New York City - Landscape Paintings

3905 Impressionist French village colorful landscape gouache on laid paper Image size 16x11.5"

5162 Vintage American framed oil painting signed Linda Haber Image size 17x13"

A whimsical oil painting depicting a Parisian Flower Market scene in Paris, France by Luigi Cagliani. As an Italian Impressionist artist Cagliani most of his works were produced in t...

5131 Vintage framed oil painting of grist mill in a snow filled landscape Signed B.Burt Image size 19.5x23.5

6015 Impressionist gouache on board of a farmer plowing his field Set in a 19th century frame Image 10x11.5"

Late 19th century English landscape by Edwin Buttery. This exquisite late Victorian English landscape by Edwin Buttery is a masterful example of the period’s romanticized appreciatio...

6008 Winter Snow,a 1920's oil painting on canvas depicting the isolation and beauty of your girl walking thru a fresh fallen snow.Displayed in a gilt wood frame.Artist unknown

Vintage American modernist merry go round portrait painting. Oil on board. Nicely framed. Excellent, ready to hang condition.

Claude Venard, French (1913 - 1999) - Le Soleil Blanc, Year: circa 1970, Medium: Oil and Sand on Canvas, signed lower left and titled on verso, Size: 20 x 28.75 in. (50.8 x 73.03 ...

Paul Resika Skowhegan-Wesserunsett, 1976 Oil on board painting: Abstract Expressionist landscape Signed 'Resika' lower left, also signed, titled and dated on the reverse; verso also ...

This enchanting early 19th-century portrait of a young girl in a pastoral landscape, attributed to the esteemed English portraitist Margaret Carpenter, is a rare and captivating exam...

Antique American modernist abstract oil painting. Oil on canvas, circa 1950. Signed. Image size 46L x 36H. Framing is available!

5029 Impressionist painting city scape Framed.Image size 12x16" Signed L.M.O'Connell

Large and impressive early European impressionist painting. Housed in a great gold giltwood frame. Oil on canvas. Signed. Image size, 20H by 30L.

George Nemethy finds his inspiration in moments of quiet and solitude. Where he finds himself one with the sea and the sky and the tranquil world which he freely escapes to. Trained from an early age by his father Albert Nemethy, a world-renowned painter known best for his large scale steamer boats, George found and nurtured his passion for miniature sailboats...

A whimsical oil painting depicting a cafe scene in an Italian Village. Luigi Cagliani was known for his charming compositions and settled in Lombardy, which helps explain his passion...

Jean-Michel Moreau (French, 1741-1814), Study for a Vignette, Oil on Canvas, circa 1775, for "Les A propos de La Folie" by Pierre Laujon, inscribed "Moreau - Esquisse ou Frontispice ...

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

5159 Vintage American modernist oil pastel by Ruth Hammond Framed Image size 21.5x13"

Vintage abstract beach scene oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready to han...

Wonderfully painted American impressionist street scene oil painting. Framed. Oil on board. Signed. Image size, 12H by 16L.

Antique American modernist abstract surreal oil painting. Oil on canvas. Framed. In excellent original condition. Handsomely framed in a modernist wood molding. Excellent condition,...

George Nemethy finds his inspiration in moments of quiet and solitude. Where he finds himself one with the sea and the sky and the tranquil world which he freely escapes to. Trained from an early age by his father Albert Nemethy, a world-renowned painter known best for his large scale steamer boats, George found and nurtured his passion for miniature sailboats...

Antique American modernist abstract oil painting. Oil on canvas. Measuring 46 by 46 inches overall. In excellent original condition. Excellent condition, ready to hang and enjoy.

Large American impressionist landscape painting of Monument Valley. Oil on canvas. Apparently unsigned. Nicely framed. Image size, 36L x 30H.

5178 Antique American modernist trees landscape 1961 image size 16x24"

A gorgeous American impressionist painting of Gloucester Harbor. Unsigned but by a very skilled hand. The canvas is 20" x 16" housed in a period frame.

Bruce Crane (1857 - 1937) November Oil on canvas 25 x 30 inches Signed lower right Robert Bruce Crane was an American painter. He joined the Lyme Art Colony in the early 1900s. His ...

Antique American impressionist sunset river landscape oil painting by Lucien Biva (1878 - 1965). Oil on canvas. Framed. Signed. Measuring: 27 by 30 inches overall, and 18 by 22 pai...

A wonderful Impressionist winter pastoral scene of a colorful quaint home by the river. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed much fee...

Title: Night in Town Medium: Oil on canvas Size: 11.5 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This p...

Title: Plains Medium: Oil on canvas Size: 19.25 x 23.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

Benjamin Williams Leader (1831-1923) Morning sunshine at low tide Signed 'B.W. LEADER' lower left Oil on board Painting Size 12 x 17 in Framed Size 19 x 24 in Provenance With The Ma...

Antique American school modernist landscape sunset painting. In excellent original condition. Handsomely framed in a giltwood molding. Excellent condition, ready to hang and enjoy....

William Hart (1823 - 1894) Pastoral Landscape, 1877 Oil on canvas 9 1/2 x 14 1/2 inches Signed and dated lower left Born in Paisley, Scotland, William Ha...

5145 Vintage American abstract on canvas red flower in a meadow

This piece is an exceptional impressionistic cityscape scene by Paul Gagni of 'Boulevard des Italiens' in Paris. The boulevard des Italiens is one of the 'Grands Boulevards' in Paris...

Title: Untitled Medium: Oil on canvas Size: 31 x 27 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa A...

Vintage American modernist still life oil painting. Oil on canvas. Signed verso.

Antique American impressionist southern landscape oil painting. Oil on canvas. Framed. Signed.

Impressive early American impressionist flower landscape painting by Lila Caroline McGillivray Knowles (1886 - 1979). Oil on board. Framed. Signed. Image size, 10 by 12 inches.

Drizzle Supernova is a radiant and uplifting contemporary painting by Eric Robitaille, celebrating the energy of flight and the beauty of nature. A swallow bursts across the ca...

A charming Parisian scene oil on canvas painting by the French artist, Johanne Schiefer. This painting is a wonderful example of his work from the prime of his career. Here you see figures walking the streets by the Porto st. Martin in Paris with an abundance of color and life. The magic is being felt with all the magnificent details, as Schiefer captures the architecture of Paris so beautifully; you can feel the energy of the day and the excitement. The piece is signed by the artist lower right and titled lower left and it comes housed in a wonderful wood carved antique frame with original name plate affixed bottom center and hanging wire on verso ready to be displayed. Art measures 20 x 24 inches Frame measures 28 x 32.5 inches Johannes Schiefer was born in 1896 in the Netherlands, and quickly gained notoriety for his landscapes, still life’s and portraits. Schiefer won the Prix de Rome at the age of 19 and studied at the Düsseldorf Academy in Germany, and then moved to Paris where he continued his studies in art at the Beaux Arts, and later at the Villa Medici in Rome. He traveled to paint across Europe, primarily France and Italy and also Latin America. When he married, he settled down in Nice France, and during the late thirties, he traveled and painted the coastline of the South of France, as well as Venice and the Adriatic. He remained in France until 1942, when he moved to New York with his family after the birth of their daughter, future actress Joanna Miles. Already an artist of stature when he arrived in New York, he settled with his family on Long Island, and for the next 30 years, Schiefer kept on painting and built a solid reputation as an important American artist. The Schiefers also had a son, Johannes Jr. After the war, Schiefer maintained a Paris studio and became a resident of Los Angeles for a time in the 1950s. For the next 30 years Schiefer kept on painting and during his career had numerous one man shows, having exhibitions at: Gallery Zak in Paris; Kunsthaus in Hamburg; Kunsthalle in Munich; Stiebel Galleries in Paris; O'Connor Gallery in Ontario; Museum of Modern Art, Wildenstein & Co, Carol Carstairs Gallery and Schoeneman Galleries in New York City; Esther Robles Gallery, County Museum and Vigoveno Galleries in Los Angeles; and the San Francisco Museum. Like Picasso, Schiefer never permitted himself to be “type-cast” in a single monotonous style. If there is anything that typifies his work, it is his versatility, his deft handling of subdued tones to create a unique brilliance of light and color that stamps every painting with his own individuality. In February 1964, Ethel Kennedy...

4089 California Seascape , contemporary acrylic on canvas applied on board,displayed in a vintage gilt wood frame. Signed by Italian artist P.Russo

J.A.Terry, A scene of the London to Exeter Mail Coach and a road in a landscape. This charming oil painting of the iconic London to Exeter mail coach, by English painter J.A. Terry ...

5-3744 Oil an artist board of a English landscape before an impending storm Circa 1920's Framed

A beautiful oil on canvas painting by the French artist, Jean Salabet. Salabet was a Parisian painter known for his colorful cityscapes depicting the times of his generation. But als...

Vintage American modernist landscape oil painting. Oil on board. Framed. Signed. Measuring: 13 by 17 inches overall, and 9.5 by 13.5 painting alone. In excellent original condition...

Oil on canvas, 28 x 31 inches overall, 25 x 30 inches image size. A dynamic abstract expressionist composition with an energetic interplay of saturated primaries and gestural impasto...

#5-3293a VintageFrench Impressionistic style landscape, oil palette technique on a board ,signed by Savino, displayed in a wood frame.

Title: Untitled II Medium: Oil on canvas Size: 19.5 x 16 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is...

Early 20th-Century Antique English Autumn/fall river landscape. Sidney Pike was a prolific landscape and genre artist exhibiting between 1880-1907, London based originally he seems ...

Impressive early American impressionist landscape painting by Will S. Taylor (Born 1882). Oil on board. Framed. Signed. Image size, 12 by 13 inches.

Dana DeKalb’s Detour (2025) is a 12 x 12 in. acrylic on canvas that highlights the artist’s unique approach to contemporary figurative painting. Known for her narrative art infused w...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed. Measuring 23 by 38 inches overall and 15 by 30 painting alone. In excellent original condition. Hands...

Circa 1930 American school winter impressionist landscape painting. Oil on board. Framed. Signed verso. Image size, 16 by 20 inches.

Charles Henry Miller (American, 1842-1922) Untitled (Farm at Dusk), 1886 Oil on canvas 16 x 27 in. Signed and dated lower right: Chas. H. Miller, N.A., 1886 Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

Title: Country Side Medium: Oil on canvas Size: 12 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting i...

Antique Spanish impressionist cityscape oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely framed in a silver leaf wood molding. Excellent co...

Title: Spring Series I Medium: Oil on canvas Size: 35 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in fair condition. Year: 2000 Circ...