New York - Abstract Prints

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

ABOUT THIS PIECE: I based Little Nell on the spectrum of colors found in nature at different times of the day and the four seasons in Aspen, Colorado. Little Nell is a reflection of ...

This exquisite heliogravure after Maria Helena Vieira da Silva (1908–1992), titled La bataille des couteaux (The Battle of Knives), from the folio Vieira da Silva, Peintres d'aujourd...

L.W. by Dan Christensen, American (1942–2007) Date: 1978 Screenprint, signed, titled and numbered in pencil Edition of 170 Image Size: 28 x 19.75 inches Size: 30 x 22 in. (76.2 x 55....

Robert Smithson Movie Treatment for Spiral Jetty, Dwan Gallery Poster, 1970 Offset lithograph poster 38 × 22 inches Unframed Rare, historic poster feature...

Joan Miro was a Spanish Surrealist artist, world-renowned for his unique art style that blended surrealist fantasy and modern life. This lithograph is part of the series "Lithographs...

Marcel Duchamp Coeurs Volants (Fluttering Hearts) (Schwartz 446C), 1961 Silkscreen in colors Hand signed in ball-point pen by Marcel Duchamp and annotated with the dateline "Stockhol...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Scene IV, Les Maries de la tour Eiffel (Scene IV, The Bridal Couple of the Eiffel Tower), originates from the 1957 album...

ABOUT THIS PIECE: The Philosopher's Conquest is from the artists last show, An Artist, A Curator And A Rabbi Walk Into A Bar...,.The title of the exhib...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Scene III, Les Maries de la tour Eiffel (Scene III, The Bridal Couple of the Eiffel Tower), originates from the 1957 alb...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Scene I, Les Maries de la tour Eiffel (Scene I, The Bridal Couple of the Eiffel Tower), originates from the 1957 album J...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Antigone V (Antigone V), originates from the 1957 album Jean Cocteau de l'Academie francaise, Theatre, Edition ornee par...

Abstract expressionist print by American artist Michael Steiner, who is most commonly known for his large scale sculptures. Michael Steiner, American (1945) Date: 1979 Screenprint,...

This exquisite lithograph by Joan Miro (1893–1983), titled La Melodie acide (The Acid Melody), from the folio 14 original lithographs by Joan Miro "La Melodie acide" (The Acid Melody...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 168, 1967. Published by Aim...

This exquisite lithograph by Joan Miro (1893–1983), titled Les Trois Oiseaux (The Three Birds), from the album XXe Siecle, Nouvelle serie, XXIXe Annee, No. 28, originates from the 19...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the fo...

This exquisite lithograph by Maurice Esteve (1904–2001), titled Sans titre (Untitled), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circu...

This is a 33 color screen print titled, Small Abstract by Thomas Nozkowski (1944 - 2019). It was created in 2007 as a signed and numbered edition of 108. The edition was published by...

Robert Indiana Love Is God, 2014 Silkscreen on 2 ply Rising Museum Board Published by Gary Lichtenstein Editions 32 × 32 inches Hand signed and numbered 33/50 in graphite pencil on the front Unframed One of the most profound Robert Indiana silkscreens...

Rarely found on the market, this lithograph is annotated "Bon a Tirer" (B.A.T.)- which literally means "Good (i.e. Ready) to Print". It is a unique proof, and, as the very first sign...

ABOUT THIS ARTIST: Siobhan O’Dwyer is a creative artist splitting her time between New York City and Southern California. Working as a full-time pharmacist in the beginning of her cr...

This exquisite lithograph by Saul Steinberg (1914–1999), titled Sans titre (Untitled), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Margueri...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Untitled, from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bird, The Moon ...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Created by the artist in 1987-88, Ramblas is an original lithograph, drypoint, and etching in colors on Rives BFK paper. Hand-signed, dated, and numbered from the edition of 75 in pe...

Jasper Johns, Merce Cunningham, John Cage Dancers on a Plane, 1989 Clothbound Artist's Book with slipcase, Signed in ink by John Cage, Merce Cunningham, and Jasper Johns on the half-...

A dynamic and textured screenprint by American Abstract Expressionist, Larry Poons. This series of prints resemble canvases that have been splashed violently with paint. This piece i...

Walter Darby Bannard, American (1934 - 2016) - Black Hound Night, Year: 1980, Medium: Screenprint on Rives BFK paper, signed, numbered, and titled in pencil, Edition: 100, Image S...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

This exquisite woodcut by Hans Jean Arp (1886–1966), titled Constellations, from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Sommaire ...

This exquisite lithograph by Joan Miro (1893–1983), titled La Melodie acide (The Acid Melody), from the folio 14 original lithographs by Joan Miro "La Melodie acide" (The Acid Melody...

Sean Scully Estampes, France (Hand Signed), 2006 Offset Lithograph poster Boldly signed in black marker on the front by Sean Scully for the present owner Unframed This is a wonderful piece for true Scully fans. It's a rare 2006 poster from the European exhibition entitled "Sean Scully Estampes" (Sean Scully Prints...

This exquisite lithograph by Andre Masson (1896–1987), titled Les Amants (The Lovers), from the album XXe Siecle, numero special hors abonnement, Hommage a Dorothea Tanning, originat...

Friedel Dzubas Untitled, 1987 Hand-painted monotype on paper 29 3/4 x 21 3/4 inches A noted figure in the New York School, Friedel Dzubas was associated with the Color Field painti...

Barbara Kohl-Spiro, American (1941 - ) - Hallelujah, Year: 1980, Medium: Screenprint on Arches, signed, titled and numbered in pencil, Edition: 93/100, Image Size: 25 x 21 inches...

This exquisite lithograph after Georges Braque (1882–1963), titled Barque sur les galets (Boat on the Pebbles), originates from the 1968 folio Varengeville, published by Maeght Edite...

This exquisite lithograph by Orlando Pelayo (1920–1990), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Essais litteraires Noces, l'ete...

This exquisite lithograph by Orlando Pelayo (1920–1990), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Essais litteraires Noces, l'ete...

This exquisite lithograph by Orlando Pelayo (1920–1990), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Essais litteraires Noces, l'ete...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Les Constructeurs (The Builders), from the folio Contrastes, 13 Aquarelles, Gouache, Lavis, Crayon (Cont...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This exquisite lithograph by Orlando Pelayo (1920–1990), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Essais litteraires Noces, l'ete...

KEITH SONNIER Untitled, 1995 Letterpress on Sumerset Paper Edition 91/100 Signed and numbered in graphite from the edition of 100, recto Frame included Measurements: Sheet: 6 inches ...

David Hockney New Work With A Camera (Hand Signed by David Hockney), 1983 Offset Lithograph Poster Hand signed by David Hockney lower right front 39 × 24 1/2 inches Unframed Accompa...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Roberto Matta, Chilean (1911 - 2002) - Droites Liberees II, Year: 1971, Medium: Etching and Aquatint on Japon, signed and numbered in pencil, Edition: 73/100, Image Size: 8.5 x 6...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Willem de Kooning, Dutch/American (1904 - 1997) - In the Sky, Year: 1982, Medium: Offset Lithograph Poster, Size: 26 in. x 30.5 in. (66.04 cm x 77.47 cm), Frame Size: 27.5 x 30...

Artist: Charles Hinman, American (1932 - ) Title: Lavender on Tan Year: 1972 Medium: Embossed Silkscreen, signed and numbered in pencil Edition: 44/200 Size: 25.5 x 34.25 in. (64.77 ...

Artist: Paul Jenkins, American (1923 - 2012) Title: Untitled Year: 1983 Medium: Lithograph, signed and numbered in pencil Edition: 75 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

This exquisite lithograph by Richard Florsheim (1916–1979), titled La Seine a Paris (The Seine in Paris), from the album Prints from the Mourlot Press, exhibition sponsored by the Fr...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Elsa Triolet (Mrs. Elsa Triolet), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), ...

This exquisite lithograph by Joan Miro (1893–1983), titled Oiseau Bleu (Blue Bird), originates from the 1963 folio Derriere le Miroir, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. Executed during the height of Miro’s mature period, this poetic composition embodies the artist’s fascination with the interplay between form, color, and cosmic symbolism. Through his lyrical use of line and vibrant hues, Miro transforms the image of the bird—a recurring motif in his visual language—into a jubilant expression of freedom and imagination. Oiseau Bleu exemplifies Miro’s capacity to merge spontaneity and precision, creating a timeless dialogue between abstraction and dreamlike vision. Executed on velin paper, this lithograph measures 22 x 15 inches (55.9 x 38.1 cm), as issued. Signed in the plate and unnumbered, as issued. The edition reflects Miro’s mastery of both color and gesture, fusing Surrealist spontaneity with the refined craftsmanship of the Mourlot ateliers. Artwork Details: Artist: Joan Miro (1893–1983) Title: Oiseau Bleu (Blue Bird), from Derriere le Miroir, 1963 Medium: Lithograph on velin paper Dimensions: 22 x 15 inches (55.9 x 38.1 cm), as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1963 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne Reference: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne des Livres Illustres. P. Cramer, Geneva, 1989, illustration 87 Condition: Well preserved, consistent with age and medium Provenance: From the 1963 folio Derriere le Miroir, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French): Taken from this special issue of “Behind the Mirror,” CCCL examples on velin de Rives were numbered, constituting the original deluxe edition of Derriere le Miroir. The lithographs for this issue were printed in the ateliers of Mourlot Editeur, Levallois. The text was printed by Fequet et Baudier, typographers. Finished printing 1963. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, and ceramicist whose imaginative, dreamlike vision helped spearhead the Surrealist movement and left an indelible mark on modern art. Born in Barcelona and deeply rooted in Catalan culture, Miro moved to Paris in the early 1920s where his playful shapes, cosmic motifs, and childlike yet sophisticated abstractions broke new ground alongside the great innovators of his time. His artistic dialogue aligned with contemporaries such as Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Jackson Pollock, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom challenged the conventions of form, color, and symbolism. Miro distilled these ideas into a uniquely poetic visual vocabulary—birds, stars, and bold spectral forms emerging from flat planes of color—that has inspired scores of artists and continues to influence modern and contemporary masters including Banksy, Damien Hirst, Jeff Koons, Andy Warhol, and Jasper Johns. His works are represented in leading museums worldwide, including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, and remain highly sought after by collectors. The highest price ever paid for a Joan Miro artwork is approximately $37.06 million USD, achieved in June 2012 at Sotheby’s London for Peinture (Etoile Bleue) (1927). Joan Miro Oiseau...

This exquisite lithograph after Georges Braque (1882–1963), titled Les falaises (The Cliffs), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and pri...

ABOUT THIS PIECE: “Liquid Mirrors” is an ongoing project— started in late 2012— where I use mylar to photograph the reflections of my subjects. I am mimicking the medium of oil paint...

This exquisite lithograph by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque). Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris, this composition exemplifies Chillida’s mastery of spatial balance and sculptural abstraction. In Sans titre, Chillida translates his distinctive exploration of mass and void into two dimensions, creating an interplay of dense form and open space that mirrors the structural poetry of his sculpture and a heartfelt tribute to Braque, “Learning to fly down here — to Braque, master, friend, inventor of birds.” The composition conveys a sense of weight and stillness, embodying the meditative precision for which Chillida is renowned. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate and unnumbered, as issued. The edition captures Chillida’s unique sensitivity to form and rhythm within a printed medium, reflecting the same architectural strength that defines his sculptural practice. Artwork Details: Artist: Eduardo Chillida (1924–2002) Title: Sans titre (Untitled), from Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute to Georges Braque), 1964 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1964 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1964 folio Derriere le Miroir, Nos. 144–145–146, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French): Taken from this special issue of “Behind the Mirror,” CCCL examples on velin de Rives were numbered, constituting the original edition of L’Hommage a Georges Braque. These deluxe examples also included an etching based on Trois oiseaux sur fond violet. The lithographs for this issue were printed in the ateliers of Maeght Editeur, Levallois. The text was printed by Fequet et Baudier, typographers. Finished printing May 13, 1964. About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Eduardo Chillida (1924–2002) was a Spanish Basque sculptor and printmaker internationally celebrated for his monumental abstract works that explore the interplay between form, space, and material. Renowned for his mastery of iron, steel, stone, and concrete, Chillida created sculptural compositions that evoke both architectural strength and poetic balance, reflecting his lifelong dialogue between the physical and the spiritual. Emerging in postwar Europe, his art stands alongside that of the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—whose revolutionary approaches to form and perception shaped 20th-century art. Chillida’s work embodies a profound sense of harmony, rooted in the landscapes and philosophies of his native Basque Country, while maintaining a universal resonance. Exhibited internationally and collected by major institutions including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, his sculptures and works on paper continue to command global acclaim. The highest price ever paid for an Eduardo Chillida artwork is approximately $4.1 million USD, achieved in 2022 at Christie’s Paris for Buscando la Luz IV (2001). Eduardo Chillida Sans titre, Chillida Derriere le Miroir, Chillida Maeght...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

This exquisite lithograph by Yaacov Agam (born 1928), titled Composition coloree (Color Composition), from the album XXe siecle, Nouvelle serie, XL Annee, No. 51, originates from the...

This exquisite lithograph by Alexandre Garbell (1903–1970), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Recits et romans, L'Etranger...