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Item Ships From: New York City
The Hundred Acre Wood
By Ken Ragsdale
Located in New York, NY
20"x30" available unframed, edition of 5
Signed and editioned
From the series: "The Hundred Acre Wood"
Ragsdale’s process begins with rough sketch...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"To Coastal Walk", Little Dartmouth, Dartmouth, Devon, UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Silver Gelatin
"So We Balance Ourselves", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Chelsea, NYC, April 2004", New York, 2004
By Thomas Michael Alleman
Located in Hudson, NY
By focusing on pattern instead of the specific object, Alleman brings new life to the commonplace street vendor coffee cup.
Thomas Alleman’s urban landscapes convey the pulsating e...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Minutes", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Firstgiving", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Cityscape", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Hope Is a Waking Dream, New York", 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Running Lights", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Mainspring", New York, 2007
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"No. 2", New York, 2007
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Counteracting Gravity by Gentle Movement", New York 2007
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Midtown Manhattan", New York, 2004
By Thomas Michael Alleman
Located in Hudson, NY
Any commuting New Yorker's worst nightmare- an overturned umbrella. A scene that many people would walk by unaware, Alleman captures the true misfortune and despair portrayed in a si...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Speed Lever", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Paper, Pigment
"Cummins Steam Pump", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Paper, Pigment
Joshua Rocks
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 1 of 15.
If the...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Light Flower
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 1 of 15.
Price ...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Paper
"Knotted Wire Brush", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Paper, Pigment
"Pressure Gauge", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Paper, Pigment
"Exit Row" 40"x60" photograph, limited Edition of 5
By Stephen Mallon
Located in New York, NY
"Exit Row" 40"x60" photograph - edition 1/5 (unframed)
This iconic photograph is from the artist's series: "Brace For Impact: the aftermath of flight 1549." Depicting the wing from...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Photographic Paper, C Print
"A Fine Prospect", limited edition, American Landscape Photograph
By Ken Ragsdale
Located in New York, NY
30"x40" photograph of created landscape of paper. from the series: "The Hundred- Acre Wood" signed on reverse edition of 5. This photograph depicts the artist's vision of the American landscape, created in paper and then photographed to create this atmospheric image. The limited edition photograph captures a feel of Western United States farming, with a quality of light from the Hudson Valley. A union of artistic vision from West Coast to East Coast, Ken Ragsdale is a master of material construction, light and photographic composition.
The installation landscape scene created by Ken Ragsdale exisits only to be photographed. With each scene, the artist meticulously cuts paper and folds each component to be captured by his lens. This photograph of cut paper constructions depicts a bus ride through a forest scene from the artists memory. The hues of ambient amber, green, red and blue are created through lighting the staged scene created in white paper
Ken Ragsdale’s process begins with rough sketches of places and things from his past that are relevant to current themes he is considering. This series focuses on a time period of 1974-78, in the regions of Northern Idaho, to Eastern Oregon and the areas between. As his working drawings solidify the dimensions of the objects which represent his memories from that era, Ragsdale considers the landscape, terrain and weather, filtered through his personal memories and experiences.
Once the composition and components are determined as to capture the aura of a memory, schematic drawings are documented and prepared for hand assembly. Laboriously the schematics are cut out, folded and tabbed to create their final 3-dimensional formats. As each object is placed and the structures oriented, Ragsdale modifies the scenes to perfectly frame each scenario for the final photograph. From simple sheets of white Bristol Vellum, the atmosphere and lighting brings each image to life and allows for a reminiscent view of a wistful past.
Pacific Northwest native Kenneth Ragsdale’s work, derived from personal memories, involves a mixture of drawing, painting, sculpture, paper-craft, theatre...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Pigment, Archival Pigment
Arte V5
By Max-Steven Grossman
Located in Boca Raton, FL
After graduating from the University of Philadelphia with an engineering degree, Grossman soon discovered his passion for photography. In 2000, he graduated from NYU and the Intern...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Plexiglass, Photographic Paper
Piano
By Phillip Buehler
Located in New York, NY
24" x30" edition 2 of 5
available unframed
Phillip Buehler has been photographing abandoned places around the world since he rowed to the (then abandoned) Ellis Island in 1974. Many, like Greystone Park Hospital, have since been demolished; some, like Ellis Island and the High Line, have been restored, and some, like the S.S. United States and the New York State Pavilion, are now in jeopardy. Photographs from the (now demolished) Greystone Park Hospital are featured in this exhibition and in the book "Wardy Forty" which he wrote in 2013 about the last days of Woody Guthrie.
Category
2010s Contemporary New York City - Still-life Photography
Materials
Photographic Paper
$1,600
A Fine Prospect
By Ken Ragsdale
Located in New York, NY
30"x40"
available unframed
edition 1 of 5
From the series: "The Hundred Acre Wood"
Ragsdale’s process begins with rough sketches of places ...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Bus Ride
By Ken Ragsdale
Located in New York, NY
available unframed, signed on reverse by the artist, edition of 5 From the series: "The Hundred Acre Wood"
This photograph depicts a scene created completely out of paper, the artis...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
$1,200
The River in the Morning
By Ken Ragsdale
Located in New York, NY
30"x40" edition of 5, photograph signed by the artist. This photograph depicts a constructed landscape created entirely out of white paper. The quality of light and color are achieved through the staging of the scene the aritst, Ken Ragsdale, creates. A scenic overlook into a vast landscape, with a camper in the foreground of the campsite, creates a dreamlike vision. Far off into the distance what appears almost as a mirage is a ferris wheel form, perhaps from a carnival or fair, or just in imagined.
The installation landscape scene created by Ken Ragsdale exisits only to be photographed. With each scene, the artist meticulously cuts paper and folds each component to be captured by his lens. This photograph of cut paper constructions depicts a bus ride through a forest scene from the artists memory. The hues of ambient amber, green, red and blue are created through lighting the staged scene created in white paper
Ken Ragsdale’s process begins with rough sketches of places and things from his past that are relevant to current themes he is considering. This series focuses on a time period of 1974-78, in the regions of Northern Idaho, to Eastern Oregon and the areas between. As his working drawings solidify the dimensions of the objects which represent his memories from that era, Ragsdale considers the landscape, terrain and weather, filtered through his personal memories and experiences.
Once the composition and components are determined as to capture the aura of a memory, schematic drawings are documented and prepared for hand assembly. Laboriously the schematics are cut out, folded and tabbed to create their final 3-dimensional formats. As each object is placed and the structures oriented, Ragsdale modifies the scenes to perfectly frame each scenario for the final photograph. From simple sheets of white Bristol Vellum, the atmosphere and lighting brings each image to life and allows for a reminiscent view of a wistful past.
Pacific Northwest native Kenneth Ragsdale’s work, derived from personal memories, involves a mixture of drawing, painting, sculpture, paper-craft, theatre lighting...
Category
2010s New York City - Still-life Photography
Materials
Archival Pigment
Catwalks, Vacuum Pan (Domino Sugar Factory - Williamsburg, Brooklyn)
By Paul Raphaelson
Located in New York, NY
27"x40" unframed signed on reverse
Paul Raphaelson’s photographs of the Domino Sugar Factory in Williamsburg, Brooklyn document a topic of contin...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
4250 lbs, 40"x60" limited edition photograph
By Stephen Mallon
Located in New York, NY
C Print Photograph, signed and editioned on reverse, edition of 5
available unframed 40"x60" please inquire about additional print sizes
The photographer has captured the detail...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
C Print
Trimmings
By Stephen Mallon
Located in New York, NY
40"x 60" unframed photograph, edition of 5 (signature and edition on reverse)
This is from Stephen Mallon's series, "American Reclamation" which captures the abstract beauty withi...
Category
2010s Abstract New York City - Still-life Photography
Materials
Photographic Paper, C Print
$6,000
Throttle
By Stephen Mallon
Located in New York, NY
30"x45" 5/5, C-Print photograph, this is the final available print in the edition.
mounted and framed in a natural wood shadowbox frame.
Stephen Mallon has gained interna...
Category
2010s Contemporary New York City - Still-life Photography
Materials
C Print
$9,730
Vacuum Pan
By Paul Raphaelson
Located in New York, NY
27 × 40 in
available unframed
Paul Raphaelson’s photographs of the Domino Sugar Factory in Williamsburg, Brooklyn document a topic of continuing controversy. It was once the biggest...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Bus Ride, limited edition photograph
By Ken Ragsdale
Located in New York, NY
30"x40" photograph of created landscape of paper. from the series: "The Hundred- Acre Wood" signed on reverse edition of 5.
The installation landscape scene created by Ken Ragsdale exisits only to be photographed. With each scene, the artist meticulously cuts paper and folds each component to be captured by his lens. This photograph of cut paper constructions depicts a bus ride through a forest scene from the artists memory. The hues of ambient amber, green, red and blue are created through lighting the staged scene created in white paper
Ken Ragsdale’s process begins with rough sketches of places and things from his past that are relevant to current themes he is considering. This series focuses on a time period of 1974-78, in the regions of Northern Idaho, to Eastern Oregon and the areas between. As his working drawings solidify the dimensions of the objects which represent his memories from that era, Ragsdale considers the landscape, terrain and weather, filtered through his personal memories and experiences.
Once the composition and components are determined as to capture the aura of a memory, schematic drawings are documented and prepared for hand assembly. Laboriously the schematics are cut out, folded and tabbed to create their final 3-dimensional formats. As each object is placed and the structures oriented, Ragsdale modifies the scenes to perfectly frame each scenario for the final photograph. From simple sheets of white Bristol Vellum, the atmosphere and lighting brings each image to life and allows for a reminiscent view of a wistful past.
Pacific Northwest native Kenneth Ragsdale’s work, derived from personal memories, involves a mixture of drawing, painting, sculpture, paper-craft, theatre...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Pigment, Archival Pigment
Synesthesia - LA-852HZ (Green)
By Ashley G. Garner
Located in New York, NY
LA-852HZ (Green)
Archival pigment print on Aluminum
24 x 36 inches
Edition of 5
The synesthesia phenomenon is traditionally said to be the confusion of senses; like hearing color or...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Like Ice in the Sunshine II (L.A.) No. 55
By Simone Rosenbauer
Located in New York, NY
15 x 15 archival pigment print (image size 14 x 14 inches), edition 8.
Signed, titled, dated and editioned on frame label provided.
Framing also available at an additional cost.
In ...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Still life with Iron Mug,
By Boris Smelov
Located in New York, NY
Still life with Iron Mug, Vintage Gelatin Silver Print. St Petersburg.
Signed and Dated 6/15 1995 in ink by photographer on verso.
10 1/2 x 10 1/2" image, paper 16 x 12".
This im...
Category
1990s Contemporary New York City - Still-life Photography
Materials
Photographic Paper
Lily 181 B, Color Photograph, Limited Edition, Pink, Framed, Botanical, Floral
By Tim Nighswander
Located in Riverdale, NY
Lily 181 B, archival pigment print photograph, printed on Fine Art paper by Tim Nighswander. It is 16x20, framed in a white frame to 22x32 with a UV plexiglass. It is a limited edi...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Paper, Archival Pigment
Coral Peonies Northumberland Strait
Located in New York, NY
Created as an archival pigment print by Vaughn Sills in 2017, Coral Peonies Northumberland Strait is hand-signed by the artist, dated and numbered, measuri...
Category
21st Century and Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Orange Flower Detail, Color Nature Photography by Geoffrey Baris, Close-up
By Geoffrey Baris
Located in New York, NY
Orange Flower Petals Detail, Color Nature Photography by Geoffrey Baris
Archival pigment print on museum fine art paper
Edition of 7
Includes certificate of authenticity. Signed and...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Color, Archival Pigment
$1,260 Sale Price
31% Off
Pink Lily Detail, Color Nature Photography by Geoffrey Baris, Flower, Botany
By Geoffrey Baris
Located in New York, NY
Pink Lily Detail, Color Nature Photography by Geoffrey Baris
Archival pigment print on museum fine art paper
Edition of 7
Includes certificate of authenticity. Signed and numbered b...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Color, Archival Pigment
$1,260 Sale Price
31% Off
Maquina 2
By Steve Schlackman
Located in New York, NY
Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this...
Category
2010s Photorealist New York City - Still-life Photography
Materials
Photographic Film, Digital, Photogram, Digital Pigment
Untitled (Nude Body Images and Books)
Located in New York, NY
Untitled (Nude Body Images and Books), (2007) by artist Mark Golderman, featured in Hal Bromm Gallery
Category
Early 2000s New York City - Still-life Photography
Materials
Inkjet
Beatles
By Max Steven Grossman
Located in Boca Raton, FL
Max Steven Grossman is a keen observer of bookshelves, which he captures and memorializes in large-scale photography. An MFA graduate of New York University and the International Cen...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Plexiglass, Photographic Paper
Golf T
By Max Steven Grossman
Located in Boca Raton, FL
Grossman’s seemingly disparate studies in engineering and art have helped mold his work into a study of reality and imagination. In his "Bookscapes" series he digitally reorganizes p...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Photographic Paper
Pure Poppy I, Color Photography, Flowers, Floral, Botanical, Yellow, White
By Rebecca Swanson
Located in Riverdale, NY
Rebecca Swanson, Pure Poppy I, Limited Edition Photograph, 15x15. It is available with Plexifacemount or white frame . This stunning image is filled Pink and green. This is an edi...
Category
Early 2000s Contemporary New York City - Still-life Photography
Materials
Photographic Paper
Kroma: Iphiclides podalirius-R
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic New York City - Still-life Photography
Materials
Color, Dye Transfer
Kroma: Morpho Cypris
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention ...
Category
2010s Naturalistic New York City - Still-life Photography
Materials
Color, Dye Transfer
Kroma: Polyura Dehaani Sulthan
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic New York City - Still-life Photography
Materials
Color, Dye Transfer
Kroma: Helicopis Cupido-M
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention ...
Category
2010s Naturalistic New York City - Still-life Photography
Materials
Color, Dye Transfer
Kroma: Pterochroza Ocellata II-F-V
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic New York City - Still-life Photography
Materials
Color, Dye Transfer
Kroma: Morpho Polyphemus Luna-R-M
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic New York City - Still-life Photography
Materials
Color, Dye Transfer
Kroma: Papilio Ulysses
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic New York City - Still-life Photography
Materials
Color, Dye Transfer
Poppy III
Located in New York, NY
Limited edition, signed and numbered with certificate of authenticity - 60x60cm - 15 proofs + 4 AP
About the Artist:
Pascal Goet, a French artist and photographer, devotes his art t...
Category
2010s Other Art Style New York City - Still-life Photography
Materials
Board, Archival Paper, Photographic Paper, Color, Pigment, Archival Pigment
Poppy II
Located in New York, NY
Limited edition, signed and numbered with certificate of authenticity - 60x60cm - 15 proofs + 4 AP
About the Artist:
Pascal Goet, a French artist and photographer, devotes his art t...
Category
2010s Other Art Style New York City - Still-life Photography
Materials
Board, Archival Paper, Photographic Paper, Color, Pigment, Archival Pigment
Poppy V
Located in New York, NY
Limited edition, signed and numbered with certificate of authenticity - 60x60cm - 15 proofs + 4 AP
About the Artist:
Pascal Goet, a French artist and phot...
Category
2010s Other Art Style New York City - Still-life Photography
Materials
Board, Archival Paper, Photographic Paper, Color, Pigment, Archival Pigment
$2,200
Slight Fragments #02
Located in New York, NY
All artworks are Fine Art archival prints on handmade Ise-Washi paper, from the color Analog negative
made with a lensless pinhole camera.
The proposed framing is a float mount in a deep shadow box frame, where the artwork is hinged
inside the frame, for the 2 larger sizes, and matted with an 8 ply museum board for the 2 smaller
sizes. We propose a white mat frame or a natural wood frame.
Japanese photographer Reiko Yagi...
Category
2010s New York City - Still-life Photography
Materials
Handmade Paper, Washi Paper, Color, Pinhole
Papilio rumanzovia-V
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention ...
Category
2010s Naturalistic New York City - Still-life Photography
Materials
Color, Dye Transfer
Rock Fashion 2V
By Max-Steven Grossman
Located in Boca Raton, FL
After graduating from the University of Philadelphia with an engineering degree, Grossman soon discovered his passion for photography. In 2000, he graduated from NYU and the Interna...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Plexiglass, Photographic Paper
Wood Grain
By Anne Sager
Located in Astoria, NY
Anne Sager (American, 1930-2024), Wood Grain, Color Photograph, Chromogenic Print, apparently unsigned, with artist's estate stamp to verso, in mat, unframed. Image: 12.75" H x 15.25...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
C Print
Dark Sun No. 7
Located in New York, NY
For the past 30 years Barbara Jaffe has used her 4x5 inch view camera and a variety of black & white and expired pos/neg Polaroid films to create photographs that are a tribute to th...
Category
1980s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Dark Sun No. 20
Located in New York, NY
For the past 30 years Barbara Jaffe has used her 4x5 inch view camera and a variety of black & white and expired pos/neg Polaroid films to create photographs that are a tribute to th...
Category
1990s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
