New York - Animal Paintings

Title: Go Forward Medium: Oil on canvas Size: 8 x 11.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paintin...

Title: Yellow Banana And Puppy Medium: Oil on canvas Size: 19 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year...

Artist: Anton Solomoukha, Russian (1945 - ) Title: Alligator, Celluloid, Rattles, Trumpet Year: 1991 Medium: Oil and Collage on Canvas, signed and dated l.r. Size: 63.5 x 51 inches [...

Rothman’s work employs many printmaking techniques, including silkscreen, stencils, resists, relief and intaglio, combined with painting in oil on panel utilizing her own handmade te...

Dan Pelonis's oil painting "Feathers on Bluewaves" cleverly merges repetition and subtle imperfection to address broader themes of image saturation and decay in the digital age. The ...

“Spirit Guide” by Allison Green is a large-scale oil painting inspired by butterfly migration. Depicting a cluster of amber colored butterflies set against the center of a deep red background, this work is part of Green’s “Celestial Navigation...

Like the 2015 String Theory series, the Dream Weavers takes its cue from the African Weaver Birds and their spectacular nest making skills. The Weaver Bird...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer h...

This piece, "Wings", is a 40x40 mixed media painting on canvas by artist Francisco Bartus. Featured is an outline of a butterfly with wings fully spread. All made up of individual he...

Charles Buckley's best known paintings explore the art of storytelling by illustrating the progression of a narrative. These linear stories depict progress by recording evidence of a...

Title: Commemoration Medium: Oil on canvas Size: 26 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 C...

Artist: Slonem, Hunt Title: Red Peace Date: 2023 Medium: Oil on Wood Unframed Dimensions: 10" x 8" Framed Dimensions: 15" x 13" Signature: Signed Verso Edition: Unique Provena...

Cahuilla/Soboba Band of Luiseño Indians/Apache Billy Soza War Soldier was a pioneering Native American artist and activist whose work powerfully reflects the intersections of Indige...

ABOUT Born in 1967, Piussi was raised in Florence where he studied at the Istituto d’arte, majoring in sculpture and painting and completing his artisti...

Antique American modernist animal portrait painting by Jerry Farnsworth. Oil on canvas, circa 1970. Signed. Image size 20L x 16H. Housed in a peri...

Vintage Bulgarian modernist landscape oil painting by Alexander Titorenkov. Oil on canvas, circa 1993. Signed. Displayed in a period frame. Ima...

Soul Searcher 2023 Acrylic on canvas 40 x 72 inches Skasi’s work arises from the belief that we inhabit the final romantic era before humanity's inevitable expansion into space. Sh...

Title: Fantasy World Medium: Oil on canvas Size: 30 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Fishing Lure on Gold I Year: 1987 Medium: Acrylic and Screenprint on Canvas, signed, dated, and stamped verso Image Size: 11...

Acrylic, ink, and collage on Yupo mounted on museum board. Framed. Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in combination with signs, symbols and pictures inspired by advertising, TV, film, signage, billboards, magazines, medical texts...

A whimsical modern American painting of animals in a geometric composition. Signed Taylor this wonderful folksy painting comes housed in a re...

Antique American school abstract expressionist action painting. Oil on paper, circa 1960. Unsigned. Image size, 15"L x 11"H.

40”x29.5” (artwork size) watercolor on paper, signed on reverse framed (presented in a black finish, shadowbox frame) In this original watercolor painting, a leopard sits on a Red,...

This piece, "White Magic", is a 36x48 equine oil painting on canvas by artist Adrian Rigby. Depicted is a majestic white horse caught mid gallop. The artist painted the horse runni...

oil on stretched canvas signed an dated on reverse. Basso's highly original pastels and oil paintings are romantic yet thought provoking narratives. His whimsical works are alive wit...

Bold abstract animal work, simple shapes, blue tones, by NYC based designer/artist Fredda Tone

Like the 2015 String Theory series, the Dream Weavers takes its cue from the African Weaver Birds and their spectacular nest making skills. The Weaver Birds create various iconic for...

Like the 2015 String Theory series, the Dream Weavers takes its cue from the African Weaver Birds and their spectacular nest making skills. The Weaver Birds create various iconic for...

Aaron Bohrod Double Bill, 1990 Signed upper right Oil on gesso panel 9 x 12 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regiona...

"Chestnut Sided Warbler" is a 12x9 original oil painting by the artist Brian Summers. Featured is a black background and a warbler bird sitting on top of a gourd. The bird's beak i...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Butterfly Collection” is a vibrant and energetic...

Oil on canvas

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer heatwave. Hartman’s tightly c...

An original oil, oil stick and charcoal diptych painting on canvas by Contemporary female artist Dorothy Fitzgerald. This monumental work measures 60" (h) x 120" (w) This work was featured in the recent exhibition of The Corridors Gallery at Hotel Henry...

A striking blend of natural realism and surreal domesticity, in this oil painting, "The Catch" captures a moment of tension and elegance. At its center, an osprey, rendered in meticu...

Dina Brodsky is a contemporary realist painter. Known for her miniaturist style, her highly detailed depictions of urban interiors, natural environments, and unsuspecting human and animal subjects are evocative of renaissance portraiture and landscape. Brodsky often paints on small circular surfaces, forcing viewers to move closer to the work. She was drawn to miniature painting from her study of Islamic miniature art and medieval illuminated manuscripts, whose techniques she combined with those of classical painting. She is amongst a group of contemporary realist painters, such as Timothy Barr...

Up for sale here is a really fantastically painted modernist composition. The painting is signed lower right, "P. Williams 1972". Gouache on board, circa 1972. Housed in a plexi ...

"Orange Dog" is an American Modern oil painting of a man sitting with two dogs. Massachusetts. Kelly Carmody’s work has been widely exhibited and collected. One of her major figura...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer heatwave. Hartman’s tightly c...

A modern Chinese watercolor painting depicting birds soaring under a red sun.

This vibrant piece, "Nose to Nose" is a 36x45" oil painting on canvas by artist David Noalia. Featured is an up-close cropping two horses, one grey and one chestnut, with their jocke...

In 2018, I became a painter. An artist.  I am a product of the '70s and I spent my life in the fine state of New Jersey—the most wonderful state of them all.  As a result of stuff th...

"Conch Shell" is a contemporary impressionist oil painting of seashell with peach and blue tones. A shell from the East End of Long Island in summer. Artist Bio Ben Fenske (b. 1978)...

Japanese School, Landscape Scene of a Perched Hawk, Ink on Paper, 19th century, mounted on a silk scroll, remnants of chop seal mark lower right, together with wooden box with callig...

Bucephalus, the legendary steed of Alexander the Great, comes to life in a swirl of turquoise and shadow in this 2025 acrylic on canvas by Zura. Bold brushstrokes capture a horse of ...

This realistic equine piece, "After the Bath", by artist Dahl Taylor is a 24x34 oil painting on canvas featuring a brown horse after bath time, coat glistening in the warm sunlight. ...

Peter Poskas III painting of a Brown Swiss Cow in a rural landscape

Dina Brodsky is a contemporary realist painter. Known for her miniaturist style, her highly detailed depictions of urban interiors, natural environments, and unsuspecting human and animal subjects are evocative of renaissance portraiture and landscape. Brodsky often paints on small circular surfaces, forcing viewers to move closer to the work. She was drawn to miniature painting from her study of Islamic miniature art and medieval illuminated manuscripts, whose techniques she combined with those of classical painting. She is amongst a group of contemporary realist painters, such as Timothy Barr...

Animal, Africa, black and white, abstract, spirit animal, leopard, jaguar, tiger, jungle, big cats, wild cats, oil paint, painting, animal print, leopard print, oil paint on stretche...

This bold and colorful equine impressionist painting, "Meadow Stable Mates" by artist Lisa Palombo is a 24x72 acrylic painting on canvas. Depicted is racing legend Secretariat in his copper-colored glory races in the 1973 Marlboro Cup Race at Belmont Park against Riva Ridge, a stablemate of Secretariat. Overall colors of greens and oranges create a sunny scene. Thick brush stokes and paint drips capture the motion, movement and excitement of Big Red running on the track. 2023 marks the 50 anniversary...

Martin Whatson Panda Fragile Original Original Painting on Cardboard Framed professionally with museum glass and Martin Whatson original wood spacers. Signed on reverse by Marti...

This piece, "Sunny Cows", is an 8.5x14.5 summer field landscape oil painting on board by artist Mark Verna. Featured is a bright and sunny green field with black and white holstein cows grazing, and a red barn in the background. Light flowers bloom in the foreground of the field. About the artist: As a Rochester Institute of Technology Alumni (College of Imaging Arts & Sciences, Graphic Design / Painting Bachelor of Fine Arts 1972) Mark has always been an artist at heart. Mark's Adirondack art...

It was Henry Cross's portraits of horses belonging to the prominent breeders and trainers of the second half of the nineteenth century that won the artist renown as an animal painter. Born and raised in upstate New York, Cross's proficiency in both drafting and caricature was revealed while he was still a student at the Binghamton Academy, New York. In 1852, when he was only fifteen years old, Cross joined a traveling circus that took him to Minneapolis, Minnesota, and to the first of many Indian encampments that he would draw upon for subject matter throughout his career. Biographers differ as to the year Cross left for Europe, however, he was in Paris from 1852 to 1853 or 1854, where he studied with Rosa Bonheur, a highly esteemed French painter of horses. Upon Cross's return to the United States he was commissioned to paint the studs of wealthy horsemen, including those of Commodore Cornelius Vanderbilt, Robert Bonner, the owner-publisher of The New York Ledger, and "Copper King" Marcus Daly, whose 18,000 acre stock farm was reputed to be the greatest and most valuable horse ranch in the world. Although Cross received the highest pay of any equine artist of his day (up to $35,000. for one order, according to The Horse Review of April 10, 1918, p. 328), he frequently joined traveling circuses and painted the locales where they visited. He also painted portraits of notable contemporaries, such as President Abraham Lincoln, ex-president Ulysses S. Grant, King Edward VII of England, W. F. "Buffalo Bill...

Reuben Mednikoff Untitled, 1946 Watercolor on paper Artwork: 9 x 11 7/8 in. l 23 x 30 cm Framed: 12 5/8 x 15 1/3 in. l 32 x 39 cm Signed lower left and dated on the back Born in Lo...

Oil on linen, dark purples, greens . This work conveys a sense of mystery.

Santiago Fuente Bo pieces are exceptionally high in detail, but as well are playful and thought provoking. He is influenced with the ever-changing idea of what home means. His consta...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer heatwave. Hartman’s tightly c...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer h...