New York - Landscape Paintings

Vintage impressionist landscape oil painting. Oil on canvas. Signed in monogram MD. Framed. Measuring 23 by 27 inches overall and 16 by 20 painting alone. In excellent original condi...

William Edward Norton (1843 - 1916) Ship Portrait, 1876 Oil on canvas 10 x 16 inches Signed and dated lower left Born in Boston, William Norton became a noted marine painter, stirred by his youth when he sailed on family-owned ships. He studied at the Lowell Institute in Boston, and with George Inness, and then established a studio in Boston. In the early 1870s, he went to Paris and became a student with Chevreuse and A. Vollon, and then he settled in London where he exhibited throughout the last quarter of the 19th century. His reputation there was based on his scenes of the Thames River, and ocean and coastal views. In 1901, he and his wife returned to the United States and settled in New York City. He also painted at Monhegan Island, Maine, where a treacherous ledge on the southern side of the island is named "Norton's Ledge" for him. He was a member of the Boston Art Club with whom he exhibited from 1873 to 1909. He also exhibited with the Pennsylvania Academy, the Royal Academy in London, the Paris Salon, the 1893 Chicago Exposition...

6118 Parisian cafe street scene Set in a gilted wood frame Image size 8x9,5"

Antique American impressionist lake landscape signed oil painting. Oil on canvas. Signed. Framed. Image size, 20L x 16H.

Oil on canvas painting by the American artist, Charles Dormon Robinson. Signed lower left with the initials S.F. after signature. Perhaps, San Francisco. Unlined and unframed. Charles Dormon ROBINSON 1847 - 1933 Charles Dormon Robinson was born in East Monmouth, Maine on July 17, 1847. The Robinson family moved to Newport, Vermont shortly after the birth of Charles Dormon. In 1848 his father migrated to California followed by mother and child two years later. His father, Dr. David G. Robinson, was a theatrical producer and playwright who was responsible for constructing San Francisco's first theaters and the plays for their stages. The senior Robinson was a member of the Vigilance Committee...

Title: Snowy Field Medium: Oil on canvas Size: 20 x 20 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2000 Circa Artist: Haibao Chen...

Antique American impressionist seascape signed oil painting. Oil on canvas. Signed. Framed. Image size, 14L x 11H.

An oil painting by Marc Dalessio. Painted en plein air, on the beach (Ditch Plains) in Montauk, New York. Dalessio captures this picturesque & popular Ham...

Title: Looking The City From Distance Medium: Oil on canvas Size: 23 x 30 inches Frame: Framing options available! Condition: The painting appears to be in good condition, canvas will be flat once it stretched. Note: This painting is unstretched Year: 2000 Circa Artist: Mingjun Wang...

Title: Spring Park Visit II Medium: Oil on canvas Size: 11.5 x 11.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note:...

Impressive early American precisionist abstract oil painting by Lad Montgomery. Framed. Oil on canvas. Signed. Image size, 25H by 30L.

Charles Henry Miller (American, 1842-1922) Untitled (New York Landscape), c. 1900 Oil on canvas laid on foam 6 1/8 x 10 5/8 in. Signed lower left: C.H.M. Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier. After the 1874 death of his father, Jacob Miller, who was a wealthy architect and builder, Miller received a large inheritance that allowed him to paint as an independent artist for the remainder of his long life. He worked seriously and exhibited regularly, including at international exhibitions. The majority of his oil paintings depict Long Island subjects, especially those in and around Queens Village. Fed up with the development of the eastern part of Queens (present-day Nassau County), he began to spend part of his summers in East Marion, Long Island, c. 1910. Here he spent his time sketching and painting the surrounding areas. In 1885 he published The Philosophy of Art in America, using the pseudonym Carl De Muldor (he was descended from the De Muldor family). His work was recognized: in 1873, he was elected an associate of the National Academy of Design and an academician in 1875. He served as president of the New York Art Club in 1879 and of the American Committee at the Munich International Exposition in 1883. Legacy and honors • In 1910 Miller founded the Queens Borough Allied Arts & Crafts Society. • A New York City public school, Queens P.S. 33, was once named for him. • 1878, gold medal awarded by the Massachusetts Charitable Association • 1885, gold medal at the World's Exposition in New Orleans. Following is a list, which includes many of his known exhibitions: • National Academy of Design, New York, NY, 1860-61, 1865-67, 1870-1921 • Brooklyn Art Association, Brooklyn, NY, 1872-84, 1891-92 • Artist's Fund Society, New York, NY, 1874 (exhibition & sale), 1886 (exhibition & sale) • Century Association, New York, NY, (1874-1917) • Philadelphia Centennial Exhibition, Philadelphia, PA, 1876 (prize) • Society of American Artists, New York, NY, (1878-1882) • Massachusetts Charitable Mechanic Association, Boston, MA, 1878 (prize) • Paris International Exposition, Paris, France, 1878, 1889 • American Water Color Society Exhibition, New York, NY, 1879 • Pennsylvania Academy of Fine Arts, Philadelphia , PA, 1879-99 • Boston Art Club, Boston, MA, 1880-1907 (prize) • Union League Club, New York, NY, 1880 • Lotos Club, New York, NY, 1880, 1896, 1899-1900, 1906 • Salons of Paris, Paris, France, 1882 • International Exhibition, Munich, Germany, 1883 (president & exhibitor) • New Orleans Exposition, New Orleans, LA, 1885 (prize) • Art Institute of Chicago, Chicago, IL, 1888-89, 1891, 1894-98, 1904 • Fifth Avenue Art Gallery, New York, NY, 1889 (exhibition & sale) • World's Columbian Exposition, Chicago, IL, 1892 • Frederick A. Chapman Gallery, New York, NY, 1898 (solo) • Miller Studio...

An exceptional impressionistic depiction of an afternoon along the Jardin des Tuileries, Paris by Jules René Hervé on a summer day with the busy activities of a family seated near th...

A stunning depiction of a boat sailing toward a lagoon. Nemethy uses a bold impressionistic technique with thick use of paint and wonderful impressions. With unique colors, we can fe...

Impressive early American modernist beach scene oil painting by Brooks Kelly (1935 - 2012). Framed. Oil on canvas, lain to board. Signed. Image size, 12H by 16L.

It is infrequent, to say the least, that a diagnosis of tuberculosis proves fortuitous, but that was the event, in 1921, that set Paul Starrett Sample on the road to becoming a professional artist. (The best source for an overview of Sample’s life and oeuvre remains Paul Sample: Painter of the American Scene, exhib. cat., [Hanover, New Hampshire: Hood Museum of Art, 1988] with a detailed and definitive chronology by Sample scholar, Paula F. Glick, and an essay by Robert L. McGrath. It is the source for this essay unless otherwise indicated.) Sample, born in Louisville, Kentucky, in 1896 to a construction engineer and his wife, spent his childhood moving with his family to the various locations that his father’s work took them. By 1911, the family had landed in Glencoe, Illinois, settling long enough for Paul to graduate from New Trier High School in 1916. Sample enrolled at Dartmouth College, in Hanover, New Hampshire, where his interests were anything but academic. His enthusiasms included the football and basketball teams, boxing, pledging at a fraternity, and learning to play the saxophone. After the United States entered World War I, Sample, to his family’s dismay, signed on for the Naval Reserve, leading directly to a hiatus from Dartmouth. In 1918 and 1919, Sample served in the U.S. Merchant Marine where he earned a third mate’s license and seriously contemplated life as a sailor. Acceding to parental pressure, he returned to Dartmouth, graduating in 1921. Sample’s undergraduate life revolved around sports and a jazz band he formed with his brother, Donald, two years younger and also a Dartmouth student. In November 1933, Sample summarized his life in a letter he wrote introducing himself to Frederick Newlin Price, founder of Ferargil Galleries, who would become his New York art dealer. The artist characterized his undergraduate years as spent “wasting my time intensively.” He told Price that that “I took an art appreciation course and slept thru it every day” (Ferargil Galleries Records, circa 1900–63, Archives of American Art, Smithsonian Institution, available on line). In 1920, Donald Sample contracted tuberculosis. He went for treatment to the world-famous Trudeau Sanitorium at Saranac Lake, in New York State’s Adirondack Mountains for the prescribed regimen of rest, healthful food, and fresh air. Visiting his brother in 1921, Paul also contracted the disease. Tuberculosis is highly contagious, and had no certain cure before the development of streptomycin in 1946. Even for patients who appeared to have recovered, there was a significant rate of recurrence. Thus, in his letter to Price, Sample avoided the stigma conjured by naming the disease, but wrote “I had a relapse with a bad lung and spent the next four years hospitalized in Saranac Lake.” The stringent physical restrictions imposed by adherence to “the cure” required Sample to cultivate an alternate set of interests. He read voraciously and, at the suggestion of his physician, contacted the husband of a fellow patient for instruction in art. That artist, then living in Saranac, was Jonas Lie (1880–1940), a prominent Norwegian-American painter and an associate academician at the National Academy of Design. Lie had gained renown for his dramatic 1913 series of paintings documenting the construction of the Panama Canal (The Metropolitan Museum of Art, New York; United States Military Academy, West Point, New York). Primarily a landscape artist, Lie had a particular affinity for scenes with water. His paintings, impressionistic, atmospheric, and brushy, never strayed from a realistic rendering of his subject. Sample regarded Lie as a mentor and retained a lifelong reverence for his teacher. Sample’s early paintings very much reflect Lie’s influence. ` In 1925, “cured,” Sample left Saranac Lake for what proved to be a brief stay in New York City, where his veteran’s benefits financed a commercial art course. The family, however, had moved to California, in the futile hope that the climate would benefit Donald. Sample joined them and after Donald’s death, remained in California, taking classes at the Otis Art Institute in Los Angeles. In Sample’s account to Price, “I couldn’t stomach the practice of painting a lot of High Sierras and desert flowers which seemed to be the only kind of pictures that were sold here so I got a job teaching drawing and painting at the art school of the University of Southern California.” Initially hired as a part-time instructor, Sample progressed to full-time status and ultimately, by the mid-1930s, to the post of Chairman of the Fine Art Department. Sample, however, did not want to wind up as a professor. “Teaching is all right in small doses,” he wrote, “but I have a horror of drifting into being a college professor and nothing more.” At the same time as he taught, Sample began to exhibit his work in a variety of venues at first locally, then nationally. Though he confessed himself “a terrible salesman,” and though occupied with continued learning and teaching, Sample was nonetheless, ambitious. In 1927, he wrote in his diary, “I am eventually going to be a painter and a damned good one. And what is more, I am going to make money at it” (as quoted by Glick, p. 15). In 1928, Sample felt sufficiently solvent to marry his long-time love, Sylvia Howland, who had also been a patient at Saranac Lake. The Howland family were rooted New Englanders and in summertime the Samples regularly traveled East for family reunion vacations. While the 1930s brought serious hardship to many artists, for Paul Sample it was a decade of success. Buttressed by the financial safety net of his teacher’s salary, he painted realist depictions of the American scene. While his work addressed depression-era conditions with a sympathetic eye, Sample avoided the anger and tinge of bitterness that characterized much contemporary realist art. Beginning in 1930, Sample began to exhibit regularly in juried exhibitions at important national venues, garnering prizes along the way. In 1930, Inner Harbor won an honorable mention in the Annual Exhibition of the Art Institute of Chicago. That same year Sample was also represented in a show at the Albright-Knox Gallery in Buffalo and at the Biennial Exhibition of the Corcoran Gallery of Art, Washington, D.C. In 1931, Dairy Ranch won the second Hallgarten Prize at the Annual Exhibition of the National Academy of Design, in New York. Sample also made his first appearances at the Carnegie Institute, Pittsburgh, and The Pennsylvania Academy of the Fine Arts, Philadelphia. In 1936, Miner’s Resting won the Temple Gold Medal at the Pennsylvania Academy’s Annual Exhibition. Always interested in watercolor, in 1936, Sample began to send works on paper to exhibitions at the Whitney Museum, New York. While participating in juried exhibitions, Sample also cultivated commercial possibilities. His first New York art dealer was the prestigious Macbeth Gallery in New York, which included his work in a November 1931 exhibition. In 1934, Sample joined the Ferargil Galleries in New York, after Fred Price arranged the sale of Sample’s Church Supper to the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Massachusetts. In 1937, The Metropolitan Museum of Art purchased Sample’s Janitor’s Holiday from the annual exhibition of the National Academy of Design, a notable honor. As prestigious as this exhibition schedule may have been, by far Sample’s most visible presence in the 1930s and 1940s was the result of his relationship with Henry Luce’s burgeoning publishing empire, Time, Inc. Sample’s first contribution to a Luce publication appears to have been another San Pedro...

Nicely painted abstract expressionist mid century oil painting. Oil on canvas. No signature found. Framed.

Title: Venice Impression I Medium: Oil on canvas Size: 25 x 21 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This...

Title: Seaside Town Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

Frederick John Mulhaupt Gloucester Boats Signed lower left Oil on board 12 x 16 inches Born in Rock Port, Missouri, in 1871, Mulhaupt studied...

This piece, "Secret Cove", is a 20x20 oil painting on canvas by artist Robert Meyers. Featured is a misty view over a lake. A singular sailboat bobs around the bay while green tree f...

'Central Park, Spring Afternoon' 2009 by American artist, Lawrence Kelsey. Oil on panel, 19.5 x 13.5 in. / Handmade gold frame: 24 x 18 in. Depicting a view of Central Park in New Yo...

Antique American modernist signed scene oil painting. Oil on paper. Signed. Framed. Image size, 20L x 15H.

Buffalo, NY Steel Mill American Scene Modernism WPA Era Industrial 20th Century Ruth A. Haven Gay (1911-1992) “Buffalo, NY Steel Mill”, c. 1935 23 x 28 inches Oil on canvas Signed G...

Antique American impressionist flower garden painting. Watercolor and gouache on board. Signed. Framed.

This bright painting, done en plein air, radiates the feeling of summer. Small sailboats float daintily atop electric blue water while the surrounding land looks completely empty of ...

Antique American oil painting. Oil on board. Signed. Framed. Measuring 17 by 21 inches overall and 11 by 16 painting alone.

Title: Hometown Beauty IV Medium: Oil on canvas Size: 25 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This ...

Outstanding English Victorian 19th century Harvest landscape. Thomas Simon Dingle was the son of Thomas Dingle (1818-1904), known as a London landscape painter, but who, according t...

Antique American school modernist landscape oil painting. Oil on canvas. Signed. Framed. Measuring 18 by 21 inches overall. In excellent original condition. Handsomely framed in a ...

"6th Avenue El" American Scene Social Realism Mid-20th Century New York City Ernest Fiene (1894-1965) "6th Avenue El" 12 1/4 x 14 1/4 Oil on canvas board, c. 1940s Signed lower righ...

Isla Azul 1 40 x 63 inch Oil on Canvas

French Cityscape by Jacques Pergel, French (1924) Date: 1968 Oil on Canvas, signed l.l. Size: 24 x 36 in. (60.96 x 91.44 cm) Frame Size: 31 x 43 inches

Incredible early American impressionist landscape painting by Frank De Villo Knapp (Born 1896) . Oil on cancas. Nicely framed in a period gold impressionist frame. Great impasto a...

Title: Mountains - Light Medium: Oil on canvas Size: 15.5 x 20 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

Title: Fishing Boat Medium: Oil on canvas Size: 7.5 x 11.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting ...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

Vintage impressionist landscape oil painting of a palm tree covered city scape. Oil on canvas. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 33 by 47 inches overall...

Recent oil on canvas work by the American artist, Ronaldo Skalamera. Signed lower right. Overall size framed is 16 by 18 inches. Rinaldo Skalamera is widely regarded to be among t...

An original realist egg tempera painting by American artist Catherine Koenig created during her travels to Mexico. This work will be featured in the gallery's upcoming exhibition "D...

Title: Blooming Red Poppy Medium: Oil on canvas Size: 15 x 20 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This ...

Very impressive modernist still life by Miguel Guzman. Oil on canvas. Nicely framed. Great color and composition.

Signed lower left. Born in Rockport, Massachusetts, impressionist painter William Stevens lived and worked in the area for many years. In the later part of his life, he moved to Co...

Artist: Stephen Enoch Hogley, British (1842 - 1927) Title: Watering Hole Year: circa 1900 Medium: Oil on Canvas, signed l.r. Size: 20 in. x 30 in. (50.8 ...

Vintage signed modernist seascape painting by Gabriel Godard (Born 1933). Oil on canvas. Framed. Signed. Housed in a wide giltwood frame. Thick impasto and wonderful colors. I...

Rare Hawaiian landscape of coastal Maui. Oil on canvas. Framed. Signed. Oil on canvas. Image size, 20"H x 24"L.

Impressive early American modernist cityscape oil painting. Framed. Oil on canvas. Signed. Image size, 20H by 36L.

Antique American modernist abstract oil painting of coastal New England. Oil on canvas. Signed. Framed.

Eanger Irving Couse Trees in a Landscape, circa 1900 Signed lower left Oil on canvas 9 1/8 x 14 5/8 inches Provenance Fenn Galleries, Santa Fe, New Mexico Nedra Matteucci Galleries,...

Title: Lost Beauty - Lotus Medium: Oil on canvas Size: 23.75 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: ...

Title: Only Wish To Stay Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paintin...

Title: Void Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is un...

Antique American modernist nocturnal view of the Brooklyn Bridge. Oil on board. Signed verso. Framed.

As one of the first, and most important, American Impressionists, Theodore Robinson helped to introduce the French style to American artists and audiences.

"Breathe Deep II" is a contemporary realist landscape oil painting of California cliffs painted en plein air. Blue-green waves roll in toward the foreground filled with sand-colored...

Title: Waves Crashing Medium: Oil on canvas Size: 21 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting i...

Winfield Scott Clime (1881-1958) American, Philadelphia, PA - Old Lyme, CT “Hudson Palisades” Late 19th - Early 20th century Oil on canvas 30 x 25 in. unframed Signed lower right: W...

Charles Henry Miller Flushing Landscape with Cows, circa 1880 Signed lower left Oil on canvas 13 x 19 inches Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

Vintage American school signed original oil painting. Oil on board, circa 1950. Signed. Displayed in a period frame. Image, 24"L x 18"H.

Inima de Paula, Brazilian (1918 - 1999) - Caupolican, Year: 1990, Medium: Oil on canvas, signed lower right, titled, signed and dated on verso, Size: 39.5 x 31.5 in. (100.33 x 8...