New York City - Figurative Paintings

In the manner of the British figurative painters, Stephen Wright emphasizes the surface of his canvases, manipulating layers of paint and leaving evidence of his brushwork. Like Lucian Freud and Francis Bacon, and even Jenny Saville...

Artist: Peter Max, German/American (1937 - ) Title: Lady and Sailboat version II #1 Year: circa 1995 Medium: Ink and Watercolor, signed u.l. Size: 15 in. x 18 in. (38.1 cm x 45.72 c...

Artist: David Rucli, Italian (1944 - ) Title: Jazz Club Year: circa 1989 Medium: Oil on Canvas, signed verso Size: 50 x 78.25 in. (127 x 198.76 cm)

An Art Deco painting of a Fashionable Lady by contemporary artist Erik Freyman. Watercolor with pastel on paper, signed in pencil Size: 15 x 12 in. (38.1 x 30.48 cm)

Artist: Henry Perronet Briggs, Attributed to, English (1793 - 1844) Title: Juliet and Her Nurse with the Page Peter from Shakespeare's Romeo and Juliet Year: circa 1820 Medium: Oil o...

Artist: Max Karp Title: Clown with Flower Medium: Enamel on copper, signed lower right Image Size: 29.5 x 23 inches Frame Size: 40 x 34 inches

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

They Suddenly Appeared (Naiades Series 1) 2023 Unique Archival pigment 100 x 100 cm Edition of 1 Signed, titled and dated on verso Lee Wells (b.1971) is a conceptual artist whose ...

Kathy Grayson explores how day-to-day transitions from analog to digital media affect traditional painting. Fascinated by the transformations of meaning that occur when pictorial tec...

Artist: Marshall Goodman, American (1916 - 2003) Title: Young Woman by Tree Year: circa 1960 Medium: Oil on Canvas Size: 20 x 24 in. (50.8 x 60.96 cm) Frame Size: 24 x 28.5 inches

Artist: Michael Knigin, American (1942 - 2011) Title: Bare Essence Year: 1995 Medium: Acrylic & enamel on linen, signed, titled and dated verso Size: 27 x 36 inches

Artist: Fernando Farulli, Italian (1923 - 1997) Title: Il Suicida Year: circa 1980 Medium: Oil on Canvas, signed l.r. Size: 59 in. x 71 in. (149.86 cm x 180.34 cm)

This piece was created by Italian artist Mario Toppi circa 1960. Toppi worked primarily in fresco, creating works that pay material homage to Italy's long artistic history, yet remai...

Anita Kapraljevic Pepsi Generation 2010 Oil on canvas 150 x 119 cm signed, titled and dated on verso Anita Kapraljevic is born in Mostar and lives in Berlin. She studied in Nürtinge...

Artist: Juan Garcia Ripolles, Spanish (1932 - ) Title: Woman with Flowers Year: 1970 Medium: Oil on Canvas, signed Size: 15 x 24 in. (38.1 x 60.96 c...

Flower Moon Acrylic and Spray Paint on Canvas 60 x 80 cm Comes with COA Signed by Flog

Barbara Kur Green (American, b. 1942), "The Connecting Bridge", Oil on Linen, signed lower left, with artist label verso, wood frame. Image: 39.25" H x 29" W; frame: 46.5" H x 36.5" ...

In the mid-1960s Joseph Solman (American, 1909 - 2008) was commissioned to create portraits of the Begg family. This is a portrait of Marian Begg, the mother in the mid-century nuclear family...

Artist: Andre Racz, Romanian (1914 - 1994) - After Pal Szinyei Merse, Hungarian (1845 - 1920) Title: Picnic in May Year: of original: 1873 Medium: Oil on...

Acrylic on theatrical backdrop muslin, can be rolled, rod pockets top and bottom for hanging. This painting was featured at the Parliament of World Religions in Toronto in 2018. Kuan Yin...

Samuel Iztueta, American - Time Machine, Year: 2017, Medium: Oil and Acrylic on Canvas, signed, titled, and dated verso with drawing, Size: 40 x 30 in. (101.6 x 76.2 cm)

Title: Looking Away Medium: Oil on canvas Size: 12 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

Artist: Juan Garcia Ripolles, Spanish (1932 - ) Title: Woman with Flowers III Year: 1970 Medium: Oil on Canvas, signed l.r. Size: 18 in. x 10.5 in. (45.72 cm x 26.67 cm)

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi with Torah Year: circa 1970 Medium: Oil on Masonite, signed l.r. Size: 30 x 22.5 in. (76.2 x 57.15 cm) Frame Size: 38 x 31 i...

Artist: Carlos Irizarry Title: Child with Doll and Buggy Year: circa 1965 Medium: Oil on Canvas, signed l.r. Size: 30 in. x 24 in. (76.2 cm x 60.96 cm)...

Figurative Mixed Media Portrait Painting by Cuban Artist Hector Frank. Unique Painting with a certificate of authenticity. Despite international acclaim as one Cuba’s foremost livi...

Artist: Juan Garcia Ripolles, Spanish (1932 - ) Title: Lover's Embrace Year: 1970 Medium: Oil on Canvas, signed l.l. Size: 18 in. x 25.5 in. (45.72 cm x 64.77 cm) Frame Size: 19.5 x ...

Figurative Forest Green Mixed Media Portrait Painting by Cuban Artist Hector Frank. Unique Painting with a certificate of authenticity. Despite international acclaim as one Cuba’s ...

Artist: Ian Hornak Title: Hannah's Mirror, Variation #3: The Expulsion from Eden Year: 1977 Medium: Oil on Canvas, signed, dated, and titled verso Size: 42 x 60 inches (106.68 x 152....

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Artist: Jan de Ruth, Czech (1922 - 1991) Title: Young Dancer Year: circa 1964 Medium: Oil on Canvas, signed l.l. Size: 44 in. x 18 in. (111.76 cm x 45.72 ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Artist: Marshall Goodman, American (1916 - 2003) Title: Young Girl on Couch Year: circa 1960 Medium: Oil on Canvas Size: 24 x 30 in. (60.96 x 76.2 cm) Frame Size: 26.5 x 32 inches

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi Medium: Oil on Masonite, signed l.r. Size: 36 x 24 in. (91.44 x 60.96 cm)

This recent painting is part on an ongoing series of humans and their non human companions. It is painted on linen canvas mounted on a cradled wood panel. Signed and dated by the art...

Artist: Harry Lane, American (1891 - 1973) Title: Running Girl Year: circa 1965 Medium: Oil on Board, signed l.l. Size: 24 in. x 20 in. (60.96 cm x 50.8 cm) Frame Size: 31 x 27 inc...

Artist: Peter Max, German/American (1937 - ) Title: Woman Seated Year: 1980 Medium: Lithograph with extensive Hand-painting, signed and dated in paint, dedicated to Carolyn Size: 25 ...

Artist: Juan Garcia Ripolles, Spanish (1932 - ) Title: Conversation Year: 1970 Medium: Oil on Canvas, signed Size: 15 x 21.5 in. (38.1 x 54.61 cm)

Spittle Marcus Dean Kitchen, American Date: 2020 Mixed Media with Acrylic, Oil Pastel, Ink and Spraypaint on Canvas, signed Size: 38 x 60 inches

Artist: Mihail Sorin Title: Scurrula Year: 2000 Medium: Oil on Canvas with Wood Frame with Magnifying Glass Size: 23.5 x 19.75 in. (59.69 x 50.17 cm) Interior Frame Size: 54 x 42.5 x...

Artist: Juan Garcia Ripolles, Spanish (1932 - ) Title: The Artist III Year: 1970 Medium: Oil on Canvas, signed l.r. Size: 19.5 in. x 24 in. (49.53 cm x 60.96 cm) Frame Size: 22 x 27 ...

Artist: David Humphrey, American (1955 - ) Title: Pickpocket Year: 1985 Medium: Oil on Canvas, signed verso Size: 84 in. x 66 in. (213.36 cm x 167.64 cm)

Artist: Edith Varian Cockroft, American (1881 - 1962) Title: Girl in a White Dress Year: 1961-1962 Medium: Oil on Canvas, signed l.r.(signed Cocroft) ...

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...