New York City - Metalwork

An antique Japanese brass enamel ceremonial food container with a cover adorned with a pointed finial. Characterized by cloisonne floral designs...

A Chinese enamel over brass vase. It has a classic, rounded body that tapers to a narrow neck. Adorned with polychrome enamel in foliage and floral motifs made in the Cloisonne techn...

Impressive antique Meiji period Japanese bronze vase with brown patina with a ferocious eagle in relief plus birds flying above ocean waves. 20 inches tall and 43 lbs. Apparently un...

A large Japanese Meiji period cloisonne enameled vase with a scene of birds, butterflies, and flowers on the pink background and borders with colorful decoration. Collectible Orienta...

An Exquisite and Large Pair of Meiji Period Japanese Cloisonné Enamel Plates with Tsuba Fittings and Nature Scenes, circa 1885 This exquisite pair of large Meiji period Japanese clo...

Finely modeled and cast antique (19th century) Meiji period Japanese bronze censer (incense burner) featuring a cover with wonderful details of an eagle and dragon stalking an exotic...

An antique Japanese late Meiji era decorative enamel over copper plate or charger. The interior of the plate is adorned with a polychrome design of sparrows and frogs in blossoming f...

A pair of identical antique Japanese copper vases with cloisonne enamel design. Late Meiji period, before 1912. Elongated baluster shape with pronounced neck. Floral ornament against...

An antique Japanese silver wire enamel Kogo box for incense. Early Meiji period. The oval shaped box is covered with polychrome medallions representing a pair of Phoenix birds and fl...

An antique Japanese, late Meiji era, covered enamel over brass jewelry or trinket box. The exterior of the ware is enameled with polychrome images of blossoming flowers surrounded by...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

An antique Japanese, Early Edo period, enamel copper tray. The oval shaped tray is enameled with a polychrome image of a Phoenix bird with flowers and leaves made in the Cloisonne te...

A large pair of Meiji Period Japanese Cloisonne Enamel Double Dragon Vases, 19th century. Japanese cloisonne enamel dragon vases are highly ...

A Japanese Meiji Period Silver-Wire Cloisonné Enamel Vase with Chrysanthemums on a Midnight Ground, Attributed to Inaba A magnificent Japanese cloisonné enamel vase from the Meiji p...

An antique Japanese copper vase with wireless cloisonne enamel design. Late Meiji era, before 1912. Round shape with pronounced base. The piece is decorated with a stork or crane bir...

1845 Antique bronze cloissone urn

A Magnificent Japanese Meiji Period Silver-Wire Cloisonné Enamel Vase with Pheasants and Maple Leaves, Attributed to Inaba An exceptional Japanese cloisonné enamel vase from the Mei...

Pair Chinese cloisonne enamel vases with floral designs on blue ground and gilt mounts representing stylized dorsal fins of a dragon.

A Grand Meiji Japanese Cloisonné Enamel Tray – Lush Cherry Blossom Garden with Sparrows, Quail, and Japanese Fountain, Circa 1890 This monumental exhibition-size Meiji period Japane...

A pair of identical antique Japanese copper vases with cloisonne enamel design. Late Meiji period, before 1912. Elongated baluster shape with pronounced neck. Floral ornament with bl...

An antique Meiji period Japanese cloisonne enamel brass plate. The central part depicts an elegant motif with butterflies flying on a goldstone gr...

A beautifully executed Meiji period Japanese cloisonne enamel plate featuring a vivid sky blue central medallion framed by an elaborate border of intricate wire work. The center is d...

A refined Japanese cloisonne enamel plate by Goto Seizaburo, one of the most distinctive enamel artists active in Yokohama during the late Meiji period. The plate is composed in an e...

A large antique Japanese Meiji period, 1868 to 1912, cloisonne enamel metal charger plate depicting a multicolored picture of vines and grapes with...

Pair of very fine Meiji period Japanese bronze vases with dark brown patina with dragon handles and exceptional designs of grotesque mythological figures. 23 1/4 inches tall and eac...

A superb and richly decorated Meiji period Japanese cloisonne enamel charger featuring an elaborate scene of two red-crowned cranes amid lush blossoming peonies, chrysanthemums, and ...

An antique Japanese Meiji period enamel tea set adorned with intricate dragon motifs. Consisting of six cups, six saucers, a creamer, a lidded sugar bowl, and a tea pot. The exterior...

A beautifully decorated Japanese Meiji period cloisonne enamel plate depicting a pastoral scene of a young boy riding a water buffalo while another figure walks beside him. The two a...

Early Meiji Japanese cloisonne enamel charger measuring 15 inches in diameter, depicting the famous folktale of Urashima Taro. Shown riding a red sea bream across stylized waves, the...

An important early Meiji Japanese cloisonne enamel charger on the rare white ground, 17.5 inches in diameter. The central medallion shows a finely detailed pheasant set among bamboo ...

An antique Japanese copper brush pot with a cloisonne enamel design. Before 1912. The item is decorated with depictions of birds and pine branches against a turquoise background. Ori...

A large cast bronze sculpture of a Buddha's left hand, circa 1960. Mounted on a trapezoid-shaped wood and metal stand. The gesture is known as Dharmachakra Mudra, the traditional B...

An antique Japanese, late Meiji era, enamel over copper charger plate. The plate is adorned with a polychrome scene with a rooster and a chicken on a pond with blossoming flowers and...

A pair of Japanese silver wire enamel vases. The vases have an urn shaped body and a fluted neck. Each ware is enameled with a polychrome image of dragons on the dark blue ground mad...

An antique Japanese copper serving plate with polychrome cloisonne enamel design. Meiji period, ca. 1880s. Round footed piece. Turquoise blue ground color. The plate depicts a samura...

A Japanese green tray and jar set. The tray is rectangular with a raised edge bordered with a geometric pattern. The surface of the tray has a circular medallion with a white design ...

A rare antique Japanese late Meiji Era tripod and covered enamel copper censer. Circa: late 19th century to early 20th century. The sphere form censer koro is enameled with polychrom...

Hailing from the Ming period in 16/17th century, this monumental bronze vase is a fine example of the auspicious decor and markings unique to Chinese furnishings. The vase is cast wi...

A large antique Japanese vase with cloisonne enamel design. Taisho Period (1912-1926). Two medallions with birds among flowers and human figures are presented on sides. Depiction of ...

A rare 19th Century Japanese copper serving tray with cloisonne enamel design. The central part of the tray depicts a wireless cloisonne picture, a coastal landscape view with a full moon. The hieroglyphical signature of the artist is in the lower right. The rims and the backside are decorated with floral ornaments. Blue and black color palette. Collectible Oriental Decor And Applied Arts For Interior Design. Namikawa Sosuke (1847–1910) was a Japanese cloisonné artist,[1] known for innovations that developed cloisonné enamel into an artistic medium sharing many features with paintings.[2][3] He and Namikawa Yasuyuki (no relation)[notes 1] were the most famous cloisonné artists of the 1890 to 1910 period, known as the "golden age" of Japanese enamels.[1] Around 1880 he set up and ran the Tokyo branch of the Nagoya Cloisonné Company.[1] He exhibited his artworks at national and international expositions, where he took an organising role.[2] He was recognised as an Imperial Household Artist and created art works for imperial residences. He sometimes signed his works with the character sakigake (Pioneer) the art work is based off a art work done by Sesshu Toyo Sesshu Toyo (?? ??, c. 1420 – August 26, 1506), also known simply as Sesshu (??), was a Japanese Zen monk and painter who is considered a great master of Japanese ink painting. Initially inspired by Chinese landscapes, Sesshu's work holds a distinctively Japanese style that reflects Zen Buddhist aesthetics.[1] His prominent work captured images of landscapes, portraits, and birds and flowers paintings, infused with Zen Buddhist beliefs, flattened perspective, and emphatic lines.[2] Sesshu was born into the samurai Oda family (???) and trained at Shokoku-ji temple in Kyoto, Japan, as a Zen monk.[1] From his early childhood, Sesshu showed a talent for painting and eventually became widely revered throughout Japan as a wise, reputable Zen scholar, and the greatest painter priest of Zen-Shu.[3] Sesshu worked in a painting atelier whilst training under Tensho Shubun (c. 1418–1463). But upon visiting China, his work betook a distinctive Chinese influence, merging Japanese and Chinese styles to develop his individualistic style of Zen paintings.[3] Sesshu's influence on painting was so wide that many schools of art appointed him their founder.[4] Sesshu's most acclaimed works are Winter Landscape (c. 1470s), Birds and Flowers (1420–1506) and Four Landscape Scrolls...

A rare antique Japanese late Meiji Era tripod and covered enamel copper censer koro. Circa: late 19th century to early 20th century. The sphere form censer koro is enameled with poly...

A large Japanese covered tripod enamel censer koro or incense burner. The sphere form ware is enameled with polychrome medallions representing cranes and birds in blossoming flowers ...

A Fantastic, rare, and antique Chinese Cloisonné Enamel Gu Form vase, 17th/18th century, Kangxi Period. This cloisonne vase is extremely rare to find in this quality, condition, age,...

A Japanese covered Totai enamel on porcelain ginger jar. The ware is enameled with polychrome medallions representing blossoming flowers surrounded by floral, foliage and geometrical...

Pair of brilliant blue Japanese Meiji period cloisonne enamel metal vases with rounded square shape. Each 24 by 8 1/2 by 10 inches.

Meiji Masterpiece attributed to Ando Jubei: A Maroon Cloisonné Vase with Dragons Phoenix, circa 1895 This monumental Meiji period Japanese cloisonné vase, attributed to the es...

A massive Chinese blue cloisonné vase or urn depicting a colorful imperial phoenix with gilt bronze wires among birds and butterflies in an imperia...

A large cast bronze sculpture of a Buddha's left hand. Indonesia, circa 1980. Dark brown patinated finish. The gesture is known as Dharmachakra Mudra, the traditional Buddhist gest...

An antique Japanese Meiji era enamel plate. The plate is enameled with a polychrome image of a bird sitting on a branch with blossoming flowers on a blue turquoise ground made in the...

Mughal dynasty gold and gem encrusted Spinach jade dagger having a dark green pistol grip, inlaid with gold, ruby and sapphire applied rosettes to either s...

A Japanese covered and footed enamel tea set including three pieces. The set includes a large tea pot, a small tea pot, and a sugar bowl. The wares are adorned with a polychrome enam...

An Exquisite Pair Of Japanese Cloisonné Enamel Vases with Chrysanthemum Blossoms, Attributed to Hayashi, Meiji Period. Experience the exquisite craftsmanship of the Meiji period wit...

Japanese Bronze Two Handle Koro, early 20th century, with salamander form handles and exotic bird decorated body, on four mythical beast formed feet, the base drilled. 8" H x 12" W x...

An antique Japanese, late Meiji era, enamel over copper tray. The interior of the ware is adorned with a polychrome enamel design representing figural medallions depicting plants in ...

A large antique Japanese late Meiji era covered Totai enamel on porcelain ginger jar. Circa: late 19th century to early 20th century. The ware is enameled with a polychrome fan shaped medallions with blossoming flowers, and butterflies, surrounded by floral and butterfly wings patterns made in the Cloisonne technique. The cover of the ware is decorated with a polychrome image of a flower surrounded by floral, foliage, and butterfly wings made in the same technique. The neck, the base, and the lid are adorned with polychrome geometrical, and floral motifs made in the same technique. Signed with red ink hieroglyphs, on the bottom. Totai Shippo is the name given to Japanese cloisonne on ceramics, both on earthenwares and on porcelain. It has a similar appearance to metallic cloisonne ware...

An antique Japanese, late Meiji era, covered enamel over brass jewelry or trinket box. The body of the ware is enameled with floral and foliage motifs made in the Cloisonne technique...

Pair of antique (late 19th century) Meiji period Japanese patinated bronze table lamps or incense burners of lily flower form measuring 21 inches tall. Unsigned.

A Japanese enamel over metal vase. The vase has a globular shaped body and a wide neck with a fluted mouth. The exterior of the ware is enameled with a polychrome design depicting bl...

An antique Japanese late Meiji era covered Totai enamel on ceramic ginger jar. Circa: late 19th century The ware is enameled with polychrome images of blossoming flowers, butterflies, and dragonflies made in the Cloisonne technique. The cover of the ware is made in the same design. The neck and the base are adorned with polychrome floral, and foliage motifs made in the same technique. Signed with red ink hieroglyphs, on the bottom. Totai Shippo is the name given to Japanese cloisonne on ceramics, both on earthenwares and on porcelain. It has a similar appearance to metallic cloisonne ware...

An antique Japanese late Meiji era decorative enamel over copper plate or charger. Attributed to Goto The interior of the plate is adorned with a polychrome design of flying geese ...