New York - Figurative Paintings

Modern abstract autumn landscape painting. Signed L.W. Lee. Circa 1960's. Oil on canvas. With the original frame. rare large provenance vintage gilt museum collecti...

6004 Vintage modernist oil painting on artist board displayed in a gilt wood frame os a dancing couple. Signed lower left by M.Barak.

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Martha Walter Mothers and Children, North Africa Signed lower right Watercolor on paper 6 1/2 x 7 1/2 inches Martha Walter was best known as a painter of colorful beach scenes and ...

Acrylic on linen

Hans Burkhardt The Artist's Wife (1930) Oil on canvas, 20" x 16" 24" x 20 ½" x 1 ½" framed Dated 1930 lower right recto. Annotated "To Elsa HB Louise Burkhardt 1930. HB" verso. ...

In continuing with representing fine artists that are connected to the music industry we are please to announce that we are the only gallery in the United States representing the oil on canvas paintings of acclaimed British artist George Underwood. That is great news for collectors based in the United States. They do not have to pay any import fees or international shipping costs or any international tariffs which are costly. So this is a great opportunity to purchase a work of art by this acclaimed British artist. His paintings have been described as Magical with a touch of Fantasy. When David Bowie, a life long friend of George Underwood, was asked about the paintings of George Underwood, Bowie said "George has, over the years, refined his work to the point where I would put him among the top figurative painters coming out of the UK.... There's a sublime isolation surrounding his subjects that really touches the viewer, the figures being both heroic and vulnerable simultaneously". George Underwood, a life-long friend of David Bowie, were in early bands together and Underwood was asked by Bowie to created the classic cover artwork for David Bowie's "Ziggy Stardust" album and also for David's "Hunky Dory" album. George felt that his friend artist Terry Pastor would better create the hand colored airbrush look for the album covers so he had Terry create the cover artwork. A fun fact is that David and George were both in the same art class taught by Peter Frampton's Dad when they were youngsters and they remained great friends throughout David's life. I have included some images of Bowie and George Underwood over the years in this listing to show the close relationship they had since they were young lads. This oil painting by George Underwood is titled "Another Dress Rehearsal...

William Baxter Closson Trail of the Snowshoes, circa 1910 Signed lower right Oil on canvas 30 x 40 inches Provenance The Cooley Gallery, Old Lyme, Connecticut Born October 13, 184...

A Summer Day WPA American Scene Social Realism Modern Ashcan Early 20th Century Leon Kroll (1884-1974) "A Summer Day" 14 x 17 inches (image...

Oil painting of beachgoers literally looking for shade from the sun on a beach in Laguna, California. Painted by award-winning plein air painter Carl Bretzke. Framed in a tradition...

"Horses Running", a bold abstract impressionist oil painting with heavy impasto. By Sheila Hedricks. Oil on board. In a period hand...

Set against a luminous turquoise ground, "Zebra in Motion" captures the animal in a state of raw movement. Zura renders the figure using his signature technique of free, uninterrupte...

A wonderfully rich beach scene done in Zandvoort Holland in the Mid-20th Century depicting figures in the sand. Some figures are by the water with sailboats as kids play in the dista...

St, Louis River Mural Study American Scene Social Realism Mid 20th Century WPA Jo Cain (1904-2003) The Drama of the St. Louis Great River 23 1/4 x 25 ½ inches Gouache on board c. 19...

Kelly Carmody (b. 1977, Massachusetts) Rooted in realism, Carmody’s compositions start very traditional in subject and composition; however, she further transforms her skilled hand b...

acrylic on original lenticular Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is ...

oil on linen on mounted board *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fanta...

Oil painting of a Maui Landscape. Painted en plein air at a graveyard, Bretzke titles this work humorously, "Dying to Stay in Maui". Two figures stand in a graveyard, on a Hawaiian ...

In the mid-1960s Joseph Solman (American, 1909 - 2008) was commissioned to create portraits of the Begg family. This is a portrait of John Begg Jr., the son of the mid-century nuclear family...

Al Saralis – Autumn Breeze II (2025) Oil on canvas, 59 x 51 inches (150 x 130 cm) This evocative oil painting by British artist Al Saralis captures a solitary figure enveloped in th...

Pop Art. Americana + Female Celebration. Ephemera, Oil, Acrylic, Resin on Panel. About the Artist: John Joseph Hanright is a contemporary painter and assemblage artist who bring...

Acrylic on paper Signed in pencil, verso 10.5 x 8 inches, sheet 21 x 18 inches, frame This work is offered by ClampArt, located in New York City. Price includes frame.

Parisian market scene by Alling Clements (American 1891-1957). Oil on wood panel. Inscribed on the reverse "Market Blvd Paris Alling M Clements 1926". Clem...

Peter Keil's textured painting on canvas. Signed and dated 1997. This one is stunning in person. Background paint is textured on the canvas. Amazing gilt frame with a textured fabric...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

George Van Horn (Van) Millett (1864-1952) was perhaps the highest profile Kansas City artist at the turn of the last century. He has been listed in Benezit for nearly a century and i...

Artist: Houben, R.T. Title: 2 Colones Mona Lisa Series: Unique Date: 2022 Medium: Acrylic and foil on canvas Unframed Dimensions: 48 " x 36 " Signature: Signed by Artist on V...

Beatrix Sherman Hialeah Park Race Track, Florida, 1947 Signed lower right Oil on canvasboard 16 x 20 inches Beatrix Sherman (1894-1975), who changed her first name from Beatrice by...

Narcisse Diaz de la Peña Nymphs in a Landscape Estate sale seal lower left Oil on board 9 1/4 x 11 1/4 inches Narcisse Diaz de la Peña was born in 1808 in...

Molly Dilworth "Contagian". Acrylic on canvas created in 2009. Measures: 35.5" W X 60.25" H. Signed on revers "Molly Dilworth/2009". This striking painting depicts what first appe...

Artist: Henry Sené (French, 1889-1961) Title: By the River Date: 1916 Medium: Oil on thick paper Dimensions: 14 x 9 cm l 5 1/2 x 3 1/2 in. Frame: 20 x 15 cm l 7 7/8 x 5 9/10 in. Sign...

William Formby Halsall Crashing Waves at Sunset Signed lower right Oil on canvas 18 x 30 inches Marine painter William Formby Halsall was born in Kirkdale, England, in 1841. He was...

female bathers by visionary artist Stephen Basso surreal dreamlike imagery ABOUT Stephen Basso Stephen Basso's highly original pastels and oil painting...

"Message" is a poetic realist oil painting by Steven Levin. It depicts two people talking on their phones, backs to each other, with a white dove flying in through the open window. ...

6011 Oil on canvas the streets of Paris set in a vintage wood frame Image size 9.5x8"

Columbus Avenue NYC c. 1920s/30s American Scene Ashcan WPA Modern 20th Century "Late Afternoon, Columbus Avenue, New York", impasto oil on canvas, signed lower left, signed verso (under relining, shown in photo), and titled verso on stretcher, in maple mitered cove frame, 23 1/4" x 27 1/4", SS: 19 1/4" x 23 1/4", Relined. BIO Russian-born Gussow trained at the Art Students League and the National Academy of Design. He also studied under Bonnat at the Ecole des Beaux-Arts in Paris. His first claim to fame was exhibiting two works at the Armory Show in 1913. Gussow exhibited at the Society of Independent Artists between 1917 and 1934 and at Salons of America in the 1930s. The Whitney Museum of American Art, for example, has his Subway Stairs. The Barnes Foundation...

Porsche sports car painting with oil and layered style on canvas. About the artist: Daniel Hilpert is the living testament that a career in finance need not be a borrower’s tale....

Artist: Carlos Irizarry, Puerto Rican/American (1938 - ) Title: Sleeping Mother and Child Year: 1969 Medium: Oil on Canvas Size: 24 in. x 36 in. (60.96 cm x 91.44 cm) Frame Size: 32....

This piece, "Four Corners of Love", is a 47x47 mixed media painting on canvas by artist Francisco Bartus. Featured are the letters L.O.V.E., made up of multicolored individual helpin...

Title: Guarding the Harem Artist: Addison Thomas Millar (1860-1913) Origin: American Date: 19th century Medium: Oil on canvas Signature: Signed ‘Addison T. Millar’ L/L Dimension: 23 ...

Albert Heckman Woodstock Landscape Oil on board 8 1/2 x 10 1/2 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at ...

Original oil painting by Eric Zener. Eric Zener’s photorealistic paintings and resins are focused on four motifs: landscapes, figures in bed or on tightropes, and bodies in water. ...

Encapsulated 2021 Acrylic on canvas 10 x 8 inches Caption: Encapsulated is a pod like enclosure holding something within. "Natural Tendencies" by Jessica Krause Smith showcases work...

Ernani Silva, Brazilian - Five Moons, Medium: Acrylic, Collage and Enamel on board, signed in marker lower left, Size: 12.75 x 21 in. (32.39 x 53.34 cm)

Beautiful woman on a balloon swing over the water blowing a bubble gum bubble. Vibrant colors, whimsical. About The Artist Elise Remender’s love of painting began at an early a...

Figurative surrealist still life landscape painting of the Virgin Mary by contemporary Hungarian artist Attila Szűcs. The painting features a statue of the Virgin Mary replicated i...

A neoclassical oil painting on canvas by British artist Henry John Sylvester Stannard. The scene depicts a woman cleaning a bucket outside her house while a dog nestled in a dog house watches on. The painting is signed by the artist as “Sylvester Stannard”. The Cottage Garden...

Artist: Sandu Liberman, Romanian/Israeli (1923 - 1977) Title: Woman on a Park Bench Year: Circa 1970 Medium: Oil on Canvas, unsigned Size: 24 x 24 in. (60...

"Pay Day" American Scene Social Realism WPA Era Mid 20th Century Modern Workers Don Freeman (1908-1978) Pay Day 20 x 30 inches Oil on board, c. 1940s Signed lower right BIO Illustr...

A painting by Michael Knigin from around 1980. A multi-media collage mixing traditional Japanese illustrations with contemporary urban photographic imagery. Signed and numbered in pencil, framed in dark wood frame. Artist: Michael Knigin, American (1942 - 2011) Title: Woman with Umbrella...

Mary Russell Smith Feathered Tribe, 1871 Signed and dated lower left Oil on canvas 9 1/2 x 14 3/4 inches The daughter of theater scenery and landscape painter Russell Smith (1812–1...

Katherine Swope 1868-1941 Oil on Canvas Signed Lower Right Good condition Katherine Swope was a Famous female Southern Kentucky Artist who exhibited im soo many diiferent exhibition...

Friends have brought over their dog to the artist's Tuscan farmhouse, and join in preparing an Italian meal. Fenske, always seeing potential for paintings in everyday life, decided t...

A man stares out across a party while in the sky a faint figure is visible, perhaps the invisible presence that artist Erik Freyman alludes to in the artwork's title. Invisible Pres...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 25 1/4 x 32 1/4 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...

Artist: Vincent Manago, French (1880 - 1936) Title: Moroccan Battle Scene Year: circa 1920 Medium: Oil on Canvas, signed l.l. Size: 26 in. x 36 in. (66.04 cm x 91.44 cm) Frame Size:...

"Lineage Without Names" Oil Painting 47.5" x 47.5" inch by Casey Baugh Medium: oil and ash on linen ABOUT THE PAINTING: I'm forever fascinated with the idea of what is passed to u...

"Golf" is a plein air oil painting of a woman leaning against her Fiat with her dog in Tuscany, Italy. Her dog sits at attention while she is relaxed. Framed in a custom italian go...

An original acrylic on paper by American artist Richard Huntington entitled "Dog on a Stump". This new work is part of the current gallery exhibition, A Sense of Place which runs through the end of June. This special exhibition is a celebration of the work of 4 extraordinary artists who used to call Western New York home. Travel lust, adventure, and livelihood have taken each of these artists to distant places, including China, Mexico, Massachusetts, and New York City, but they will always be a treasured part of Buffalo's dynamic arts community. Acknowledging that a sense of place can be an element in any work of art, shaping or transforming it depending on intentions and explorations, Resource:Art is thrilled to present this selection of new work by each of these unique artists. Richard Huntington is a writer, printmaker, and painter who lives in Buffalo, N.Y. and San Miguel de Allende, Guanajuato, Mexico. Born in Albany, N.Y., Huntington received a BFA from Syracuse University in 1959 and an MFA in 1963 from the University at Buffalo, where he studied under Seymour Drumlevitch. He taught studio and art history courses at Bradley University in Peoria, Ill.; lived and worked in New York City, where he showed at the Fulton Street Gallery and other venues; was an art critic for the Buffalo Courier...

This cheerful and whimsical piece, "Down the Slope" is a 32x32 mixed media painting on canvas by artist Antonio Soler capturing a crowded scene of skiers...