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Item Ships From: New York
"Taxonomy of Memory", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Pigment
"Solex Carburetor 1928", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Paper, Pigment
"1940", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Pigment
"Marston Excelsior", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Paper, Pigment
Hive, Santa Fe, NM, 2005
By Robert Stivers
Located in Hudson, NY
This listing is for the unframed photograph.
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category
Early 2000s Contemporary New York - Still-life Photography
Materials
Silver Gelatin
"Martha Stewart Living Magazine, Sheffield", New York, NY, 2005
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
11" X 14" Edition of 25.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...
Category
Early 2000s Contemporary New York - Still-life Photography
Materials
Photographic Paper
Anguilla, BWI, 1989
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 5 of 25
After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...
Category
1980s Contemporary New York - Still-life Photography
Materials
Silver Gelatin
Redundant Fundamentalist, 2014
By Tina West
Located in Hudson, NY
Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a group show of gallery artists curated especially for the new gallery space, Gallery II at 82 Mason Circle at the Lofts at Beacon.
The gallery at the Beacon Lofts is located on the 12-acre property of a 19th century textile mill, just along the banks of Fishkill Creek. Drawing on the industrial design of the live/work lofts themselves, the space makes use of reclaimed brick...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Photographic Film, Mixed Media
Flower Muse
By Patricia Heal
Located in Hudson, NY
CURRENT EXHIBITION - runs through September 10th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer order...
Category
21st Century and Contemporary New York - Still-life Photography
Materials
Giclée
Beaumaris Yachts, Beaumaris, Wales, 2009
By Pete Kelly
Located in Hudson, NY
CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph.
The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017.
Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience.
Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly
is the originator of art that is tactile, archival and organic.
In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny subjects painted against a vast landscape offer a point of reference for our own trifling experiences and memories.
Kelly's fascination with photography began at an early age. Born in England in 1966, grew up in West Germany. After leaving school he enrolled in a photography course with the Royal Air Force Photographic Unit, based in Wildenrath, Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveler, Kelly initially decided to return to the UK, to study Graphic Design and Advertising at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in the United States, worked as a Photographers Assistant; working closely with a range of photographers allowed him to intrinsically develop his own refined sense of aesthetic as well as develop and master photographic theory and technique. Pete has taught Photo Encaustic...
Category
Early 2000s Contemporary New York - Still-life Photography
Materials
Pigment
Commit Errors of Appreciation
By Tina West
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
The beauty of Tina West’s latest show lies in the maturity and wonder of her still lives. For every photo, West stages her scene with unique treasures from her vast collection. Allowing them to speak to her, rather than the opposite, each object is chosen not because of an image West is trying to recreate from her mind, but because of each object’s sheer attraction.
The sharp subconscious connection West feels to her still life objects comes across strongly. This produces a magical end product that has both transformed and repurposed the photographed objects entirely. Though still lives are considered a classic image, West exemplifies a charming, experimental take that pushes the boundaries of the historical still life.
The invitational image, entitled “Constraint Inspires Creativity,” embodies the breadth of her work in capturing a warm rich okra-gold “Do Not...
Category
21st Century and Contemporary New York - Still-life Photography
Materials
Archival Pigment
Fractal Grid
By Tina West
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
The beauty of Tina West’s latest show lies in the maturity and wonder of her still lives. For every photo, West stages her scene with unique treasures from her vast collection. Allowing them to speak to her, rather than the opposite, each object is chosen not because of an image West is trying to recreate from her mind, but because of each object’s sheer attraction.
The sharp subconscious connection West feels to her still life objects comes across strongly. This produces a magical end product that has both transformed and repurposed the photographed objects entirely. Though still lives are considered a classic image, West exemplifies a charming, experimental take that pushes the boundaries of the historical still life.
The invitational image, entitled “Constraint Inspires Creativity,” embodies the breadth of her work in capturing a warm rich okra-gold “Do Not...
Category
21st Century and Contemporary New York - Still-life Photography
Materials
Archival Pigment
Maximum Effect of Displacement
By Tina West
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
The beauty of Tina West’s latest show lies in the maturity and wonder of her still lives. For every photo, West stages her scene with unique treasures from her vast collection. Allowing them to speak to her, rather than the opposite, each object is chosen not because of an image West is trying to recreate from her mind, but because of each object’s sheer attraction.
The sharp subconscious connection West feels to her still life objects comes across strongly. This produces a magical end product that has both transformed and repurposed the photographed objects entirely. Though still lives are considered a classic image, West exemplifies a charming, experimental take that pushes the boundaries of the historical still life.
The invitational image, entitled “Constraint Inspires Creativity,” embodies the breadth of her work in capturing a warm rich okra-gold “Do Not...
Category
21st Century and Contemporary New York - Still-life Photography
Materials
Archival Pigment
Sexualized Nature of Consumption
By Tina West
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is pr...
Category
21st Century and Contemporary New York - Still-life Photography
Materials
Archival Pigment
El Rostro de María Magdalena
Located in Brooklyn, NY
In this poignant photograph, the lens captures the profound essence of an aged Spanish polychromed wood statue of María Magdalena. The weather...
Category
21st Century and Contemporary Renaissance New York - Still-life Photography
Materials
Plexiglass, Archival Ink
"Dartmoor Pony, in Haytor Rock, Dartmoor", Devon, UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Silver Gelatin
Heptacodium miconioides - Seven-Son Flower
By Jose Picayo
Located in Hudson, NY
Black and White, Trees, Botanical, Nature, Study, Still Life, Ecological, black & white, b&w, texture, trees, bark, leaves, photography, contemporary photography, woodlands, botanica...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Silver Gelatin
"Monumental Stillness", New York, 2007
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Pigment
"Exotic Aroma of Memory", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Pigment
"Kodak", New York, 2007
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by unconventional methods, West employees coincidence as a means of production. Reminiscent of Josef Sudek’s Still Lifes, West’s images are painterly, presenting themselves as either single entities or still-life constructions and assemblages. Many of her photographs created themselves around the objects – whether fishhooks, a mysterious container or firecrackers—West is able to recall a once-forgotten image as a beautiful snapshot of nostalgia and warmth.
A photographer by trade, West considers herself a still-life imagist. A unifying thread of simplicity exists throughout her work – illustrated though her use of a single light source, timeless and seemingly meaningless objects and shadows – a combination that evokes a sense of wonder and awe at the images that seem to have sprung from nothing.
From Kansas City, Tina West discovered photography while studying sculpture. Living in New York since 1989, she is a commercial photographer working for clients such as Knopf Books, Vintage Books, Simon & Schuster, Citibank, Atlantic Records, Elle Magazine and Scientific American Magazine.
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Still life, color, camera, Kodak...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Pigment
Verdi In Front Of a Book
By Gladys
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 21.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
C Print
"Cutting Dies", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Paper, Pigment
"Trip Hammer", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Paper, Pigment
"Oil Distribution Manifold", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Paper, Pigment
"Ideal", 2007
By Ian Gittler
Located in Hudson, NY
“IDEAL" features a 1.5 horsepower lawnmower engine manufactured in 1924 that still works. And the brand name-Ideal-speaks to an attitude about fabrication and manufacture linking pri...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Paper, Pigment
Dark Flower
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 2 of 25.
If the...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Paper
"Gas
Gasoline", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Paper, Pigment
"Mianus Motor Works", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Paper, Pigment
"Aces", New York, 2007
By Tina West
Located in Hudson, NY
Framing charges includes
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconven...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Pigment
"Airplane, Denver" Denver, Colorado, 2005
By Bill Phelps
Located in Hudson, NY
Airplane, American, Sepia tone, vintage, portrait, film, Americana, Classic Airplane, Mechanical , mechanics, engine, Denver, Colorado, Sepia tone, Summertime, Bridgehampton, america...
Category
Early 2000s Modern New York - Still-life Photography
Materials
Archival Ink, Archival Pigment
Iris Atropurpea 01W P
By Ori Gersht
Located in New York, NY
From the series Fragile Land
Category
2010s New York - Still-life Photography
Materials
Archival Pigment
Sunday Morning Coffee Photograph New York, NY 1996
By Fernando Natalici
Located in NEW YORK, NY
Sunday Coffee, New York, NY 1996 photographed by downtown New York art scene photographer, Fernando Natalici.
Archival Inkjet Print, 13 x 19 inches including borders.
Hand signed o...
Category
1990s Pop Art New York - Still-life Photography
Materials
Inkjet
$340 Sale Price
20% Off
Wonderer King, Contemporary Still Life Photograph by Ion Zupcu
By Ion Zupcu
Located in New York, NY
Wonderer King, Contemporary Still Life Photograph by Ion Zupcu
Wonderer King
2024
Signed and numbered on label, verso
Archival pigment print
40 x 52 inches, image
(Edition of 3 +...
Category
2010s Contemporary New York - Still-life Photography
Materials
Archival Pigment
White Peony
By John Grant
Located in New York City, NY
John Grant
White Peony, 2010
60x60 inches -Ed.10
Archival Pigment Print - Plexiglas
Signed
Category
2010s Contemporary New York - Still-life Photography
Materials
Plexiglass, Archival Pigment
Poppy IV
Located in New York, NY
Limited edition, signed and numbered with certificate of authenticity - 60x60cm - 15 proofs + 4 AP
About the Artist:
Pascal Goet, a French artist and phot...
Category
2010s Other Art Style New York - Still-life Photography
Materials
Board, Archival Paper, Photographic Paper, Color, Pigment, Archival Pigment
Kroma: Prepona Praeneste
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic New York - Still-life Photography
Materials
Color, Dye Transfer
Kroma: Papilio Rumanzovia-V
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic New York - Still-life Photography
Materials
Color, Dye Transfer
PINK TULIP (After Georgia O
Keeffe) photograph on plexiglass
Located in Brooklyn, NY
Max Grant's floral macro photography series, aptly titled "(Floral)," serves as a mesmerizing exploration of botanical beauty reminiscent of the legendary artist Georgia O'Keeffe. Th...
Category
21st Century and Contemporary American Modern New York - Still-life Photography
Materials
Plexiglass, Photographic Paper
Kampos Project #5 (Flowers in a Vase on a Nightstand)
By Stratis Vogiatzis
Located in New York, NY
Kampos Project #5 (Flowers in a Vase on a Nightstand), 2016
Archival pigment print on Hahne Muehle 200 gm
Edition of 7
20 x 35 cm - $1200
40 x 60 cm - $1900
70 x 90 cm - $2900
Stra...
Category
2010s Contemporary New York - Still-life Photography
Materials
Archival Pigment
Biblioteca Palatina, Parma
By Massimo Listri
Located in New York, NY
Biblioteca Palatina, Parma, 2011
Chromogenic lambda print
39.5 x 47.5 inches edition of 5
47.5 x 59 inches edition of 5
71 x 88.5 inches edition of 5
Born in Florence in 1953, ev...
Category
2010s Contemporary New York - Still-life Photography
Materials
C Print
By the air that is Her breath (Love-in-a-mist, Peony, Cowcockle)
By Frances F. Denny
Located in New York, NY
By the air that is Her breath (Love-in-a-mist, Peony, Cowcockle)
2023
Signed, titled, dated, and numbered on label, verso
Archival pigment print
28 x 21 inches
(Edition of 5 + 2 A...
Category
2010s Contemporary New York - Still-life Photography
Materials
Archival Pigment
By my wand (Tea Rose)
By Frances F. Denny
Located in New York, NY
Frances F. Denny
By my wand (Tea Rose)
2023
Signed, titled, dated, and numbered on label, verso
Archival pigment print
28 x 21 inches
(Edition of 5 + 2 APs)
$3,000
16 x 12 inche...
Category
2010s Contemporary New York - Still-life Photography
Materials
Archival Pigment
She is the cauldron (Larkspur, Hound’s Tongue, Greater Masterwort)
By Frances F. Denny
Located in New York, NY
She is the cauldron (Larkspur, Hound’s Tongue, Greater Masterwort)
2023
Signed, titled, dated, and numbered on label, verso
Archival pigment print
28 x 21 inches
(Edition of 5 + 2...
Category
2010s Contemporary New York - Still-life Photography
Materials
Archival Pigment
Merry meet again (Daffodil)
By Frances F. Denny
Located in New York, NY
Merry meet again (Daffodil)
2023
Signed, titled, dated, and numbered on label, verso
Archival pigment print
28 x 21 inches
(Edition of 5 + 2 APs)
$3,000
16 x 12 inches
(Edition o...
Category
2010s Contemporary New York - Still-life Photography
Materials
Archival Pigment
Blow Up, Untitled 19
By Ori Gersht
Located in New York, NY
From the series Blow Up
Category
2010s New York - Still-life Photography
Materials
Archival Pigment
Double Roselily Anouska (Tangerine)
By Daniel Handal
Located in New York, NY
Double Roselily Anouska (Tangerine)
2023
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
14 x 14 x 1.5 inches...
Category
2010s Contemporary New York - Still-life Photography
Materials
Pigment
White Hyacinth (Green Wrapping Paper)
By Daniel Handal
Located in New York, NY
White Hyacinth (Green Wrapping Paper)
2022
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
14 x 11 x 1.5 inch...
Category
2010s Contemporary New York - Still-life Photography
Materials
Pigment
Tulip Thijs Boots (Miami Green)
By Daniel Handal
Located in New York, NY
Tulip Thijs Boots (Miami Green)
2023
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
13.5 x 9 x 1.5 inches
T...
Category
2010s Contemporary New York - Still-life Photography
Materials
Pigment
Bunny Lambert Mellon’s potting shed, Upperville, Virginia, 31 May 2010
By Jonathan Becker
Located in New York, NY
Bunny Lambert Mellon’s potting shed, Upperville, Virginia, 31 May 2010
"Trompe l'oeil (and not)"
Photographed by Jonathan Becker
Contemporary
28" x 28.5...
Category
2010s Contemporary New York - Still-life Photography
Materials
Archival Pigment
Tropical Plant Leaf Detail, Color Nature Photography by Geoffrey Baris, Botany
By Geoffrey Baris
Located in New York, NY
Tropical Plant Leaf Detail, Color Nature Photography by Geoffrey Baris
Archival pigment print on museum fine art paper
Edition of 7
Includes certificate of authenticity. Signed and numbered by artist.
Custom sized print available upon request.
Framing...
Category
2010s Contemporary New York - Still-life Photography
Materials
Color, Archival Pigment
1987 Tonys Awards Signed 8x10 Photo Broadway Legends Sondheim Fosse Verdon Simon
Located in New York, NY
1987 Tonys Awards Signed 8x10 Photo Broadway Legends Sondheim Fosse Verdon Simon
1987 Tony Awards photograph signed by 19 legends: Stephen Sondheim, Bob Fosse, August Wilson, Neil Simon Gwen Verdon, Mary Martin, Helen Hayes, Jerry Herman, Ann Miller, Rita Moreno, Bernadette Peters, Cy Coleman, Robert Altman, Tommy Tune...
Category
1980s Performance New York - Still-life Photography
Materials
Photographic Paper
Dream Room
By Lissa Rivera
Located in New York, NY
Lissa Rivera Dream Room
2014
Signed and numbered, verso
Archival pigment print
30 x 40 inches, image
(Edition of 3 + 1 AP)
$3600.00
20 x 30 inches, image
(Edition of 5 + 1 AP)
$...
Category
2010s Contemporary New York - Still-life Photography
Materials
Archival Pigment
"UNTITLED (Red Dot)", digital scan, photo paper, sculpture, assemblage, painting
By Sophia Rauch
Located in Toronto, Ontario
"UNTITLED (Red Dot)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials dir...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Photographic Paper, Digital, Inkjet
"UNTITLED (BLUE ERASE)", digital scan, photo paper, sculpture, assemblage, time
By Sophia Rauch
Located in Toronto, Ontario
"UNTITLED (Blue Erase)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials ...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Photographic Paper, Digital, Inkjet
"UNTITLED (Zig)", digital scan, photo paper, sculpture, assemblage, clay, paint
By Sophia Rauch
Located in Toronto, Ontario
"UNTITLED (Zig)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials directl...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Photographic Paper, Digital, Inkjet
Pears, New York
By Patricia Heal
Located in Hudson, NY
Edition # 1/10
This is a framed C-Print, and is also available in 2 additional unframed print sizes.
In her new collection of photographs, British born photographer Heal creates ...
Category
2010s Modern New York - Still-life Photography
Materials
C Print
Fiori Rivelati
Located in Brooklyn, NY
This striking photograph by Fidel Santos captures the haunting beauty of a weathered wall, where layers of peeling paint, like rings on a tree trunk, show the passage of time. The to...
Category
21st Century and Contemporary Baroque New York - Still-life Photography
Materials
Plexiglass, Archival Ink, Mixed Media
Chrysanthemum
Located in New York, NY
Stunningly beautiful, this digital pigment print was created by Neil Seth Levine in 2006. Chrysanthemum is hand-monogrammed, titled, dated, and numbered in pencil and measures 30 x ...
Category
21st Century and Contemporary New York - Still-life Photography
Materials
Digital Pigment
The Phone Call with Dr. Hirshtick
By Lori Grinker
Located in New York, NY
The Phone Call with Dr. Hirshtick
2014
Signed and numbered, verso
Archival pigment print
20 x 30 inches
(Edition of 5)
$3,500
30 x 40 inches
(Edition of...
Category
2010s Contemporary New York - Still-life Photography
Materials
Archival Pigment
Thirty Little Things
By Lori Grinker
Located in New York, NY
Thirty Little Things
2020
Signed and numbered, verso
Archival pigment print
20 x 35 inches
(Edition of 10)
$3,000
30 x 50 inches
(Edition of 5)
$4,00...
Category
2010s Contemporary New York - Still-life Photography
Materials
Archival Pigment
