New York - Landscape Drawings and Watercolors

Watercolor on heavy gauge watercolor paper, 14 x 9 3/4 inches (352 x 248 mm), the full sheet. Titled in pencil in the lower left margin. With a garden landscape in watercolor on the ...

Watercolor on cream wove paper mounted to light weight card stock, 3 3/4 x 5 1/2 inches (94 x 138 mm), the full sheet. In good condition with minor uniform toning. Sophia Beale was...

Watercolor on heavy gauge watercolor, 4 1/8 x 11 3/4 (105 x 299 mm), the full sheet. In good condition with scattered minor surface soiling, and light scattered foxing. Colors slight...

Watercolor with graphite on heavy gauge watercolor paper, 9 3/4 x 7 1/4 inches (249 x 185 mm), the full sheet. Titled and dated August 27, 1896 in pencil in the lower right margin. I...

Two watercolor compositions on one sheet of watercolor paper, 10 x 6 7/8 inches (255 x 175 mm), the full sheet. Signed illegibly and dated in pencil on the lower right corner of the ...

Romantic, tonalist style charcoal drawing of a tree in isolation by Sue Bryan "Offshoot" charcoal, acrylic, and pastel on paper dry mounted to canvas 30 x 22 inches 31.25 x 23.25 inc...

Watercolor and graphite on heavy gauge watercolor paper, 6 x 9 1/2 inches (152 x 241 mm), the full sheet. Scattered light foxing, otherwise in good condition. Sophia Beale was born...

Watercolor and pencil on J Whatman 1884 watermarked cream wove paper, 12 x 9 1/4 inches (305 x 235 mm), the full sheet. Scattered toning and one 2-inch horizontal edge tear in the lo...

Watercolor and pencil on heavy gauge watercolor paper, 11 3/4 x 9 3/4 inches, (298 x 248 mm) the full sheet. In good condition with fresh, detailed brushwork and saturated pigments. ...

A bucolic woods landscape with an ivy-covered country manor. Watercolor and graphite on heavy gauge watercolor paper, 4 7/8 x 7 inches (125 x 178 mm), the full sheet. In very good c...

Watercolor and pencil on buff wove watercolor paper, 10 x 8 inches (255 x 203 mm). In good condition with overall minor toning. Some watercolor paint splatters on the verso, contem...

Watercolor and gouache on heavy gauge watercolor paper, 9 1/2 x 15 1/8 inches (242 x 385 mm), the full sheet. Titled in pencil on the verso. Scattered edge wear, and small losses at ...

Large, highly detailed charcoal and acrylic landscape featuring a lush country forest against a sunlit sky "Some Twilight Land" by Sue Bryan charcoal, acrylic, and pastel on canvas, ...

Watercolor on watercolor paper, 9 3/4 x 12 1/4 inches (248 x 311 mm), the full sheet. Scattered light toning, especially at the sheet edges. Minor, light area of clustered brown spot...

An superb painting of the formal gardens from a 17th century manor house in Yorkshire. Watercolor on board, 14 3/8 x 10 3/8 inches (365 x 264 mm), the full sheet. Signed and dated i...

Wheat Field and House Oliviero Masi Italian (1948) Date: 1987 Pastel on paper, signed and dated lower right Size: 12 x 19 in. (30.48 x 48.26 cm)

Watercolor with white heightening through abrasion with the brush stick on watercolor paper, 7 x 9 7/8 inches (177 x 248 mm), the full sheet. In good condition with scattered light f...

Giovanni Battista (Italian, 1860-1925) Untitled (Italian Coast, likely Naples), c. 19th century Watercolor Sight size: 13 1/4 x 20 Framed: 22 1/2 x 29 1/2 in. Signed lower left: G. ...

Executed in black, grey and brown, this monumental charcoal and pastel painting conveys the mythic drama and beauty of an active volcano. Rising in the shape of a wide, low cone, the...

Watercolor on card stock, 4 3/4 x 11 1/2 inches (120 x 292 mm), the full sheet. Signed in blue watercolor on the lower right recto, titled in black ink on the verso. Scattered light ...

5125 Antique charcoal drawing of a landscape as viewed from the Charles River in Boston from 1827 Signed J.G.Berry

Watercolor on heavy gauge watercolor paper, 9 3/4 x 11 7/8 inches (246 x 294 mm), the full sheet. In very good condition with minor toning and some scattered light surface soiling. C...

Watercolor and pencil on watercolor paper, painted along the top portion of a sheet measuring 9 1/4 x 11 7/8 inches (235 x 302 mm), the full sheet. Titled in pencil in the lower left...

Walter Anderson ( American, 1903 - 1965) Hydrangeas, circa 1950 Mixed media on paper 11 x 8 1/2 inches Provenance: Luise Ross Gallery, New York Private Collection, New Jersey Acquired from the estate of the above, 2021 Walter Anderson firmly believed that quality art was an important part of life and should be made available to everyone. As he said, "There should be simple, good decorations, to be sold at prices to rival the five-and-ten." Noticing that only poor quality art was available in stores and little was available for children, he resolved to make art which could be reproduced easily and sell inexpensively — linoleum block prints. This technique enabled him to provide affordable, quality art. The technique of linoleum block printing is a simple concept; however, it requires much skill and talent to actually produce memorable art. Anderson purchased surplus "battleship linoleum," thicker than ordinary linoleum with a burlap backing for better support, to create his blocks. During the mid-1940s, he created almost 300 linocuts working in the attic of the sea-side plantation house, Oldfields, his wife's family home in Gautier. Masses of linoleum chips accumulated at the foot of the attic stairs as he often worked night and day. He began with sketching out a design directly on the linoleum. Once he had carved the image into the surface, he used the back of faded, surplus stock wallpaper that a friend sent him, laying long strips on top of the inked linoleum. A roller made of sewer pipe filled with sand served as his press. When the print was completed, he often colored it by hand with bold strokes and vivid colors. The prints were sold at Shearwater Pottery, the family business, for a mere dollar a foot. But "what about a well-designed fairy tale for a child's room?" he asked himself. Since there was a lack of affordable art for children, much of his work with linoleum blocks focused on subjects for children. He depicted fables and fairy tales ranging from Arabian Nights, to Germany and the Grimm Brothers' Rapunzel, to the French story of The White Cat, to the Greek tales such as Europa and the Bull, and to tales from China, India, and other cultures. Anderson also created "mini" books featuring the alphabet and Robinson Cat. The blocks are not only alive with the story being depicted, but they are also filled with designs taken from Best-Maugard's Method for Creative Design. Swirls, half-circles and zig-zag lines fill every available space on the linoleum block making them come alive and capture their audience. But fairy tales, children's verses and the "mini" books, consisting of about 90 blocks, were not the sole subject of Anderson's linoleum block prints. In total, he created approximately 300 linoleum blocks with subjects ranging from coastal flora and fauna, coastal animals, and sports and other coastal activities. Anderson even created linoleum blocks to be used to print tablecloths and clothing, some worn by his own children. Color and subjects of the linoleum block prints were not the only things that got them noticed. In 1945 when Anderson was creating these prints, the standard size of linoleum block prints was only 12 by 18 inches. These small dimensions were due to the common size of the paper available and the restrictions made by national competitions. Since Anderson used wallpaper...

Sandy Litchfield’s “Lingerlin” (mixed media on paper, 30 x 22 in.) reflects her signature practice of transforming landscapes into lyrical, layered compositions. Drawing inspiration ...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

A lovely coastal view of Dorset from the bluffs of what is now Parkstone Golf Club. 1895. Ink and wash on wove paper, 7 1/2 x 11 inches (190 x 280 mm), the full sheet. Signed in ink...

Beautiful original gouache of a busy Seine River scene with advertising boats and a figure along the shore with the city of Paris in the background. Signed lower left. Condition is...

Watercolor on watercolor paper, 4 7/8 x 6 3/4 inches (124 x 173 mm), the full sheet. Light toning and minor scattered foxing, colors remain fresh. Sophia Beale was born in London i...

James Abbott McNeill Whistler Beach Scene at Dieppe, 1885-86 Watercolor on paper, mounted on board 8 1/2 x 5 inches Signed on the reverse Provenance: Miss Annie Burr Jennings Mrs. ...

"Through the Trees" Watercolor Mid-20th Century Modern Excellent Provenance Arthur Dove (1880-1946) "Through the Trees" 5 x 7 Watercolor on paper, 1938 Singed lower center Framed: 1...

Man Working Mid 20th Century American Scene Social Realism Industrial WPA Modern Jo Cain (1904 - 2003) Telephone Pole Worker 38 1/4 x 18 1/2 inches Oil on pap...

NYC Watercolor Drawing American Modern 20th Century Modernism Mid-Century WPA. David Fredenthal (1914-1958) "View of New York from New Jersey,"7 x 10 inches. Watercolor on Paper, c. 1948. Signed lower right. David Fredenthal (1914 - 1958) was one ot America's most respected watercolor artists. He was famous for his bold, intensely vigorous and complex paintings and drawings that expressed his deep feeling for excitement with life and living. He was a draftsman with seemingly a special gift for catching anything, physically and emotionally on the spot, and he never went anywhere without three or four loaded pens and a sketchbook in his pocket. As part of the WPA project he executed a number of murals including the Sports Pavilion on the Heinz Building of the New York World's Fair 1939. Some of his fresco and mural techniques were inspired by his friendship with Diego Rivera who had admired and encouraged him in the early 1930's. After he won a traveling scholarship to Europe from The Museum of Modern Art at age 19, he was the recipient of two Guggenheim grants in Painting. He had his first solo exhibition at the Downtown Gallery in New York in 1937 at age 23, and many others after that including the Whitney Museum of American Art in 1947. Because of Fredenthal's prodigious drawing gifts, he was chosen by Erskine Caldwell to illustrate his novel "Tobacco Road...

Eve Nethercott, American (1925 - 2015) - Seaside (P5.6), Year: 1947, Medium: Watercolor on Paper, Size: 13 x 20 in. (33.02 x 50.8 cm), Description: The versatility of Eve Net...

Railroad Worker Industrial WPA American Scene Mid Century Modern Social Realism Jo Cain (1904 - 2003) Railroad worker 36 ¼ x 27 inches Oil on paper c. 1930s S...

Clinton Hill (1922-2003), created quintessential mid-century images, but figures are unusual in his work. This is from a very early period. From 1949 to 1951 he attended the Brooklyn...

Watercolor on board, 6 3/8 x 14 1/4 inches (163 x 362 mm), the full sheet. Signed and dated in watercolor in the lower margin, recto, and titled in pencil with various extensive nota...

Watercolor on heavy gauge watercolor paper, 9 3/8 x 11 1/8 inches (238 x 283 mm), the full sheet. In very good condition with scattered small pin-point spots of discoloration on the ...

Watercolor and graphite on watercolor paper, 5 3/4 x 11 3/8 inches (147 x 290 mm), the full sheet. On the verso is an unfinished sketch in graphite which is titled "Gardens, 3 Kent T...

Watercolor on heavy gauge watercolor paper, 9 x 12 inches (228 x 306 mm), the full sheet. Titled illegibly and dated in pencil in the lower right margin, recto. In good condition wit...

Lisa Breslow Central Park Blues 1, 2018 monotype 18 x 44 in. paper size: 24 x 50 in. This original monotype by Lisa Breslow depicts a dreamy cityscape / waterscape in subtle, painte...

Watercolor on artists board with white heightening through abrasion with the the brush stick, 6 3/4 x 14 1/4 (172 x 362 mm), the full sheet. Signed and dated in watercolor in the low...

Original watercolor of a waterfall with birch trees on illustration board by the well known American artist, William Paskell. Signed lower left. Condi...

Romantic, tonalist style landscape drawing by Sue Bryan charcoal and acrylic on book pages on wood 8 x 10 inches Hangs flush to the wall, with nail notch on back Signed verso Clean, ...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally drop...

6th Avenue El at 8th St NYC Cityscape American Scene Social Realism Mid-Century Max Arthur Cohn (1903-1998) 6th Avenue El at 8th Street 13 x 18 inches Watercolor on paper, c. 1930 ...

A serene Hudson River scene by a student of Louis Comfort Tiffany. Anna May Walling was born in 1881, a native of Goshen, New York. She was a graduate of the Blair Academy, and Prat...

Lois Dodd Untitled Landscape, 1990 Colored chalk on grey wove paper Signed, dated and inscribed "For Beverly & Howard", lower right. Original artist's frame included This unique work...

Jennifer Bartlett Summer, Iceland #5, 2000 Pastel on paper 30 x 44 1/4 inches (sheet) Unsigned

Sandy Litchfield’s "Latent" reflects her signature approach of transforming landscapes into lyrical, abstracted visions. Drawing from memory, walking, and direct observation, Litchfi...

Emile Antoine Verpilleux, 1888-1964 York, 1920 Original woodcut, printed in colors 14 x 18 inches Signed in pencil

"Streetscape" American Scene WPA Era Social Realism Mid 20th Century Industrial Herbert Heyel (American 1907-2000) "Streetscape" 14 x 20 inches Watercolor on paper, c. 1939 Signed l...

You are viewing a modernist American watercolor painting by Robert Noel Blair. Robert Noel Blair (American, 1912-2003) was an American artist, painter, sculptor, printmaker and te...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally drop...

An original antique watercolor by American artist Amos Sangster featuring a dramatic allegorical composition and spectacular hand carved frame.

Cowboys Horses Cattle WPA American Scene Social Realism Mid 20th Century Modern Jo Cain (1904 – 2003) Cowboy 33 3/4 x 36 inches Oil on paper, c. 1930s Signed...

5186 NYC skyline lithograph

Treesong (Contemporary, Realist Charcoal Landscape Drawing by Sue Bryan) 18 x 24 x 2 inches Charcoal and acrylic on Primed Arches Paper Mounted on Wood Panel Excellent condition, Ready to hang as is This contemporary charcoal landscape drawing on arches paper was completed in 2021 by Sue Bryan. Born in Ireland, the artist uses landscapes from her childhood as inspiration for her current work primarily consisting of beautifully detailed charcoal drawings of trees and wooded landscapes. The artist captures exquisite detail and luminous light with the mere use of black and white charcoal and carbon pencil. The artist creates this tree through a blend of light and shadow that demonstrates the artist's masterful technique. Dark leaves and winding branches in black charcoal contrast elegantly against a light filled sky. There is sturdy wire installed on the back for easy hanging. Artist Statement: "My work is drawing based. As a native of Ireland, the landscape there has certainly shaped and influenced my own history. Many of my drawings are of places that have a deep personal association for me; an endeavor perhaps to stay connected to my roots. My aim is not only to convey a sense of place and belonging, but also an attempt to capture the ineffable, to evoke a feeling or a memory, to invite the viewer to look beyond and beneath what they see. My process is one of building up tones and textures using a combination of charcoal, carbon and graphite, all of which yield a wonderful range of blacks and grays that vary in density and transparency as much as in tonality. Much of drawing’s appeal to me lies in its very constraint, in its simplification, in the reduction of nature’s macrocosm to the coal-black char of organic matter. For me, the act of drawing is an end in itself." About the work: A native of Ireland, Sue Bryan explores the memories of youth rooted in her homeland's landscape. Employing charcoal on both paper and panel, these moody and misty studies reminds us that the water-locked terrain is not always sunny and green. Exquisite detail found in each tree branch or mass of tall grasses lining the horizon dominates the foreground. Light emulates from the background attempting to penetrate the density of opaque cloud cover. Bryan's small scale drawings convey an intimate and highly personal sense of place and belonging. SELECTED EXHIBITIONS 2019 'A Quiet Respite", Carrie Haddad Gallery, Hudson, NY 2018 'DRAWN',5th Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH 2018 'On Paper - An Exhibition of Drawings', Florence Academy of Art, NJ 2018 'MONOCHROME', Bo.Lee Gallery, London 2017 'Arboreal', Manifest Gallery, OH 2017 'Hudson Valley Landscapes', Carrie Haddad Gallery, Hudson, NY 2017 'Affordable Art Fair, Battersea, London, October 2017 'A Long Way from Home', Bo.Lee Gallery, London 2017 187th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2017 'Palette', Abend Gallery, Denver, CO 2017 'Summer Exhibit', Carrie Haddad Gallery, Hudson, New York 2017 'Exquisite Abandon : Contemporary Miniature Works', Laguna College of Art & Design 2017 8th Annual Drawing Discourse, University of North Carolina Ashville 2017 'Small is Beautiful', Le Salon Vert, Geneva Switzerland 2016 'Smart Dust', Group Show, Sla307, 307 West 30th Street, New York, NY 2016 'Inside Outside', Carrie Haddad Gallery, Hudson, NY 2016 7th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina Asheville 2016 186th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2016 DRAWN, 3rd Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH 2016 'Summer Group Invitational', George Billis Gallery, NYC 2015 'Radical Inventions', Carrie Haddad Gallery, Hudson, NY 2015 'Strange Paradise', First Street Gallery's National Juried Exhibition, Juror Steven Harvey 2015 185th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2015 'DRAWN' 2nd Annual International Exhibition of Contemporary Drawing, Manifest Gallery 2015 7th Annual Juried Exhibition, Prince Street Gallery, NYC, Juror Robert Berlind 2015 Bradley International Print & Drawing Exhibition, Heuser Art Center, IL, Juror Beth Grabowski 2015 'Interactive Lines' Small Group Invitational, Cabarrus Arts Council, Condor, NC 2014 ‘Regarding the Sublime’, Small Group Invitational, North Park University, IL 2014 27th Northern National Art Competition, Nicolet College Art Gallery 2014 184th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2014 'DRAWN’ 1st Annual International Exhibition of Contemporary Drawing, Manifest Gallery 2014 POP-UP : On and Off the Wall, Series 2, Invited Artist, First Street Gallery, NYC 2014 5th Drawing Discourse, University of North Carolina, Asheville, Juror Tim Lowly 2013 VISTA [landscape in contemporary art], National Juried Show, Manifest Gallery 2013 Marks, A National Juried Drawing Exhibition, Madelon Powers Art Gallery, East Stroudsburg University, PA 2013 American Art Today : Figures, The Bascom, A Center for Visual Art, Juror Jonathan Stuhlman 2013 First Street Gallery's National Juried Exhibition, Juror Donald Kuspit 2013 4th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina, Asheville, Juror Susan Hauptman 2012 Fort Wayne Museum of Art Contemporary Realism Biennial, Fort Wayne Museum of Art, Juror Frank Bernarducci 2012 25th Northern National Art Competition, Nicolet College Art Gallery, Juror Sarah McKenzie 2011 Salmagundi Annual Non-Member Open Exhibition, Salmagundi Club, NYC 2011 33rd Bradley International Print & Drawing Exhibition, Juror Robert E Marx

An original painting by contemporary American painter, Murray Reich. Nicely framed. House and Sky by Murray Reich, American (1932–2012) Date: 1980 Acrylic and Collage on Paper, sign...

A lovely grand tour image of the Doric architectural masterpiece dedicated to Castor and Pollux. Dated 1863. Watercolor and graphite on lightweight card stock, 10 x 13 3/4 inches (2...