New York - Paintings

Painting description: This is a new example of my ongoing series, "Intersections". My attempt to capture urban abstraction. Shapes and colors intersect and overlap. With the use of...

Parris Jaru's The Last Time I Saw It is a 16 x 11-inch surrealist oil painting. The primary colors are black and red. The canvas surface has a thick impasto of paint, made with plant-based pigments that Jaru collects during his long exploratory trips through India. The imagery brings a surrealist human figure, with all the body features exaggerated as if in a caricature. NY-born Parris Jaru comes from a Jamaican, Blackfoot Nation, and Arawak Nation background from both his parents. His work is informed by the vivid colors and imagery experienced in his childhood years spent in the coastal town of St. Ann’s Bay, Jamaica. His exploratory journeys in India enriched his work with a sensibility to natural plant-based pigments that he grinds with oils for his paintings. In his Brooklyn studio, Jaru brings all these cultural inspirations together. His entire body of work is informed by an intentional childlike, faux-naïve style, constantly shifting between figurative and abstraction. Even though at times, Jaru has been working on somber and entirely figure-free paintings, most of his work is defined by poignantly colored and playful surrealistic figures. Jaru often draws his figures with a continuous line emerging from a thick impasto of paint made with powders of Sea Algae, Hibiscus, Gymnema Sylvestre, and Turmeric. Related keywords: Caribbean Artist...

oil on linen

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Artist: Peter Max, German/American (1937 - ) Title: Statue of Liberty Year: 2009 Medium: Acrylic and Mixed Media on Paper, signed lower right Size: 11 x 8.5 inches Frame Size: 32 x 2...

An impressionist still life from contemporary American Realist painter Kelly Carmody. A wildflower is placed in a white vase, atop a low coffee-table. Branches reach up and outward, decorated with budding blossoms. Painted in the artist's studio in Waltham, MA. Kelly Carmody has exhibited at venues including the Portrait Society of America and the Art Students League. Most recently, she was selected for the 2015 BP Portrait Award Show at the National Portrait Gallery in London and the 2016 Outwin Boochever Award at the National Portrait Gallery in Washington D.C. In addition, the historic Guild of Boston Artists...

Impressionist winter pastoral scene of a quaint snow covered home by New Hope, PA. Willett has portrayed this charming scene in a most intimate, yet energetic way, and has packed muc...

Vintage American modernist oil painting. Oil on canvas. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 17 by 21 inches overall and 16 x 20 painting alone. Framed in ...

Title: Untitled Medium: Oil on canvas Size: 31 x 27 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa A...

Provenance: with “Mr. Scheer,” Vienna, by July 1918; where acquired by: Jindřich Waldes, Prague, 1918–1941; thence by descent to: Private Collection, New York Literature: Rudolf Kuchynka, “České obrazy tabulové ve Waldesově obrazárně,” Památky archeologické, vol. 31 (1919), pp. 62-64, fig. 5. Jaroslav Pešina, “K datování deskových obrazů ve Waldesově obrazárně,” Ročenka Kruhu pro Pěstování Dějin Umění: za rok (1934), pp. 131-137. Jaroslav Pešina, Pozdně gotické deskové malířství v Čechách, Prague, 1940, pp. 150-151, 220. Patrik Šimon, Jindřich Waldes: sběratel umění, Prague, 2001, pp. 166, 168, footnote 190. Ivo Hlobil, “Tři gotické obrazy ze sbírky Jindřicha Waldese,” Umění, vol. 52, no. 4 (2004), p. 369. Executed sometime in the 1380s or 1390s by a close associate of the Master of the Třeboň Altarpiece, this impressive panel is a rare work created at the royal court in Prague and a significant re-discovery for the corpus of early Bohemian painting. It has emerged from an American collection, descendants of the celebrated Czech industrialist and collector Jindřich Waldes, who died in Havana fleeing Nazi-occupied Europe. The distinctive visual tradition of the Bohemian school first began to take shape in the middle of the fourteenth century after Charles IV—King of Bohemia and later Holy Roman Emperor—established Prague as a major artistic center. The influx of foreign artists and the importation of significant works of art from across Europe had a profound influence on the development of a local pictorial style. Early Italian paintings, especially those by Sienese painters and Tommaso da Modena (who worked at Charles IV’s court), had a considerable impact on the first generation of Bohemian painters. Although this influence is still felt in the brilliant gold ground and the delicate tooling of the present work, the author of this painting appears to be responding more to the paintings of his predecessors in Prague than to foreign influences. This Resurrection of Christ employs a compositional format that was popular throughout the late medieval period but was particularly pervasive in Bohemian painting. Christ is shown sitting atop a pink marble sarcophagus, stepping down onto the ground with one bare foot. He blesses the viewer with his right hand, while in his left he holds a triumphal cross with a fluttering banner, symbolizing his victory over death. Several Roman soldiers doze at the base of the tomb, except for one grotesque figure, who, beginning to wake, shields his eyes from the light and looks on with a face of bewilderment as Christ emerges from his tomb. Christ is wrapped in a striking red robe with a blue interior lining, the colors of which vary subtly in the changing light. He stands out prominently against the gold backdrop, which is interrupted only by the abstractly rendered landscape and trees on either side of him. The soldiers’ armor is rendered in exacting detail, the cool gray of the metal contrasting with the earth tones of the outer garments. The sleeping soldier set within a jumble of armor with neither face nor hands exposed, is covered with what appears to be a shield emblazoned with two flies on a white field, somewhat resembling a cartouche (Fig. 1). This may be a heraldic device of the altarpiece’s patron or it may signify evil, referencing either the Roman soldiers or death, over both of which Christ triumphs. This painting formed part of the collection assembled by the Czech industrialist and founder of the Waldes Koh-i-noor Company, Jindřich Waldes, in the early twentieth century. As a collector he is best remembered for establishing the Waldes Museum in Prague to house his collection of buttons (totaling nearly 70,000 items), as well as for being the primary patron of the modernist painter František Kupka. Waldes was also an avid collector of older art, and he approached his collecting activity with the goal of creating an encyclopedic collection of Czech art from the medieval period through to the then-present day. At the conclusion of two decades of collecting, his inventory counted 2331 paintings and drawings, 4764 prints, and 162 sculptures. This collection, which constituted the Waldesova Obrazárna (Waldes Picture Gallery), was first displayed in Waldes’ home in Prague at 44 Americká Street and later at his newly built Villa Marie at 12 Koperníkova Street. This Resurrection of Christ retains its frame from the Waldes Picture Gallery, including its original plaque “173 / Česky malíř z konce 14 stol.” (“Czech painter from the end of the 14th century”) and Waldes’ collection label on the reverse. The Resurrection of Christ was one of the most significant late medieval panel...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a light lavender background with thick use of paint...

A stunning jewel and pertinent example of Berthelsen's charming New York City scenes. Here we find a The Plaza hotel and the Manhattan buildings depicted in the far background with pops of colors shinning through the lights and magic of the city. The artist was truly a master of capturing New York in all of its glory throughout the seasons. This piece is executed whimsically, yet dramatically evoking an emotion of wonder and beauty. This piece is signed lower right by the artist and it also bears the reproduction right's stamp on the reverse. It is titled on the back and it comes housed in a beautiful French giltwood frame with linen liner and hanging wire on verso ready to be displayed. Art measures 6.5 x 8 inches Frame measures 12 x 14 inches Johann Berthelsen was born in Copenhagen in 1883, the 7th of seven children, to Conrad and Dorothea Karen Berthelsen. His parents were involved in artistic and professional circles. In 1890, his mother brought the children to America, settling in Manistee, Michigan, with her sister's family. They would eventually move to Manitowoc, Wisconsin, a city on the shore of Lake Michigan. As a teenager, Johann was actively involved in choirs and singing groups. And he always loved to draw and paint, and while he was too impatient to take well to schoolwork, and never went beyond the 5th grade. Although he worked in several trades, Johann's mind and heart were always with the arts. As his voice matured, he also always wanted to be an actor, and at the age of 18 moved to Chicago where he reconnected with an old friend who was studying voice at the Chicago Musical...

Title: Wild Flowers Medium: Oil on canvas Size: 23.5 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...

Very finely executed modernist ballet scene. Pastel and gouache on paper. Handsomely framed. Image size, 12H by 16L.

A largeKPM painted porcelain plaque depicting a Psyche holding a Lekythos. The lush and overgrown dark forrest envelops the background of composition, surrounding a bright female fig...

Henry Ryan MacGinnis (1875 - 1962) Road to Provincetown, 1924 Oil on canvas 25 x 30 inches Signed lower right; titled and dated on the stretcher Housed in a Stanford White Newcomb-Macklin frame. Exhibited: Trenton, New Jersey, School of Industrial Arts Provincetown by Professor MacGinnis, 1924. Henry Ryan MacGinnis, 1875-1962, was born in Indiana and began his art studies under the eminent Hoosier artists T.C. Steele, J.O. Adams and William Forsyth. One of his earliest exhibitions was in 1896, when he showed his work with other notable Hoosier artists such as T.C. Steele, J. Ottis Adams...

Title: Rapeseed Flowers Medium: Oil on canvas Size: 11.75 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Th...

5178 Antique American modernist trees landscape 1961 image size 16x24"

4089 California Seascape , contemporary acrylic on canvas applied on board,displayed in a vintage gilt wood frame. Signed by Italian artist P.Russo

Title: Kite Medium: Oil on canvas Size: 24 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is ...

Joyce Roybal, American (1955 - ) - String Trio, Medium: Oil on Canvas, signed lower right, Size: 8 x 10 in. (20.32 x 25.4 cm), Frame Size: 12.5 x 14.75 inches

Finely painted American impressionist seascape painting. Oil on board. Signed. Framed. Measuring 14 by 20 inches.

Charles Harold Davis Autumn on the Farm, circa 1930s Signed lower left Oil on canvas 20 x 27 1/4 inches Provenance Private Collection, Florida Charles Harold Davis was born in Ame...

Nicely painted Flamenco dancer portrait. Framed. Oil on board. Signed. Image size, 20H by 16L.

Sandy Litchfield’s "Latent" reflects her signature approach of transforming landscapes into lyrical, abstracted visions. Drawing from memory, walking, and direct observation, Litchfi...

A wonderful composition of one of Slonem's newest series, Daisy's. This piece depicts a gestural Daisy on a lime green background with thick use of paint. Inspired by nature and a ge...

6015 Impressionist gouache on board of a farmer plowing his field Set in a 19th century frame Image 10x11.5"

5117 Vintage oil on canvas of a Cat by the window

Impressive early American modernist farm landscape with a pig painting by Lawrence Butcher, Jr. (Born 1936). Watercolor and gouache on paper. Framed. Signed. Image size, 10 by 12 inc...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Light Lavender background with thick use of paint...

Mary Kollock (American, 1840-1911) [illegible] France, 1892 Oil on canvas 30 1/2 x 23 1/4 in. Frame: 36 1/2 x 33 x 2 7/8 in. Signed, titled, and dated lower right Landscape, still l...

Title: First Snow on Guiji I Medium: Oil on canvas Size: 11.75 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Not...

American School, Pasture and Woods Scene, Oil on Canvas, 1911, with farmhouse beyond, illegibly signed "Tain...(?)" and dated lower right, gilt composition frame. Image: 26.75" H x 3...

Title: 701 Tank Medium: Oil on canvas Size: 20 x 20.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting...

Title: Rocking Horse Medium: Oil on canvas Size: 20.5 x 19.75 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This ...

5045 Vintage river view sailing landscape painting. Set in a custom gilt wood frame. Image size 7.75x8.75" Signed lower left

Delos Palmer Jr. Tree in Winter Signed lower left Oil on Masonite 10 x 8 inches Delos Palmer, Jr. was born January 26, 1890 in New York City. His father was Dr. Delos Palmer, a socially prominent Park Avenue dentist. His mother was Jennifer Emma Banta. His parents were both born in NYC, where they married in 1880 and had five children. There had three sons and two daughters. He was the fourth born. They lived in a private townhouse at 48 West 50th Street, with a cook, a waitress, and a nurse to assist in his father's dental practice on the ground floor. They lived a privileged life and the children all went to the best private schools. He graduated high school in June of 1908. He studied at The Art Students League from 1911 to 1915 with the renowned American Impressionist, George Bellows. According to the artist, "Bellows was a good influence on me. He taught me how to paint what I see and what I feel!" In 1916 Palmer moved to the historic Holbein Studios at 139 West 55th Street. He worked there until 1920, when he moved to the more fashionable Greenwich Village, where he became a successful society portraitist. He was 27 years old during the Great War, so he was not selected for military service. In 1923 Palmer began to sell interior story illustrations to Metropolitan Magazine, The Saturday Evening Post, and Liberty. In 1924 he married Helen Smith Romme and moved to Stamford, CT, where they raised a daughter and two step-sons. The fateful market crash of 1929 ended Palmer's high society portrait business, but he soon found work through his contacts at Liberty magazine's MacFadden Publishing, which also produced several crime and detective magazines such as Master Detective and True Detective. He then began to paint pulp covers for Dime Mystery, Clues, Frontier Stories, Action Stories, Western Trails, All Star Adventure, Complete Western Book...

This antique Italian oil painting features a vibrant sunlit mountain landscape rendered in warm golden tones and dramatic purples. Painted in an impressionist style, the composition ...

3905 Impressionist French village colorful landscape gouache on laid paper Image size 16x11.5"

Title: Fairyland V Medium: Oil on canvas Size: 27.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pai...

Elfi Schuselka (Austrian, b. 1940), Abstract Composition, Oil on Canvas, apparently unsigned, unframed. 21.5" H x 28.5" W. Provenance: From the collection of the artist. Note: Schuse...

An oil painting by Florence White from 1898. A Victorian-era scene of a girl and a dog engaged in playful interaction on a shaded lawn. Signed and dated lower left, framed in antiqued gold frame. Artist: Florence White, British (1932) Title: Girl and her Dog...

6013 Antique American school sporting scene of a mallard in flight oil painting. Displayed in a wood frame, signed on verso Ericson 1936.

Samson Schames (German-American, 1898-1967) Untitled, 1960 Mixed media on paper Sight: 16 1/2 x 14 in. Framed: 27 1/2 z 22 1/2 x 1/2 in. Signed and dated lower right Samson Schames ...

Hunt Slonem "Midnight Blue" Single Bunny A single rabbit gestured in black on a dark blue background in a vintage frame Unframed: 8 x 6 inches Framed: 10.5 x 8.5 inches *Painting is...

Lois Dodd Untitled Landscape, 1990 Colored chalk on grey wove paper Signed, dated and inscribed "For Beverly & Howard", lower right. Original artist's frame included This unique work...

Very finely painted modernist landscape by Robert Noel Blair (1912 - 2002). Watercolor and gouache on paper. Signed Image size, 22 by 30 inches. In excellent original condition. ...

Ben WIlson Lightness, ca. 1980 Oil on masonite board 21 × 25 × 3/10 inches Stamped by artist's estate, Hand signed by the artist on the front AND stamped by the artist's estate on th...

Title: My Dream Medium: Oil on canvas Size: 15.5 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

An original mid century impressionist painting depicting midtown Manhattan and a view of the Empire State Building by Chinese American artist Chuck Fee Wong. Benjaman Gallery...

Hunt Slonem "Starry Night" Blue and Gold Butterflies Multiple butterflies gestured in blue and white on a metallic background in a vintage frame. Unframed: 26 x 21 inches Framed: 30...

Vintage American modernist abstract still life oil painting. Oil on canvas. Framed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, re...

Outstanding English late 18th / early 19th century marine scene by one of Britain's best known and sought after painters. William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school. Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours. He based his style on that of well-known Dutch maritime...

Vintage American school modernist cityscape painting. Oil on canvas, wrapped to board. No signature found.

5173 Vintage American blue Fauvist landscape oil painting city scene Framed Image size 15.5x19.5"

Antique Autumn Fall Landscape Pumpkin Harvest by Andrew Dwight Kennedy. Framed. Signed.

Dina Brodsky's realist oil on mylar animal miniature, "Tiny Yellow," 2018, depicts a petit, black and yellow bird perched on a small branch. The bird's delicately textured black and ...

Gabriel Godard (1933-2023) The Red Bush, 1979 Oil on canvas Artwork: 28 x 20 1/2 in. l 71 x 52 cm Framed: 31 1/2 x 24 in. l 80 x 61 cm Signed lower left Condition: Perfect condition...

"Crismon Chat Bird" is a realist painting depicting a determined red bird perched on a tree branch. The painting is graphic and glorious. Anastasia has painted half the canvas with r...

A late 20th century oil on canvas of a marine landscape depicting boats at a dock featuring a blue tone. The painting, an exemplary work of the American landscape art work of the 20t...