New York - Landscape Paintings

A painting of boats docked in a harbor. Loose brushstrokes in the lower lefthand corner indicate ripples in shallow water, shades of green and teal. The water becomes a deeper richer...

The Gardener’s Garden, ca. 1859-1932, by Theodore Wendel (1859-1932) Oil on canvas 18 x 22 inches unframed (45.72 x 55.88 cm) 29 ⅜ x 33 ½ inches framed...

Oil on board. Framed. Image size, 15H x 23L.

Modern impressionist style plein air landscape painting on canvas "Field Painting, October 10, 2025" oil on canvas 12 x 12 inches Signed, verso The contemplative paintings of Thomas...

Georgina Klitgaard Catskill Mountains Signed lower right Oil on canvas 24 x 30 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artist...

19th Century Oil Painting on canvas, wooden support Signed JR Meeker (Lower Left) An early autumn landscape of the American South showing two boaters on a lake, painted in the H...

Impressive early American modernist landscape oil painting. Framed. Oil on board. Signed. Image size, 11H by 16L.

Impressive early American fauvist landscape oil painting. Framed. Oil on canvas. Image size, 25H by 30L.

"Marsh" is a 22x28 oil painting on canvas by artist Rob Meyers featuring a marshy view from out on the water. A moody sky with lifting clouds reveals blue skies with sail boats glid...

Vintage American school modernist painting. Oil on canvas, circa 1940. Unsigned. Image size, 30L x 24H. Housed in a period frame.

David Solot, a dentist and painter, was born in Falciu (Romania) and settled in Paris in 1928. His art was surrealistic dentally inspired plus portraits and city landscapes. **************************** Translated from an article by Luana Hrisanti Rigot: "In 1956, at the Charlotte Norberg Gallery (Paris), he presented his first personal exhibition, composed of an ensemble of surrealist paintings of professional inspiration (dental elements). Two years later, at Gallery Royale (Rochefort), he exhibits another 50 paintings on the subject. At that time, a decisive event for the painter David Solot was made: a great new-York-born antibiotic producer Lederle Cy learns about his work and contacts him through the US Ambassador to Paris, proposing an advertising contract and buying the reproduction right for 24 of its canvases. A year later, the same company bought the right to print three of its cloths in color. This was the starting point of his international notoriety. In 1959, the American Dental...

Philip Leslie Hale New England Autumn, 1910 Pastel on canvas 25 x 30 inches Provenance: Estate of the artist Sotheby's New York, American Paintings, Drawings and Sculpture, May 24, 1990, Lot 125 R. Anne McCarthy Rose Art Museum, Waltham, Massachusetts (gift from the above) Private Collection, Massachusetts Exhibited: Philadelphia, The Pennsylvania Academy of the Fine Arts, Tenth Annual Philadelphia Watercolor Exhibition, November 10 - December 15, 1912, no. 13. Painter, teacher and writer, Philip Leslie Hale is recognized for his decorative paintings of the female figure and for his interior scenes with figures as well as for his progressive approach to painting. However, his career went through several phases that included sporting scenes, figural studies of women including nudes, portraits, and allegorical works reflecting the overwhelming forces of nature. Of the Boston painters of his time, he seemed the most fully committed to Impressionism, and his technique suggests the influence of French impressionist Edgar Degas. In most of his paintings, the landscape was more important than the figure. He was a prolific writer in local newspapers and periodicals about the contemporary art scene, discussing the work of his Boston colleagues. He also wrote numerous books on art and art history including a study of Vermeer that was published in 1913. Among his writings are 1892 newspaper columns for Arcadia Magazine titled "Letters from Paris", art criticism for the Boston Herald from 1905 to 1909; and art criticism for the Boston Evening Transcript. He argued for the Boston School of Art as led by Edmund Tarbell whose style was based on Impressionism with elements of Realism, especially figure painting. Hale was born in Boston in 1865, the son Reverend Edward Hale, a Boston clergyman and a relative of Nathan Hale. He studied with Ellen Day Hale, his sister, and Edmund Tarbell at the Boston Museum School, with J. Alden Weir at the Art Students League in New York City, and then went to Paris for further studies at the Academie Julian and the Ecole des Beaux-Arts. He remained in France for fifteen years, returning to America about 1895. During that time, from 1888, he spent summers at Giverny, France with his good friend, artist, Theodore Butler, and became well acquainted with Claude Monet. Traveling throughout Europe, Hale visited the major museums, and copied the works of Ingres, Vermeer, Watteau and Michelangelo. Hale married Lilian Westcott Hale...

"Endless Sky" is 42x38 oil painting on canvas by artist Jamie Crisol. Feature is an abstracted landscape of a rural marshy landscape in greens, blues and tans. Horizontal lines of la...

Original painting by Jon MacAdam Jon MacAdam (1976, London, UK) is a landscape artist known for his realist depictions of nature. He received his MFA in painting and sculpture from ...

"Clouds, from all sides now, 2025" Cohn delves into the enigmatic qualities of clouds—how they symbolize both the fleeting and the eternal. Cloud illusions are a sensory journey t...

This painting by Joan Nelson depicts a sepia-toned scene placed behind the walls of a dark brown building. Potentially depicting a rooftop or a balcony, a way further into the buildi...

Framed size: 35" x 27" During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the ...

Eclipse (Contemporary Cosmic Abstract Painting on Canvas in Black and White) painted by Cinda Sparling 20 x 16 x 1.5 inches oil on canvas, unframed (no frame required) Cinda Sparlin...

Artist: Ben Benn, Polish/American (1884 - 1983) Title: 23rd and 2nd Ave, New York City Year: 1924 Medium: Oil on board, signed l.r. Size: 14 x 11.5 in. (35.56 x 29.21 cm) Frame Size:...

Lifelong painter Nelson H. White (b. 1932, Connecticut) is widely appreciated for his loyalty to natural landscapes and intimate impressionism. His loose brushstrokes are skillfully ...

Antique American modernist farm landscape oil painting. Oil on canvas. Signed. Framed. Measuring 19 by 25 overall and 18 by 24 painting alone.

Artist: Ben Benn, Russian/American (1884 - 1983) Title: Farm Lane Medium: Watercolor on Paper, signed l.r. Size: 18.5 x 12 in. (46.99 x 30.48 cm) Frame Size: ...

Antique American Hudson River School artist working in Italy. Oil on canvas. Framed nicely. No signature found.

Oil painting of beachgoers literally looking for shade from the sun on a beach in Laguna, California. Painted by award-winning plein air painter Carl Bretzke. Framed in a tradition...

Vintage American modernist abstract signed oil painting. Oil on canvas. Signed. Framed.

William Formby Halsall Crashing Waves at Sunset Signed lower right Oil on canvas 18 x 30 inches Marine painter William Formby Halsall was born in Kirkdale, England, in 1841. He was...

An original oil on board painting measuring 11 x 14 inches by Polish/American artist Leonard Rodowicz, signed lower left.

6117 Rome flower market Image size 16x11.5"

A Summer Day WPA American Scene Social Realism Modern Ashcan Early 20th Century Leon Kroll (1884-1974) "A Summer Day" 14 x 17 inches (image...

Finely painted porcelain plaque; a shipwrecked sailor kissing a nude siren in a stormy sea. Impressed monogram and sceptre mark and H, incised 90. Origin: Berlin Date: late 19th cen...

St, Louis River Mural Study American Scene Social Realism Mid 20th Century WPA Jo Cain (1904-2003) The Drama of the St. Louis Great River 23 1/4 x 25 ½ inches Gouache on board c. 19...

Eugène Laurent Vail (1857 - 1934) Soir de Novembre, Dordrecht Oil on canvas 19 1/4 x 25 3/4 inches Signed lower left; titled in two places on the stretcher with various other inscriptions, stamped "MADAME G:VAIL A" and inscribed "177" in ink and "#43" in pencil on a partial label from Garde-Meuble Maple affixed to the stretcher Eugene Vail (Saint-Servan, France September 29, 1857 - Paris, December 28, 1934), the son of a French mother and an American father, Lawrence Eugene Vail, studied at the Stevens Institute of Technology in Hoboken, New Jersey (where Alfred Stieglitz was born in 1864) and graduated with a degree in mechanical engineering in 1877. Then he became a student of William Merritt Chase and J. Carroll Beckwith at the Art Students League before returning to France. He entered the Ecole des Beaux-Arts in 1882 where he was instructed by Alexandre Cabanel, Raphaël Collin, and Dagnan-Bouveret (1852-1929), known as an extreme naturalist. When Bastien-Lepage died in 1884, Dagnan-Bouveret became the leader of the Naturalist School. He definitely made an indelible impression on Vail. According to Louise Cann, Vail soon became an independent painter working at Pont-Aven and Concarneau. It is difficult to determine when he separated from his teachers since he is listed as a student whenever he exhibited at the Paris Salon — that is, until 1899 when he dropped the mention of élève. A picture of a peasant girl, Seulette was his Salon debut painting in 1883, the same year that he sent two scenes of Brittany to the Pennsylvania Academy of the Fine Arts' exhibition, which documents his stay in that region. The next year he exhibited in the Salon: Fishing Port, Concarneau, which went to the Luxembourg Museum (it is now in the Musée Municipal of Brest). It has the Naturalist brown and gray palette and tonalist atmosphere but already shows that Vail had direct experience with scenes of life in coastal villages: "So convincing was his familiarity with the French coast that the critic Thiébault-Sisson claimed him as a Frenchman and declared that no American marine painter could touch his skill." (Maureen C. O'Brien, in Blaugrund, 1989, p. 218). In 1885, Vail exhibited Inner Port at Dieppe and in the following year On the Thames (Private collection), which later won him the Grand Diploma of Honor from an international jury in Berlin in 1891. Widow, the title of Vail's entry in the Salon of 1887 (unlocated), is a striking image of a woman standing on a beach, looking out to the expanse of the ocean where her husband obviously met his end. The innocent child who looks at us may have the same fate in store for him. Then in 1888, Vail completed his masterpiece, Ready, About! a "wall-size" 94 x 125½ inch canvas. The painting won a first-class gold medal in the Salon of 1888, then at the Paris Universal Exposition of 1889, Vail won another gold medal. The first precedent that comes to mind is Théodore Géricault's colossal Raft of the Medusa of 1819 (Louvre), the celebrated romantic image of castaways about to be rescued after being lost at sea. But while Géricault presents a massive, sculpturesque group of figures struggling on a raft just beyond our designated viewing space, Vail pulls the viewer into the picture, or more exactly, extends the diagonally rocking boat into the spectator's area, vividly anticipating the effects of cinematography. There is no more effective way to engage the spectator's attention and sympathies, and the illusionism is especially effective in this life-size picture. Vail's vigorous brushwork — a uniform use of rectangular strokes — adds to the motion-filled, dynamic actuality of this image, and the overall green-gray tonalities evoke the constantly menacing, cold and wet travails in the life of the fishermen in the Atlantic's rough waters. Theodore Child (1889, p. 518) wrote about this painting: "very beautiful in color, and amongst the very strongest and best pictures of this kind in the Exhibition." Dordrecht (unlocated) was Vail's painting exhibited at the Pennsylvania Academy in 1892, and in the following year he showed Fisherman — The North Sea at the Paris Salon, the same year in which he re-exhibited Dordrecht and On the Thames at the World's Columbian Exposition in Chicago. Vail won the coveted Légion d'Honneur in 1894. Some of his paintings found their way to European museums, for example, Soir de novembre (Odessa Museum) and Soir de Bretagne (Museo d'Arte Moderna, Venice). The latter was exhibited at the Exposition Universelle of 1900 in Paris. Also there was Voix de la mer (Voices of the Sea), which we identify as the painting that appears in an interior view of the American section, just to the right of a doorway (fig. 20 in Fischer, 1999), a simple marine painting. Some time after 1900, Vail turned to both impressionism and post-impressionism but no one seems to have charted this course. His Autumn near Beauvais, illustrated in International Studio (1902, p. 211), The Flags, St. Mark's Venice (1903; National Gallery of Art), and Grand Canal, Venice, ca. 1904 (Museum of Art, Rhode Island School of Design) demonstrate an impressionist technique with broken color. Mandel (1977, p. 202) wrote on the latter: "applied in short strokes juxtaposing brilliant hues of orange, blue, white, black and red, with a strong interplay between the warm pink tones of the walls and the green shadows of the black boats which are silhouetted against them." Cann (1937) believed that in Venice, Vail "found his true self." The Flags forecasts the Armistice Day pictures by Hassam and others, painted fifteen years later. Vail became involved in the Society of American Artists in Paris and the Société Internationale de Peinture et de Sculpture, whose membership included Frank Brangwyn, Charles Cottet (1863-1924), the famous Naturalist sculptor Constantin Meunier (1831-1905), Frits Thaulow...

Albert Heckman Woodstock Landscape Oil on board 8 1/2 x 10 1/2 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at ...

Narcisse Diaz de la Peña Nymphs in a Landscape Estate sale seal lower left Oil on board 9 1/4 x 11 1/4 inches Narcisse Diaz de la Peña was born in 1808 in...

George Van Horn (Van) Millett (1864-1952) was perhaps the highest profile Kansas City artist at the turn of the last century. He has been listed in Benezit for nearly a century and i...

Vintage signed American abstract landscape oil painting. Oil on canvas. Signed. Framed. Image size, 24L x 24H.

Oil painting of a Maui Landscape. Painted en plein air at a graveyard, Bretzke titles this work humorously, "Dying to Stay in Maui". Two figures stand in a graveyard, on a Hawaiian ...

The painting is signed lower right. It depicts wisteria blooming brightly above a white courtyard entrance.

Parisian market scene by Alling Clements (American 1891-1957). Oil on wood panel. Inscribed on the reverse "Market Blvd Paris Alling M Clements 1926". Clem...

Artist: Sandu Liberman, Romanian/Israeli (1923 - 1977) Title: Woman on a Park Bench Year: Circa 1970 Medium: Oil on Canvas, unsigned Size: 24 x 24 in. (60...

"Morning Light" is a beautiful oil painting of pink cherry blossoms on a bright blue background. The texture and color covers the entire 39x39 inch canvas in a stunning composition. ...

"Palo Corona, Carmel Valley" is a contemporary realist plein air painting in California. Artist Bio Marc Dalessio was born in 1972 in Los Angeles, Cali...

Vintage modernist still life and cityscape painting. Oil on canvas, circa 1911. Signed. Image size, 41L x 33H.

In this piece, the artist depicts his subject in an abstract and impressionistic way, capturing the Arc de Triomphe busy street scene from the 20th Century with much life. The artist...

Artist: John Parker Davis, American (1832 - 1910) Title: Cow Farm Landscape Year: 1905 Medium: Oil on Canvas, signed and dated l.l. Size: 12 x 18 in...

Artist: Henry Sené (French, 1889-1961) Title: By the River Date: 1916 Medium: Oil on thick paper Dimensions: 14 x 9 cm l 5 1/2 x 3 1/2 in. Frame: 20 x 15 cm l 7 7/8 x 5 9/10 in. Sign...

Columbus Avenue NYC c. 1920s/30s American Scene Ashcan WPA Modern 20th Century "Late Afternoon, Columbus Avenue, New York", impasto oil on canvas, signed lower left, signed verso (under relining, shown in photo), and titled verso on stretcher, in maple mitered cove frame, 23 1/4" x 27 1/4", SS: 19 1/4" x 23 1/4", Relined. BIO Russian-born Gussow trained at the Art Students League and the National Academy of Design. He also studied under Bonnat at the Ecole des Beaux-Arts in Paris. His first claim to fame was exhibiting two works at the Armory Show in 1913. Gussow exhibited at the Society of Independent Artists between 1917 and 1934 and at Salons of America in the 1930s. The Whitney Museum of American Art, for example, has his Subway Stairs. The Barnes Foundation...

Arthur Fitzwilliam Tait was born at Livesey Hall, near Liverpool, England, and began his career as a clerk at the gallery of Agnew & Zanetti’s Repository of Arts in Manchester. While...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Artist: Jorge Braun Tarallo, Uruguayan (1951 - ) Title: Cowboy in Snowy Landscape Year: circa 1979 Medium: Oil on Canvas, signed l.l. Size: 30 in. x 4...

Beautiful tonalist landscape at sunset with a figure near a stream by the well known American artist, Charles P. Appel. Signed by the artist lower left. Circa 1905. Condition is ver...

Antique American modernist abstract landscape painting. Oil on canvas, circa 1970. Signed. Image size 24L x 18H. Housed in a period modern frame.

Artist: Harry Lane, American (1891 - 1973) Title: The Spring Year: circa 1970 Medium: Oil on Board, signed Size: 25 in. x 20 in. (63.5 cm x 50.8 cm) Fr...

This painting by William Waithe depicts a teachers strike, possibly the infamous teachers' strike in 1970 by Newark teachers which at the time was the longest teachers' strike in the...

Alexander Bower (1875 - 1952) Reflections, Motif No. 1, Rockport, Massachusetts Oil on canvas 22 x 18 inches Signed lower right; titled on the stretcher An American Impressionist, Alexande Bower was born in New York, studied at The Pennsylvania Academy of Fine Art, and was living with his wife in Cliff Island, Maine by 1914. Despite his urban upbringing, the coast and the sea fascinated Bower. A large portion of his paintings are seascapes, particularly scenes depicting the coast of Cape Elizabeth...

Louis Wolchonok (1898 - 1973) Gondolas at the Dock, Venice, Italy, 1928 Watercolor on paper Sight 18 x 23 1/2 inches Signed and dated lower right Louis Wolchonok was an author of ar...

"The Order of Things" 12x24 is an oil painting on canvas by artist Laurence Young. Featured is a warm sunny impressionistic landscape. Rows of purple hued trees line the high horizon...

Antique American impressionist landscape oil painting. Oil on canvas. Framed in a period arts and crafts giltwood frame. Image size, 20H x 16L.

"Clouds, from all sides now, 2025" Cohn delves into the enigmatic qualities of clouds—how they symbolize both the fleeting and the eternal. Cloud illusions are a sensory journey that challenges our perceptions and stirs our imagination. Exploring themes of impermanence and mystery, Cohn challenges the viewer to reimagine the familiar and question the boundaries between reality and representation. Her inspirations are blending the imaginary essence of Rene Magritte’s clouds...

Dutch School, Feeding the Chickens, Oil on Board, 19th century, unsigned, giltwood frame. Image: 12" H x 9.5" W; frame: 19" H x 16" W.