New York City - Landscape Paintings

Very finely painted modernist landscape by Robert Noel Blair (1912 - 2002). Watercolor and gouache on paper. Signed Image size, 23 by 31 inches. In excellent original condition. ...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Image size, 22L x 28H.

Antique American impressionist ashcan school pastel painting. Pastel and gouache on paper. Signed. Framed.

Amazing surreal cloudscape modernist oil painting. Framed. Oil on canvas.

A late Victorian period painting by British artist, David W. Haddon, active (1884-1914). The canvas measures 20 x 14 inches and is signed low...

Artist: Stanley Sobossek, American (1918 - 1996) Title: Boats Medium: Oil on Canvas, signed l.l. Size: 30 x 40 inches Frame Size: 38 x 46 inches

In Outside In, Andra Samelson creates a mesmerizing field of deep blues and undulating forms that seem to float in constant motion. Layers of pigment and intricate linework suggest r...

John Evans (b. 1945) is a Boston-based painter of seascapes, landscapes, and botanical gardens. John Evans (received his MFA from Boston University, under the tutelage of James Weeks, David Aronson, and Philip Guston. Early in his career, he taught at both Boston University and Southern Methodist...

Jon MacAdam (1976, London, UK) is a landscape artist known for his realist depictions of nature. He received his MFA in painting and sculpture from Gordon College in Wenham, MA, and ...

Exceptionally well painted African landscape painting. Oil on board. Framed. Signed. Image size, 22L x 26H.

Modernist abstract cloudscape abstract painting by Abraham Pariente. Oil on canvas, circa 2000. Signed. Displayed in a modernist frame. Important large and impressive work!

Bruno Burattini Villa Piedimonte, Bologna, circa 1918 Inscribed verso Oil on board 13 3/4 x 18 inches

Antique American Hudson River School panoramic landscape oil painting. Oil on paper. Framed. Apparently unsigned. Image size, 13L x 8.5H.

American Female American artist born in Hungary, Margaret De Corini (1897-1982) is known for her beautiful impressionist style paintings and this painting is the best example of her...

Antique American impressionist watercolor painting. Framed. Measuring 16.5 by 18.5 inches overall and 13 by 15 painting alone.

Soni Wallace masters color and form in this Abstract Expressionist painting. Many works from this period in her life reflect coastal landscapes through a lens of minimalism and geome...

Antique American modernist street scene painting. OIl on board. Framed. Signed "Van Zandt 50". Really finely painted and an interesting subject as well!

Finely painted porcelain plaque; a shipwrecked sailor kissing a nude siren in a stormy sea. Impressed monogram and sceptre mark and H, incised 90. Origin: Berlin Date: late 19th cen...

Very well done and interesting vintage Italian impressionist painting. Oil on canvas. Framed. Signed.

M Leonard Untitled, c. 1930 Oil on board 14 3/4 x 21 in. Framed: 21 1/8 x 27 1/2 in. Signed lower right: M Leonard

Impressive early American impressionist Florida beach scene oil painting. Framed. Oil on canvasboard. Image size, 19H by 15L.

Artist: Jean Louis Liberte, French (1896 - 1965) Title: Rockport, Maine Year: circa 1940 Medium: Acrylic on Board, signed l.r. Image Size: 12 x 21 in. (30.48 x 53.34 cm) Frame Size: ...

Nicely painted mid century hard edge abstract by Gabrielle Roos. Oil on canvas. Signed verso.

Arthur Fitzwilliam Tait was born at Livesey Hall, near Liverpool, England, and began his career as a clerk at the gallery of Agnew & Zanetti’s Repository of Arts in Manchester. While...

The painting is signed lower right. It depicts wisteria blooming brightly above a white courtyard entrance.

“A Lake, Moonlight” by Ralph Albert Blakelock sees the artist portray a full moon rising above a wooded landscape, reflecting off the lake below.

Impressive early American modernist landscape oil painting by Harold Saxton Burr (1889 - 1973). Framed. Oil on board. Signed verso. Image size, 16H by 16L.

Artist: Alvaro Guillot, Uruguayan/American (1931 - 2010) Title: Castle Year: circa 1963 Medium: Oil on Canvas, signed Size: 30 x 24 inches Frame: 37 x 31 inches

My abstract paintings are also glimpses of nature. Some of these paintings read as landscapes of a different world, a wondrous space. Others are about the more intimate aspects of na...

Antique American impressionist seascape signed oil painting by Morris Hall Pancoast (1877 - 1963). Oil on board. Signed. Framed. Image size, 16L x 12H.

Natalie Van Vleck Waterfall, Connecticut, 1929 Signed and dated lower right Oil on canvas 30 x 25 inches Provenance Private Collection, North Carolina Natalie Van Vleck was born i...

My abstract paintings are also glimpses of nature. Some of these paintings read as landscapes of a different world, a wondrous space. Others are about the more intimate aspects of na...

19th Century Oil Painting on canvas, wooden support Signed JR Meeker (Lower Left) An early autumn landscape of the American South showing two boaters on a lake, painted in the H...

Lionel S. Reiss (1894 - 1988) Lobstermen in Gloucester, Massachusetts, circa 1943 Watercolor on paper Sight 17 1/2 x 23 inches Signed lower left Provenance: Private Collection, Las Vegas, Nevada In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...

Antique modernist landscape painting. Oil on canvas. Housed in a period frame. Image size, 17.5L x 13.75H. Signed.

Wonderful early American modernist sunset seascape painting. Oil on canvas. Framed. No signature found. Measuring 22 by 24 overall and image size, 20 by 18 inches.

Antique American impressionist pastel painting. Pastel on paper. Framed. Signed.

Antique American impressionist in Paris oil painting by Harold T. Bowler (1903 - 1965). Oil on canvas. Signed. Framed.

Finely painted bright and brilliant modernist painting. Oil on canvas. Framed. No signature found.

6011 Oil on canvas the streets of Paris set in a vintage wood frame Image size 9.5x8"

Very lush and nicely painted American school landscape painting. Vibrant color and detail through out throughout the composition. Signed lower left. Housed in a period frame. Ima...

Artist: John Parker Davis, American (1832 - 1910) Title: Cow Farm Landscape Year: 1905 Medium: Oil on Canvas, signed and dated l.l. Size: 12 x 18 in...

Signed lower right Titled and signed verso Provenance Mallet Auction Japan, February 28, 2019, lot 206 Private collection, New York City (Purchased from above sale) This work is av...

Artist: Joseph Barber Title: Margaree Valley, Nova Scotia Year: 1976 Medium: Oil on Masonite, signed l.r. Size: 30 x 48 inches [76.2 x 121.92 cm] Frame: 35 x 54 inches [88.9 x 137.16...

William Baxter Closson Trail of the Snowshoes, circa 1910 Signed lower right Oil on canvas 30 x 40 inches Provenance The Cooley Gallery, Old Lyme, Connecticut Born October 13, 184...

2901 City Landscape ,acrylic on canvas Displayed in a custom gilt wood frame Image size 18x24" overall 21x26.5" Signed Varen

Rare and interesting mid century Icelandic abstract painting. Oil on canvas board. Signed verso. Image size, 16H by 13L.

Eugène Laurent Vail (1857 - 1934) Soir de Novembre, Dordrecht Oil on canvas 19 1/4 x 25 3/4 inches Signed lower left; titled in two places on the stretcher with various other inscriptions, stamped "MADAME G:VAIL A" and inscribed "177" in ink and "#43" in pencil on a partial label from Garde-Meuble Maple affixed to the stretcher Eugene Vail (Saint-Servan, France September 29, 1857 - Paris, December 28, 1934), the son of a French mother and an American father, Lawrence Eugene Vail, studied at the Stevens Institute of Technology in Hoboken, New Jersey (where Alfred Stieglitz was born in 1864) and graduated with a degree in mechanical engineering in 1877. Then he became a student of William Merritt Chase and J. Carroll Beckwith at the Art Students League before returning to France. He entered the Ecole des Beaux-Arts in 1882 where he was instructed by Alexandre Cabanel, Raphaël Collin, and Dagnan-Bouveret (1852-1929), known as an extreme naturalist. When Bastien-Lepage died in 1884, Dagnan-Bouveret became the leader of the Naturalist School. He definitely made an indelible impression on Vail. According to Louise Cann, Vail soon became an independent painter working at Pont-Aven and Concarneau. It is difficult to determine when he separated from his teachers since he is listed as a student whenever he exhibited at the Paris Salon — that is, until 1899 when he dropped the mention of élève. A picture of a peasant girl, Seulette was his Salon debut painting in 1883, the same year that he sent two scenes of Brittany to the Pennsylvania Academy of the Fine Arts' exhibition, which documents his stay in that region. The next year he exhibited in the Salon: Fishing Port, Concarneau, which went to the Luxembourg Museum (it is now in the Musée Municipal of Brest). It has the Naturalist brown and gray palette and tonalist atmosphere but already shows that Vail had direct experience with scenes of life in coastal villages: "So convincing was his familiarity with the French coast that the critic Thiébault-Sisson claimed him as a Frenchman and declared that no American marine painter could touch his skill." (Maureen C. O'Brien, in Blaugrund, 1989, p. 218). In 1885, Vail exhibited Inner Port at Dieppe and in the following year On the Thames (Private collection), which later won him the Grand Diploma of Honor from an international jury in Berlin in 1891. Widow, the title of Vail's entry in the Salon of 1887 (unlocated), is a striking image of a woman standing on a beach, looking out to the expanse of the ocean where her husband obviously met his end. The innocent child who looks at us may have the same fate in store for him. Then in 1888, Vail completed his masterpiece, Ready, About! a "wall-size" 94 x 125½ inch canvas. The painting won a first-class gold medal in the Salon of 1888, then at the Paris Universal Exposition of 1889, Vail won another gold medal. The first precedent that comes to mind is Théodore Géricault's colossal Raft of the Medusa of 1819 (Louvre), the celebrated romantic image of castaways about to be rescued after being lost at sea. But while Géricault presents a massive, sculpturesque group of figures struggling on a raft just beyond our designated viewing space, Vail pulls the viewer into the picture, or more exactly, extends the diagonally rocking boat into the spectator's area, vividly anticipating the effects of cinematography. There is no more effective way to engage the spectator's attention and sympathies, and the illusionism is especially effective in this life-size picture. Vail's vigorous brushwork — a uniform use of rectangular strokes — adds to the motion-filled, dynamic actuality of this image, and the overall green-gray tonalities evoke the constantly menacing, cold and wet travails in the life of the fishermen in the Atlantic's rough waters. Theodore Child (1889, p. 518) wrote about this painting: "very beautiful in color, and amongst the very strongest and best pictures of this kind in the Exhibition." Dordrecht (unlocated) was Vail's painting exhibited at the Pennsylvania Academy in 1892, and in the following year he showed Fisherman — The North Sea at the Paris Salon, the same year in which he re-exhibited Dordrecht and On the Thames at the World's Columbian Exposition in Chicago. Vail won the coveted Légion d'Honneur in 1894. Some of his paintings found their way to European museums, for example, Soir de novembre (Odessa Museum) and Soir de Bretagne (Museo d'Arte Moderna, Venice). The latter was exhibited at the Exposition Universelle of 1900 in Paris. Also there was Voix de la mer (Voices of the Sea), which we identify as the painting that appears in an interior view of the American section, just to the right of a doorway (fig. 20 in Fischer, 1999), a simple marine painting. Some time after 1900, Vail turned to both impressionism and post-impressionism but no one seems to have charted this course. His Autumn near Beauvais, illustrated in International Studio (1902, p. 211), The Flags, St. Mark's Venice (1903; National Gallery of Art), and Grand Canal, Venice, ca. 1904 (Museum of Art, Rhode Island School of Design) demonstrate an impressionist technique with broken color. Mandel (1977, p. 202) wrote on the latter: "applied in short strokes juxtaposing brilliant hues of orange, blue, white, black and red, with a strong interplay between the warm pink tones of the walls and the green shadows of the black boats which are silhouetted against them." Cann (1937) believed that in Venice, Vail "found his true self." The Flags forecasts the Armistice Day pictures by Hassam and others, painted fifteen years later. Vail became involved in the Society of American Artists in Paris and the Société Internationale de Peinture et de Sculpture, whose membership included Frank Brangwyn, Charles Cottet (1863-1924), the famous Naturalist sculptor Constantin Meunier (1831-1905), Frits Thaulow...

Maurice Legendre 1. La Rue Norvins du Sacre-Coeur, c. Early 20th century 2. L'arc de Triomphe Oil on wood panel 5 1/2 x 7 1/8 in. (each) Framed: 8 5/8 x 10 x 1 1/2 in. (each) Signed lower left Inscribed verso Maurice Legendre was a noted French impressionist and sculptor, especially known for his Parisian and London landmark scenes. The present paintings depict iconic spots in Paris, and their charming size affords the opportunity to hang them anywhere in your home. Legendre was a pupil of Robert Couturier and Marcel Grimond...

Impressive early American modernist beach scene oil painting by Brooks Kelly (1935 - 2012). Framed. Oil on canvas, lain to board. Signed. Image size, 12H by 16L.

Antique American oil painting of a southern courtyard by Charles Baskerville Jr (1896 - 1994). Oil on canvas, circa 1950. Signed. Displayed ...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed.

Antique American impressionist street scene oil painting by Kamil Kubik (1930 - 2011) . Oil on canvas. Framed. Signed.

Antique English portrait painting. Watercolor and gouache on paper. Framed. Measuring 17 by 23 inches overall and 10 by 15 painting alone.

Ruth Anderson Municipal Building, Manhattan, circa 1918 Oil on canvas 25 x 19 inches Ruth A. Anderson was born in Carlisle, Pennsylvania in 1891 and die...

Vintage American school modernist painting. Oil on canvas, circa 1940. Unsigned. Image size, 30L x 24H. Housed in a period frame.

Very nicely painted American school abstract landscape painting. Framed in a period modernist wood molding. Oil on board. Image size, 24H by 29L.

Artist: Henry Sené (French, 1889-1961) Title: By the River Date: 1916 Medium: Oil on thick paper Dimensions: 14 x 9 cm l 5 1/2 x 3 1/2 in. Frame: 20 x 15 cm l 7 7/8 x 5 9/10 in. Sign...

Artist: Ben Benn, Polish/American (1884 - 1983) Title: 23rd and 2nd Ave, New York City Year: 1924 Medium: Oil on board, signed l.r. Size: 14 x 11.5 in. (35.56 x 29.21 cm) Frame Size:...

Framed size: 35" x 27" During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the ...