New York City - Wall Decorations

Large original acrylic on canvas "Two Protea" by Ben Schonzeit, American 1989, signed and dated on reverse with gallery label that reads: (Ben Schonzeit “Two Protea, Acrylic on canva...

Giuseppe Casciaro, Ischia, 1929. Giuseppe Casciaro (1861-1941) Amalfi coast landscape with watchtower on the island of Ischia. Pastel and gouache on card. Signed and dated 19 Feb VII...

Diverse sea creatures from the Loch Ness traverse a mysterious lagoon, popping out against the rippling water. Samples are available for $18 including US shipping, please message us...

An antique 18th century French Aubusson tapestry, size 8'10" H x 7'9" W. This fine, handwoven tapestry envisions a scene with Don Quixote and his squire, Sancho Panza, as he attends ...

Abstract Oil Painting Education 1994–96 MFA, University of British Columbia, Vancouver, Canada 1991–94 BFA, Rockford College, Illinois, USA Solo Exhibitions 2017/18 Landscape / Still Moving, Rockford Art Museum Annex, Rockford, Illinois, USA 2017 Life Still / In Motion, Kortman Gallery, Rockford, Illinois, USA 2015 Ljósanótt, Keflavik, Iceland 2014 Umbrot, Kaffi Sólon, Reykjavik, Iceland 2012 Brotinn himinn, Kaffi Sólon, Reykjavik, Iceland 2011 Eins og enginn sé morgundagurinn, Listasalur IÐU, Reykjavik, Iceland 2009 Myndbirtingar, B5, Reykjavik, Iceland 2006 ekki endilega hér / hvergi (possibly nowhere), Gallerí List, Reykjavik, Iceland 2006 In Transit, Galeriazero, Barcelona, Spain 2005 Koma og fara, SPH, Garðabaer, Iceland 2001 flökt (taktur einsemd snerting), Café Prestó, Kopavogur, Iceland 1999 Manngervingar (anthropomorphic), The Labour Unions’ Art Gallery, Iceland 1998 hafið bláa hafið, Gallerí smíðar&skart, Reykjavik, Iceland Group Exhibitions 2016 Ljósanótt, Keflavik, Iceland 2002 Anniversary Exhibition, Gallerí List, Reykjavik, Iceland 1998 Brynhildur Gudmundsdottir & Hekla Gudmundsdottir, Bílar&list, Reykjavik, Iceland 1996 Masters of Fine Arts Graduate Exhibition, Belkin Gallery, Vancouver, Canada 1996 XQXQXQX, Skuggi Gallery, Rockford, Illinois, USA 1995 Invitational Drawing Exhibition, OR Gallery, Vancouver, Canada 1995 Annual Erotic Art Exhibition, New-Era Society, Victoria, Canada 1995 Opening Exhibition, Skuggi Gallery, Rockford, Illinois, USA 1995 Gullnáman, Laugarvatn, Iceland 1995 Heart Art, Rockford College Art Gallery, Illinois, USA 1994 TSYQEOPXHBE, BFA Exhibition, Rockford College Art Gallery, Illinois, USA 1994 Just Another One Night Stand, Rockford College Art Gallery, USA 1993 No Icelandic Conversation, Rockford College Student Art...

A vintage Bessarabian Kilim oriental rug in kaleghi (gallery) size, size 11'0 x 5'6, circa 1930. This handsome handmade flat-woven carpet has no upward pile, and features a stylized ...

French gilt filigree carved framed oil painting portrait of 18th Century lady wearing pink bow (signed A. BERONER)

An antique Persian Hamadan Camel Hair oriental rug, size 6'3 x 4'0, circa 1920. This handsome hand-knotted wool carpet is uniquely sized and styled for a piece of this type, with a r...

Painting. Acrylic on canvas by Gerard Economos (French,1935-) Gerard Economos is known for his passionate, intensely colored abstract compositions and large acrylic paintings that have been performed live in front of audiences in 12 countries. Economos has had over 88 events over the last 57 years and his work is now in collections in over 34 countries. He started Live Performances with the Greek avante-garde composer and architect, Iannis Xenakis during a Sound Festival; Subsequently he developed the "Une Musique a Voir" (A music to see) concept. 'La Cuisine aux Fleurs' (Cooking with Flowers) was a series of paintings initiated at the request of the renowned French Chef, Raymond Oliver in 1975 who wished to have his recipes illustrated. They have been rarely shown in public. For an illustrated 15 page biography of Economos please contact Thomas Gallery Ltd...

Pair of cast porcelain wall-mounted sculptures in warm and cool colored glaze. Wood fired. Artist-signed and dated on backside.

Dutch blue and white Delft porcelain wall plaque (19/20th Century) with scalloped edge and landscape scene of cottage by canal (signed T. Sonneville) (Related item: 043937B, 043937C...

Italian Impressionist style seascape depicting a fishing boat pulled up on to the shore line with mountains in the background.

Antique Persian Heriz Karaja Oriental rug, in room size. An antique Persian Heriz Karaja oriental rug, size 6'3" x 5'0", c...

Thanks Copy of a Impressionist style landscape painting by Schindler titled,"Monlandschaft" or "Shaft of Moon Light" showing water lilys in a pond lined with trees under the moon Co...

Antique Indian Agra oriental rug, size 11'7" H x 9'1". An antique Indian Agra oriental rug, size 11'7" H x 9'1" W, in room size, circa 1900. This fine floral wool rug features a c...

This rare & wonderfully preserved vintage etching by Kerr Eby is a depiction of the World War 1, September 13, 1918 battle of St. Mihiel. The powerful etching...

Rectangular oil on canvas still life painting of a basket of assorted flowers tied with a blue bow against a dark background in a rectangular carved giltwood frame.  

Antique Persian Sarouk Oriental Rug, circa 1920, Room size An antique Persian Sarouk oriental rug, size 12'0" x 9'0", circa 1920. This lovely hand-knotted wool rug features an intri...

Edward S Curtis (1868-1952) Title: Shijako – Pima Plate: 47 Portfolio: Volume 2 Printer: John Andrew & Son Medium: Photogravure Date: 1907 Dimension...

Modern Post-War Fish Monoprint composed of blue ink on black paper. Signed at bottom right "Mury" and titled at bottom left "The Monster from Tomkins Cove (NY)." Matted and contained...

Title: Stump Speech, #4 Year: 2013 A to-scale rendering of the cross section of a tree discovered in Prospect Park, Brooklyn, comprising hundreds of c...

Under the Blanket Project, Naomi Clark creates what she titles Quilt Paintings. She breathes new life into old wool and cotton camping blankets culled from EBay, flea markets and gar...

A still life artwork painting of flowers and fruit, circa mid-20th century, USA. Painting is framed in a silver giltwood frame and matted. Piece is ...

Antique Ferahan Sarouk Oriental rug, circa 1900, small size. An antique Ferahan Sarouk oriental rug, size 4'9" x 3'6", circa 1900. This lovely hand-knotted wool rug features a her...

A stunning 1980s molded plastic eyeglass or sunglasses display. It has six three-dimensional heads with small slits near their ears to insert the arms or temples of a pair of glasse...

Vintage oil painting portrait depicting an American Naval officer in uniform seated against a blue and gray background, painted on stretc...

Lombard School ink figural study of the Three Graces inscribed "Le Parmesan," and "Ecole Lombard." Pen and brown ink. Girolamo Francesco Maria Mazzola, Il Parmigianino (1503-1540.) P...

English Impressionist Oil on Canvas of a Fishing Scene in a Classical Gilt Frame, c. 1880 (GEORGE SHERWOOD HUNTER)

Under the blanket project, Naomi Clark creates what she titles quilt paintings. She breathes new life into old wool and cotton camping blankets culled f...

Pop Art graphic silk screen featuring chocolate brown and violet targets alongside stylized flower motif. Professionally framed with matte and anti U...

Print Full bleed six-color silkscreen printed on Letra Ecru 300 gsm Measures: 34.00 x 24.50 in 86.4 x 62.2 cm Edition of 50 This work is signed and numbered by the artist on recto. The imagery for this edition is derived in part from what Michael Bauer calls his “telephone drawings”—quick, loose sketches made while talking on the phone or otherwise distracted. Bauer saves these doodles, no matter how rough or silly, and uses them as raw materials to be copied, scanned, altered, and combined. Bauer often works in series, making groups of paintings that metaphorically “talk back” to one another while simultaneously standing on their own as individual works. As he says, “Every painting that I do relies on the last twenty I did.” In a neat literalization of his process, this print includes the words “baba” and “creme,” recurring terms Bauer uses as verbal readymades for their phonetic qualities and mutable meanings. The amorphic, animalistic forms of German painter Michael Bauer are built upon color washes, meandering lines, and bulbous protrusions. Utilizing a variety of rendering techniques and materials, including pointillism, text and high-chroma colors, Bauer transforms his free-form compositions into dynamic and ornamented abstractions. He borrows from the colorful tradition of Modernist composition, juxtaposing collaged cutouts with a bevy of 20th century painting methodologies—including Cubist, Pop, and Surrealist techniques—to make the swirling paintings...

Cityscape oil on canvas painting by James Coignard, France (1925-2008). Signed and framed. Early period. Canvas size 28.5" x 23.5. Size with frame 35" x 30".

Original Gleneagles poster.

White Bunny Drawing by Oleg Cassini for Playboy October 1979, Signed. Illustration of a woman wearing a white body suit, choker, and hat. Signed by Oleg Cassini. Notice the body suit is in the shape of the head of a bunny with clever use of the 'whiskers'. Approximate Measurements: Length: 11" Width: 14" Property from the Collection of Steven Rosengard, Chicago, Illinois This original drawing was commissioned by Playboy and included in the October 1979 issue of Playboy Magazine (pages 225-227) in a feature that included works from designers such as Bill Blass, Oleg Cassini, Edith Head, Fernando Sanchez, and Monika Tilley, among others, who create their versions of the Playboy bunny costume. Candace Collins can be seen modeling some of the designs in the feature. Oleg Cassini is an icon of twentieth-century fashion. Though born to Russian aristocracy and raised in Italy, he built a fashion empire that was unmistakably American. Cassini is perhaps best known for the hundreds of designs he created for First Lady Jacqueline Kennedy (see images 4-8), but his achievements as a collector, connoisseur, and quintessential twentieth-century man go far beyond Camelot. In 1913, Oleg Cassini was born in Paris to the Russian diplomat Count Alexander Loiewski and Countess Marguerite Cassini, a Russian aristocrat of Italian ancestry who also had an interesting link to America. The daughter of Count Arthur Cassini, Russian Ambassador to the United States during the McKinley and Roosevelt administrations, Marguerite dazzled turn-of-the-century Washington as her father’s official hostess and left her mark on the capital city. Stationed in Denmark when the Russian Revolution toppled the czar, Ambassador Cassini and family were exiled to Switzerland before settling in Florence, Italy, where young Oleg was raised. A true Renaissance man, he spoke Russian, French, and Danish before adding Italian and English; he studied medieval and modern European military history and costume and learned to draw; he learned horseback riding, fencing, and the art of chivalry; and, most importantly, he came to understand the struggles of the Russian titled class and other European aristocrats in the wake of the Russian Revolution and World War I. Countess Cassini started a successful fashion business in Florence, and soon the talented young Oleg was sent to Paris to sketch the latest collections for recreation in Italy. In Rome in his early 20s, Cassini created fashions for high society women and designed for a few films, which planted the seed for his move to Hollywood. The drive to reinvent himself brought Cassini to America in the 1930s; in his autobiography he describes arriving nearly penniless in mid-Depression New York City where his title as an exiled Russian Count meant even less than in war-devastated Europe. Down and out, Cassini struggled for employment, having sketching skills but no knowledge of the wholesale trade required for survival in Manhattan’s Seventh Avenue fashion district. However, he excelled at making connections, and Cassini slowly entered New York society. He was soon joined by younger brother Igor (who had studied in America and travelled with the young Emilio Pucci) and his parents, the once-dazzling Countess and his father, the displaced diplomat still loyal to Russia. The family settled in Washington, D.C., and Igor worked his way up the Hearst newspaper chain to become the famous society columnist Cholly Knickerbocker. In New York, Oleg Cassini married the troubled socialite Merry Fahrney (who would go on to marry eight times), but the marriage ended in scandal for Oleg, and he decided to follow his original intention and head for Hollywood. Despite initial difficulties, Cassini gained access to Hollywood’s elite (partially through his skills on the tennis court), and was soon hired as a designer at Paramount Pictures alongside the redoubtable Edith Head. In her 1941 film debut I Wanted Wings, Veronica Lake wore a memorable Cassini design. That same year, Cassini met and married the newest young Hollywood star on the scene, the beautiful 20th Century Fox–talent Gene Tierney. With the outbreak of World War II, Cassini enlisted in the Coast Guard but was transferred to the U.S. Army Cavalry which allowed officers of foreign birth. He attended basic training at Fort Riley, Kansas, and the horsemanship he learned as a boy served him greatly. He attended Officer Candidate School and reached the rank of First Lieutenant (he also became an American citizen at this time, losing his title of Count). Cassini spent several years posted at Fort Riley, where Tierney joined him before he landed a convenient military post in Hollywood. As Tierney’s career thrived (she played the title role in Otto Preminger’s Laura in 1944), she was able to assert her influence over 20th Century Fox’s head Daryl Zanuck, who hired Cassini as designer for Tierney on her 1946 film The Razor’s Edge, which proved to be a brilliant showcase for his talents. The pair separated the same year and, again seeking reinvention, Cassini re-established himself in New York City as a fashion designer. By 1950, the Oleg Cassini label was born. Combining his knowledge of Old World and modern Europe, Hollywood, the tennis courts of Palm Beach and Newport, and of course, New York City, Oleg Cassini invented a new brand of fashion that was distinctly American and of its moment. For his first collection, Cassini took to the stage, narrating the looks and imbuing the scene with his personality, unusual in an industry where the designers typically remained backstage and the models were called by number over a PA. The first collection was a smash — the president of Lord & Taylor devoted all of their storefront windows to his designs — and by 1955 sales had reached $5,000,000. Oleg Cassini’s career had turned a very positive corner. Cassini spent the early 1950s traversing the country, personally selling his collections to department stores in the interior, something his predecessors had never done, and moving between the Hollywood and New York scenes. Cassini’s brother Igor coined the term “the Jet Set” for this generation that constantly flew from New York to Los Angeles (then a ten-hour flight), Las Vegas, Paris, Rome, and the Riviera. In 1954, Cassini set out to woo Grace Kelly and sent her roses every day. The two were briefly engaged before her marriage to Prince Rainier of Monaco. In December 1960, Cassini’s career-defining opportunity came when he was chosen by Jacqueline Kennedy to design her fashions for the White House. Cassini had long known Joe Kennedy and his war-hero son John, and had first met Jacqueline Bouvier before her marriage in the early 1950s. Invited by President-Elect Kennedy to meet Jacqueline at Georgetown Hospital (she had just given birth to son John Jr.) to present to her drawings of potential dresses and First Lady looks, Cassini worked furiously to prepare a new line for the First Lady. Mrs. Kennedy had always had her clothes made by the top French couturiers of the day, but for the White House she wanted an American designer. Cassini wrote in his autobiography that he told the First Lady: “‘You have an opportunity here,’ I said, ‘for an American Versailles.’ She understood completely what I was trying to communicate; she began to talk excitedly about the need to create an entirely new atmosphere at the White House. She wanted it to become the social and intellectual capital of the nation” (Oleg Cassini, In My Own Fashion, 1987, p. 327). Mrs. Kennedy loved Cassini’s design for a gown to wear to the Inaugural Gala (she had already ordered a dress from Bergdorf’s for the Inaugural Ball), and Cassini was selected as the First Lady’s designer and was soon dubbed the “Secretary of Style.” From 1960 to 1963, Oleg Cassini would design over 300 items for Mrs. Kennedy, creating the “Jackie Look” that contributed not only to a fashion revolution but also the dawn of a new age. Cassini wrote that “Jackie played a very active role in the selection of her clothes. She loved brilliant colors — pistachio, hot pink, yellow, and white among others. Her sense of style was very precise; she would make editorial comments on the sketches I sent her. She always knew exactly what she wanted; her taste was excellent” (Oleg Cassini, In My Own Fashion, 1987, p. 334). After the Camelot years, Cassini’s business flourished and grew into a major industry; his name appeared on everything from couture to tennis-, sport-, and swimwear, car interiors, housewares, and perfume. He collected beautiful and rare artwork, arms and armor, and antique furniture, and lived the lifestyle projected by his image. From this period onward, Cassini also came to live in important homes. Of his Gothic Gramercy Park townhouse on Manhattan’s 19th Street he would write imaginatively, “I walked into the foyer and immediately fell in love. It was a place unlike any other in New York, a sixteenth-century Dutch house transported brick by brick from Europe by the Wells Fargo family in the early twentieth century. There was a vaulted, twenty-foot ceiling in the living room, leaded windows, elegantly carved wood paneling...

Copy of a seascape painting titled "Sailing" showing small boats under sail in a strong breeze and choppy seas

In over five decades of photography Elliott Erwitt (b.1928) has never lost his characteristic intrigue at the curiosities of life. His unique ability to capture beauty in the mundane as well as the famous, to find the commonplace in the exceptional and vice versa. Fifth Avenue captures the chaos of Erwitt's native city with the late afternoon sun glinting on the bonnets of traffic. One of the leading photographers of his generation, Elliott Erwitt (b.1928) has been taking pictures since the late 1940s. A member of the prestigious Magnum agency since 1954, he has photographed all-over the world and his images have been the subject of many books and exhibitions. Containing over 500 pictures, over half of which have never been published before, Elliott Erwitt Snaps is a unique and comprehensive survey of his work. From famous images such as Nikita Khrushchev...

This circular resin artwork by Facture Studio was created to hang on a wall in your space. The piece play with how transparency and light interact with the resin in different gradi...

Tone Plane II by Facture Resin, Aluminum, Wood W 40 × H 60 × D 1.75 in W101.6 × H152.4 × D 4.45cm A large rectangular wall object features a soothing hue transitioning between Quinc...

Antique Indian Agra oriental rug, size 13'4"" H x 10'7"". An antique Indian Agra oriental rug, size 13'4"" H x 10'7"" W, in room size, circa 1890. This fine floral wool rug featur...

Copy of a seascape painting showing ships under sail in open ocean

Want summer all year round? This monstera deliciosa leaf pattern brings the jungle into your home! Samples are available for $18 including US shipping, please message us to purchas...

Hand-picked by buyers at Ann-Morris Inc.

A fun, textural pattern inspired by the white-spotted rose anemone. Samples are available for $18 including US shipping, please message us to purchase. Printing: Digital pigment pr...

Pierre Bordeaux, Paris View of the Seine, 1934. Vintage April in Paris ambience to this hand-painted watercolour rendered in soft blue, grey, celadon a...

Grotto view of Capri. Gold-framed French watercolor views of Capri entitled, "Grotto a Capri - Le 24 Octobre 1846," Dimensions: Sight: 12.5" W x 9" H; overall 18.5" W x 14.5" H.  

Get lost in this nocturnal fantasy jungle-scape! Flora and fauna combine to create the ultimate dreamy pattern. Samples are available for $18 including US shipping, please message u...

The Geo Bird pattern is one of our most popular because it brings nature into your home in a modern slightly geometric interpretation. The tree leaves, branches and birds have been s...

English Victorian gilt framed oil landscape painting of stream and mountains (Manders)

A loomed French rustic landscape tapestry from the first quarter of the 20th century, circa 1920, envisioning a festive scene in which villagers eat, play music, and make merry before a cottage at right, within a verdant setting of trees, bushes, and acanthus plants...

American Mid-Century (unsigned) black framed caricature watercolor of couple with father loading gun ("Something tells me we should cut out this horsing around & get married!")

A French Aubusson genre tapestry from the 18th century, featuring a rustic scene in which a youth plays his instrument for his damsel, who is reposing in the clearing of a forest. En...

Vintage Persian Baktiari Oriental Rug, Square size A vintage Baktiari oriental rug, size 12'8" x 11'0", circa 1930. This handsome hand-woven geometric rug features a garden design ...

Antique Persian Kerman oriental carpet, size 13'6" H x 9'7" W, circa 1920. This antique hand-knotted Persian rug features a strik...

Oil on canvas by William A. Drake, newly framed, C. 1930's, signed on bottom corner. Dimensions listed reflect the painting framed.

Large Postmodern Abstract composition with mechanical and biomorphic forms. Verso signed , titled , and dated: "Totaliser / Yeni Mao / 2006." Light soil and dust accretion. Art 60....

Vintage Persian Kerman oriental carpet, size 9'0" H x 6'6" W, circa 1930. This vintage hand-knotted Persian rug features a striking ivory central field, with a central medallion s...

This exceptional surrealistic oil painting on canvas depicts Florence through the mind of artist, Tito Salomoni. It is beautifully detailed with vivid colors presenting an unfolding ...

Late 19th Century Pair of Pictorial Baluch Ferdous Carpets ( 3'7" x 6'1" - 110 x 185 )

This 1940s, unsigned oil-on-canvas portrait, newly restored and framed, came from the estate of scholar John Githens (1937-2024) and artist Ingeborg ten Haeff (1915-2011). The couple lived and hosted lively dinner parties at their Washington Square bohemian townhouse, where many of the furnishings were designed by ten Haeff’s first husband, the architect Paul Lester Wiener...

Antique Ferahan Sarouk oriental rug, circa 1900, small size An antique Ferahan Sarouk oriental rug, size 4'9" x 3'3", circa 1900. This lovely h...