New York City - Landscape Paintings

Title: Morning Melody Medium: Oil on canvas Size: 27.75 x 21.75inches Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. No...

Title: Sparkly Water Pond Medium: Oil on canvas Size: 16 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excelle...

Title: Let's Travel 3 Medium: Oil on canvas Size: 8 x 8 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2000 Circa Artist: Zhao Wang...

Title: Close To The Nature Medium: Oil on canvas Size: 25"" x 34"" Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. Artis...

Title: Autumn Countryside 2 Medium: Oil on canvas Size: 19.5 x 27.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: ...

Title: The Blue Forest Medium: Oil on canvas Size: 20 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting ...

Title: Untitled - Green Medium: Oil on canvas Size: 15.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...

"Campos de Castilla - Castile Landscape" by Gloria Saez is a horizontal abstract, oil paint on paper with soft tans, blues, yellows, greens, reds and browns. The layers of under-pa...

Title: Wander Around The Lake 2 Medium: Oil on canvas Size: 19.5 x 27.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. ...

Title: Kuaiji First Snow IV Medium: Oil on canvas Size: 12 x 16 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2000 Circa Artist: Tao Yu...

Artist: Jorge Braun Tarallo, Uruguayan/American (1951 - ) Title: Canoe on Blue Lake Year: circa 1979 Medium: Oil on Canvas Singed l.r. Size: 36 x 48 in. (91.44 x 121.92 cm) Frame: ...

Title: Childhood Paradise Medium: Oil on canvas Size: 16"" x 11.5"" Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. Note...

Title: Boat In Gold Wave Medium: Oil on canvas Size: 23.5 x 19.75inches Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. ...

Title: Guilin Scenery 2 Medium: Oil on canvas Size: 27.5 x 19.5inches Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. No...

Title: Fishing Boat - Sunset Medium: Oil on canvas Size: 31 x 23inches Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. Note: This painting is unstretched Artist: Mingjun Wang...

Title: Wheat Yellow Season Medium: Oil on canvas Size: 21 x 28.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2015 Ar...

Title: Populus Impression Medium: Oil on canvas Size: 15.5 x 12inches Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. No...

Title: Green Boat Medium: Oil on canvas Size: 23.5 x 31.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condi...

Title: Street View Medium: Oil on canvas Size: 20 x 20 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2016 Artist: Guo Jin...

George Frederick Morse Hubbard Park, Crescent City, Florida, 1906 Oil on canvas 17 x 12 inches A landscape and marine painter from Portland, Maine, George Morse was a founding membe...

Title: Fountain Garden Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting ...

Title: This Side Of The Mountain Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Ye...

Title: Monochrome World 1 Medium: Oil on canvas Size: 23 x 16 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

Very finely painted American modernist abstract painting by Alton S. Tobey (1914 - 2005) . Oil on board. Framed. Signed. Image size, 48 by 48 inches.

Terauchi, Fukutaro. Fishing on a river in autumn. ...

Title: Water Town Sunset Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paintin...

Title: Garden Serenity Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting ...

"Falling Figure" is an acrylic painting on canvas measuring 16" high by 16" wide. The title may be somewhat disingenuous – falling figure indeed – with cloven hoofs, red skin and horns on head suggesting a demon's fall from grace. The demon? Mythic and humanitarian all at once, the figure appears to be wearing stylish shorts and gives the thumbs up sign on the way down. Perhaps an all too familiar predicament as we tumble toward our own destinies... Press Release 2018: "Williams acknowledges a large range of influences on his vision: the moral lessons embodied in the works of 17th century engraver Jacques Lagniet, the darkling phantasms and tragic reportage of Goya’s Caprichos and Disasters of War, and the personal mythologizing of the late paintings of Philip Guston. Such works echo throughout Williams social surrealist re-visioning." – George Del Barrio, Vanderbilt Republic, Brooklyn NY Dale Williams has exhibited in the New York City area for the past 25 years. He is a 2014 recipient of a Fellowship in Printmaking/Drawing/Book Arts from the New York Foundation for the Arts. His most recent one-person show, “America Now Suite,” which re-visioned American history in service of the civic imagination, was held at Gowanus Loft, Brooklyn in October 2018. A selection of portraits from “America Now Suite” was included in the BRIC Biennial, Winter/Spring 2019. His portrait of Osip Mandelstam...

Title: Autumn Countryside 1 Medium: Oil on canvas Size: 27.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: ...

Artist: Allan Simpson, American (1935 - ) Title: Winter, George Washington Bridge Year: 1996 Medium: Oil on Canvas, signed Size: 36 x 48 inches

Title: Guilin Landscape 2 Medium: Oil on canvas Size: 25.5 x 19.5inches Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. ...

Dr. Rowland S. Russell PhD. writes about his experience directly witnessing Greg's practice as a “plein air” artist: Whether he’s portraying quiet scenes from Brooklyn’s Prospect Park or the Botanical Gardens, intriguing remnants of New York’s varied industry (grain silos...

The large abstract painting "BLACK MIRROR" by Jeffrey Kurland is an acrylic on canvas measuring 94" tall by 72" wide. BLACK MIRROR is new work from the long hot summer of 2020. Often...

The abstract painting "DARK MATTERS" by Jeffrey Kurland is an acrylic on canvas measuring 48" tall by 66" wide. DARK MATTERS is new work from the long hot summer of 2020. Often emplo...

Franz Priking (1927 - 1979) Cityscape in France, n.d. Oil on canvas 46 x 32 inches Signed and dated lower left Provenance: Private Collection, New York ...

Gouache on paper Signed and dated in pencil, l.r. This artwork is offered by ClampArt, located in New York City Born in California, John Button (1929-1982) was educated at Universi...

Boy with Fish Thomas Kerry, British/American Date: circa 1970 Oil on Board, signed and dedicated verso Size: 24 x 20 inches Frame Size: 29 x 25 inches

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer h...

Title: City By The Lake Medium: Oil on canvas Size: 18 x 30 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 ...

Title: Walk On A Small Path Medium: Oil on canvas Size: 27.5 x 19.5inches Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition....

Title: Rapeseed Flower Medium: Oil on canvas Size: 27 x 19.5inches Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. Note:...

DUAL CITIZEN, an oil painting on panel by Anna Ortiz, depicts a mysterious two-headed totem in the middle of a landscape both strange and familiar – painted in rose and pink tones, w...

Title: Birch Tree 1 Medium: Oil on canvas Size: 19.25 x 23.25inches Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. Note...

Mansard Window, Oil on canvas, cityscape Sixth Avenue, Park Slope, Brooklyn Dr. Rowland S. Russell PhD. writes about his experience directly witnessing Greg's practice as a “plein a...

This beautiful landscape painting by Jeroen Allart is part of his minimalist landscape painting he did in his home country the Netherlands. IA farm stan...

Ernest Fiene Along the Kanahawa River, West Virginia, 1936 Signed lower right Oil on canvas 26 x 36 inches Fiene made a series of paintings, drawings and lithographs which are based on his travels through Pennsylvania and West Virginia during the winter of 1935-36. The industrial areas of Pennsylvania and West Virginia are represented in numerous oils, among which are some of his most well-known. Fiene wrote of the trip, "The increasing snow and atmospheric conditions [in the Kanawha River valley} enhanced this mountainous coal mining country with a majestic beauty." Winter on the River is Fiene's only American Artists Group print and there were only two lithographs produced from the West Virginia trip. The American Artists Group (AAG), under the direction of Carl Zigrosser, who was then working at New York's famed Weyhe Gallery, published ninety-three prints by over fifty artists in 1936 and 1937. Zigrosser's goal was to popularize contemporary American art through original prints offered at the low price of $2.75. The project was also a means to provide income for impoverished artists during the Depression. The prints were featured in many of the leading print exhibitions and publications of the period. The lithograph produced from this image is now in the collection of the Amon Carter Museum, Baltimore Museum of Art, Cleveland Museum of Art, Philadelphia Museum of Art, Pensacola Museum of Art, San Francisco Fine Arts Museum, Syracuse Museum, Yale University Art Museum. Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Title: Sketching Landscape Medium: Oil on canvas Size: 19.5 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year...

Title: Go Home Medium: Oil on canvas Size: 16 x 16 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa Ar...

Ukrainian American abstract painting by Misha Reznikoff (1905 - 1971). Oil on canvas. Signed verso in monogram. Measuring 20.5 by 30.5 inches.

Title: Phoenix Ridge 3 Medium: Oil on canvas Size: 23.5 x 31.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 20...

Title: Ship Without Sail 1 Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa Artist: Chong...

Title: Spring Yearning 3 Medium: Oil on canvas Size: 19.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: ...

A farm stands before you on the horizon. A windmill majestically slices the blue sky. A bird, painted in taut brushstrokes, struts on a branch. These are tranquil images; horizon far...

Paul Désiré Trouillebert Canal Pinelli, Venise Signed lower left Oil on canvas 18 3/4 x 12 3/8 inches Provenance: Artist's studio sale, 1887, no. 4 With M. Newmann London Sale, Christie's, London, Save the Children Fund, May 16, 1961 (according to an inscription on the reverse) Private Collection, United Kingdom Literature: Marumo et al, Paul Désiré Trouillebert: Catalogue Raisonné de l'œuvre peint, Stuttgart, 2004, cat. no. 0362 p. 336, illustrated. Paul Désiré Trouillebert was born in Paris in 1829 and died in the city June 28, 1900. He is considered a portrait, genre and landscape painter from the French Barbizon School. He was a student of Ernest Hébert [1817-1908] and Charles-François Jalabert [1819-1901], and made his debut at the Salon of 1865, exhibiting a portrait. At the Paris Salon of 1869, Trouillebert exhibited “Au bois Rossignolet”, which was a lyrical Fontainebleau landscape that received great critical acclaim. Trouillebert concentrated on portraits until about 1881, when he began to focus on atmospheric silvery landscapes steeping in cool damp color. In 1882, he exhibited a large landscape titled “Baignneuses” which was well received and helped him gain a reputation as a landscape painter. Another noted work was commissioned by Edmé Piot, a public works contractor. The painting, “Travaux de relèvement du chemin de fer de ceinture: le pont du Cours de Vincennes” (Cleveland Museum) was of a railway project initiated in 1851, after Napoleon III came to power. The commission included four related views of the Paris railway construction, which was completed in February 1889. After the 1860’s, the misty Barbizon landscapes by Jean-Baptist- Camille Corot’s [1796-1875] had become astonishingly vogue, which brought about a trove of imitators. His followers and students; Henri Joseph Constant Dutilleux [1807-1865], George Devillers, Achille François Oudinot [1820-1901], Edouard Brandon [1831-1887] and Trouillebert were not trying to mislead the public, he was their idol. However, the greatest confusion has always been over works by Corot and Trouillebert because both artists painted river landscapes at dawn or dusk with a very similar approach, palette and style. Like Corot, Trouillebert painted a wide variety of subjects, including genre scenes, portraits and nudes. Trouillebert would receive the most attention as a result of an 1883 court case involving one of his paintings. The painting “La Fontaine des Gabourets” had been sold by one of Paris’ more prominent dealers George Petit to writer Alexandre Dumas fils. Trouillebert’s signature and been removed and resigned Corot. The fake was discovered by Robaut and Bernheim-Jeune and returned to the original seller, Tedesco. Trouillebert, who had nothing to do with the fraud, brought legal action against the guilty parties to regain his reputation and clear his name. The trial made all of the papers and Trouillebert won his case. George Pettit...

Title: Willow In Early Spring Medium: Oil on canvas Size: 19.5 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Y...

Title: College Residence Hall Medium: Oil on canvas Size: 15 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year:...

Nicely painted surreal nocturnal abstract oil painting by Paul Allen Reed (1919 - 2015) . Great color and composition. Framed. Signed verso.

Title: Boat Medium: Oil on canvas Size: 19.5 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2015 Artist: S...

Title: Overlooking The Land 2 Medium: Oil on canvas Size: 19 x 27 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year:...

Title: Lake Reflection Medium: Oil on canvas Size: 30 x 22 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa Artist: Jianping Chen...