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Item Ships From: New York City
Target acrylic on paper geometric Color Field painting signed inscribed Framed
By Kenneth Noland
Located in New York, NY
Kenneth Noland Untitled Target, 2001 Acrylic paint on offset lithograph paper Signed, dated, and dedicated along lower edge: For Howard and Susan with Love Kenneth Noland 6.10.01 Fra...
Category

1990s Color-Field New York City - Abstract Drawings and Watercolors

Materials

Acrylic, Permanent Marker, Lithograph, Offset

Mother and child, Signed painting on paper (unique), Hammer Galleries, Framed
By Gloria Vanderbilt
Located in New York, NY
Gloria Vanderbilt Untitled mother and child painting Gouache on paper Signed by the artist on the front Frame included A poignant painting of a mother and child from the 1960s. Whi...
Category

1960s Modern New York City - Abstract Drawings and Watercolors

Materials

Mixed Media, Acrylic, Gouache, Permanent Marker

Joyce Kozloff, Tepoztlan II unique, signed gouache pencil, coveted 1970s work
By Joyce Kozloff
Located in New York, NY
Joyce Kozloff Tepoztlan II, 1973 Gouache and colored pencil on paper Signed, dated and titled twice: once on the back of the work (shown) and once on the original board which has bee...
Category

1970s Abstract Geometric New York City - Abstract Drawings and Watercolors

Materials

Gouache, Color Pencil

Jean Tinguely - Hommage à Yves Klein (Homage to Yves Klein), Mixed Media, Signed
By Jean Tinguely
Located in New York, NY
Jean Tinguely - Hommage à Yves Klein (Homage to Yves Klein), or Le Monstre dans la Forêt (The Forest Monster), 1974 Mixed media work in silkscreen, watercolor, collage, drawing, feat...
Category

1970s New York City - Abstract Drawings and Watercolors

Materials

Ink, Mixed Media, Watercolor, Graphite, Screen

Geometric Abstraction, signed and inscribed to designer Robert Vogele, Framed
By Ron Gorchov
Located in New York, NY
Ron Gorchov Untitled, inscribed to Robert Vogele, 1978 Watercolor and etching on paper with 2 deckled edges. Hand signed in pencil and inscribed on lower front. Inscription reads as ...
Category

1970s Abstract New York City - Abstract Drawings and Watercolors

Materials

Mixed Media, Watercolor, Etching

Untitled (homage to Ellsworth Kelly) 1950s watercolor signed by Robert Indiana
By Robert Indiana
Located in New York, NY
Robert Indiana Untitled homage to Ellsworth Kelly (Acquired from the studio of Robert Indiana), 1959 Watercolor and pencil on Plover Bond paper This is an original, hand signed and d...
Category

1950s Pop Art New York City - Abstract Drawings and Watercolors

Materials

Watercolor, Graphite

Mary Corita (Sister Corita Kent), I Love You Very, Watercolor on paper, signed
By Mary Corita (Sister Corita) Kent
Located in New York, NY
Sister Mary Corita Kent I Love You Very, ca. 1975 Original watercolor on paper Unique works on paper by Sister Corita Kent, like this charming hand signe...
Category

1970s Pop Art New York City - Abstract Drawings and Watercolors

Materials

Watercolor

Ab Ex painting, Ex-Museum of Modern Art (MoMA) Collection, Cold War, Signed 1968
By Sam Gilliam
Located in New York, NY
Sam Gilliam Untitled Abstract Expressionist mixed media painting on paper, Ex-Museum of Modern Art Collection, 1968 Watercolor and Aluminum Paint on Fiberglass Paper. (Framed with Mu...
Category

1960s Abstract Expressionist New York City - Abstract Drawings and Watercolors

Materials

Fiberglass, Paint, Watercolor

Frank Stella, unique paper collage signed and inscribed to museum curator Framed
By Frank Stella
Located in New York, NY
Frank Stella Homage, 1997, 1997 Mixed media with paper collage Signed, dated and inscribed " "Homage" to Dieter Honisch and many many good wishes, cheers again and again Many Many th...
Category

1990s Abstract Expressionist New York City - Abstract Drawings and Watercolors

Materials

Paper, Mixed Media

Alexandra Exter Russian Avant Garde work on paper Signed ex-Solomon Shuster coll
Located in New York, NY
Alexandra Alexandrovna Exter Colour Dynamic, 1918 Russian avant-garde watercolor and gouache on paper Signed on the front Collection of Solomon Shuster, Leningrad (with collection la...
Category

1910s Abstract New York City - Abstract Drawings and Watercolors

Materials

Watercolor, Gouache

Watercolor on paper, impressionist, colorful, green, blue - Blade Vibration 247
Located in New York, NY
Linda Stein, Blade Vibration 247 - Watercolor on paper, impressionist, colorful, green, blue In the 1990s Linda Stein began to work on a series called Blades, sculptural works that ...
Category

1990s Feminist New York City - Abstract Drawings and Watercolors

Materials

Paper, Watercolor

Unique LOVE drawing and studio notes (Hand Signed by Robert Indiana), Framed
By Robert Indiana
Located in New York, NY
A unique one of a kind signed drawing for any true collector, scholar, fan or follower of the legendary artist Robert Indiana: Robert Indiana Illustrated To-Do List with LOVE drawin...
Category

1990s Pop Art New York City - Abstract Drawings and Watercolors

Materials

Permanent Marker, Pencil

Toucan drawing, signed inscribed in marker, held in elegant hardback monograph
By Hunt Slonem
Located in New York, NY
Hunt Slonem Original signed & inscribed drawing held in elegant hardback monograph, ca. 2012 Unique marker drawing bound in first front end page of lavishly illustrated hardback mono...
Category

2010s Contemporary New York City - Abstract Drawings and Watercolors

Materials

Mixed Media, Board, Permanent Marker, Offset

Wavy lines original signed Minimalist ink drawing on card with Andy Warhol stamp
By Sol LeWitt
Located in New York, NY
Sol LeWitt Wavy lines, original signed Minimalist ink drawing on card with Warhol stamp, 2004 Drawing in black felt tip pen on postmarked (franked) postcard with Warhol postage stamp...
Category

Early 2000s Minimalist New York City - Abstract Drawings and Watercolors

Materials

Postcard, Felt Pen

Original handwritten Letter of thanks, hand signed by Keith Haring on letterhead
By Keith Haring
Located in New York, NY
Keith Haring Original Handwritten, hand signed Letter, ca. 1987 Ink on Haring's Private letterhead Stationery, Hand written and hand signed by Keith...
Category

1980s Pop Art New York City - Abstract Drawings and Watercolors

Materials

Paper, Ink, Permanent Marker

"Squares and Strokes (Cadmium_16)" 2025, gouache on handmade paper, 28 x 20 in.
By Joanne Freeman
Located in New York, NY
Joanne Freeman Squares and Strokes (Cadmium_16), 2025 gouache on handmade paper 28 x 20 in. image: 16 x 16 in. (freem240) My paintings and drawings incorporate elements found in arc...
Category

2010s Abstract New York City - Abstract Drawings and Watercolors

Materials

Gouache, Handmade Paper

Snowflake Crime XIX, ACE Gallery Collection, unique signed acrylic painting
By Robert Rauschenberg
Located in New York, NY
Robert Rauschenberg 'Snowflake Crime XIX', from the ACE Gallery Collection, 1981 Solvent transfer, acrylic and fabric collage on handmade paper with deckled edges Signed and dated '8...
Category

1980s Pop Art New York City - Abstract Drawings and Watercolors

Materials

Mixed Media, Acrylic, Handmade Paper, Permanent Marker, Fabric

"Untitled" Minnie Evans, Mid-Century, Biomorphic Modernist Abstract Spirals
By Minnie Evans
Located in New York, NY
Minnie Evans Untitled, 1947 Signed and dated lower right Crayon and graphite on paper 8 1/8 x 5 1/2 inches Provenance Luise Ross Gallery, New York Privat...
Category

1940s American Modern New York City - Abstract Drawings and Watercolors

Materials

Paper, Crayon, Graphite

Lines in Four Different Directions original signed inscribed drawing on postcard
By Sol LeWitt
Located in New York, NY
Sol LeWitt Lines in Four Different Directions, 1997 Original drawing in black felt tip pen on postmarked (franked) postcard Signed, dated and inscribed "For Andrew Thanks for the Dra...
Category

1990s Minimalist New York City - Abstract Drawings and Watercolors

Materials

Postcard, Felt Pen

Robert Longo - Pressure on God - Unique iconic 1980s work on paper signed Framed
By Robert Longo
Located in New York, NY
Robert Longo's "Pressure on Heaven/God" is a classic work from the 1980s, a period that is very much in vogue these days and subject of major critical, commercial and scholarly re-ex...
Category

1980s Contemporary New York City - Abstract Drawings and Watercolors

Materials

Mixed Media, Acrylic, Graphite

Decomposition, Surrealist Pencil Drawing by Charles Pfahl
Located in Long Island City, NY
Charles Pfahl, American (1946 - 2013) - Decomposition, Medium: Pencil drawing, signed in pencil lower right, Image Size: 8 x 8 inches, Frame Size: 19.75 x 21.25 inches
Category

Mid-20th Century Surrealist New York City - Abstract Drawings and Watercolors

Materials

Graphite

Emily Mason, ex-Lehman Brothers Art Collection, unique, signed painting, Framed
By Emily Mason
Located in New York, NY
Emily Mason So Slight a Film (from the Lehman Brothers art collection), 1978 Oil on paper Abstract Expressionist painting Signed and dated 'Emily Mason '78' bottom right in pencil Fr...
Category

1970s Abstract New York City - Abstract Drawings and Watercolors

Materials

Oil, Graphite

"Squares and Strokes (Cad Light_16)" 2025 gouache on handmade paper, 28 x 20 in.
By Joanne Freeman
Located in New York, NY
Joanne Freeman Squares and Strokes (Cad Light_16) , 2025 gouache on handmade paper 28 x 20 in. image: 16 x 16 in. (freem242) My paintings and drawings incorporate elements found in ...
Category

2010s Abstract New York City - Abstract Drawings and Watercolors

Materials

Gouache, Handmade Paper

We Love You, drawing on engraving signed inscribed unique variant X/X, Framed
By Louise Bourgeois
Located in New York, NY
Louise Bourgeois We Love You, 2000 Engraving and watercolor with unique Ink drawing on Fabriano Paper Unique Variant with original hand coloring) Signed by the artist, inscribed "X" ...
Category

Early 2000s Abstract New York City - Abstract Drawings and Watercolors

Materials

Ink, Watercolor, Pencil, Graphite, Engraving

Allan D Arcangelo, Constellation, Dazzling unique signed geometric abstraction
Located in New York, NY
Allan D'Arcangelo Constellation, 1971 Acrylic on paper, mounted to canvas Hand signed and dated 1971 lower front Frame included Measurements: Framed: 23.75 x 23.75 x 1.25 inches Artw...
Category

1970s Pop Art New York City - Abstract Drawings and Watercolors

Materials

Canvas, Acrylic, Laid Paper, Permanent Marker

Jack Youngerman, October 1, from Betty Parsons Gallery, India ink, Signed Framed
By Jack Youngerman
Located in New York, NY
Jack Youngerman October 1, from Betty Parsons Gallery, 1964 India ink on paper, with original Betty Parsons Gallery label Pencil signed and dated '64 on the front; also signed, title...
Category

1960s Abstract New York City - Abstract Drawings and Watercolors

Materials

India Ink, Gouache

Untitled by Jacob El Hanani
By Jacob Elhanani
Located in New York, NY
Ink on paper, signed in Hebrew and dated.
Category

1960s New York City - Abstract Drawings and Watercolors

Materials

Ink, Paper

Abstract Expressionist monotype (unique), signed and inscribed with heart Framed
By Robert Natkin
Located in New York, NY
Robert Natkin monotype (unique) on paper signed in marker on the front Pencil signed, and inscribed with heart doodle: "For Dorothy and Arthur with my Love Natkin" Provenance: collec...
Category

1970s Abstract New York City - Abstract Drawings and Watercolors

Materials

Monotype

Effloresce (Abstract painting)
By Anya Spielman
Located in London, GB
Effloresce (Abstract painting) Oil on paper - Unframed Framed on request Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at ...
Category

Early 2000s Abstract New York City - Abstract Drawings and Watercolors

Materials

Paper, Oil

Monotype w/hand painting, geometric art famed color field painter, signed Framed
By Kenneth Noland
Located in New York, NY
Kenneth Noland Untitled, 1987 Monotype with hand painting on wove paper Signed and dated in pencil on the reverse, with the artist's initials blind stamped lower right Unique Frame i...
Category

1980s Color-Field New York City - Abstract Drawings and Watercolors

Materials

Acrylic, Monotype, Screen

untitled-#2 red turquoise blue bold geometric shapes
By Jeffrey Kurland
Located in Brooklyn, NY
Untitled painting/collage 2022 acrylic and mixed media - painted silkscreen mesh on 140 lb. cold press paper 30x22” unframed blue, green, orange on bright red irregular texture surfa...
Category

2010s Abstract New York City - Abstract Drawings and Watercolors

Materials

Acrylic, Archival Paper, Mixed Media

Ink #4 (Abstract painting)
By Emily Berger
Located in London, GB
Ink, watercolor, gouache on Arches watercolor paper - Unframed. Image size: 12” x 8.25” - 30,5 x 21 cm. She layers paint in gestural, horizontal swaths from left to right, stacking...
Category

2010s Abstract New York City - Abstract Drawings and Watercolors

Materials

Paper, Ink, Watercolor, Gouache

Investigations, signed, with Guggenheim Museum Leo Castelli Exhibition Labels
By Robert Morris
Located in New York, NY
Robert Morris Investigations (with Guggenheim Museum Labels), 1990 Graphite drawing on Mylar. Framed with the original Guggenheim Museum label (lent by Sonnabend), Castelli Gal...
Category

1990s Minimalist New York City - Abstract Drawings and Watercolors

Materials

Mylar, Graphite

Dexter s Choice State II, signed mixed media watercolor (unique variant), Framed
By Larry Zox
Located in New York, NY
Larry Zox Dexter's Choice, State II, ca. 1990 Mixed media, Watercolor pochoir, and Oil stick Wax, Water-Based Crayons, on heavy Arches museum watercolor rag paper with deckled edges ...
Category

1990s Color-Field New York City - Abstract Drawings and Watercolors

Materials

Crayon, Mixed Media, Oil, Watercolor, Graphite, Monoprint

Study #26, 1960s Gouache painting Signed Framed Pace Hudson Gallery provenance
By Jack Youngerman
Located in New York, NY
Jack Youngerman Untitled Study #26, 1967 Gouache painting on paper (with original JL Hudson and PACE Gallery labels) Hand signed and dated '67 on the front; J.L. Hudson Gallery Label on Verso. Unique Abstract Expressionist work on paper Frame included Framed Measurements: Framed: 15 inches by 15 inches by 1.5 inch Artwork: 7.75 inches by 7.5 inches Provenance From the estate of Anne Markley Spivak J. L. Hudson Gallery Label affixed to verso (back). The J.L. Hudson Gallery, Detroit, Michigan This 1967 unique, signed gouache painting by renowned abstract expressionist painter Jack Youngerman was acquired from the estate of Anne Markley Spivak. It is held in the original vintage metal frame with the original J.L. Hudson Gallery label, as well as the PACE gallery label on the verso The artwork has been newly loated and framed in a museum quality white wood frame; the original labels from the original back board have been affixed to the back to preserve provenance. Jack Youngerman Biography Jack Youngerman was born in St. Louis, Missouri on March 25, 1926. He moved to Louisville, Kentucky in 1929 and studied at the University of Missouri, Columbia from 1944 to 1946 under a wartime navy training program. He graduated from the University of North Carolina Chapel Hill in 1947 and, that same year, he returned to Missouri to finish his Bachelor’s degree in Journalism before moving to Paris on a G.I. scholarship. In Paris, Youngerman enrolled at the Ecole des Beaux-Arts, studying drawing with Jean Souverbie. He explored Paris, taking in the cathedrals, museums, and history in order to grasp a greater sense of art history. He also traveled to the Netherlands, Spain, Belgium, Italy, and Greece on fine art excursions. In 1948, Youngerman became friends with Ellsworth Kelly, Eduardo Paolozzi, and Cesar – fellow students at Ecole des Beaux-Arts. He married Delphine Seyrig in 1950, and later that year he had his first group exhibition at Galerie Maeght in Paris. He visited the studios of Constantín Brancusi and Jean Arp and became heavily influenced by the organic forms present in their work. He also met artist Alexander Calder through his father-in-law, Henri Seyrig, and experimental filmmaker and artist, Robert Breer...
Category

1960s Abstract Expressionist New York City - Abstract Drawings and Watercolors

Materials

Gouache

Clinton Hill, (Nude #1), 1951, drawing, figure/abstraction
By Clinton Hill
Located in New York, NY
Clinton Hill (1922-2003), created quintessential mid-century images, but figures are unusual in his work. This is from a very early period. In 1951 Hill studied at the Academie de la...
Category

Mid-20th Century American Modern New York City - Abstract Drawings and Watercolors

Materials

Gouache

Ron Gorchov Mid Century Modern Abstract Expressionist painting on paper Signed
By Ron Gorchov
Located in New York, NY
Ron Gorchov Untitled early 1960s Abstract Expressionist work, 1962 Ink and watercolor painting on paper Signed and dated in black ink lower left recto Frame included: elegantly floa...
Category

1960s Abstract Expressionist New York City - Abstract Drawings and Watercolors

Materials

Ink, Watercolor

17, Modern Abstract Acrylic on Paper Painting by Yasmin Brandolini
By Yasmin Brandolini d Adda
Located in Long Island City, NY
A large minimal abstract painting on paper by Yasmin Brandolini. Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: 17 Year: 1986 Medium: 40 x 60 in. (101.6 ...
Category

1980s Abstract Geometric New York City - Abstract Drawings and Watercolors

Materials

Canvas, Paper, Acrylic

Near and Far Acuity, Signed Mid Century Modern Op Art painting, historic exhibit
By Richard Anuszkiewicz
Located in New York, NY
Richard Anuszkiewicz Near and Far Acuity, 1957 Gouache and watercolor painting on board Hand signed and dated 1957 by Richard Anuszkiewicz on the right front Frame included Anuszkie...
Category

Mid-20th Century Op Art New York City - Abstract Drawings and Watercolors

Materials

Mixed Media, Watercolor, Gouache

Untitled, from the Lehman Brothers Art Collection unique signed framed monotype
By Andrea Belag
Located in New York, NY
Andrea Belag Untitled, from the Lehman Brothers Art Collection, 2003 Watercolor monotype on paper Pencil signed and dated on the front Framed Gorgeous ...
Category

Early 2000s Abstract New York City - Abstract Drawings and Watercolors

Materials

Watercolor, Monotype, Graphite

Squares and Strokes (Viridian_22a) 2025, gouache on handmade paper, 28 x 20 in.
By Joanne Freeman
Located in New York, NY
Joanne Freeman Squares and Strokes (Viridian_22a), 2025 gouache on handmade paper 28 x 20 in. Image: 22 x 14 in. (freem244) My paintings and drawings incorporate elements found in a...
Category

2010s Abstract New York City - Abstract Drawings and Watercolors

Materials

Gouache, Handmade Paper

"#186 – WOUNDED WERE COMING", ink, pencil, gouache, found vintage book, poetry
By Amy Williams
Located in Toronto, Ontario
"#186 – WOUNDED WERE COMING" is from Amy Williams' series A Farewell to Arms – wherein the artist works directly onto pages of a found copy of Ernest Hemingway's WWII romance novel. The artist selects certain words and phrases from page 186 to isolate as a poem, and then draws, inks, redacts and paints the rest of the page according to the text. The resulting poem reads "The wounded were coming / men that were scared / I felt the rain in my face / It was getting dark." – Hemingway's novel is a doomed romance between a wounded American soldier and an Italian nurse – note the feminine form on the page, with a "dress" or apron that looks skeletal, bloody and rained upon, all at once. From Amy Williams – "My recent work is focused on making treated book pages using a found vintage...
Category

21st Century and Contemporary Abstract New York City - Abstract Drawings and Watercolors

Materials

Paper, Found Objects, Ink, Gouache, Pencil

Pillar of Zen #124, unique signed gouache painting Andre Zarre Gallery, 1959
By Charmion von Wiegand
Located in New York, NY
Charmion von Wiegand Pillar of Zen #124, 1959 Gouache on paper painting Hand signed, titled and dated on the front Unique Provenance: Andre Zarre Gallery, with label verso (Estate of renowned gallerist Andre Zarre, ne Andre Sowulewski) Measurements: Framed 26.5 inches vertical by 25.5 horizontal by 2 inches Artwork: 21 inches vertical by 22 inches horizontal Mid century modern, geometric, spiritual abstraction, mystical The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld Gallery since 1998. From March 3 to August 13, 2023, Charmion Von Wiegand was the subject of an acclaimed retrospective at the Kunstmuseum Basel, and she has received major attention in the price, including a June, 2023 ArtNews feature entitled, "Who Was Charmion von Wiegand and Why Is She Important?". Her work was also featured in a solo presentation by Rosenfeld Gallery at the New York Art Show held at the Park Avenue Armory, which also received critical acclaim. Artists Biography - courtesy of Michael Rosenfeld Gallery: Known for her vibrant, geometric paintings that originate a deeply personal language of spiritual enlightenment expressed through a constructivist mode of abstraction, Charmion von Wiegand (1896–1983) was born in Chicago but spent much of her childhood traveling. The daughter of a journalist for Hearst, von Wiegand eventually settled in New York in 1915 to attend Barnard College and Columbia University, where she took classes at the School of Journalism while nurturing a growing interest in art history. In 1925, von Wiegand realized that she wanted to be an artist and set up a studio in Greenwich Village, teaching herself how to paint while pursuing a career as a journalist. In 1929, she secured a position in Moscow as a foreign correspondent for Hearst, the only woman at the desk at the time. In 1932, von Wiegand returned to New York and married Russian émigré Joseph Freeman, who co-founded and edited the leftist journal New Masses. Von Wiegand began writing art criticism for New Masses as well as for other publications, including New Theatre, ARTnews, and Arts Magazine. When the Abstract American Artists (AAA) held their inaugural exhibition, von Wiegand reviewed it. An early champion of abstract art, von Wiegand became close friends with AAA founder Carl Holty. In 1941, Holty introduced von Wiegand to Piet Mondrian, who would have a profound impact on her art. Fascinated by Mondrian’s artistic philosophy, von Wiegand played a key role in the introduction of his work to American audiences, translating many of the Dutch artist’s writings into English and assisting in the composition of his influential article “Toward the True Vision of Reality” (1941). Through her friendship with Mondrian, von Wiegand re-kindled her interest in Theosophy (a religion established in the late 19th century that combines aspects of Hinduism, Buddhism, occultism, and esotericism) and embarked on an extended study of neoplasticism. In her artwork, she incorporated Mondrian’s iconic grid but rejected the constraints of pure neoplasticism and embraced a wide range of influences including surrealism and German expressionism. In 1942, von Wiegand became a member of the AAA, exhibiting regularly with the group and eventually serving as its president from 1951 to 1953. In the late 1940s, sculptor and fellow AAA member Ibram Lassaw gave her a translation of The Secret of the Golden Flower: A Chinese Book of Life, which inspired von Wiegand to immerse herself in a study of Buddhist art. She began incorporating Buddhist motifs such as stupas and mandalas into her paintings, and her spiritual practice steadily intensified throughout the 1950s. In 1953, her husband gifted her a copy of the Taoist I Ching Book of Changes, a guide for divining meaning from randomly derived numbers arranged in a hexagram—a form the artist readily incorporated into her painting. Von Wiegand’s study of Theosophy also intensified over these years, bolstered by her increased access to the religion’s primary sources composed by the religion’s founders and their successors at the New York Theosophical Society’s library. Von Wiegand’s search for the sacred and transcendent ultimately led her to Tibetan Buddhism and, in 1967, von Wiegand met Khyongla Rato Rinpoche, a Gelugpa monk who had recently arrived in New York, who would mentor her spiritual study in the tradition of Mahayana Buddhism until her death. Her travels in the 1960s and 1970s took her to Tibet and India, where she had an audience with the Dalai Lama, who was living in exile in Dharamsala. Many works from these decades incorporate symbols and schematics drawn from Theosophical prismatic color charts, Chinese astrology and tantric yoga. In 1978, she was the subject of a PBS documentary titled The Circle of Charmion von Wiegand, which was scored by Philip Glass. In 1980, von Wiegand was elected to the American Academy of Arts and Letters and in 1982, the Bass Museum of Art in Miami Beach (FL) organized her first retrospective exhibition. She died the following year in New York, bequeathing her estate to Khyongla Rato and the Tibet Center of New York. In 1998, Michael Rosenfeld Gallery became the sole representative of her estate and has presented her work in four solo and multiple group exhibitions. Recent notable exhibitions that have included her work are The Third Mind: American Artists Contemplate Asia (Solomon R. Guggenheim Museum, New York, NY, 2009) and Constructive Spirit: Abstract Art in South and North America (Newark Museum, NJ, 2010). In March 2023, the Kunstmuseum Basel (Switzerland) opened the first comprehensive museum retrospective of von Wiegand’s work in Europe. Von Wiegand’s work is represented in numerous museum collections including the Addison Gallery of American Art, Phillips Academy (Andover, MA); Albright-Knox Art Gallery (Buffalo, NY); Arithmeum, University of Bonn (Germany); Birmingham Museum of Art (Alabama); Blanton Museum of Art, The University of Texas at Austin; Brooklyn Museum (NY); Carnegie Museum of Art (Pittsburgh, PA); The Cleveland Museum of Art (OH); Indianapolis Museum of Art (IN); Fondazione Marguerite Arp (Locarno, Switzerland); Museum of Fine Arts, Boston (Massachusetts); The Metropolitan Museum of Art (New York, NY); The Museum of Modern Art (New York, NY); Newark Museum of Art (New Jersey); Seattle Art Museum (WA); Smithsonian American Art Museum (Washington, DC); Walker Art Center (Minneapolis, MN); Weatherspoon Art Museum, The University of North Carolina at Greensboro; Wellin Museum of Art at Hamilton College (Clinton, NY); Whitney Museum of American Art (New York, NY); and Yale University Art Gallery (New Haven, CT). More about gallerist Andre Zarre A tribute in the New Criterion: Dispatch August 11, 2020 Andre Zarre, 1942–2020 by Dana Gordon On the late New York gallery pioneer. Art should never be aggressively explained; art should be felt. —Andre Zarre, 1977 Often, in the starlit New York cultural mecca, a longtime important figure fades away through the penumbra and dies without notice. Such was the fate of Andre Zarre, the contemporary art dealer, who passed away a few weeks ago. Andy, as he wanted friends to call him, opened his eponymous gallery in 1974 just off Madison Avenue on Sixty-ninth Street. He soon moved it to the omphalos of the art world in that era, 41 East Fifty-seventh Street, the Fuller Building. Over the years he moved to SoHo and then to Chelsea, as fashion and real estate prices pushed the art souk hither and thither. To understand his importance, all you need do is take a look at a list of artists who had solo shows at the Andre Zarre Gallery. This includes such names, from an early generation, as Sonia Delaunay, Nassos Daphnis, Sari Dienes, and Perle Fine. Among a subsequent generation are Pat Lipsky, Jay Milder, Thornton Willis, and Kes Zapkus.1 And this list does not include the many knowns and unknowns who were in his lively group shows. Zarre had a real “eye” and was a champion of abstract art from the moment he founded his gallery—even among the gathering storms of conceptual and political art, which he eschewed. He showed a good deal of figurative art as well. His galleries were always spacious and unpretentious, oriented simply to show the art. In the words of Dee Shapiro, who showed with the Zarre gallery many times, “He had a photographic memory and knew a lot about art and was always interested in the artist’s life.” Reliable biographical information on Zarre is scarce, but he said of his background that he was born in Poland in 1942 and that his parents were a diplomat and a socialite. He left home for the United States at the age of fifteen. During his decades as an art dealer in New York, Zarre did not appear to accumulate wealth, though he acquired a collection and lived on Park Avenue. “He was not personally aggressive in that way. People had to come to him,” Dee Shapiro said. He was honest in his financial dealings with artists, which not all art dealers are. For a long time while running the gallery he had a second job as a supervisor in an airline office and he kept little to no additional staff in the gallery. He supported a brother who remained in Poland. Among artists, Zarre was known to be quite ornery. After my show at his gallery in 1997, I refused to enter it for seventeen years. Then I ran into him in Chelsea and he offered me another show, an opportunity I gladly accepted, but he remained just as disagreeable. He showed the work of many women, probably more than any other gallery, save those devoted to showing only women. Collectors, curators, and writers found him mostly friendly. As Peter Reginato put it, Zarre was a “strange guy but I liked him. I think he was a dealer who was more interested in the art than in making money, but somehow he lasted forty-plus years.” Zarre is not known to have kept extensive or extant records of his gallery’s long history, though these may emerge in time. Scouring the Internet, one may compile a partial list of more than eighty artists who had solo shows at the Andre Zarre Gallery:Nancy Azara, Ellen Banks, Mary Barnes, Tony Bechara, Juan Bernal, Stephanie Bernheim, Randy Bloom, Elena Borstein, Michael Boyd, Fritz Bultman, Ed Buonagurio, Yoan Capote, Sonia Delaunay, Nassos Daphnis, Cathy Diamond, Sari Dienes, Joseph Dolinsky, Beata Drozd, Ronnie Elliot, William Fares, Perle Fine, Lynne Frehm, Ben Georgia, Mikel Glass, Dana Gordon, Juanita Guccione, Fred Gutzeit, Don Hazlitt, Amy Hill, Clinton Hill, Monroe Hodder, Budd Hopkins, Arlan Huang, Richard Hunt, Rhia Hurt, Buffie Johnson, Alexander Kaletski, Robert Kaupelis...
Category

1950s Abstract New York City - Abstract Drawings and Watercolors

Materials

Paper, Gouache

Untitled Concert Hall painting Mid Century Surrealistic spiritual unique signed
Located in New York, NY
Agatha Wojciechowsky Untitled Concert Hall Abstraction Watercolor, 1964 Watercolor on thick wove paper (with original label from Cordier & Ekstrom Gallery) Signed and dated by the artist on the lower-right front 19 3/4 × 15 inches Unframed Dazzling 1960s, modern abstraction watercolor piece. This work was acquired from the legendary Cordier & Ekstrom Gallery Agatha Wojciechowsky (1896 -1986) was recognized during her lifetime as a Surrealist. Although not following an art movement, her work reflected the sentiment of Art Informel of the 1950's. She had solo exhibitions from the 1960's to the present in New York, Cologne, Berlin, and Hamburg. Group exhibitions included shows with Man Ray, Marcel Duchamp, Jean Dubuffet, Isamu Noguchi, Francis Picabia, Romare Bearden. Her artwork can be found in numerous public collections including Museum of Modern Art, the Prado, the Menil Collection, the Art Institute of Chicago, and the Whitney Museum. Agatha lived her earlier years in Steinach de Saale, and then sailed to the United States in 1923 to be a German-speaking governess in a German baron...
Category

Mid-20th Century Surrealist New York City - Abstract Drawings and Watercolors

Materials

Mixed Media, Watercolor

Clinton Hill, (Nude #8), 1952, drawing, figure/abstraction
By Clinton Hill
Located in New York, NY
Clinton Hill (1922-2003), created quintessential mid-century images, but figures are unusual in his work. This is from a very early period. In 1951 Hill studied at the Academie de la...
Category

Mid-20th Century American Modern New York City - Abstract Drawings and Watercolors

Materials

Gouache

House and Sky, Geometric Abstract Acrylic Painting by Murray Reich
By Murray Reich
Located in Long Island City, NY
An original painting by contemporary American painter, Murray Reich. Nicely framed. House and Sky by Murray Reich, American (1932–2012) Date: 1980 Acrylic and Collage on Paper, sign...
Category

1980s Contemporary New York City - Abstract Drawings and Watercolors

Materials

Acrylic

Early Roy Lichtenstein drawing (Roy Lichtenstein, St. Macarius Monastery) c.1951
By Roy Lichtenstein
Located in NEW YORK, NY
Roy Lichtenstein, ‘St. Macarius Before His Monastery,’ circa 1951: Included in the Roy Lichtenstein Foundation, Roy Lichtenstein: A Catalogue Raisonné - this unique, rare early sket...
Category

1950s Pop Art New York City - Abstract Drawings and Watercolors

Materials

India Ink, Watercolor

To England with Love, unique signed artist collage portrait sculptural drawing
By Mark di Suvero
Located in New York, NY
Mark di Suvero To England with Love, ca. 1992 Graphite and marker on collaged art paper Signed and inscribed in marker Unique Measurements: Matting: 12.25 inches vertical by 13 Artw...
Category

1990s Contemporary New York City - Abstract Drawings and Watercolors

Materials

Permanent Marker, Graphite

"Untitled" Perle Fine, Female Abstract Expressionist, Gray and Black Forms
By Perle Fine
Located in New York, NY
Perle Fine Untitled, circa 1945 Estate stamped and numbered "#632" on the reverse Gouache and pencil on Kraft paper 12 x 20 inches Provenance The artist Estate of the artist Thomas McCormick Gallery...
Category

1940s Abstract Expressionist New York City - Abstract Drawings and Watercolors

Materials

Paper, Gouache, Pencil

Lust
Located in New York, NY
Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a aluminum silver frame, glass. Philip Wittmann work is based on signs. Sign...
Category

2010s Contemporary New York City - Abstract Drawings and Watercolors

Materials

Paper, Ink, Archival Ink, Acrylic, Watercolor, Archival Paper

Sister Corita Kent, "Love You" Unique signed watercolor painting on paper Framed
By Mary Corita (Sister Corita) Kent
Located in New York, NY
Sister Mary Corita Kent Love You, ca. 1975 Original signed watercolor painting on paper Signed in graphite pencil on the recto Floated and framed in white wood frame This is a unique work Measurements: Framed: 5.5" x 5.5" x 1.5" Artwork alone: 4" x 4" Extremely difficult to find unique watercolor works on paper on the market by Sister Corita...
Category

1970s Pop Art New York City - Abstract Drawings and Watercolors

Materials

Watercolor, Paper

"Squares and Strokes (Ultra_16)" 2025, gouache on handmade paper, 28 x 20 in.
By Joanne Freeman
Located in New York, NY
Joanne Freeman Squares and Strokes (Ultra_16), 2025 gouache on handmade paper 28 x 20 in. image: 16 x 16 in. (freem241) My paintings and drawings incorporate elements found in archi...
Category

2010s Abstract New York City - Abstract Drawings and Watercolors

Materials

Gouache, Handmade Paper

"Sketch for the Spinner" Alexander Calder, Preliminary Drawing for Mobile
By Alexander Calder
Located in New York, NY
Alexander Calder Preliminary drawing for the Spinner, 1966 Signed lower right Felt tip pen on paper Overall 27 x 15 1/2 inches Individual sheets 8 x 10 1/2 inches Alexander Calder ...
Category

1960s Modern New York City - Abstract Drawings and Watercolors

Materials

Paper, Felt Pen

Abstract Composition, Minimalist Acrylic on Paper Painting by Seena Donneson
By Seena Donneson
Located in Long Island City, NY
Seena Donneson, American (1924 - ) - Abstract Composition, Medium: Acrylic on Paper, Size: 22.25 x 30 in. (56.52 x 76.2 cm), Frame Size: 24.75 x 32.25 inches
Category

1970s Minimalist New York City - Abstract Drawings and Watercolors

Materials

Acrylic

Prism, Iridescent Abstract Watercolor Linear Art Drawing in blue, turquoise
By Axel Getz
Located in Brooklyn, NY
This captivating study by artist Axel Getz, titled "Prism," masterfully translates a dynamic, flowing energy into a captivating linear abstraction that celebrates the full spectrum o...
Category

2010s Abstract New York City - Abstract Drawings and Watercolors

Materials

Watercolor

6C, Modern Abstract Tempera Painting by Yasmin Brandolini
By Yasmin Brandolini d Adda
Located in Long Island City, NY
A large minimal abstract painting on paper by Yasmin Brandolini. Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: 6C Year: 1984 Medium: Tempera on Paper, sig...
Category

1980s Abstract Geometric New York City - Abstract Drawings and Watercolors

Materials

Tempera

Elusive Question - Ink and Watercolor Drawing on Paper in Green and Blue Colors
By Andrei Petrov
Located in New York, NY
Andrei Petrov's Elusive Question is a 15 x 22 inch abstract ink and watercolor drawing on paper. It is a lyric abstraction in green with accents of blue. This precious drawing stands...
Category

2010s Contemporary New York City - Abstract Drawings and Watercolors

Materials

Ink, Watercolor, Paper

New Moon, signed monotype print by renowned contemporary abstract artist
By Andrea Belag
Located in New York, NY
Andrea Belag New Moon, 1990 Monotype on Wove Paper 42 × 30 inches Hand signed and dated on the front Published by Pelavin Editions, with blind stamp on the front Unique Unframed Love...
Category

1990s Contemporary New York City - Abstract Drawings and Watercolors

Materials

Monotype, Lithograph

Peter Halley, Hand signed dated original ink graphite drawing; unique Framed
By Peter Halley
Located in New York, NY
PETER HALLEY 6/21/96.9, 1998 Graphite and ink drawing Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 This is a unique work Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass Measurements: Framed 16.5 inches vertical by 13 inches horizontal by 1.5 inches Artwork (visible) 10 inches vertical by 8 inches horizontal Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...
Category

1990s Abstract Geometric New York City - Abstract Drawings and Watercolors

Materials

Ink, Graphite

Charles Hinman, Minimalist Drawing, Mid-Century Modern Geometric Abstract Signed
By Charles Hinman
Located in New York, NY
Charles Hinman Untitled Minimalist Drawing (Mid-Century Modern), 1980 Pastel on off-white wove paper Signed in pencil and dated by the artist on the lower-right front. Jeffrey Fuller...
Category

1980s Minimalist New York City - Abstract Drawings and Watercolors

Materials

Pastel

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