New York - Mixed Media

Pat Adams Extended Alike, 1969 Gouache on Paper Mounted to Canvas (Zabriskie Gallery 25th Anniversary & Contemporary Arts Center, Ohio Exhibition Labels) Signed 'Pat Adams 12.69' upper left front In vintage period frame This unique, hand signed gouache on paper, mounted to canvas by renowned artist and longtime member of the Bennington College art department and National Academician Pat Adams, bears labels verso from the following exhibitions: 'Pat Adams Paintings', The Contemporary Arts Center, Cincinnati Ohio, Dec. 7-Jan. 20th. Adams at Zabriskie '(25th Anniversary Exhibition) Zabriskie Gallery, New York, NY, Dec. 5, 1978-Jan. 6, 1979, Cat. no. 41 and' Zabriskie Gallery, New York, Jan. 6-Jan 24, 1970 Measurements: Framed: 19 1/2" H x 13 1/4" W Artwork: 18" H x 11 1/2" W; Excellent condition, held in a vintage frame PAT ADAMS BIOGRAPHY: Pat Adams Biography: Pat Adams (American, b. 1928) was raised in Stockton, California, and began painting at the age of ten. She studied painting at UC Berkeley from 1945–49, where she first encountered the ideas of Hans Hofmann as she studied under his former students—Worth Ryder and Margaret Peterson O’Hagan, who had arranged for Hofmann’s migration to the States in 1932, among them. During her summers at Berkeley she pursued programs at the California College of Arts and Crafts (1945), the College of the Pacific (1946), and the Art Institute of Chicago (1948). In 1950, following her graduation from Berkeley the previous year, she attended a summer session at Brooklyn Museum Art School, remaining in the city after its completion. She received her first solo exhibition in 1954 at the Korman Gallery—later to be renamed the Zabriskie Gallery, which would continue to represent her through 2018. Her work was greatly motivated by her international travel during the 1950s: in Italy in 1951, after her first husband, painter and printmaker Vincent Longo was awarded a Fulbright scholarship, and in France in 1956, after she received her own Fulbright scholarship. In the fall of 1964 she was invited by professor Paul Feeley to teach at Bennington college, where she joined the social circle of the famous “Green Mountain Boys,” including Kenneth Noland and Jules Olitski. In 1972 she married fellow Bennington professor R. Arnold Ricks, and they set off with her two sons on a four month journey through Egypt, Iran, Turkey, and all of Europe, which impacted her work significantly. She continued teaching at Bennington through 1993. Her lengthy career has also included many teaching appointments at Yale, as both a visiting professor and artist, as well as the Rhode Island School of Design, among numerous other institutions across the country. She has received notable awards from the National Endowment for the Arts, the Academy of Arts and Letters, the National Academy of Design, and the College Art Association. In 1995 she was awarded the Vermont Governor’s Award for Excellence in the Arts. Her work has been the subject of over fifty solo exhibitions. She lives in Bennington, Vermont. -Courtesy of Alexandre Gallery

This is a charcoal and gouache drawing initialed on bottom left. It is signed and titled on the reverse. Including the Frame it measures 15x 11 in. Please note: THERE IS NO CHARGE ...

Martin Whatson Scribble Canvas - 2020 11.8 x 11.8 in., 30 x 30 cm Mixed media on canvas Unique canvas COA included

Mercedes Jelinek (b. 1985) is an American artist and photographer living and working in Brooklyn, NY. Specializing in black and white photography, Jelinek often transforms the photog...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

Marc Heine (German/American, 1919-2007), Abstract Composition, Mixed Media on Canvas, signed lower right, wood frame. Image: 66.25" H x 35.25" W; frame: 67" H x 36" W x 1" D. Provena...

Mercedes Jelinek (b. 1985) is an American artist and photographer living and working in Brooklyn, NY. Specializing in black and white photography, Jelinek often transforms the photog...

Keith Haring Record Art 1984: Medium: Offset Lithograph on record jacket, vinyl record Dimensions: 12 x 12 inches. Cover: Fair to good overall...

‘I have been working on eggshells since I was 8 years old, learning the traditional Ukrainian art of pysanky from my mother. This artistic and cultic use of eggs informs my work to t...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday archetypes take shape in unexpected combinations of materials. The works emerged as the tactile and visual senses channeled the ritualistic power and materiality of selected artifacts. The resulting objects exist in a space between what they were originally and what they could become. A wheel, for example, is distorted as if seen through a prism. Their collaboration grew out of years of shaping materials into one-of-a-kind objects. Intuitively, the process of creating with their hands took an inward turn. Prism is a travelogue through memories and dreams, yielding abstract forms that capture moments of transformation. Van Wifvat grew up with eight siblings and studied sculpture and environmental design in Minneapolis at MCAD. In 1979, he opened a storefront art gallery to promote the work of local artists. The space featured printed materials—art books, periodicals, fanzines, and postcard’s. Wifvat moved to New York in 1983 to study at the Fashion Institute of Technology and Parsons. In 1987, he co-founded Van Gregory & Norton design studio, specializing in convex mirrors and curtain hardware...

The Imminence of a Revelation which does not Occur, 2016 Oil & aerosol on folded paper/structural foam 40 x 40 x 11 inches Although RSH’s artwork originated on the streets, he h...

Tom Pfannerstill recreates found objects on carved basswood and paints over them.

This one of a kind collage with archival inks is printed on 100% rag paper and combines Ceravolo's stylized image of Al Capone over vintage pinup girls, it ...

Tom Pfannerstill recreates found objects on carved basswood and paints over them.

Theda Sandiford, is a self-taught mixed media artist based in Jersey City, NJ. Though art is engrained in her psyche, Theda’s first creative endeavors were in the music business as a...

“Sex, lust, desire, high fashion, and a tumultuous young life are the main motifs of my work. I didn’t have the easiest upbringing, but my experiences are what I illustrate through m...

“My work can be understood through the mind, but it is best felt with the heart, experienced through the emotions, recognized as a manifestation of the spiritual that is born on the ...

Janine Antoni, Touched By The Artist 1996 Signed and numbered Cut and printed paper (Edition of 50) 12 x 9 inches

'Taytu Betyl,' 2022 by Damien Hirst, Laminated Giclee print on aluminium composite, screen printed with glitter 39 x 39 in. As one of the most successful artists in the world, Dami...

David Hare Cronus Asleep in the Cave, 1991 Acrylic on paper on board 26 X 34 1/4 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

David Hare Cronus View from the Cave, 1971 Graphite, Ink wash, Paper Collage on Paper on Board 25 x 33 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Artist Unknown (20th century) New York City Skyline, 1950s Oil, watercolor and gouache on paper 13 1/2 x 19 1/2 inches A bright abstract skyline view of a metropolis on a blue / teal background with red, yellow, and blue lights...

Edition version – Night Sky and Silver Stars Surface – Fabriano Unica 250gsm paper Edition size – 5 Size – 19.6 x 27.5" (50x70cm) Year – 2024 Description – 12 colour stencil and ...

Mercedes Jelinek (b. 1985) is an American artist and photographer living and working in Brooklyn, NY. Specializing in black and white photography, Jelinek often transforms the photog...

Jordan Barker is a New York City based mixed media artist. Initially inspired by found objects, his first piece was a coffee table that was created from a wooden palate found in the ...

Pink and Black Sunflower 3 18" x 7" x 7" Venetian cobalt glass, black-out glass, neon gas, transformer A hand-made ceiling-hung sculptural neon lig...

Positivity & uplifting imagery is the theme of Urrutia's unique work "Back in the New York Groove". A striking black & white photograph of the Brooklyn Bridge sits in the center, and...

Triptych each panel 50""x20"". Digitally manipulated photography, inkjet printing on cotton, hand quilting. Anodized aluminum hanging bars included. :: Mixed Media :: Contemporary ...

Print on circular canvas, collage, architecture, Parachute Jump, Coney Island colorful, clouds, tondo

Untitled (USA), (1989) by artist David Wojnarowicz, featured in "The Queer Show, Part I" at Hal Bromm Gallery

Untitled Acrylic on paper 2021 Unframed size at 53 ½ x 45 ½ in. Current framed in white wood shadow box. Lyndi Sales is an artist based in Cape Town, Sout...

Mercedes Jelinek (b. 1985) is an American artist and photographer living and working in Brooklyn, NY. Specializing in black and white photography, Jelinek often transforms the photog...

Elfi Schuselka (Austrian, b. 1940), Two Abstract Compositions, Mixed Media Collage on Paper, raised sculpted ridges with painted tips on black ground with painted edges, apparently u...

Mercedes Jelinek (b. 1985) is an American artist and photographer living and working in Brooklyn, NY. Specializing in black and white photography, Jelinek often transforms the photog...

We are please to announce that we are now exclusively representing the Pop Art cowboy and cowgirl paintings of the artist Matt Straub. We at the gallery have been excited about the Pop Western paintings of Straub for more than a decade and are thrilled to have his art in our gallery. Here is the opportunity to purchase an original mixed media painting by Matt Straub at a fraction of the cost of his oil on canvas paintings. This exciting Unique Mixed Media work on paper has a hand painted color abstract background with acrylic and spray paint. Once Matt Straub has painted the abstract background he then silkscreens his Pop art image of the figures in black over his abstract painting. Making each of these mixed media paintings unique and still affordable while getting that unmistakable Cowboy Pop art...

Pablo Garcia-Lopez, MFA, PhD Pablo Garcia-Lopez was born in Madrid in 1977. He has a Bachelor’s Degree in Biochemistry from Autonoma University, and a PhD in Neuroscience from Complutense University, both located in Madrid, Spain. As a Neuroscientist, he published numerous scientific papers in international journals. Later, 2012, he graduated from MICA(Baltimore),(MFA,Sculpture). Pablo has been an artist in residence at Brooklyn Art Space (2012), Franconia Sculpture...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism an...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

Ghost Ranch is a geometric abstract painting that features partial and full circles, as well as rectilinear forms. The palette includes green, yellow, brown, burgundy, and purple. So...

mixed media and collage on cardboard. Depiction of Butterfly Fantasy

Series “ BLACK “ This series of Minimal abstract paintings is called “BLACKâ€

Elfi Schuselka (Austrian, b. 1940), Mixed Media on Tarlatan and dried paint, with foamcore elements, 1981-83, signed and dated to verso. 42.25" H x 44.25" W. Provenance: From the Col...

From my ongoing series, 'Portable Landscape or Landscape for the Traveler.' Before European contact, the Lenape Manhattan's original inhabitants called the island Manahatta, which me...

BYE BYE BIRDIE Original 1960 Broadway Musical Costume Drawing Tony Award Elvis. Miles White (1915 – 2000) BYE BYE BIRDIE 11 x 8 inches Mixed Media on...

Mercedes Jelinek (b. 1985) is an American artist and photographer living and working in Brooklyn, NY. Specializing in black and white photography, Jelinek often transforms the photog...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

Original Mixed Media Figurative Painting by Cuban Painter Hector Frank. International acclaim as one Cuba’s foremost living artists, Havana born Hector Frank. Now, in his artistic p...

Industrial Landscape Contemporary American Watercolor Magic Realism 20th Century Henry Koerner (1915-1991) J&L Oxygen Plant 18 x 24 1/2 inches Watercolo...

David Hare Cronus Asleep in the Cave, 1971 Acrylic, ink wash, graphite, paper collage on paper on board 26 x 35 inches “Freedom is what we want,” David Hare boldly stated in 1965, b...

Auger Falls Landscape (Gear Bottom) Green granite and sealed steel 15" (height) x 18" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are cent...

Auger Falls Landscape (Gear Bottom) Green granite and sealed steel 15" (height) x 18" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are cent...

Sagg Swamp, Long Island, New York 20"x30" on metal on paper ***can come as large as 40"x60" 36"x24" 10 day turnaround About the artist: A computer programmer and Webmaster by tra...

With lyrical elegance and sculptural precision, Zura’s Cellist captures the quiet intensity of musical performance. The elongated form, cast in bronze, evokes both movement and still...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism a...

ABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern Drawing Irene Rice Pereira (1902-1971) Abstract 8 1/2 x 5 1/2 inches Watercolor, gouache, and ink on black paper Signed lower right Framed by Bark BIO rene Pereira was born in 1902 in Chelsea, Massachusetts and grew up in Great Barrington. She was strongly influenced by her mother who was an amateur artist. Irene began art lessons at the age of fifteen; she took a secretarial job because her father had died. She took art classes at the Art Students League in New York City. At the age of twenty-one she married the first of three husbands, Humberto Pereira, whose name she kept. She traveled extensively in Europe and North Africa and was much inspired by the expansive vistas of the Sahara Desert. Returning to New York, she began incorporating these visions into her work, increasingly experimental in her styles and methods. At first she painted on canvas, then she devised a means of actually incorporating light into her works by painting on layers of glass and mounting the layers together. In 1942 she married George Brown, an engineer, who helped her experiment with a variety of materials. By the 1950s she became more interested in writing poetry and, divorced from Brown in 1952, she married George Reavey, an Irish Poet...

Artist: Josep Grau-Garriga Title: Motion Sickness Year: circa 1966 Medium: Mixed Media and Collage on Paper Size: 23 x 20 inches

Samuelle Green’s work has always been multidisciplinary. Throughout all her mediums; painting, drawing, sculpture, and installation, there is a common thread of subject matter – that...

Ann Vollum’s artistic practice is deeply rich and evocative, blending elements of personal history, cultural influences, and a commitment to sustainability....