Ohio

New York Bouquet Lithograph, 1917 Edition: 93 Signed with the artist's cipher in pencil lower right (see photo) This lithograph is inspired by Hassam's oil painting of the same title...

"Lemon Jade" or Serpentine Necklace Lemon Jade is a "sister" gem to Serpentine and is the trade name for the light yellow-green variety of Serpentine. Lemo...

CraftAssociates Dining Chairs, Derby Modern Dining Chairs, Walnut, Brown Leather These modern walnut dining chairs by Lawrence Peabody : The Derby Modern Dining Chair for Craft Asso...

A very well crafted dark ebony toned sideboard with cork top , two doors to each end with a non adjustable shelve , above are two small divided drawers . Solid brass X pulls to the f...

The length of the necklace is 18.5 inches (47 cm). The size of the smooth round beads is 14 mm. The lapis lazuli beads are indigo, midnight tone, and highly saturated. Lapis lazuli has visible calcite and golden pyrite flecks. Natural color, not dyed. No thermal or other mechanical treatments were used. This necklace alternates 2mm tiny vintage seed glass Czech beads. The necklace is fastened with a rare, unique vintage sterling silver clasp with scarab cabochon. The scarab is an ancient symbol of vitality and new life. It was buried in the tombs of ancient Egyptians to insure they would have a new heart in the next life. It has always been a fortuitous symbol to wear and has roots in many ancient cultures. This particular specimen is a vintage German glass dating from the 1920-40 Egyptian craze that started around the unearthing of the first Egyptian tombs. The lines on the scarab are very clearly incised, and the shape of the beetle is clearly defined. The cabochon is 14 mm by 16 mm and is set in a sterling silver box clasp. The weight of the necklace is 126.5 grams. Lapis lazuli is a rock, which means it's an aggregate of several minerals. This ancient gem contains three minerals in varying amounts: lazurite, calcite, and pyrite. The Sumerians believed that the spirit of their gods lived within the stone, while the ancient Egyptians saw it as a symbol of the night sky. Since the earliest of times, lapis lazuli has been associated with royalty, strength and courage, wisdom and intellect, friendship and truth. In natural stone jewelry...

Antique German Sitzendorf Dresden converted oil lamp mantel trophy urn featuring a design of climbing roses and reclining cherubs. Marked on base wi...

Mid-Century Modern mahogany dining table by Edward Wormley for Dunbar Furniture Edward Wormley for Dunbar Furniture Co. Mid-20th century mahogany dining or conference table. Feature...

Josef Albers 1965 print in black and charcoal grey from the Homage to the Square Series. Blind stamp in the lower right corner. Overall 18" x 18". Image 11" x 11". Homage to the Sq...

Hallway inspired from painter David Schnell :: Mixed Media :: Abstract :: This piece comes with an official certificate of authenticity signed by the art...

Bertu Wood End Table, Solid Wood End Table, Maple Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Why buy BERTU stumps? KILN DRIED Our stumps all go through a drying process in our kiln, sometimes for up to a month. We are meticulous with bringing each and every log to a specific moisture level. This process helps with major cracking, long-term moisture issues, and bugs. ECO FRIENDLY In an effort to replenish the trees we use, we plant 50+ trees a year. In addition, we practice salvage logging. Where do we source these? Some of the trees fall naturally. Some have damage from severe wind, lightning, flood, disease, or other natural disturbance so they need to be cut and removed before they fall. Others are fresh cut because people want them off their land. Salvage logging may reduce erosion, reduce intensity of future wildfires, and slow buildup of pest insects. FAMILY OWNED These are made from our family to yours. Quality is of utmost importance, and we hand cut, de-bark, sand, and finish every piece with care.See how we do it here. COMMERCIAL GRADE These stumps are meant to be loved and USED. Each is finished with a durable commercial-grade finish. This finish is tough enough for spills, kids, and holds up in hotel and hospitality settings. These Solid Wood End Tables...

Clara Deike (American, 1881-1964) My Studio Stove, 1936 Oil on canvas Signed and dated lower right, titled verso 23.5 x 19.5 inches 29.75 x 25.5 inches, f...

Stately French Directoire and Empire inspired Pedestal or Sculpture Stand. Made from hardwood with a crackle lacquer finish. Features three intricate downswept swan supports leading to an acanthus scrolled foot over a tripod base. Finish is a reddish brown with black crackle lines. The tables large stature allows for use as a pub bar table...

Antique Old Meeting House Queen Anne style buffet / sideboard / console / credenza. Made of maple featuring rectangular form with four large drawers, brass hardware, serpentine skir...

Postmodern Tempo Designs Extra Long Laminate Console Table. Unfortunately one side of the table has black imperfections due to movers not using a proper ...

Two mid to early 20th century Cassard Romano French louis xvi style tiered side tables. Made of walnut featuring oval form with one drawer, three tiers, and reticulated / pierced br...

Art glass vase titled "Ariel" by designer Ingeborg Lundin (Swedish, 1921-1992) for Orrefors. Captivating art glass vase in rich purple color surrounded by faces in profile. This heav...

Louis Bosa (American, 1905–1981) Bucks County, 1934 Oil on canvas Signed and dated lower right 17.5 x 21.5 inches 25.5 x 29 inches, framed Born in Codroipo, a small village only a f...

By New York designer Gregg Ruth, this stunning emerald and diamond necklace is sure to grab attention! Absolute beauty! 18 karat white gold double cable chain. Four round emeralds w...

Double Personage Color lithograph, 1975 (?) Unsigned (as issued) Edition: Large Edition Limited, (estimated to be approximately 2000) Published in: XXe Siecle, No. 52, Juin 1979 Published: G. di San Lazzaro Printer: Mourlot Imprimeur, Paris, France Reference: Lam-Tonneau-Ryckelynck L7513 Condition: Excellent, fresh colors Traces of glue residue along margin edge where it was bound in the book Image/sheet size: 12 1/4 x 9 1/4 inches Wilfredo Lam (1902-1982) Biography Wifredo Lam was born in Sagua la Grande, Cuba, on December 8, 1902. He was the eighth child born to Lam-Yam―born in Canton around 1820, an immigrant to the Americas in 1860―and to Ana Serafina Catilla―born in 1862 in Cuba of mixed African and Spanish ancestry. The luxuriant nature of Sagua la Grande had a strong impact on Lam from early childhood. One night in 1907, he was startled by the strange shadows cast on the wall of his bedroom of a bat in flight. He often recounted the incident as his first magnificent awakening to another dimension to existence. In 1916, Lam and part of his family settled in Havana. He was enrolled in the Escuela Profesional de Pintura y Escultura, Academia de San Alejandro, where he remained a student until 1923. This period, with exhibitions at the Salón de Bellas artes, was determinant in his choice to become a painter. In 1923, the municipality of Sagua la Grande awarded him a grant to study in Europe and by the autumn of that year, at the age of twenty-one, he left the country for Spain. His time in Spain―initially intended as a short stay on his way to Paris―lasted 14 years. In Madrid, he was exposed to the ideas and movements of modern art. He spent long hours at the Archeological Museum and the Prado. He studied the great masters of Spanish painting, Velázquez and Goya, but felt particularly drawn to the works of Bosch and Bruegel the Elder. In 1931, his first wife, Eva (Sébastiana Piriz) and their son Wilfredo Victor died of tuberculosis. The terrible suffering he endured led to numerous paintings of mother and child. Lam found solace in the company of his Spanish friends and made contact with several political organizations. In 1936, with the help of his friend Faustino Cordón, he joined the Republican forces in their fight against Franco. He designed anti-Fascist posters and took part in the struggle by working in a munitions factory. The violence of the struggle inspired his painting La Guerra Civil. In 1938, Lam left Spain for Paris. Shortly before leaving, he met Helena Holzer, who would become his wife in 1944. His meeting Picasso in his studio on the Rue des Grands Augustins proved decisive. Picasso introduced his new “cousin” to his painter, poet and art critic friends, Braque, Matisse, Miró, Léger, Eluard, Leiris, Tzara, Kahnweiler, Zervos. Lam also met Pierre Loeb, the owner of the Galerie Pierre in Paris, which hosted Lam’s first solo exhibition in 1939. Shortly before the Germans arrived, Lam left Paris for Bordeaux and then Marseille, where many of his friends, for the most part surrealists, had gathered around André Breton in the Villa Air Bel: Pierre Mabille, René Char, Max Ernst, Victor Brauner, Oscar Domínguez, André Masson, Benjamin Péret. In the Villa Air Bel, a meeting place for creativity and experimentation, Lam worked and produced, most notably, a series of ink drawings that set the tone for what would become his signature style of hybrid figures, a vocabulary he would develop more fully during his years in Cuba from 1941 to 1947. In January and February 1941, Lam illustrated Breton’s poem Fata Morgana which was censored by the Vichy government. On March 25, Lam and Helena Holzer embarked on the “Capitaine Paul Lemerle” headed for Martinique, in the company of some 300 other artists and intellectuals―André Breton and Claude Lévi-Strauss among them. Upon arrival, the passengers were interred at Trois Îles. It was during this forced passage in Martinique and before leaving for Cuba that Lam and Aimé Césaire met for the first time to become life-long friends. Newly settled in his native land after almost twenty years, Lam delved deeper into his artistic investigations, finding nourishment for his ideas in the surroundings of his childhood and youth. His sister Eloisa, whom he was closest to, explained to him in much detail the workings of Afro-Cuban rituals and he began attending ritual ceremonies with some of his friends. This contact with Afro-Cuban culture brought new impetus to his art. He painted over one hundred canvases, most notably La Jungla, making the year 1942 his most productive of this period. Over the next few years, a number of exhibitions followed in the United States, at the Institute of Modern Art of Boston, at the MoMA of New York, at the Galerie Pierre Matisse, where La Jungla was presented and created a scandal. In 1946, Lam and Helena travel to Haiti and attend voodoo ceremonies in the company of Pierre Mabille and André Breton. Talking about his experience in Haiti, Lam said, “It is often assumed that my work took its final form in Haiti, but my stay there, like the trips I made to Venezuela, Colombia or to the Brazilian Mato Grosso only broadened its scope. I could have been a good painter from the School of Paris, but I felt like a snail out of its shell. What really broadened my painting is the presence of African poetry.” Picasso_Lam_Vallauris_1954_vignette Wifredo Lam et Pablo Picasso, Vallauris, 1954 Lam then went on to New York where he renewed contact with Marcel Duchamp and made new acquaintances: Jeanne Reynal, James Johnson Sweeney, Arshile Gorky, John Cage, Roger Wilcox, Mercedes Matter, Ian Hugo, Jesse Fernández, John Cage, Sonia Sekula and Yves Tanguy. By the end of the 1940s, Lam divided his time between Europe, Havana and New York, where they stayed with Pierre and Teeny Matisse...

Bertu Side Tables, Solid Outdoor Side Table, Red Cedar, Black Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Please note, we have upgraded to ...

Impressive late 19th - early 20th century Victorian gilt wood / gesso picture / art / mirror frame. Intricately carved and beveled with a swirling pierced acanthus leaf border around...

Joseph Glasco (American, 1925-1996) Reclining Male Figure (For Nick) 1971 India ink on paper Inscribed, signed and dated 10.25 x 14 inches 18.5 x 21 inches, framed Joseph Glasco was...

Bertu Patio Stools, Chile Patio Stools, Bar Height These Outdoor Chile Bar Stools are beautifully constructed from solid wood in Ohio, USA. The bar st...

1950s Globe furniture colony court accent chair. French inspired with walnut finish. Features a serpentine crest rail, gold bambook design fabric and cabr...

Manufacturer: Bitossi Importer: Raymor (labeled) Period or model: Mid-Century Modern. Specs: Pottery Condition: This Bitossi for Raymor...

Antique Rookwood Art Deco 1920 XX pink / purple matte glaze vase or urn. Shape 2404. This vase was designed by Albert Cyrus Munson, active b.1917. Albert Cyrus Munson designed pie...

A lovely pair of 1920s Elizabethan revival dining side chairs by Jacob Summers & Sons. Part of their Hillcrest Suite as seen on page 18 of their catalog....

Extremely rare 1 of a kind early Kittinger Spanish Colonial fall front secretary or library desk. A Rectangular form made from solid walnut with trad...

A beautiful pair of two "Eclipse" club / library / lounge chairs by Jay Spectre for Century Chair Company of North Carolina, circa 1980s. The chairs feature sculptural form, made fro...

The length of the necklace is 21.5 inches (54.5 cm). The size of the fluted twist beads is 12 x 18 mm. The fluted twist onyx beads in this necklace are uniform, saturated, brightly b...

A set of six deep ruby red clear stemmed desert glasses made and marked France, these are perfect for that dinner party giving some color to those white plates or solid color service ware...

Untitled (Plate 2) DLM Color lithograph, 1963 Unsigned and unnumbered (as issued) From: Derriere le Miroir, No. 141 Published by A. Maeght, Paris Printer: Mourlot Freres, Paris Note...

A beautiful antique silver filigree bracelet with a large natural bloodstone (heliotrope). The bracelet is in very good condition. Th...

Early to mid 20th century 68 piece dinnerware set by Royal Bayreuth in the Beverly pattern. White porcelain with a cream and blue border accented with golden brown oak leaves and pin...

Designer: Craft Associates Manufacturer: Craft Associates Modern Furniture Period/Model: New Specs: Cast Bronze, 1/2" glass Craft Associates M...

Rococo style vase made of brass plated with 24 carats gold combined with malachite stone. Decorated by 2 cherubs holding a trident and garlands of vines with grapes. Designed by Eric...

An elegant French Louis XVI Converted Candelabra Lamp. Features a gilt brass finish with classical motifs over a footed base on a black marble plinth. Arms are scrolled with acanthus...

Bertu bench, suelo® bench, wood and thick weave fabric, Modern This Suelo® Modern bench is beautifully constructed from solid wood in Ohio, USA. This silhouette is simple, modern, a...

A true pair of antique 19th century English Staffordshire porcelain flatback figurines converted into table lamps, depicting a pair of men in Scottish Highland dress, standing next t...

Antique 19th century Staffordshire porcelain flatback figurine depicting the Biblical figure Samson prying open the jaws of a lion. Dressed in a floral Scotsmans kilt and striped ari...

19th century Copland Late Spode English Staffordshire rare porcelain toby jug in the shape of asdeated colonial Englishman holding a cup and pitcher. 180288...

James Massena March (American, 1953-2021) Cosmic Woman Acrylic on canvas Signed center right, signed and titled verso 30 x 40 inches "My paintings...

Designer: Hans Brattrud Manufacturer: Hove Mobler Period or model: Mid-Century Modern. Specs: Rosewood, leather Condition: This Hans Brattrud rosewood...

Bertu End Table, Maple Natural Wood End Table Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Why buy our ...

Frank Nelson Wilcox (American, 1887-1964) Headland & Rocks, White Island, Maine, c. 1923 Watercolor on paper Signed lower left 15 x 19.5 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox...

Bertu Credenza, Baron Modern Oak Credenza, Black This Modern Oak Credenza - The Baron is made in the heart of Ohio with locally sourced wood. Each unit is ...

An impressive kinetic wind sculpture / Whirligig by Anthony Howe, circa 1980s. Made of coiled / welded iron and resin / composite featuring ...

This impressive showcase / room divider was a Custom order designed by Edward Wormley for Dunbar. Features a rectangular walnut case raised over large silver tapered metal legs The c...

Rare mid century Sven Palmqvist for Orrefors Swedish cobalt blue rectangular glass bud vase or flower urn. Marked Orrefors Expo Pa 370-65 and signed Palmqvist on base. Circa 1965. ...

An exquisite Scottish Regency style jardinieres or planter in the manner of William Trotter, circa 19th Century. Constructed from mahogany with a parcel-gilt and ebonized finish. Fea...

Vintage Persian Iran Hamadan rug or carpet. Made of wool featuring a geometric floral motif with a dark field contrasted with vibrant pinks and purple with central medallion. 100 k...

A monumental Italian Louis XIV style "Belle Epoque" giltwood console table. Belle Epoque (The Age of Excellence) takes inspiration from the very beginning of the French Golden Age of...

Antique 19th century Staffordshire porcelain flatback figurine depicting the King and Queen of Sardinia with a dalmatian, wearing speckled ermine trimmed robes. Queen Victoria (1819...

#38183 Vintage 10 piece serving set by Hammersley & Company. White bone china with gilded details. Set includes handled serving tray with creamer and sugar bowl in the Rose Point pa...

Feast of Lights (Poster) Signed in the stone 17 color lithograph Published by Kennedy Galleries Edition: Unknown edition, signed in the stone There was also a pencil signed edition o...

A natural wicker arched mirror, circa last quarter of the 20th century. Features a braided wicker frame and mirrored plate glass. Dimensions: 26" x 42.5"h

Impressive pair of late 20th century wall hanging panels. Features Neoclassical and French styling. The screen is red lacquered with a marbled appearance and engraved in gold designs with ornate urns, acanthus accents and Centaurs (half man half horse...

Max Kalish (American, 1891-1945) Harmony, c. 1930 Bronze with green marble base Incised signature on right upper side of base 14 x 9 x 5 inches, excluding base 17 x 10 x 8 inches, including base Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti...

Pink Sapphire Ring with Natural Diamond Accents Set in solid 14k gold, this elegant design features a 7×4mm pink sapphire highlighted by sparkling natural diamonds for a timeless, fe...

The length of the necklace is 19 inches (48 cm). The size of the rondelle beads is 16.5 mm. The color of the beads is a soft shade of light green, light blue, pale peachy pink, and pale orange. Very gentle, soft pastel colors! Statement beads...