New York - Figurative Prints

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Personnages sur un fond noir (Figures on a Black Background), from the album Cahiers dArt No. 24, 1949, orig...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

Robert Indiana Pop Art: Selections from the Museum of Modern Art (Hand Signed and Inscribed by Robert Indiana), 1999 Offset lithograph poster on poster board (hand signed, dated and ...

This exquisite lithograph by David Hockney (born 1937), titled Letter H, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

Pablo Picasso (1881 - 1973) La Danse Barbare (from La Suite des Saltimbanques), 1905, printed 1913 Etching on Van Gelder Zonen wove paper Sheet 13 x 20 inches From the edition of 250...

Comprised of shapes with lines and sharp angles, this composition depicting the running of the bulls is hectic and energized. Rendered in gradiated rainbow colors, the animals in thi...

The final work in Andy Warhol's Grapes portfolio of six screenprints, Grapes #195 was created in 1979 as a screenprint in colors on Strathmore Bristol paper. Hand-signed and numbered...

This exquisite lithograph by Henry Moore (1898–1986), titled Reclining Figure, from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Friends, Tribute to the Founder of the Journal XXe Siecle), originates from the 1975 edition published by XXe siecle, Paris, and printed by Curwen Studio, London, October 1975. Reclining Figure embodies Moore’s lifelong fascination with the human form in repose—a theme that became central to his sculptural and graphic work. Through elegant contours and balanced abstraction, the composition captures the harmony between body, landscape, and spirit that defined Moore’s artistic vision. Executed as a lithograph on velin d'Arches paper, this work measures 10.5 x 14 inches (26.67 x 35.56 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Curwen Studio in London, a distinguished atelier celebrated for its collaborations with the leading modern artists of the postwar period. Artwork Details: Artist: Henry Moore (1898–1986) Title: Reclining Figure, from San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle, 1975 Medium: Lithograph on velin d'Arches paper Dimensions: 10.5 x 14 inches (26.67 x 35.56 cm) Inscription: Unsigned and unnumbered as issued Date: 1975 Publisher: XXe siecle, Paris Printer: Curwen Studio, London Catalogue raisonne references: Moore, Henry, et al. Henry Moore, Catalogue of Graphic Work. Gerald Cramer, 1986, illustration 366. Condition: Well preserved, consistent with age and medium Provenance: From the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle, published by XXe siecle, Paris, October 1975 Notes: Excerpted from the folio (translated from French), Finished printing in Paris in October 1975. This album has been printed on velin d'Arches in DLXXV numbered examples. The LXXV original examples include a series of VIII original lithographs, signed and numbered by the artists. In addition, LV examples were printed for artists, authors, friends and collaborators of XXe siecle. The typography is from l'Imprimerie Union in Paris; the lithographs of Max Bill, Marc Chagall, Hans Hartung, Braque, Fontana, Magnelli, Picasso, Magritte and Poliakoff were printed by Fernand Mourlot in Paris; those of Alexander Calder and Joan Miro by l'imprimerie Arte in Paris; that of Max Ernst by Pierre Chave in Vence; that of Zao Wou-Ki by ateliers Bellin in Paris; and that of Henry Moore by the Curwen Studio in London. About the Publication: San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Friends, Tribute to the Founder of the Journal XXe Siecle), published in 1975 by XXe siecle, Paris, represents one of the most significant collaborative tributes in modern art publishing. Created in honor of Gualtieri di San Lazzaro, the visionary editor and founder of the journal XXe Siecle, the folio unites original lithographs by the greatest modern masters—Picasso, Chagall, Miro, Calder, Hartung, Moore, and others. Printed by premier ateliers such as Mourlot, Arte, Bellin, and Curwen, the portfolio celebrates the spirit of artistic collaboration and innovation that defined mid-20th-century modernism. About the Artist: Henry Moore (1898–1986) was a British sculptor, draftsman, and modernist pioneer whose monumental bronzes and organic abstractions revolutionized 20th-century sculpture and made him one of the most influential artists of his time. Renowned for his reclining figures, mother-and-child compositions, and pierced biomorphic forms inspired by nature, Moore transformed traditional carving into a universal language of rhythm, balance, and humanity. Born in Castleford, Yorkshire, he studied at the Leeds School of Art and the Royal College of Art in London, absorbing the influences of classical sculpture, African and Pre-Columbian art, and the radical innovations of the European avant-garde. Inspired by Pablo Picasso’s Cubist fragmentation of form, Joan Miro’s lyrical biomorphism, Wassily Kandinsky’s spiritual abstraction, and Constantin Brancusi’s purity of shape, Moore developed a style rooted in the harmony between mass and void, structure and space. During the interwar years, he became part of an international circle that included Alexander Calder, Alberto Giacometti, Salvador Dali, Marcel Duchamp, and Man Ray—artists who, like Moore, expanded art’s boundaries through abstraction, surrealism, and conceptual experimentation. Like Calder, Moore explored balance and movement; like Giacometti, he sought the spiritual essence of humanity; and like Dali and Duchamp, he challenged perception and redefined modern form. His sculptures, carved in stone or cast in bronze, evoke both ancient and modern sensibilities—forms that appear to breathe with natural vitality while engaging directly with their surrounding landscapes. Moore’s “Shelter Drawings” (1940–41), created during the London Blitz, revealed his deep empathy for the human condition, marking a pivotal moment in his exploration of resilience and vulnerability. By the mid-20th century, Moore’s monumental bronzes had become landmarks around the world, from the Lincoln Center in New York to the UNESCO headquarters in Paris, embodying timeless symbols of endurance, renewal, and unity. His synthesis of organic abstraction and humanism influenced generations of sculptors including Barbara Hepworth, Isamu Noguchi, Eduardo Paolozzi, Antony Gormley, Anish Kapoor, and Rachel Whiteread. Like Kandinsky and Miro, he believed abstraction could transcend culture and time, while like Duchamp and Man Ray, he embraced experimentation as a pathway to new truths. Moore’s works, housed in major collections including the Museum of Modern Art in New York, the Tate in London, the Guggenheim Museum, and the Art Institute of Chicago, continue to define the landscape of modern sculpture for their elegance, power, and emotional depth. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Henry Moore remains a cornerstone of modern art—a sculptor whose vision united nature, form, and spirit into a universal language of beauty and meaning. His highest auction record was achieved by Reclining Figure: Festival (1951), which sold for $33.1 million USD at Christie’s, London, on June 30, 2016, reaffirming Henry Moore’s enduring legacy as one of the most visionary, influential, and collectible sculptors in the history of modern art. Henry Moore Reclining Figure...

The Missing Suitors is a limited edition 13 color hand-pulled Serigraph by artist Josh Agle aka SHAG. Hand signed and numbered 214/300 by the artist. Comes with a Certificate of authenticity (C.O.A.). Shag is an American born painter, designer and illustrator working in Southern California. His distinctive artistic style draws from commercial illustration and has an attitude and sly sense of humor which is unmistakably of our time. His paintings celebrate consumerism and consumption on vividly colored sharply rendered panels; the characters drink, smoke and eat in lavish, stylish surroundings. Shag's work is categorized as lowbrow art...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Scene VIII, Romeo et Juliette (Scene VIII, Romeo and Juliet), originates from the 1957 album Jean Cocteau de l'Academie ...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Scene VII, Romeo et Juliette (Scene VII, Romeo and Juliet), originates from the 1957 album Jean Cocteau de l'Academie fr...

This exquisite lithograph by Alexander Calder (1898–1976), titled Mama Citron, originates from the historic 1975 folio Derriere le Miroir, No. 212. Published by Maeght Editeur, Paris...

Georges Braque, French (1882 - 1963) - Hestia, Medium: Etching, Size: 12.25 x 9 in. (31.12 x 22.86 cm), Reference: Vallier Pg 298, Provenance: From the collection of the late Larry ...

Hilary Knight, American (1926 -) - Fran Warren, Year: 1981, Medium: Poster, signed and titled in pen lower right, Image Size: 25.75 x 18.5 inches, Size: 29.5 x 20.5 in. (74.93 x...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Mary Hutchinson (Mrs. Mary Hutchinson), from the album Portraits par Henri Matisse (Portraits by Henri Mati...

1931. Etching on antique laid Japon paper, 10 x 14 13/16 inches (254 x 377 mm), full margins. Signed in pencil and inscribed "Ed. 100" (from a total edition of 128). Third state (of ...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Etude pour l’homme au mouton (Study for Man with Sheep), from the folio Picasso, La flute double, 16 Des...

This exquisite lithograph by Marc Chagall (1887–1985), titled Les Monstres de Notre-Dame (The Monsters of Notre-Dame), from the folio Derriere le miroir, No. 67–68, originates from t...

This exquisite lithograph by Marcel Gromaire (1892–1971), titled Hommage a Dufy (Homage to Dufy), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), or...

Artist: Ron Kleemann, American (1937 - ) Title: Gas Line from the CityScapes Portfolio Year: 1981 Medium: Serigraph on Somerset Paper, signed and number...

Transhumante Fernando de Szyszlo, Peruvian (1925–2017) Aquatint Etching, signed and numbered in pencil Edition of 44/80 Size: 42.5 x 28 in. (107.95 x 71.12 cm)

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie B, var. 1 (Series B, Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Paris: Cadart & Luquet, c1870. Etching with engraving on Chine-collé mounted to wove paper, 14 1/4 x 9 5/8 inches (360 x 244 mm) full margins. In good condition with some marginal w...

Noel Daggett, American (1925 - 2005) - Approach of a Rider, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 19 x 23 inches, ...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap di...

Artist: Peter Max, German/American (1937 - ) Title: Colossus II Year: 1971 Medium: Serigraph, signed and numbered in pencil Edition: 220/300 Size: 30 x 22 in. (76.2 x 55.88 cm)

Pablo Picasso's "Trois Femmes nues et une Coupe d'Anémones" (1933) is a powerful and evocative work that captures the artist's fascination with the female form and his ongoing explor...

Tracey Emin HRH (Her Royal Highness) Royal Britannia, 2012 Signed, dated and numbered 141/200 in graphite on the front Polymer gravure on Zerkall paper Published by Emin Internationa...

The Battle of Dan-no-ura in Yashima, Nagato Province in the First Year of the Bunji Era (1185) Tokyo c. 1830 Woodblock print (nishiki-e) with ink and hand-coloring in watercolor on handmade mulberry paper, 14 7/16 x 9 15/16 inches (367 x 252 mm), ōban tate-e, the full sheet. In good condition with some handling creases. Colors are fresh and extremely vibrant. The right panel from the triptych by Yoshitora depicting one of Japan's most storied naval battles. An impression of this work may be found in the permanent collection of the Honolulu Museum of Art. The great naval battle of Dan-no-ura in 1185 was the final climax in a long series of bitter wars between two powerful families in feudal Japan...

Keith Haring ACT UP 1989: RARE 1989 Keith Haring illustrated mailer used as promotional material for the AIDS Coalition to Unleash Power (ACT UP). Keith Haring designed & authored ...

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...

Polaroid transfer on Rives BFK paper Signed, dated, and numbered in pencil, recto Also blindstamped, l.r. 22 x 15 inches, sheet 10 x 8 inches, image This artwork is offered by Clam...

Judy Chicago In Praise of Prairie Dogs (19-325), 2019 11 Color Lithograph on light blue Pescia paper Hand signed, dated and numbered from the limited edition of 95 on the front 22 × ...

This exquisite lithograph by Alexander Calder (1898–1976), titled Joueurs de cartes III (Card Players III), originates from the historic 1975 folio Derriere le Miroir, No. 212. Publi...

Alex Katz Ada 2022 16-color silkscreen 54 x 40 1/2 inches (137 x 103 cm) Signed and numbered edition of 100 in lower margin. Alex Katz is an American painter renowned for his large-...

Julian Schnabel NEMO LIBRIZZI 1998 25-color silkscreen with poured resin 38 x 36 inches (97 x 91 cm) Signed and numbered edition of 90 Suite of 3 Also available Born in Brooklyn,...

Andre Masson, French (1896 - 1987) - Bacchanale from Je Reve Portfolio, Year: 1975, Medium: Lithograph on Arches, Signed and numbered in pencil, Edition: 93/125, Size: 26 in. x 2...

Keith Haring Lucky Strike 1987: Vintage original 1980s Keith Haring poster designed & illustrated by Haring on behalf of the long-time cigarette brand, Lucky Strike. Catalog Raisonne...

This exquisite lithograph by Henri Matisse (1869–1954), titled La Pompadour (The Pompadour), from the album Portraits par Henri Matisse, originates from the 1954 edition published by...

This exquisite lithograph by Marc Chagall (1887–1985), titled La Jongleuse (The Juggler), from the album The Lithographs of Chagall, Volume I, originates from the 1960 edition publis...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap di...

Joseph de Montalegre (after) Aranzo Gigante Verrucoso & Limon di Fior Doppio, 4 prints 1702-1725. Four (4) reproductive prints with handcoloring on thick C.M. Fabriano cotton wove ...

This exquisite lithograph by Henri Matisse (1869–1954), titled Icarus, from Verve, Revue Artistique et Litteraire, Vol. IV, No. 13, originates from the 1945 issue published by Editio...

A black and white, large-scale surreal mythical landscape of an ocean voyage, with a snake wrapped around a clock, female figure, greek urns, and an...

This exquisite collotype after Max Ernst (1891–1976), titled Eve la seule qui nous reste (Eve, the Only One Left to Us), from the album Max Ernst, Histoire Naturelle (Natural History...

Agnes Mills (American, 1915-2008) Guignol Intermezzo, 1982 Hand colored etching (UNIQUE) Sight: 13 3/4 x 11 1/4 in. Framed: 19 1/2 x 17 x 3/4 in. Titled lower right Inscribed "AP" bo...

A lovely grand tour image of the Doric architectural masterpiece dedicated to Castor and Pollux. Dated 1863. Watercolor and graphite on lightweight card stock, 10 x 13 3/4 inches (2...

Michael Kagan (American, b. 1980), "Moonwalker", Screenprint in Colors on Magnani Incisioni, 2024, published by Brand X Editions, New York, signed in pencil and dated lower right, nu...

Peter Max, German/American (1937 - ) - Love, Year: 1968, Medium: Poster mounted to linen, Size: 36 in. x 24 in. (91.44 cm x 60.96 cm), Frame Size: 38.25 x 26.5 inches

Manfred Schwartz (American, b. Poland, 1909-1970), The Ring, Abstract Figural Composition, Lithograph on Paper, mid 20th century, two nude figures in dangling hoop, numbered edition ...

Shepard Fairey Jasper Johns (White), 2009 Silkscreen on wove paper 24 × 18 inches Edition 198/450 Pencil signed and numbered 198/450 on the front Unframed Shepard Fairey created this...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Four Ballet Dancers, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Le Lagon (The Lagoon), from Henri Matisse, Jazz, originates from the 1983 second edition published by George Brazi...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

Vintage Vinyl Record Art by Keith Haring with bright, lush colors that make for stand-out wall art within reach: Year: 1986. Off-Set Lithograph on record jacket, vinyl record. Dimen...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: Porol-Vua Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 97/100 Image Size: 20 x 28.5 inches Size: 22 x 29....

This exquisite lithograph, titled Sans titre (Untitled), by Leonor Fini, from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated wit...

This exquisite lithograph by Marc Chagall (1887–1985), titled La Danse (The Dance), from the folio Derriere le miroir, No. 147, originates from the 1964 edition published by Maeght E...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle A.Nelck (Miss A.Nelck), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), orig...

Etching and aquatint printed in brown and black with embossing, 15 x 11 3/4 (381 x 298); sheet 20 1/2 x 16 3/4 inches (521 x 426 mm), full margins. Signed, tited and numbered 3/25 in...