one of the most internationally acclaimed Japanese painters of the twentieth century. Colors may slightly vary due to photographic lighting sources or your monitor settings. KUMI SUGAÏ, JAPAN (1919 - 1996) Kumi Sugaï was a painter, sculptor and print maker born in 1919 in Kobe, Japan. Sugaï first experimented with oil painting at age nine and became a student at the Osaka School of Fine Arts in 1933 when he was fourteen. He met with the Gutai Art Association founder, Jiro Yoshihara which had a huge impact on his further artistic development and experimentalism. He was part of the first generation of 20th-century Japanese artists to become acquainted with Western painting techniques (under the instructions of Yoshihara), but he also explored both typography and Japanese calligraphy, important in his subsequent work. Sugaï left art school prematurely to work in commercial advertising for Hankyu electric rail company from 1937 to 1945. These formative years of practicing Western and traditional Japanese mediums gave a dual foundation to his future work. He dedicated himself to painting and moved to Paris in 1952, enrolling at the Académie de la grand chaumière, being one of the first generation of the post-war Japanese artists to join the international avant-garde art scene. Sugai was immediately noticed in Paris for his delicate touch and use of abstract gestures resembling primitive forms. He had his first solo show at Galerie Craven in 1954. In 1955 he made his first work in edition (Diable Rouge, a lithograph) and decided that from now on print work (lithographs, etchings and later silkscreens) was going to be an important part of his oeuvre. One of the reasons was to make his work more accessible. Between 1955 and 1996 Sugaï produced a little under 400 works in edition. Considered part of the École de Paris (School of Paris) and the Nouveau Réalisme (New Realism) movements, in 1962 he began to move from calligraphic, mainly monochromatic, organic motifs to more hard-edge geometric forms painted with clear colors. This aesthetic was more often than not influenced by speeding the curves of the freeways surrounding Paris in his beloved Porsche. He was possessed with speed and in a lot of his work we find abstracted roads (The S shape) details of roadsigns, parkings and in general an abstract visual language inspired by what he would see through his window moving at great speed. City and rural Landscapes transformed into simple colored compositions. Sugaï found great joy in the act of repetition and some iconic shapes have been appearing in his work throughout his whole career, first loosely and soft in his early etchings, paintings and lithographs, later hard edged and straight in his silkscreens. Sugai died in Kobe in 1996. His artworks were shown in numerous exhibitions around the world and most of his paintings are in the collections of well-known museums (Such as MOMA, the Guggenheim and Centre Pompidou) and important collectors. Vintage Objects...

This painting, *Compositie nr. 15* (1973), by Ton Pape (1916–2003), exemplifies his mastery of geometric abstraction. Created in oil on canvas, the work featu...

Title: "Cleopatra's Needle and Pompey's Pillar: Monuments of Ancient Alexandria" Description: This detailed copper engraved antique print, published in 1817 as part of Cooke's Geography, depicts two of Egypt's most famous ancient monuments: Cleopatra's Needle and the Alexandria Column, more commonly referred to as Pompey's Pillar. The fine lines and precise detailing of the engravings highlight the hieroglyphic inscriptions on Cleopatra's Needle and the ornate Corinthian capital atop Pompey's Pillar. The presence of figures in period attire offers a sense of scale, emphasizing the grandeur of these structures. The print serves as a historical record, capturing the fascination with Egyptian antiquity...

Stunning abstract wall sculpture beautifully handmade by Carlo Zauli in his Italian workshop during the 1960s. It's a substantial piece, expertly made from solid bronze. The organic ...

Ursuline - 1862 Hand-Colored Lithograph of an Ursuline Nun This 1862 hand-colored lithograph features an Ursuline nun, a serene representation of devotion and education. She is dr...

Antique Javanese Prints – Houses, Farming Tools & Household Utensils – c.1860 This striking set of three finely hand-colored lithographs documents aspects of daily life and material...

Antique map titled 'Basin of the Mediterranean'. Original antique map of the basin of the Mediterranean. With inset maps of the Strait of Gibraltar, Morocco, Maltese Islands, Valetta...

Antique map titled 'Indiae Orientalis, nec non Insularum Adiacentium Nova Descriptio.' Map of Southeast Asia. The map centers on the Strait of Malacca and Malay Peninsula. It ext...

The Lady’s Magazine 1784 Frontispiece: Allegorical Temple of Learning and Virtue Description: This finely engraved frontispiece features three classical draped figures approaching a...

Hand-Colored Botanical Engravings of Caraway and Earth-Nut Species, 1902 This graceful trio of hand-colored botanical engravings from 1902 presents three elegant members of the Apia...

Bold Leaves and Butterfly – Hand-Colored Botanical Print from Meerburgh’s 1775 Series This striking hand-colored botanical engraving, designated Tab. VII, is an original plate from ...

René Gruau Bonjour Chérie Limited Edition Lithograph, 74/300 Printed by Mourlot, Paris Import of Art into the US should be exempt from all U.S. import tariffs but please check. ...

A luminous painting by Belgian artist Edmond Delescluze (1905–1993), depicting four female figures in gracefully muted pastel hues. The work is painted in oil on canvas, which has be...

Set of 8 Antique Botanical Engravings of Agrostis, Panicum & Setaria Grasses, c.1830 This refined set of eight antique botanical engravings presents an elegant survey of early ninet...

Persian-Turkish Faience Plate with Floral Medallion – Julius Lessing, Berlin 1890 Description: A refined chromolithograph from Persisch-Türkische Fayencen (Persian-Turkish Faience),...

René Gruau — “Rouge Baiser” (1990) Limited edition hand-pulled lithograph on Japanese handmade paper Signed numbered 29/300 in Pencil H. 96 x W. 76 x D. 4 cm (Frame Included...

Original Illustration "Julius" by Charles Burki, 1968 – Gouache Drawing Description: Original 1968 illustration by Charles Burki (1909–1994), the Dutch painter and illustrator renow...

Exceptionally distinctive and fun vintage folk art wool wall hanging, exuding a captivating "Kilim" style portraying a knight from Normandy, France. Skillfully hand-woven, dating bac...

Atahualpa – Last Inca Emperor of Peru – Baroque Engraving c.1700 Description: This striking antique engraving depicts Atahualpa, the last sovereign emperor of the Inca Empire, here ...

Sam Middleton – “Tickle Toe” (1979) Serigraph, Signed This striking work by American artist Sam Middleton is a vibrant fusion of jazz, abstract expressi...

Title: Hand-Colored Botanical Engravings of French-Willow Species, 1902 Description: This graceful botanical set from 1902 features three detailed engravings of the French-Willow or...

Clerical and Monastic Vestments 1400–1800, Antique Hand-Colored Print This elegant antique costume plate illustrates a wide range of clerical and monastic garments worn within the R...

Antique print titled 'Sir John Cornwall Lord Fanhope'. Old print of Sir John Cornwall. This print originates from 'A critical inquiry into antient armour...

T. Sugano (b. 20th c.) — Winter Serenity: Mount Fuji’s Majestic Embrace, 1989 Signed and numbered “46/50” in pencil by the artist Original framed edition, with packaging H.40 × W....

Set of 8 Antique Botanical Engravings of Sedges, Rushes and Wetland Plants, c.1830 This set of eight antique botanical engravings presents a distinctive collection of British wetlan...