New York - Paintings

At the forefront of the canvas Stefanelli paints two nude female figures, who obviously know each other closely. It is very likely that they represent ladies who worked at a brothel ...

Provenance: Private Collection, Paraguay, for at least the last 80 years Painted in the Viceroyalty of Peru during the 18th century, the present work depicts the young Christ as the Niño de la Espina—a devotional representation of Christ as he looks down at his bleeding finger, which has been pricked by the crown of thorns resting on his lap. The subject of the Young Christ Pricked by a Thorn was especially popular in Cuzco, and the rich details and decorative elements of our work perfectly capture the essence and style of the Cuzco School of painting. In our painting, Christ wears an intricately patterned floor-length robe trimmed with gilded cuffs and a gilded collar. The delicate gilding, including the halo of golden rays emanating from his head, are executed in brocateado, an ornamental over-gilding technique that is characteristic of the Cuzco School. The red chair on which Christ sits also includes brocateado in the decorative gilt elements. The form of the chair takes inspiration from those commonly used by friars both in Spain and the Andes, known as silla frailera or sillon frailero, and was also frequently employed in related depictions of the Virgin Mary Spinning. Here the young Christ is rendered with soft, elongated features that reflect the influence of the Italian Mannerist painters who were pivotal to the formation of the Cuzco School, including the Jesuit friar Bernardo Bitti and Matteo Pérez del Alesio. Additionally, while its origins can be traced to Northern European pictorial traditions, the lush flower garland that frames the work is a signature feature of Cuzqueño painting...

Oil on canvas. Signed

Wonderfully painted American modernist still life oil painting. Framed. Oil on canvas. Image size, 24H by 20L. Finely executed realist school.

An oil painting by Adolf Friedrich Harper from 1799. A rare antique painting from the romanticism era. Framed in ornate gold wood frame, signed in lower left corner. Artist: Adol...

This peaceful work, "Luminance", is a 30x30" oil painting on aluminum panel by artist Janine Robertson featuring a view of a crashing wave along a beach shore. Overall tones of this ...

Do it anyway 60 x 48 x 2, 9 lbs Acrylic Painting Hand signed by artist Artist's Commentary: "DO IT ANYWAY. In this piece, vibrant acrylics and expressive oil pastels dance togeth...

Lyman Kipp Minimalist painting on paper, 1970 ink roller and oil paint on paper Signed and dated by the artist on the front Accompanied by gallery i...

Date: 1960 Oil on Masonite, signed and dated lower right Size: 15.75 x 23.75 in. (40.01 x 60.33 cm) Frame Size: 16 x 24 inches

6023 Antique English seascape .Signed Image size 7.5x9.5" Set in a period frame

Title: Lackview Medium: Oil on canvas Size: 23 x 29 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting i...

Title: Snow In Winter Medium: Oil on canvas Size: 11.5 x 16 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2000 Circa Artist: Tao Yu...

Title: Untitled Medium: Oil on canvas Size: 23.5 x 35.25 inches Frame: Framing options available! Condition: The painting appears to be in fair condition. Year: 2011 Artist:...

"Cars, Buildings People" Contemporary Outsider Folk Art African American Urban The painting measures 65 x 48 inches. We love that in the middle of ...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

One of my favorite buildings in the Chelsea neighborhood of Manhattan, as seen looking down from the High Line on a snowy blustery day! This building from 1817 takes up a full city b...

Signed lower right. The composition is a tightly organized geometric abstraction on a deep blue ground. A large, centrally placed triangular form asserts the vertical axis and is an...

Contemporary abstract painting: bright crimson red and black stripes and bars intersected with varied lines in the geometry of this bold small painting. Signed, dated and titled on v...

mixed media collage on paper

Branko Bahunek, Croatian (1935 - ) - Resting - II. Year: 1991, Medium: Oil on Canvas, Size: 25 in. x 35 in. (63.5 cm x 88.9 cm), Frame Size: 29 x 39 inches, Description: Twisting in...

Antique American landscape painting. Watercolor on paper. Signed. Framed. Measuring: 20 by 24 inches overall. In excellent original condition. Handsomely framed in a silver mold...

Artist: Slonem, Hunt Title: Pink Tulip Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed by Artist on Verso Editi...

This particular piece depicts an anonymous portrait of a beautiful woman. Titled "Les Chemins du Hasard" translating to "The Paths of Chance" Inspired by the every day, JM Robert str...

Summer scene with lily pads. Watercolor on paper by John J Inglis. Signed. Early 20th century. Unfamed. Image area measures 7.75" x 5.75. John Inglis, o...

“Jenny” is a small but unforgettable gem by Michele Mikesell, a surreal, wide-eyed cat rendered in oil on board and framed in a 6x6 inch wooden floater frame. With its elongated feat...

This still-life painting by George Weissbort exemplifies his mastery of classical realism and meticulous attention to detail. The composition is elegantly restrained, featuring a rus...

30 x 24 x 1 inches oil on canvas Inspired by close observations of the natural world and encounters with still moments that give us pause. Lines, shapes and colors encountered in nature, reveal the cycles of decay and regeneration that are life’s constant state of change. The work has a quiet, meditative quality. The subject is portrayed in a manner true to their existence in a specific time and place and selected based on considerations of visual relationships to formal elements of painting. Aspects of photo realism, hard edge and color field techniques are utilized to isolate the uniqueness of the subject’s detail, as well as emphasize flatness and illusion of depth within the two-dimensional space of the painting. About the artist: Frank DiPietro was born and raised in Scranton PA. He received a Bachelor of Art from Bloomsburg University in 1997, majoring in both Painting and Ceramics with a minor in Art History. In 2000 he earned a degree in Art Education from Moore College of Art and Design while continuing his studies in painting. Frank lived in Philadelphia for twelve years painting and teaching at several museums, art centers and schools in the region. In 2010 he and his family moved to Chester County PA, where he currently resides. Frank currently teaches painting classes and workshops at the Delaware Art Museum and Longwood Gardens...

Vintage American modernist cityscape oil painting. Oil on board. Framed. Measuring: 17 by 21 inches overall, and 12 by 16 painting alone. In excellent original condition. Handsomely...

#5-3517 Black and White still life ,oil on black paper, signed by Anna Stathys,displayed in a mat-glass and gilt wood frame.Image size 11.75 H x 8.5 W

In Triangle Pose there is hardly a solid color, but rather suggestions and overlays. There is nothing firm to stand on, but shapes come together to sing a song of cohesion. And the...

This original Modern abstract piece by Abstract Expressionist Stanley Bate features a warm, earthy palette. In it, organic and rectangular shapes are layered with deep teal and creme...

John Frederick Herring Snr (Surrey 1795-1863 Kent) Ducks and Pigeons in a Barn Interior Signed and dated 1858 Oil on canvas Painting size 18 1/2 x 28 1/2 in Framed size 24 x 33 1/2 in John Frederick Herring Sr. was born on September 12, 1795, in London, England. He was the son of a London-based fringe maker, and the family lived in modest circumstances. Although little is known about his early education, Herring showed a natural affinity for art and horses from a young age. His father moved the family to Doncaster when Herring was still a boy, a town famous for horse racing, which would play a significant role in shaping his future career. Herring’s love for horses became evident during his youth, where he worked as a coachman and sign painter. He often painted inn signs...

Title: Wild Flowers In Full Bloom Medium: Oil on canvas Size: 19.5 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. N...

Realistic still life painting of colorful flowers on blue, made with cyanotype, watercolor, India ink, and gouache "Picturesque Botany (Octagon/Foxglove, Gingko, Dusty Miller, Forget...

Impressive early American impressionist California oil painting. Framed. Oil on board. Image size, 12H by 9L.

Original oil on canvas painting of cattle watering at sunset by the well known American artist, George A. Hayes. Signed by the artist lower left “G.A. Hays”. Circa 1885. Condition ...

Modern Ease explores the use of geometric forms throughout the picture plane. It is dominated by lines and circular shapes as well as transparent forms. :: Painting :: Abstract :: Th...

An oil painting, painted en plein air in Soho, NYC. The painting depicts a street lined with cars. The Freedom Tower can be seen in the distance. The painting is framed in a handmade...

Dorothy Dehner Untitled Mid Century Modern abstract sculptural drawing, 1955 Marker and graphite on paper Signed and dated by Dorothy Dehner in black felt tip pen on the front Frame ...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Hunt Slonem (b. 1951) is an internationally celebrated American artist whose vibrant and instantly recognizable works have made him one of the most collectible contemporary painters ...

This Modern painting by Abstract Expressionist Stanley Bate was made with oil on canvas circa 1960. In it, layers of red, yellow, white, and umber paint are expressively applied over...

Title: My Dream Medium: Oil on canvas Size: 15.5 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

Title: Kite Medium: Oil on canvas Size: 24 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is ...

A pair of original mid century acrylic on canvas paintings. Wonderful as a pair but dynamic enough to occupy two distinct spaces. The reverse shows a mystery monogram and a date of...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured acrylics and oils in these works. Shaoul’s “My Heart Collection” is a vibrant and energe...

Katsumi Hayakawa (Japanese, b. 1970) Spherical Moss, 1999 Oil, galkyd and modeling paste on canvas 64 x 84 x 1 3/4 in. Signed verso and stamped with artist insignia Silverstein Gallery label verso NOTE: Discoloration at right side from dust, can easily be wiped off In his paintings and cut-paper sculptures, Katsumi Hayakawa evokes the city and urban planning. He builds meticulously constructed objects with cubes and squares, suggesting skyscrapers and city grids, while the interaction of line and color coalesce with the cubes to create complex and vibrant rhythms. Hayakawa expands modernist explorations into the grid, in particular evoking Piet Mondrian’s Broadway Boogie Woogie...

A beautiful art deco portrait by well listed American Ashcan School artist Alexander Oscar Levy. This piece was featured in the American Art Review article about the Levy retrospect...

"Lilacs, Coffee, Wine" is a Neo-Impressionist rustic still life in Tuscany. Familiar characters in Fenke's kitchen table still lifes include a tea pot, Moka pot, cheese, red wine, a ...

6033 Colorful tropical parrot perched on a tree branch Framed. Signed lower left Image 10.5x8.5"

PETER HALLEY 6/21/96.9, 1998 Graphite and ink drawing Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 This is a unique work Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass Measurements: Framed 16.5 inches vertical by 13 inches horizontal by 1.5 inches Artwork (visible) 10 inches vertical by 8 inches horizontal Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

5204 French oil pastel carrige ride Signed Grohden Image size 9.5x 12.5"

Depicting the iconic "Hollywood Land" sign in Southern California, Shaoul captures the essence of the time. With beautiful brushwork and whimsical details, this piece depicts the old...

Antique English portrait painting. Watercolor and gouache on paper. Framed. Measuring 17 by 23 inches overall and 10 by 15 painting alone.

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Night driving road landscape scene by Edie Nadelhaft Oil on canvas, 12 x 12 inches. Edie Nadelhaft's paintings focus on the visual nuances and psychol...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

This work is a unique piece. It is a gilded oil painting on linen canvas with 22 carat gold leaf. CS Art comprises of two artists, one French, the other Norwegian. They have been pa...

Orazio De Gennaro's Ballads of Lights is a 36 x 36-inch abstract painting on panel. The main colors are different shades of blue, red and purple. De ...

Traveler with Birds Jovan Obican French/Yugoslavian (1918–1986) Date: circa 1980 Oil on board, signed Size: 29.5 x 23.5 in. (74.93 x 59.69 cm) Frame Size: 31 x 25 inches