New York - Landscape Paintings

Antique impressionist signed landscape oil painting. Oil on canvas. Signed illegibly. Framed. Image size, 13L x 9.5H.

Vintage American impressionist seascape oil painting. Oil on canvas. Signed verso. Framed. Measuring: 20.5 by 30.5 inches overall. Handsomely framed in white wood molding. Excell...

"Union Square" NYC American Scene Social Realism Modernism WPA Mid-20th Century Agnes Hart (American, 1912-1979) "Union Square, New York City" Sight: 14 1/2 x 21 1/2 inches Gouache...

Sky Bloom 30 X 30 Oil on Canvas Rose James considers herself as a botanical abstractionist. Her inspiration comes from years as a botanical artist teaching for the New York Botanical...

Antique American modernist abstract oil painting by Adele Becker. Oil on canvas. Framed. Signed.

Denise Jones Adler's work is both personal and archetypical and seeks to memorialize a moment in time, the fragile nature of life, and the emotional impact of the past on the present. Her portraits and dreamscapes pinpoint an unsettled view of the world, layered with a subtle sense of amusement and innate feminism. Adler is influenced by the Feminist Art Movement as well as Expressionism and the Dada movement. The collages of Hannah Hoch...

Carle John Blenner (1862 - 1952) Pont Neuf, Seine, Paris, France, 1887 Oil on canvas 15 x 22 inches Signed and dated lower right; titled lower left ...

Signed illegibly lower left. Oil on paper. 10 x 8.

Joseph Jefferson Fishing by the Bridge, circa 1885 Signed lower right Oil on canvas 15 x 21 inches Born in Philadelphia, Joseph Jefferson grew up in the theater. His first role was...

Very finely painted modernist landscape by Robert Noel Blair (1912 - 2002). Watercolor and gouache on paper. Signed Image size, 23 by 31 inches. In excellent original condition. ...

Post-Impressionist summer pastoral scene of a house in the field with chickens in the garden and figure. Taking place in Bucks County, PA. Willett has portrayed this piece in a most ...

Vintage Paris School signed original oil painting. Oil on board, circa 1950. Signed illegibly. Displayed in a period wood frame. Image, 12"L x 16"H.

Artist: Alvaro Guillot, Uruguayan/American (1931 - 2010) Title: De Rouge sur la Ville Year: 1967 Medium: Oil on Canvas, signed u.r. Size: 24 x 30 inches

Jean-Charles Cazin Ploughing on the Hillside Signed lower left Oil on board 6 1/2 x 6 inches The son of a well-known doctor, FJ Cazin, he was born at Samer, Pas-de-Calais. After st...

Earth, air, water, and fire are the center subjects of my art. I live in New York City-it is close to the ocean, and I’ve developed a deep affinity for the sea, which has also evoked...

Up for sale is a wonderful Italian Venetian Sunset painting by Bernhard Stange (1807-1880). Painting for sale depicts SUNSET VIEW OF SAN LAZZARO, VENICE It is absolutely colorful a...

Reginald Marsh Tugboat at Dock, circa 1937 Signed lower right Watercolor and pencil on paper 13 3/4 x 20 inches Housed in a Lowy frame. Provenance: Sotheby'...

Really rare and well painted portrait by Christine Walters Martin (1895-1982). Oil on canvas. Framed in a nice modernist molding. Signed. Artist Bio: Christine Walters Martin (1895-1982) Born and raised in Brooklyn, Christine Martin majored in art at Columbia University/Teachers College. She spent summers painting at the Woodstock Art Colony under the tutelage of artists there and continued her art studies at the Art Student's League in New York City. Over the years, her teachers included John Sloan, Yasuo Kuniyoshi, Alexander Brook and John McFee. She also studied with Eugene Speicher, who recommended her for Portraits Inc, through which some of his own commissions came. Much later in life, in her 80s, Christine studied watercolor with Zoltan Szabo. Before marrying attorney George Martin in 1923, she taught art in the New York public schools for several years. During summers in the late 1920s, after having two daughters (Cynthia, 1924-2008, and Joan, 1927-2000), she went to Woodstock with her girls in tow, staying at the Hasbrook farm. In 1930, she and her husband purchased a stone house on Ohayo Mountain Road and lived there seasonally for 25 years. Among her closest artist friends in Woodstock were Emil Ganso, Florence Hardiman, Albert Heckman, Peggy Dodds, Joe Rollo, Henry Mattson, Mary Ellen Early, and Maud and Miska Petersham, along with Juliana Force (Whitney Museum). During many summers in Woodstock, Christine's daughters Cynthia and Joan kept up their serious piano studies under the tutelage of Vladimir Padwa and Inez Carroll. Known for portraits and landscapes, she was a member of the National Association of Women Artists and the National Arts Club, Gramercy Park, NY. Her work showed at the National Arts Club, Weyhe and Preston Galleries and the National Academy of Design in New York; the Pennsylvania Academy in Philadelphia; the Woodstock Art Association and Rudolf Galleries in Woodstock, Vermont's Dawson Grist Mill Gallery, and South Hampton College, among others. Her portraits, landscapes and still lives hang in hundreds of homes around the world. Information provided by Bunny McBride...

Antique American modernist landscape oil painting. Oil on canvas. Framed. Signed "Lee Tang".

Unframed 10 x 7 inches Framed 13.25 x 10.25 inches The artist activates her landscapes with sensuous applications of pigment. She layers bold hues and constructs rhizomatic forms—t...

John Hare Gloucester Harbor at Sunset, Massachusetts Signed lower right Watercolor on paper 16 x 12 inches John Cuthbert Hare, 1908-1978, was a watercolorist who painted boats, seascapes and harbor scenes. He was primarily associated New England, especially Cape Cod, Massachusetts where he spent his summers from 1938 to 1965. However, he was in Florida where he was a member of the St. Augustine Art Association, and other locations on the East Coast. It is likely Hare was born in New York City. He first studied commercial art in Brooklyn at the Pratt Institute and also studied at the Art Students League in Manhattan. He worked for Hearst newspapers corporation, and in 1933 married. In the next few years, he and his wife traveled extensively, camping and painting and exhibiting his work in galleries. In 1935, they visited St. Augustine and an exhibition of his watercolors was held there in the old bank...

Mystery Artist Untitled (Townscape), 20th century Oil on board 19 x 26 3/8 in. Framed: 24 x 31 x 1 1/4 in. Signed lower right

"Saint-Malo Sailboats" is a plein air painting created in Northwestern France. A pair of sailboats rest along the harbor's wharf, their masts intersect the warm atmostphere, and thei...

Antique American modernist abstract oil painting. Oil on canvas. Image size, 24L x 36H.

A large oil painting of a dramatic Mountain Range by Tunisian-born artist, Jalal Gharbi (1920 - 2005). The painting measures 30 x 40 inches and the frame 37.5 x 47.5 inches.

Antique American impressionist watercolor painting. Framed. Measuring 16.5 by 18.5 inches overall and 13 by 15 painting alone.

Title: Untitled Medium: Oil on canvas Size: 22.5 x 18.5 inches Frame: Framing options available! Year: 2000 Circa Artist: Wengui Huang Provenance: Direct from the artist.

Early American Impressionist Moonlit landscape with river by Charles Morris Young (1869-1964). Oil on canvas, dated 1894. Signed lower right. Disp...

Alfred S. Wall (American, 1825-1896) Untitled (Building the Railroad), 1859 Oil on canvas 14 1/2 x 18 1/2 inches Signed and dated lower left For Christmas, 2008, the Pittsburgh Post-Gazette featured Alfred Wall's painting, Old Saw Mill from the collection of the Westmoreland Museum of American Art in Greensburg, PA. It was painted in 1851 in the town of Lilly, Pennsylvania in the Allegheny Mountains. The newspaper description stated that "though the saw mill is long gone, it still conveys all the warmth and coziness of this time of year. The article, written by Patricia Lowry, continued: At first glance, Alfred S. Wall's painting of a saw mill in snowy woods triggers nostalgia for the coziness of a log cabin, the smell of a wood-burning fire and the warming of chilled hands and feet beside it. But as sentimental as it seems on the surface, Mr. Wall's painting has a deeper and unexpected context. This is more than a painting about sled-riding children and early industry planted in the middle of virgin forest. Intended or not, this is a painting about conquering the great divide of the Allegheny Mountains. For the third consecutive year, the Post-Gazette features a winter-scene painting on the cover of the Christmas Day newspaper. This year's painting, Old Saw Mill, was selected by co-publisher and editor-in-chief John Robinson Block and executive editor David Shribman during a visit to the Westmoreland Museum of American Art in Greensburg. Mr. Wall, listed as a portrait painter in the 1850 census, was about 26 when he painted Old Saw Mill in 1851. The self-taught artist was born in Mount Pleasant, Westmoreland County, to William and Lucy Wall, who'd emigrated from England around 1820. An artistic sensibility ran in the family: William was a sculptor who carved ornate tombstones here; Alfred's children, A. Bryan and Bessie, were landscape painters, as was Alfred's older brother, William Coventry Wall. For more than a century the Walls formed a prominent art dynasty in Pittsburgh, and Alfred, eventually a partner in the city's most prestigious art gallery, was well known as a painter, dealer and restorer. In Old Saw Mill, two wood cutters, each holding an axe, meet outside the mill; one points in the direction of the forest. On the other side of the stream, one child pulls another down the hillside on a sled. Just behind the hill's slope, the roof of a building appears, perhaps the home of the sawyer. The luminous, late afternoon light comes from the northwest, casting lengthening shadows on the snow under a darkening sky. The saw mill in "Old Saw Mill" likely would have been impossible to track down had Mr. Wall, presumably, not written on the back of the painting: "old saw mill near Jct. 4, Portage RR, Pa." "There was no Junction 4," said Mike Garcia, park ranger at the Allegheny Portage Railroad National Historic Site, about 90 miles east of Pittsburgh near Gallitzen, Cambria County. "But there was an Inclined Plane No. 4 at Lilly, and there was a saw mill there." In fact, there were at least six saw mills at Lilly over the years, said longtime resident Jim Salony, president of the Lilly-Washington Historical Society. But when he saw an image of the painting, Mr. Salony had no trouble coming up with a location. While there are no known photographs of the saw mill, he believes it stood near the intersection of Portage and Washington streets, next to Bear Rock Run. Mr. Salony, retired academic dean at Mount Aloysius College, didn't know exactly when the mill was torn down, but it's been gone since at least the late 1800s. He was pleased to learn of the painting, even though that knowledge came too late for inclusion in a new book about Lilly, The Spirit of a Community, for which he served as primary author and editor. It runs to more than 700 pages. For a little town -- population 869 last year -- Lilly has a lot of history. Nestled in a bowl on the western slope of the Allegheny Mountains about 3 miles south of Cresson, Lilly was first settled in 1806 by Joseph Meyer and his family, who named their 332-acre land patent Dundee. Although the Meyers had left by 1811, other settlers followed, but the community didn't flourish until the 1830s, when the Allegheny Portage Railroad began its 23-year-run through the town. For 200 years the Alleghenies had stood as an impediment to trade and travel between Pittsburgh and the east. A canal from Philadelphia to Pittsburgh would change that and compete with New York's Erie Canal. But a portage railroad would have to be built, on which teams of horses would lead the canal boats over the mountains. Engineer Sylvester Welch began his surveying from the small settlement at Lilly. The railroad would require 10 inclined planes, some quite steep, between Hollidaysburg and Johnstown. To build it, trees had to be cut along a 120-foot-wide right-of-way for 36 miles, along which track and engine houses had to be built. William Brown, who owned the saw mill on Bear Rock Run, built at least one of the engine houses at Inclined Plane No. 4; an 1834 contract also included fencing the dwelling lots at the head and foot of the plane. Lilly is located at what was the foot of Inclined Plane No. 4., giving the community one of its early informal names, Foot of Four. Named in 1883 for Richard Lilly, who'd completed the grist mill there, Lilly had another early name: Hemlock, so dubbed by a Portage Railroad traveler who smelled the bark stripped from the trees at the saw mill. Because there isn't another Allegheny Portage Railroad location like it, where a cut in the mountains opens into a bowl, Mr. Salony thinks it was Lilly that Charles Dickens wrote about following his trip from Harrisburg to Pittsburgh on the Pennsylvania Canal in late March 1842, describing what he saw after emerging from "the bottom of the cut": "It was very pretty while traveling, to look down into a valley full of light and softness, catching glimpses through the tree-tops of scattered cabins; children running to the doors; dogs bursting out to bark, who we could see without hearing; terrified pigs scampering homeward; families sitting out in their rude gardens; cows gazing upward with a stupid indifference; men in their shirt-sleeves looking on at their unfinished houses, planning out to-morrow's work; and we riding onward, high above them, like a whirlwind." To get to Lilly, Mr. Wall may have taken the Pennsylvania Canal from his home in Allegheny City, now the North Side. He'd married young, at 21, to Sarah Carr in 1846, the same year he began his career as an artist. By 1880 they were living in a brick townhouse at 104 (later 814) Arch St., now demolished. Across the river in Pittsburgh he shared a studio at 67 Fourth Ave. with his brother William; they later moved to Burke's Building, today the city's oldest office building at 209-211 Fourth. But often they worked outdoors, sometimes as part of the colony of artists that grew up around painter George Hetzel beginning in the late 1860s at Scalp Level...

Fran Dinhofer Untitled (Seaside Lighthouse), c. Late 20th century Oil on artist board 16 x 20 in. Framed: 23 x 27 x 1 1/2 in. Signed lower right, inscribed verso This painting was ...

Unframed  10 x 7.5 inches Framed 13.25 x 10.25 inches During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years o...

Amazing surreal cloudscape modernist oil painting. Framed. Oil on canvas.

Antique American modernist abstract oil painting by Adele Becker (1929-2021). Oil on canvas. Framed. Signed.

Impressionist winter landscape painting by Walter Sacks (1901 - 1961). Oil on board, circa 1930. Signed. Displayed in a vintage frame. Image size, 12"L x 10"H.

Robert Emmett Owen, best known for his New England landscapes featuring old farmhouses, winding roads, and covered bridges, began his career contributing pen-and-ink drawings to Life...

Georgina Klitgaard Washington Square Park, New York Oil on canvas 25 1/2 x 31 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artists...

George Rene Sinicki (Russian/French, b. 1910), Village Landscape Scene, Oil on Canvas, depicting a forest path beside a town with buildings visible throug...

Antique American modernist surreal oil painting. Oil on canvas. Framed. No signature found.

Signed lower right and dated 1948 David Burliuk’s vibrant depiction of a Ukrainian countryside captures a moment of quiet resilience and rural harmony. A woman, adorned in a red ker...

Exceptionally well painted African landscape painting. Oil on board. Framed. Signed. Image size, 22L x 26H.

This piece, "First Snow, Last Night", is a 16x20 oil painting on canvas by artist Claudio D'Angelo featuring a look into the snowy woods at dusk. Low rising light...

Signed lower left. This painting was exhibited at the James Cox Gallery, Woodstock NY. "Carl Olof Eric Lindin 1862-1942", in 1993. No. 27. Carl Lindin, a Swedish-born painter who...

Peter Saari is an American artist who's work aims to re-invent antiquity through recreating ancient wall paintings and decoration. Provenance: Lamanga Gal...

Antique American impressionist ashcan school pastel painting. Pastel and gouache on paper. Signed. Framed.

Signed lower right.

An early spring scene of ice skaters in the park. The piece is nicely framed in dark wood and the artist signed the painting on the lower right in pen. Spring Skate Susan Pear Meise...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Image size, 22L x 28H.

Very well done and interesting vintage Italian impressionist painting. Oil on canvas. Framed. Signed.

Antique American impressionist desert beach dune oil painting. Oil on board, circa 1940. Unsigned. Displayed in a period giltwood frame. Image, 24"L x 16"H.

Soni Wallace masters color and form in this Abstract Expressionist painting. Many works from this period in her life reflect coastal landscapes through a lens of minimalism and geome...

Geraldine Sanger Untitled, 1983 Oil on canvas 22 x 27 3/4 in. Framed: 24 1/2 x 30 1/2 x 1 1/2 in. Signed and dated lower right

Impressive early American modernist landscape oil painting by Harold Saxton Burr (1889 - 1973). Framed. Oil on board. Signed verso. Image size, 16H by 16L.

Marie-Lucie Nessi Valtat South of France, ca. 1950 Oil on canvas mounted on board 13 3/4 x 10 2/3 in l 35 x 27 cm Frame size: 15 3/4 x 12 2/3 in l 40 x 32 cm Marie-Lucie Nessi Valta...

Antique American modernist New England barn oil painting. Oil on canvas, circa 1960. Signed illegibly. Image size, 24L x 20H. Framed in a period f...

A contemporary oil painting on linen by American artist A.J. Fries. Artist’s Statement: These works are an extension of a small series of realistic paintings that I did of graves...

I’m selling this Beautiful Luminst Sunrise painting by Edward Moran (1829-1901) , a famous American Marine Hudson River painter and artist The Luminescent Glow from the rising sun i...

Modernist abstract cloudscape abstract painting by Abraham Pariente. Oil on canvas, circa 2000. Signed. Displayed in a modernist frame. Important large and impressive work!

Artist: Ernest Beaumont Title: Early Spring Year: circa 1910 Medium: Oil on Canvas, signed l.l., signed and dedicated verso "For Frances" Size: 15 x 18 in...

Artist: Scott Swezy Title: Southwestern Landscape Year: 1989 Medium: Oil on Board, signed l.r. Size: 24 x 24 inches

Antique American Hudson River School panoramic landscape oil painting. Oil on paper. Framed. Apparently unsigned. Image size, 13L x 8.5H.