New York - Paintings

Italian Neo-classic style (20th Century) still life oil painting of a glass bowl housing two goldfish and reflecting the room's windows above an array of fruits placed atop plates and fringed cloths, and a barely visible checkered floor...

Vintage Chinese acrylic on canvas abstract painting of black and warm toned multi-colored swirls and waves interspersed with florals, leaves, and fans in a rectangular black painted ...

American watercolor on paper depicting the clipper ship "Wasp" at sail within a molded maple frame (sgnd: John Clifton/ 1872).   

Vintage (20th Century) acrylic still life of a brass horn and sword alongside a bird perched on an antler that is spearing sheet music reading, "Le Retour La Chasse -1923."Painted on...

Contemporary abstract figural painting titled "Couple Dancing" (by Michal Zoborrowski).

Wonderful still life of bottles and a plate of sausage oil on board.

Bountiful mountain overlooking a city, divided by an occupied river. The shapes and colors that make up this unique painting allow for an unconventional take on a modern harbor view....

Toronto-based graphic designer and artist, Dustin Cox, reveals his skill as watercolorist in this delightful mountain landscape, titled "No Risk No Story." Newly framed and signed an...

Toronto-based graphic designer and artist, Dustin Cox, reveals his skill as watercolorist in this color-infused desert landscape, titled "Joshua Tree." Newly framed and signed and d...

Harry Schaare (American, 1922-2008), "The Lonely Command", Gouache and Acrylic on Paper mounted to Board, titled to verso, signed lower right, unframed. 18.5" H x 22" W.

Kano School painting of a bamboo grove with blooming flowers and gold dust mists. Painted in mineral pigments on mulberry paper with gold dust and a silk brocade border.

Post-War American India ink on paper painting of a seated nude leaning on a table, executed in a minimalistic, contoured style in a white wooden frame (...

Michael Loew, American 1907-1985, ML-10-68 India Ink, 1968, Signed Lower right

Wisteria represents sentiments of love and longevity as vibrant floral colors dance dramatically amongst the two panels. Mineral pigments on Mulberry paper with a natural wood trim....

Set of nine watercolors. The set includes a wide range of interior renderings and furniture designs by renowned Barcelona interior designer Pierre ...

Oil painting by Chicago/New York artist Scott Reeder.

Mineral pigments on gold. Not signed, by Baikei Hitsu.

Colorful still life oil on canvas by Raymond Guerrier. Signed: "Guerrier".

Chinese School landscape ink painting on gilded silk by Yukimatsu Shunpo, signed and dated 1924. Yukimatsu Shunpo was born in Oita in 1897 and studied under Himejima Chikugai in Osak...

A work of art made by collage of hand-painted vellum applied in a collage format with original Sonnabend Gallery label to the reverse.

"New York Math" Acrylic on canvas painting by Nicholas Howey. Signed, dated and titled on back.

Impressionist military painting oil painting on panel 19th war field scene signed Gaultier This painting represents a battle scene. A soldier supports the commander with his arm thro...

Portrait of a woman painted in oil on canvas from the impressionist period. This pictorial movement appeared in 1860 in opposition to academic art and aimed at representing the ephem...

This is an Original Mark Dickson painting and can be described as nothing short of a revelation in the realm of contemporary art. As one navigates through his vibrant interplay of colors—pinks, purples, blues, and greens—it becomes evident that his works are a bridge between abstract expression and a deep-seated Coloradan sensibility. From afar, the paintings resonate with the raw energy and abstract impulsiveness reminiscent of Adolph Gottlieb or Mark Rothko. However, upon closer introspection, Dickson's canvas unfolds a symphony, harmoniously blending his intuitive understanding of the Colorado landscapes with an almost Rothkoesque play of color and form. His artistry is a culmination of his academic sojourns, from the bustling art scene of Brooklyn's Pratt Institute to the scholarly corridors of the University of Denver. Yet, what stands out is his capability to transcend these teachings and manifest a unique narrative—one that reflects both the external world and the myriad landscapes of the human psyche. The choice of medium, notably pastel mixed with watercolors, oil washes, and graphite pencil, demonstrates a tactile indulgence in his craft. It's as if he's chiseling his memories, experiences, and observations of the Coloradan terrains and skies into each canvas. For the discerning eye, his works might also evoke the expansive color fields of Milton Avery. Yet, Dickson’s approach, particularly his relationship with color, is refreshingly instinctual, almost challenging the viewer to feel rather than dissect. In Mark Dickson's work, we're treated to an exhilarating dance of abstract brilliance juxtaposed with the tangible and intangible memories of Colorado's landscapes. In a sense, each painting becomes an invitation—to wander, to wonder, and to immerse in the art of profound introspection. The majority medium is pastel and a mixed media of watercolors, oil washes, and graphite pencil. Color is of primary importance to his work. His work shows the influence of artists Milton Avery(who used large areas of color) and Mark Rothko and Adolph Gottlieb (known for their work in the variations of color). Mark is fascinated with color and explores every aspect of its relationships. He feels his use of color is more intuitive versus analytical. Mark Dickson’s paintings, prints and monotypes are represented in private, corporate and public art collections nationally. Pratt Institute, Graduate School of Fine Arts, Brooklyn, New York, 1970 University of Denver, Graduate School of Art, MFA, Denver, Brooklyn, New York, 1973 Denver Art Museum, Colorado Annual, 1967 National Academy of Design, National Audubon Exhibition, New York Joslin Art Museum Exhibition of Colorado artists, Omaha, Nebraska Included in Outstanding and Noteworthy Americans, Bicentennial Edition, New York Chicago Botanical Garden, solo exhibition, North Brook Illinois Colorado Symphony Orchestra Association, limited-edition lithograph commission Broadway South West department store Commission; shopping bag and print. Award of Merit from American Institute of graphic arts, and Award of Distinction: "Creativity 86" Art Direction Magazine, New York Stables Art Center, Taos New Mexico, Artist of Taos Who's Who in American Art, 1990, New York Arts Student's League of Denver, Board of Directors O'Sullivan Art Center, Regis University solo exhibition, Denver Britto Central Gallery, solo exhibition, São Paulo Brazil, 2003 Amarillo Art Museum, permanent collection Amoco Oil Company, Chicago Federal Reserve Bank, Denver University of Colorado, permanent collection, Boulder, Colorado Garnett Corporation headquarters, Arlington Virginia IBM Corporation Miami Florida Las Vegas Federal Medical Center Kirkland Art Museum, permanent collection, Denver Northern Trust Bank, Naples, Florida Planes Art...

Oil on board. Painting measures: 14 7/8 x 18 inches with frame it measures: 21 1/4 x 24 1/2 inches.

Abstracted painting of ships moored in the background. Painted by Nishide Kofuku and exhibited at the 1963 Nitten National Exhibition. Kofuku was born in 1926 in Shiga Prefecture. He...

Oil on gesso canvas by Louis Francois Cabanes (1867-1947) depicts a massive wall of a vaulted palace room decorated with painted ceiling with huge figurative bronze and marble sculpture in the neoclassical style. Signed in lower right, Louis CABANES élève de M. J.P. Laurens (student of mister...) beneath and what appears to be a partial date (year) beneath in box. Stretcher measures approximately 26 by 37.5 inches and the period frame, 32 by 44 inches. Cabanes was a respected illustrator and painter of figures, genre scenes, history and Orientalism. He studied at the Ecoles de Beaux Arts of Toulouse and Paris under Jean Paul Laurens...

Lovely oil on canvas by the French artist, Louis-Auguste-Paul Magne de la Croix (1875-1942) depicting a parade of thoroughbred horses before a race, led by their jockeys with lovely ...

Soft mineral pigments on silk with brocade border. Signature and seal read: Jyogyu

Pair of 1960s reverse painted and gilt glass paintings depicting zodiac imagery of Taurus and Cancer. Signed "C. Oakley."

A beautiful American oil on canvas school room scene with a teacher instructing students who are seated on benches and on the ground, with one student who appears to be wearing a dun...

Japanese Two Panel Screen: Pheasants in an Abstract Landscape. Taisho period (1912-1926) bold, almost graphic painting of pheasants and other bir...

American, oil on canvas, "Washington Square, New York City." Signed, Mildred Hamilton. Long Island Artist.

Four individual mounted panels of calligraphy. Each panel contains a poem inspired by one of the four seasons. Each panel signed: To Rei. Ink on mulberry paper with silk brocade border.

Pigments on silk. Signature and seal read: Chiga saku (Acid free mounting with UV plexiglass) Painting dimentions: 59" H x 34" W, overall dimentions: 63 1/4" H x 38 1/2" W.

Pastel 18th century Venus of the grape harvest France Portrait of a young girl with an antique crown of bunches of grapes, vine leaves and ears of wheat. Her light brown curly hair b...

Oil on canvas, signed "Solodar". Beautiful abstract painting executed in oil on canvas. Signed. The composition consists of repeating geometric shapes in deep blacks, earthy brown...

Gouache painting on paper of farmers tilling and sowing a field, by Ton Yan Kui. Unsigned with label from A.M. Adler Fine Art, NY. Comes framed.

parisian painting from the 1950's signed G. Canon located in Brooklyn

Beautiful soft painting of mineral pigments and ink on paper with a silk brocade border.

Seated nude in an interior Oil on Canvas by István Csók (Hungarian, 1865-1961), signed and dated 'CSOK 911' on the bottom left.

original

Celestial images on hand-dyed tsumugi cloth. Makers mark: unreadable.

Framed oil painting on board by Sara Skaaning. Based in the Island Mon, Denmark, the visual artist Sara Skaaning starts from her surroundings that twists and transforms until complet...

Framed oil painting on board by Sara Skaaning. Based in the Island Mon, Denmark, the visual artist Sara Skaaning starts from her surroundings that twists and transforms until complet...

Framed oil painting on board by Sara Skaaning. Based in the Island Mon, Denmark, the visual artist Sara Skaaning starts from her surroundings that twists and transforms until complet...

Lovely unusual shading and merging of colors. Mica paint on paper. Good example of western influence on Japanese art. Signature reads: (Masaharu) Ryo. Seal is unreadable.

This original painting botanical has a wonderful light, airy feel to it. This lovely piece works in so many settings, but we particularly like to pair it with traditional pieces for...

Our enamel plaque on copper after the French enamelier, Edouard Bernard Debat-Ponsan (1847-1913) depicts Truth Emerging from the Well, Vérité sortant du puits. Plaque measures approx...

Lacquer and aluminum on wood. Exhibited at Northern Japan Art Exhibition. Signature reads: Yuki.

Chinese gouache painting on paper of farmers tending to the land. Signed on the reverse. Comes framed.  

Steven Colucci is a perfectionist. As a painter, he describes himself as “a dictator, a controlling ballet master with a stick,” dispassionately choreographing his composition to achieve the exact result he desires. The paintings of the “Sea Series,” largely completed in 2010, are actually the culmination of 4-5 years of practice for the artist, during which he consistently developed and refined the language and formal elements that visually distinguish the series, sometimes repeating the same image for months until he was satisfied. Colucci’s methods and philosophy reflect his experience with movement as a performing art. While he studied with and admires Vito Acconci, Colucci is no proponent of conceptualism, finding his voice in the intense discipline of traditional forms, explaining, “If you don’t practice art like a classical pianist, every day, you can’t execute your concepts.” After completing his studies at New York’s School of Visual Arts, he moved to Paris, where he studied and performed mime and ballet, working closely with Marcel Marceau, who also painted, and Etienne Decroux, a sculptor as well as the originator of the form “classical mime,” which has roots in the sculpture of Rodin. If the word “sea” in the title of a painting conjures for you images of little easels and landscape canvases featuring sandy beaches, waves, and vast horizons, think again – Colucci’s oceanic visions are experiential, viewing them you are often looking down at the sea, within it, or even dreaming of the ocean. Water, deep or shallow, still or fast-moving, rules how we see light and subjects, as the artist works to reflect what he calls “the spirit, the soul of the water.” In “Deep Blue,” he conjures this anima via a window through levels of roiling currents of rich dark waves and dancing highlights, inviting the viewer to experience the sea as a vibrant and enveloping sensual entity. Colors, too, differ from the subdued palette of the seaside afternoon painter. Often his choices originate in what Colucci describes as the rhythm of color present in Afro-Carribean art and design. In the paintings, these hues express the water’s likeness to the seamless flow of the Dominican culture’s music and dance, which he so enjoys during frequent visits to Upper Manhattan’s El Barrio district, a movement with the melodic line that he so simply and perfectly employs in the delightfully sexy “Swimming with the Fish.” As our bodies, like the sea, are largely water, Colucci’s water visions...

Contemporary American ceramic artist Richard Hirsch's encaustic Paintings of Nothing is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #5 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painti...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #25 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...

located in NYC
1200$ each

A painting on canvas signed "Klein, 69" in the vibrant colors of the era yellows, violets, deep eggplant. In original wood frame. From a Private Collection in San Diego.

In strong primary colors. Makers seal reads: Yu.

A unique painting made of pieced and sewn canvas creating a ruffled edge and painted in stripes in the manner of Elsworth Kelly or Robert Ryman.

Six watercolor paintings of cigar smokers by listed artist Gersten. Framed in a wood frame under glass.