New York - Figurative Prints

Etching with aquatint on cream wove paper, 6 11/16 x 9 15/16 inches (170 x 252 mm), full margins. Signed in pencil in the lower right margin. With significant toning and moderate mat...

Jasper Johns "Jasper Johns Paintings", vintage Leo Castelli Gallery poster, 1984 Offset lithograph Unsigned Unnumbered 30 × 22 1/2 inches Unframed Offset lithograph poster published...

Etching on chine collé mounted to white wove paper, 3 11/16 x 5 (92 x 125 mm), full margins. In good condition with minor mat tone. Printed by Delâtre, Paris. [Guiffrey 34]

This exquisite lithograph after Marc Chagall (1887–1985), titled L’ange de Mozart (The Angel of Mozart), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling o...

Larry Rivers (American, 1923-2002) Larry Rivers Exhibition, Hirshhorn Exhibition Poster, 1981 Lithograph (?) Sight: 34 3/4 x 24 1/2 in. Framed: 36 x 24 1/2 x 1 1/4 in. Signed and num...

Jasper Johns, Prints, 1960-70 (Hand Signed by Jasper Johns), 1970 Offset lithograph poster (signed by Jasper Johns) Boldly signed in black marker on the front 35 × 23 1/2 inches Published by the Philadelphia Museum of Art The artwork depicted in the poster is Jasper Johns lithograph...

Lithograph on vélin pur Chiffon Moulin à papier Richard de Bas paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Tir à l'arc mis en lu...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle M.B. (Miss M.B.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates...

18th century image of a priest presiding over a traditional Japanese nuptual ceremony. One plate from A new and complete collection of voyages and travels containing all that have b...

An exalted portrait of fellow Flemish engraver and publisher Karel van Mallery. Lucas Vorsterman the Elder (after Anthony van Dyck). Carolus de Mallery, from Icones Principum Viror...

Etching, drypoint, aquatint and roulette on light weight cream wove paper, 9 3/4 x 5 7/8 inches (250 x 149 mm), full margins. Initialed "F.R." in graphite, lower margin. In good cond...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Steinberg, Derrière le miroir, N° ...

This rare, original offset lithograph poster was produced for Robert Rauschenberg’s Gluts exhibition at Leo Castelli Gallery, New York, held from November 1–22, 1986. Printed on tran...

JONAS WOOD Interiors and Landscapes Offset lithograph poster (hand signed and inscribed) 24 × 18 inches Hand signed, dated by Jonas Wood with the artist's distinctive basketball leg...

Etching with engraving and drypoint printed in brownish black ink on cream laid paper with a partial heraldic A and fleur-de-lis watermark, 5 5/8 x 4 1/4 inches ( 341 x 107 mm), full...

This exquisite lithograph by Marc Chagall (1887–1985), titled Les Amoureux au Soleil Rouge (The Lovers under the Red Sun), from the album The Lithographs of Chagall, Volume I, origin...

A Method of Riding as Practised by the Rustics of Japan. One plate from A new and complete collection of voyages and travels containing all that have been remarkable from the earlies...

ANTONIO FERNÁNDEZ REBOIRO Silkscreen of ALICIA ALONSO in the Ballet CARMEN 1970.....SPECIAL WINTER SALE PRICE....$790 Pop-Op Art original vintage silks...

ABOUT THIS PIECE: Big Sur, California. Based in Los Angeles, Molly Stone is a photographer known for her images of people in spectacular natural surroundings. Her inclination toward ...

Irving Amen (American, 1918–2011) The Heart is a GardenSigned Numbered Color Woodcut Print, Circa 1964 A beautifully expressive work by acclaimed American printmaker Irving A...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Les Demoiselles Year: circa 1980 Medium: Screenprint on Flocked Paper with glitter, signed and numbered in pencil Edition: 35/250 Ima...

This exquisite lithograph by Marc Chagall (1887–1985), titled Maternite au Centaure (Motherhood with Centaur), from the album Chagall, originates fro...

Etching on cream wove paper 3 5/16 x 1 7/8 inches (84 x 49 mm), full margins. Signed, dated and inscribed "II" in pencil, lower margin. Likely one of eight trial proof impressions f...

Peter Blake To Her Majesty, The Queen Elizabeth II, 2016 Color giclee print on wove paper with full margins 11 73/100 × 6 3/5 inches Pencil signed, titled, dated and numbered 119/150...

This exquisite lithograph by Alberto Giacometti (1901–1966), titled Annette, from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circulated by the Traveling Exhibition Service of the National Collection of Fine Arts, Smithsonian Institution 1964–1965, originates from the 1964 edition published by Fernand Mourlot, Paris, in collaboration with the Embassy of France, Washington, D.C., and the Smithsonian Institution, Washington D.C., and printed by Mourlot Freres, Paris, October 27, 1964. This lithograph captures Giacometti’s distinct approach to portraiture, defined by trembling lines and psychological depth that distill the essence of human presence into a study of perception and being. Annette, his wife and muse, appears as both intimate subject and universal archetype, embodying the fragility and endurance that pervade Giacometti’s entire oeuvre. Executed as a lithograph on velin d'Arches paper, this work measures 10 x 7.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres and highlights Giacometti’s mastery of line and form within the existential context of postwar modernism. Artwork Details: Artist: Alberto Giacometti (1901–1966) Title: Annette, from the album Prints from the Mourlot Press Medium: Lithograph on velin d'Arches paper Dimensions: 10 x 7.5 inches (25.4 x 19.05 cm) Inscription: Unsigned and unnumbered as issued Date: 1964 Publisher: Fernand Mourlot, Paris, in collaboration with the Embassy of France, Washington, D.C., and the Smithsonian Institution, Washington D.C. Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Prints from the Mourlot Press, published by Fernand Mourlot, Paris, 1964 Notes: Excerpted from the album, This exhibition is a manifestation of Franco-American friendship and we would be very happy if it is of interest to all those who visit it. I wish to thank Mrs. Annemarie Pope for proposing and organizing this exhibition of the work of the artists who have used our press. We are honored that Mr. Herve Alphand, Ambassador of France to the United States, and Mr. Edouard Morot-Sir, Cultural Counsellor at the French Embassy in New York, will sponsor this exhibition. I express to them my thanks and appreciation. As for the artists themselves, who executed the originals contained in this catalogue, I can only say simply, "Thank you." They are all friends. We would have liked to include not just the twenty-four illustrations in this small book, but many more. During the year 1963, we lost three great artists who were faithful friends of our press. Thanks to Mrs. Georges Braque, Mr. Louis Carre, and Mr. Edouard Dermit, who have been able to pay our respects to Georges Braque, Jacques Villon and Jean Cocteau. The great Henri Matisse is also with us, since Mrs. Du-thuit-Matisse and her brothers have allowed us to use an unpublished original lithograph. Thanks to them all for their generosity. —Fernand Mourlot. The lithography at Mourlot printing press by Jean Adhemar, Curator of prints at the Bibliotheque nationale. Acknowledgments, Fernand Mourlot has long been the acknowledged master printer of France in every field, from lithographs to fine books to posters. The unfailing quality of his work commands the respect of museums, collectors, and most important of all, the artists themselves. Every product of his workshop bears the mark of Mourlot's discipline and craft and can truly be called an ideal collaboration between artist and artisan. The result of years of thoughtful planning, this special exhibition presents an accurate portrait of the Mourlot Press. We are greatly indebted to Fernand Mourlot, who made the selection, supervised the production of the catalogue, and gave endless time and energy to the details of preparation. This album was finished in Paris on 27th October 1964. The original lithographs and the reproductions were printed on the presses of Mourlot. The Imprimerie Nationale, Director Andre Brignole, was responsible for the typography. The edition has been limited to MM examples on Velin d'Arches and CC on Velin de Rives, reserved for the artists, the staff and the friends of the Imprimerie Mourlot. About the Publication: Prints from the Mourlot Press, published in Paris by Fernand Mourlot in 1964 in collaboration with the Embassy of France and the Smithsonian Institution, celebrated the profound artistic partnerships that defined 20th-century printmaking. The portfolio accompanied a traveling exhibition organized by the Smithsonian’s National Collection of Fine Arts and presented at major institutions across the United States between 1964 and 1965. Containing twenty-four original lithographs by leading modern artists—including Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, Alberto Giacometti, and Jean Cocteau—the publication chronicled the collaborative artistry of Mourlot Freres, whose Paris workshop elevated lithography to a fine art. Each plate demonstrated the mastery of color, composition, and craftsmanship that defined postwar printmaking, while the edition itself stood as a symbol of Franco-American cultural exchange. About the Artist: Alberto Giacometti (1901–1966) was a Swiss sculptor, painter, and draughtsman whose hauntingly elongated figures and existential vision redefined modern art and made him one of the most influential artists of the 20th century. Born in Borgonovo, Switzerland, into an artistic family—his father, Giovanni Giacometti, was a noted Post-Impressionist—he was immersed in art from an early age before studying in Geneva and moving to Paris in 1922, where he became part of the city’s avant-garde alongside Pablo Picasso, Alexander Calder, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. In the 1920s and 1930s, Giacometti explored Cubism and Surrealism, creating symbolic and dreamlike sculptures such as Suspended Ball (1930–31) and The Palace at 4 A.M. (1932), which reflected the influence of Dali, Duchamp, and Man Ray. By the 1940s, he abandoned Surrealism to pursue a deeply personal exploration of the human condition, developing his iconic attenuated figures that embodied both fragility and resilience. His signature sculptures—L’Homme qui marche I (Walking Man I), Femme debout, and Le Chariot—expressed the isolation, endurance, and vulnerability of modern existence, echoing the existential philosophy of Jean-Paul Sartre and Simone de Beauvoir. Giacometti’s figures, stripped of mass yet monumental in spirit, symbolized humanity’s search for meaning in a postwar world, while his paintings and drawings—portraits of his brother Diego, his wife Annette, and his friends—captured the psychological depth of perception with trembling, repetitive lines that blurred the boundary between body and soul. His friendships with Picasso, Calder, Miro, and Kandinsky shaped his understanding of form, motion, and space, while his philosophical engagement with Duchamp and Man Ray deepened his inquiry into the nature of reality and perception. Working obsessively in his modest Montparnasse studio, Giacometti pursued art as an existential act—destroying and rebuilding his figures in an endless search for truth. His influence on postwar art was immense, shaping the work of Henry Moore, Francis Bacon, Louise Bourgeois, Lucian Freud, and later contemporary sculptors such as Antony Gormley and Anselm Kiefer. His aesthetic also resonated beyond sculpture, influencing fashion, photography, and architecture through his vision of form, isolation, and proportion. Giacometti’s work is represented in major museum collections including MoMA, the Tate Modern, and the Centre Pompidou, and continues to inspire artists, collectors, and thinkers worldwide. Standing alongside Pablo Picasso, Alexander Calder, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Giacometti remains a towering figure in modern art—a sculptor-philosopher who transformed the human form into a universal symbol of resilience and reflection. His highest auction record was achieved by L’Homme qui marche I (Walking Man I), which sold for 141.3 million USD at Sotheby’s, London, on February 3, 2010, reaffirming Alberto Giacometti’s enduring legacy as one of the most visionary, profound, and collectible artists in the history of modern art. Alberto Giacometti Annette...

Bob Hope Hollywood Legend 20th Century Oscars Academy Awards Litho Movie Star Al Hirschfeld (1903-2003) Bob Hope Signed lower right, Numbered 16/200 lower left 15 x 11 3/4 inches (...

A. Calderoni Gioielliere by Adolfo Hohenstein is a stunning reproduction of one of the most iconic luxury advertisements of the early 20th century. Featuring an elegantly dressed wom...

A man in a business suit juggling balls. Edition of 10

An original Screenprint, signed, titled and numbered (29/35) in pencil by British Contmeporary Pop Artist, Mackenzie Thorpe. The work is in excellent condition and very nicely framed...

An original Screenprint with gold foil, signed, titled and numbered (29/35) in pencil by British Contmeporary Pop Artist, Mackenzie Thorpe. The work is in excellent condition and ver...

This exquisite lithograph by Andre Derain (1880–1954), titled Tete de Jeune Fille (Head of a Young Girl), from Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, originates fro...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Sans titre (Untitled), originates from the 1955 album Sous le manteau de feu, Poems, douze lithographies originales de J...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Sans titre (Untitled), originates from the 1955 album Sous le manteau de feu, Poems, douze lithographies originales de J...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Sans titre (Untitled), originates from the 1955 album Sous le manteau de feu, Poems, douze lithographies originales de J...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Sans titre (Untitled), originates from the 1955 album Sous le manteau de feu, Poems, douze lithographies originales de J...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Sans titre (Untitled), originates from the 1955 album Sous le manteau de feu, Poems, douze lithographies originales de J...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Sur la Route de Souville (On the Road to Souville), from the album Fernand Leger, Dessins de Guerre 1915...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Les Trois Graces (The Three Graces), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of th...

This exquisite lithograph by Jean Lurcat (1892–1966), titled Hommage a Dufy (Homage to Dufy), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), origin...

Etching, Engraving on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagn...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Peinture murale (Mural Painting), from the album Fernand Leger (Fernand Leger), originates from the 1928...

"Laughing Matters" Comedy Legends-Marx Bros, Laurel, Hardy, Burns, Allen, Twain Al Hirschfeld (1903-2003) Laughing Matters Lithograph on heavy paper, 1987 Signed lower right, numbe...

This exquisite lithograph and pochoir after Max Ernst (1891–1976), titled Portrait dinsecte (Portrait of an Insect), from the album Cahiers dArt No. 24, 1949, originates from the 194...

New York: Dodd, Mead, 1884. Etching with aquatint on cream laid paper, 7 3/4 x 10 3/4 inches (196 x 272 mm), full margins. Light age tone, some very minor cockeling and a 1.5 inch v...

This exquisite collotype after Max Ernst (1891–1976), titled Rasant les murs (Shaving the Walls), from the album Max Ernst, Histoire Naturelle (Natural History), originates from the ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Cheval et l’Amoureux (The Horse and the Lover), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne,...

The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwd...

Stephen Powers EVERYTHING IS SHIT Except You Love, 2014 Screenprint on 335 GSM Coventry Rag paper 24 × 24 inches Edition PP 3/3 Hand Signed and numbered in the artist's distinctive hand. One of only three rare Printer's Proofs Rare collectible! One of only three (3) printers proofs!! For offer here is an 11 Color lithograph on 335 GSM Coventry Rag paper featuring the incredibly popular message : "Everything is Shit Except you Love” by artist Stephen Powers, who recently exhibited at the Brooklyn Museum. The simple messaging with bold, playful lettering with purple background has resonated with so many, and the edition sold out almost immediately. This is one of only three rare Printers Proofs, aside from the regular edition, which is also long sold out. In excellent condition; never framed. Makes a terrific gift that says it all. Excellent provenance: Acquired directly from the printer. About Stephen Powers A Fulbright scholar who has been awarded many public commissions and exhibited in major institutions like the Brooklyn Museum.... Born and raised in Philadelphia’s Overbrook neighborhood, Stephen Powers (b. 1968, Philadelphia) moved to New York in 1994, where he gained attention as the publisher of On the Go magazine and the author of the graffiti history The Art of Getting Over. In 1997, Powers undertook an ambitious and far-reaching graffiti campaign of his own, using the official-sounding acronym ESPO (Exterior Surface Painting Outreach) to deflect attention from the illegality of his activities. By 1999, he had covered dozens of storefront grates with giant silver block lettering. Powers gave up street graffiti the following year to concentrate on studio-based projects. Powers’s work typically fuses word and image in paintings and graphics that evoke the bright look of a handmade bodega and fairground...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Le Destin (Destiny), from Henri Matisse, Jazz, originates from the 1983 second edition published by George Brazill...

Richard Bosman Thou Shalt Not Covet Thy Neighbors Goods (The Tenth Commandment), 1987 2 Color Lithograph with hand coloring on Dieu Donne handmade paper 24 × 18 inches Signed and numbered 6/84; with unique hand-coloring Unframed Created as part of the 1987 portfolio "The Ten Commandments", in which ten top Jewish American artists were each invited to choose an Old Testament commandment to interpret in contemporary lithographic form. The "Chosen" artists were, in order of Commandment: Kenny Scharf, Joseph Nechvatal, Gretchen Bender...

The Departure of the Argonaut (1918) is the travelogue and wartime diary of Alberto Savinio, one of the seminal figures in twentieth-century Italian arts and letters. Clemente's acco...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

Bright figurative color lithograph print by Robert Losthutter from a limited edition of 60. Signed and numbered 55/60 in pencil on lower left front corner of paper. Offered unfram...

A sparrow perches at the center of a swath of pale pink, around which wraps hand-written lines from Ron Padgett’s poem “Ode to Clemens Laurrell”: “So I lean back against the willows ...

Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the [Braniff International Airways] Flying Colors Collection, 1976....

Reuven Rubin, Israeli (1893 - 1974) - David and the Lord's Angel, Portfolio: Story of David Portfolio, Year: 1971, Medium: Lithograph, signed and numbered in pencil, Edition: 166...

The 2016 Roland Garros poster by Marc Desgrandchamps is a contemplative and mysterious work that captures the essence of the French Open through a blend of figuration and abstraction...

This exquisite lithograph after Marc Chagall (1887–1985), titled Carmen, from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceilin...

London: Charles Joseph Hullmandel, 1842. Lithograph with hand coloring in watercolor on cream wove paper, 17 5/16 x 12 3/16 inches (440 x 309 mm), full margins. Scattered foxing thro...

Printer’s ink from rubber stamp on vélin d’Arches 88 paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Published by Parasol Press, Ltd., New York; distributed by Museum of Modern Art (MoMA), New York; rubber stamp engraved by Unity Engraving Company Inc, Englewood; printed by Parasol Press, Ltd., New York, under the direction of Aaron Arnow, New York, from an edition of M, 1977. JOSEPH IRWIN ZUCKER (1941-2024) was an American artist. Born in Chicago, he received a B.F.A. from the Art Institute of Chicago in 1964 and an M.F.A., from the same institution in 1966. His art was quirky and idiosyncratic, and most often related to the materials, such as cotton and plastic. His Porthole #4 from 1981, in the collection of the Honolulu Museum of Art, demonstrated his innovative use of unusual materials. The Art Institute of Chicago, the Carnegie Museum of Art (Pittsburgh, Pennsylvania), the Honolulu Museum of Art, the Mary and Leigh Block...