New South Wales - Barware

Fantastic coloring in the drip glaze, lively vibrant yellows and greens. Vase is terracotta and approx. 11 inches x 6.25 x 6. In excellent original condition. Beautiful addition to a...

Antique bar figurative cast iron bottle opener. This is an elusive antique bar bottle opener created in America during the turn of the 19th century, back in 1900 and 1910. Crafted i...

French silver bottle opener. Silvered and gold metal bottle opener with harlequin diapered engine turned cylinder. France 1930’s Dimensions: 6.38" H x 1.5" W x .38" D

Bottle opener by Walter Bosse, circa 1950s. Original condition.

Bronze Bottle Opener, Woman Body Figure, 1970s Nice and original bottle opener, figuring a nude woman or goddess. Perfect to add to any set of kitchen accessories ! Beautiful pati...

French Corkscrew bottle opener manufactured by Christofle in the 1970s. Silverpalted with very elegant handle. Very good condition.

Classic early 1950s bottle opener. Nice addition to your room or just for use at your bar or bar cart. Found at an estate sale in Vienna, Austria.

A great conversation for any hostess, this bottle opener came from the estate of Janyra Jasan (also known as Jeanette Johnson). She was a pivotal figure in the fashion industry, an i...

Italian artist Marcello Fantoni ceramic vase is glazed stoneware made circa 1970s. This piece was acquired directly from the artist by the seller, who was a personal friend of Marcel...

Vintage solid brass bottle opener, circa 1980s. The piece is in very good vintage condition with a great patina and measures 1.5"W x 4.75"D x .5"H. Great addition to your bar! #2826.

A sculptural tabletop object of cast bronze that feels natural and comfortable in the hand. Opens crown cap bottles. Materials: Cast Bronze + Stainless Steel Dimensions: 4-1/4" L x 2-1/4" W x 1-7/8" H The bronze is unlacquered and will develop a natural patina over time. It may be cleaned using brass...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...