Fine Art in New York City

Syril Frank (American, 1929-2021) Untitled, c. 1970s/80s Oil on canvas Framed: 21 3/4 x 25 2/3 x 1 in. This fantastic painting in the abstract expressionist style loosely depicts a ...

A much sought after photograph Le Petit Parisien, 1952 by French photographer Willy Ronis is a black and white image, a gelatin silver print, measuring 30 x 23,5 cm 12 x 9in. The w...

Josef Albers (after) & Auguste Herbin Paris, 1975: Lithographic exhibition poster published in conjunction with a joint exhibition by Auguste Herbin & Josef Albers at Galerie Melki P...

Very impressive mid 20th century cubist abstract. Oil on canvas. Framed.

Title: Water Reflection - Cyan Medium: Oil on canvas Size: 23 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year...

V. Beffa - Clown. Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Early American impressionist landscape painting. Framed. Possibly signed verso. Oil on board.

Irving Marantz, American (1912 - 1972) - An Aspect of Time, Medium: Lithograph on BFK Rives, signed, titled and numbered in pencil, Edition: 35/50, Image Size: 19.5 x 15 inches, S...

A clock-faced figure wearing monk's robes floats in a blue void above a roiling storm cloud. This Surrealist lithograph by Salvador Dali shows the figure in movement, traveling with ...

Untitled #3 1994 Signed, dated, and numbered in ink, recto; Also titled in pencil, verso Gelatin silver print (Edition of 5) 8 x 5.25 inches (20.3 x 13.3 cm), image 10 x 8 inches ...

4060 Modern Impressionist birch tree landscape on canvas signed lower left by N.Lorca.

KAWS Blush Flayed Companion 2016: New and sealed in its original packaging. Published by Medicom Japan in conjunction with the exhibition, KAWS: Where The E...

Yayoi Kusama Red & White Pumpkin (plush): An iconic, vibrantly colored pop art piece - this large Kusama plush pumpkin features the universal polka dot patterns and bold colors for w...

This exhibition poster was created for Statements in Black: 5th Exhibition of Prints from the Tyler Graphics Archive Collection, held in Japan in 1998. Featuring Donald Sultan’s stri...

Artist: DABS MYLA , Title: Good/Great Morning 3 Date: 2020 Medium: Lithograph Unframed Dimensions: 39.5" x 27.5" Framed Dimensions: 45.25" x 33.5" Sig...

James Lynwood Palmer (1868-1941) A groom leading a bay hunter in a landscape signed and dated 'Lynwood Palmer/ 1903' (lower left) Oil on canvas Painting size 20 x 24 in Framed size 2...

Sailboat Race Miriam Bromberg Date: circa 1960 Oil on Canvas, signed lower right Size: 24 x 50 in. (60.96 x 127 cm)

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel. Hockney stated: “The old woman who wants the child. In one tr...

"Barge Toiler" by Max Kalish is a Mid 20th Century modern Depression-Era sculpture from his Labor series. The WPA era work is made of plaster. Max Kalish (1891 – 1945) Barge Toiler 12 x 8”x 4 inches Patinated plaster Signed and monogramed BIO Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti and Herbert Adams...

Antique Hudson River School landscape painting by William Louis Sonntag, Sr. (1822 - 1900). Watercolor and gouache on board. Framed. Signed. Measuring: 13 by 17 inches overall, and ...

Mid Century modern vintage assemblage abstract wall sculpture by Mary Kremer.

La Sortie is an offset lithograph by Roy Lichtenstein, created as part of a portfolio of six Lichtenstein prints published by the Guggenheim Museum and now out of print. This work ex...

KAWS: HOLIDAY United Kingdom Black (KAWS UK): KAWS' signature character COMPANION presented in an upright standing position with its eyes covered. New in thei...

Jasper Johns 50th Anniversary of the Whitney Museum of American Art in New York City, 1979 Original lithograph on heavy wove paper 46 × 30 inches Limited Edition of 5000 (unnumbered) Stamped with copyright mark and publisher's blindstamp Published by Stony Johns, Inc. and Gemini G.E.L. Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery Unframed This stunning, impressive, large vintage lithograph...

Remnants of our consumer culture keep finding their way into my work. Our visual lives are cluttered with packages, clothing and furnishings that come at us in a swirl of color and p...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for more information. ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are...

John Baldessari Love and Work 1991: Baldessari’s Love Work 1991, photogravure and color aquatint, features clasped hands clutching surrealistically amidst a black background. Classic, timeless Baldessari imagery that is sure to work well in any setting. Medium: Color photogravure and aquatint on wove paper. 1991. Dimensions: 26 x 11.5 inches. Well-preserved and in very good overall condition. Framed in acrylic plexiglass. One of the 15 numbered artist's proofs, aside from the general edition of 60. Signed, inscribed "A.P." and numbered 12/15 in pencil, lower margin. Published by Brooke Alexander, Inc., New York. Collections: MoMa New York John Baldessari: It is hard to characterize John Baldessari's varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his approach of good-humored irreverence. Baldessari is commonly associated with Conceptual or Minimalist art, though he has called this characterization “a little bit boring.” His two-dimensional works often incorporate found images, composed in layers or presented as distinct pieces with an element of surprise, like a brightly colored geometric shape in the place of a face or a starkly printed sardonic caption. Baldessari has demonstrated a lasting interest in language and semantics, articulating these concerns through the use of puns or the juxtaposition of seemingly unrelated images and words, as in his 1978 work Blasted Allegories. His self-referencing photomontages and use of text have been sources of inspiration for countless artists, including Cindy Sherman, David Salle, and Barbara Kruger. Baldessari identifies his own artistic lineage, saying, "I would prefer to go to the source with Duchamp rather than credit Warhol as an influence." Related Categories: Surrealist. Ed Ruscha. Los Angeles. Conceptual art. Photography. Minimalist. John Baldessari prints.

Paper Size: 31.25 x 42 inches ( 79.375 x 106.68 cm )Image Size: 26.75 x 40 inches ( 67.945 x 101.6 cm )Framed: No?Condition: B-: Good Condition, Signs of Handling and Age Supplementa...

This exquisite early 20th-century oil on panel by Dorothea Sharp captures the timeless and universal bond between mother and child in a tender Impressionist style. Painted circa 1900...

A strong modernist oil painting depicted in the 1950s by Russian, American painter Helen Stein. Mostly known for her abstract figures on canvas, this piece...

Walasse Ting 丁雄泉 Abstract Expressionist Flower, 1969 Color lithograph with publisher's blindstamp Pencil signed, dated, and numbered IV/XV by Walasse Ting on the front 23 × 30 inche...

"Homage to the Square - Portfolio 1, Folder 19, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Branko Bahunek, Croatian (1935 - ) - View from Stable. Year: 1988, Medium: Oil on Canvas, signed and dated, Size: 20 in. x 16 in. (50.8 cm x 40.64 cm)

Waverly, Pennsylvania by the esteemed artist Gretchen Dow Simpson is a captivating limited edition serigraph that showcases the serene beauty and charm of Waverly, Pennsylvania. Publ...

Philip Guston at David McKee Gallery (pencil signed by Philip Guston), 1974 Lithograph and offset lithograph poster Signed in graphite pencil under the image 24 1/2 × 20 inches Unframed, unnumbered Rare vintage lithographic poster of 1974 Guston exhibition at David McKee Gallery Signed under the image in graphite pencil by Philip Guston Another hand signed edition is in the permanent collection of Vassar College; otherwise we haven't seen another besides the present work; a true collectors item when hand signed by the artist. Philip Guston Biography Philip Guston (1913 – 1980) is one of the great luminaries of twentieth-century art. His commitment to producing work from genuine emotion and lived experience ensures its enduring impact. Guston’s legendary career spanned a half century, from 1930 to 1980. His paintings—particularly the liberated and instinctual forms of his late work—continue to exert a powerful influence on younger generations of contemporary painters. Born in Montreal, Canada, in 1913 to poor Russian Jewish émigrés, Guston moved with his family to California in 1919. Briefly attending the Otis Art Institute in Los Angeles in 1930, he was otherwise completely self-taught. Guston’s first precocious work, Mother and Child, was completed when he was only seventeen years of age. Influenced by the social and political landscape of the 1930s, his earliest works evoked the stylized forms of Giorgio de Chirico and Pablo Picasso, social realist motifs of the Mexican muralists, and classical properties of Italian Renaissance frescoes of Piero della Francesca and Masaccio that he had seen only in reproduction. Painted in Mexico with another young artist, the huge fresco The Struggle Against War and Fascism drew national attention in the US. Guston’s success continued in the WPA, a Depression-era government program that commissioned American artists to create murals in public buildings. While not widely known today, the young artist’s early experiences as a mural painter allowed a development of narrative and scale that he would draw upon in his late figurative work. In the early 1940s, as the WPA program was ending, Guston found work teaching at universities in the Midwestern United States. In his studio, he was working in oils on easel paintings that were more personal and smaller in scale, focusing on portraits and allegories, like Martial Memory and If This Be Not I. His first solo exhibition in Iowa was well received and, within a few years, he was offered his first solo show in New York City. Guston was awarded a Prix de Rome, allowing him to leave teaching and spend a year in Italy, studying firsthand the Italian masters he loved. By the time he had finished The Tormentors, Guston’s move to abstraction was all but complete. On his return from Italy, he continued dividing his time between the artists’ colony of Woodstock in Upstate New York and New York City, which was then emerging as the center of the postwar art world. He rented a studio on 10th Street, where abstract expressionists Jackson Pollock, Willem de Kooning and Mark Rothko also worked. For Guston, success was never what mattered most. He was already impatient with the language of pure abstraction and experimenting with larger forms, using a limited palette of grays, pinks and blacks. As his forms became still more reduced, he stopped painting altogether and embarked on a series of simplified abstract “pure drawings” in brush or charcoal. At this juncture, Guston removed himself from the art scene in New York, living and working in Woodstock for the remainder of his life. Guston’s move ­was hardly a withdrawal. Freed from the distractions and formal constraints of the art world and the opinions of critics, he was able to experiment with new forms and to engage more deeply with the issues that mattered to him. The 1960s was a period of great social upheaval in the United States, characterized by assassinations and violence, civil rights and anti-war protests. “When the 1960s came along I was feeling split, schizophrenic,” Guston later said. “The war, what was happening to America, the brutality of the world. What kind of man am I, sitting at home, reading magazines...

Martin Creed Everything's Going to be Alright (Work No. 3531), 2022 Color giclee print; unframed and housed in a bespoke archival box from Hauser Wirth 11 3/4 × 16 1/2 inches P...

Bernard Buffet, French (1928 - 1999) - La Place des Vosges. Year: 1962, Medium: Lithograph, signed and numbered in pencil, Edition: 141/150, Size: 21 x 27 in. (53.34 x 68.58 cm), Fr...

An exceptional impressionistic depiction of an afternoon at the Waterfront Cafe in Paris by Jules René Hervé. This piece takes place on a summer day with busy activities of figures l...

Pure mid century abstract expressionist painting. Great colors and movement. Oil on canvas. Framed. No signature found.

Title: Waterside Medium: Oil on canvas Size: 19.5 x 27 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is u...

"Sisyphean Circle (tank top)" by John Van Alstine Riverstone, stainless, galvanized, and powder-coated steel The sculpture of John Van Alstine beautifully, and powerfully, balances ...

Antique large American impressionist oil painting by John Joseph Enneking (1841 - 1916). Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a gi...

Brice Marden Celadon Muse 2003 Two color etching / one color lithograph 22 x 30 inches; 56 x 76 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available...

Gigi Mills' work is born out of her desire to simplify and reduce each moment to its essence; she achieves this by omitting mundane details from life that can often obscure genuine e...

Ky Anderson Seedling 25.10, 2025 acrylic on watercolor paper 42 x 38 in. (and482) Artist Statement: My work falls somewhere between abstraction, formalism and narrative painting. ...

This lithograph was printed in 1960 and is based on the glassworks of the Saint Dominique church in Varengeville, in Normandy, where Braque had his country house. The original gouach...

Paper Size: 27.5 x 55 inches ( 69.85 x 139.7 cm ) Image Size: 27.5 x 55 inches ( 69.85 x 139.7 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supplement...

Nan Goldin Supreme Skateboard Decks, 2018 (complete set of 3): – Misty and Jimmy Paulette in a taxi, (NYC 1991) – Kim in Rhinestones, (Paris 1991) – Nan as a Dominatrix (Cambridge MA...

Tess Michalik Tropicana, 2025 oil on panel 36 x 36 in. (mic043)

GUILLAUME CORNET (b. 1987, Paris, France) Guillaume Cornet is an artist working with illustration and painting, exploring notions of abstract geometry, influenced by surreal perspec...

"La Tristesse du roi" is a reproduction of Henri Matisse’s 1952 gouache on paper, known for its distinctive cut and collage technique. Reproduced in 1990, this piece reflects Matisse...

Robert Morris Investigations (with Guggenheim Museum Labels), 1990 Graphite drawing on Mylar. Framed with the original Guggenheim Museum label (lent by Sonnabend), Castelli Gal...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Persian green background with thick use of paint....

Hebru Brantley Art Toy collection: 2018/2022. Set of 4: Hebru Brantley art toys, each new in original packaging: Composed of three 2017 Hebru Brantley Flyboy's & one Hebru Brantley F...

Antique American modernist cityscape oil painting. Oil on canvas. Framed. Image size, 24L x 18H.

Antique American modernist abstract oil painting by Eugene Arcieri (1914 - 2005). Oil on board. Framed. Signed. Measuring 15 by 19 inches overall and 14 by 18 painting alone. In exce...

Franz Bergmann, Austrian (1861 -1936) - Boy Smoking Pipe, Year: circa 1900, Medium: Cold painted Bronze sculpture, Size: 2 x 6 x 2 in. (5.08 x 15.24 x 5.08 cm)

6110A Sailor with the ships model that he just finished making Set in a carved woof frame Image size11.5x8.5"

3991A Vintage Impressionist landscape California coastal inlet. Set in a custom silvered wood frame Image size 23.5x19.5"

Digital C-print Signed, dated, and numbered, verso 17 x 15 inches, image (Edition of 25) 24 x 22 inches, image (Edition of 15) 34 x 30 inches, image (Edition of 15) This photograph is offered by ClampArt, located in New York City. A stylistic precursor of such artists as Pierre et Gilles...