Ohio

Designer: Craft Associates. Manufacturer: Craft Associates Furniture. Period/Model: Mid-Century Modern. Specs: Solid ziricote. Condition: T...

A mid century bird with flower wall sculpture made of a composite material and sand giving the piece a coastal and natural feel . Created by Barbara Field a black female artist and b...

Art Deco styled ribbed aluminum cocktail shaker with built in pour inside the lid manufactured by the Kraftware metal company. A classic form ...

1920's pair of Egyptian Winged Sun bronze urns or planters. Nice patina with removable tin inserts and double handles. Front and back have Egyptian winged sun symbols. The winged sun...

Pair Warren Platner for Knoll vintage chairs. Bronze tone base. Old recover work in very nice condition with minor wear. 36" wide x 27" deep x 30....

Untitled (Female Nude) Graphite and sgrafitto on yellow paper, 1987 Signed lower right Note: Steven Assael is represented by Forum Gallery in New York. In 1977 he won the Charles Ro...

Soirée d'été (Summer Evening) Etching & drypoint, 1881 Signed and dated in the plate lower left corner Edition: c. 100 in both states; plate canceled Tissot's lover, Irish divorcee ...

Antique Victorian library / parlor arm chairs. Made of mahogany featuring American Empire / regency styling with scrolled arms and plaid uph...

Victorian Childs Rocking Chair, circa 1890s. Features a serpentine crest rail over contoured caned back with downswept arms leading to a caned seat and ring turned front supports co...

Untitled (Moulin Rouge and other Paris landmarks) Lithograph, 1926 Rare signed in pencil proof on chine paper (see photo) Lithograph from Joseph Delteil's "Allo, Paris," published by...

Large Mixed Color (Turquoise, blue, white) Lava Textured Mid-Century Modern Lamp. Possible Fantoni 1960's - 1970's Black wood base with brass ring. Base 7" Finial 2" Working 3 way s...

Tiffany Studios steeple top bronze desk clock in the Bookmark pattern, which features turn of the century publishers' stamps designs. Marked on rear door Tiffany Studios New York 185...

Post Office, New York Watercolor on paper, c. 1930 Signed with the Estate stamp lower left (see photo) Illustrated: Marbella Gallery, Robert Hallowell (1886-1939), No. 64 Provenance:...

Each print signed and numbered in pencil by the artist Total edition: 92: 75 with Arabic numerals; 10 Artist's proofs with Roman numerals; 7 Hors Commerce with Roman numerals Image...

Extremely nice original vintage condition with minimal signs of age/use. Mid 1960’s 4 piece burled Credenza from famed Mastercraft. Beautiful piece. Extraordinary hardware. This piec...

A ring that speaks volumes—this 1.99ct Tanzanite dazzles with a bold round cut and rich blue-violet hues. Nestled in 14k yellow gold, it’s adorned with ethereal marquise-shaped diamo...

Pair of Chapman Brass and Marble Obelisks Solid black marble with white Glass shades have small bubbles, slightly frosted Possibly would accept being wired with electric. Looks brand...

Charles Fodor (American, 20th Century) Composite #6, 1969 Oil on canvas Signed, dated and titled verso 27.5 x 20 inches 29 x 21.5 inches, framed

Bronze Bust of Julius Caesar, 19th Century Patinated bronze mounted to stone base Unsigned 11.25 x 4.5 x 4.5 inches Gaius Julius Caesar was a Roman general and statesman. A member o...

Nude with Headdress and Drape Charcoal and colored pencil on paper, c. 1940 Signed by the artist in pencil lower left (see photo) Painter, lithographer and woodblock printer, born at...

Iconic 1950's party sofa designed by Edward Wormley for Dunbar Furniture. This is the Model 5407 Chesterfield style sofa in black leather. Original leather. The wide arms and long le...

Antique Robert Mitchell tea / bar / serving cart. Made of walnut featuring a two tier design with scalloped drop leaves and removable glass tray table with handles. Includes one dr...

This beautiful abstract cast bronze sculpture is by Carole Harrison. This piece is 11 1/2"h x 10"w x 3 3/4"d and is not signed. Carole Harrison (10/30/33 - 4/4/22) - Born in Illinois...

Unknown title (castle with wall, stream and footbridge) Watercolor on laid paper, mounted to support of old Albumin photograph mount Signed and dated lower left (see photo) The watercolor is mounted on support that is the backing for a vintage albumin photograph of Moulin Huet, Guernsey, Channel Islands, c. 1850's Condition: Mounted to verso of albumin photograph mount (see photo) Glue residue outside of image/sheet on recto Colors fresh No other issues to note David Cox (29 April 1783 – 7 June 1859) was an English landscape painter, one of the most important members of the Birmingham School of landscape artists and an early precursor of Impressionism. He is considered one of the greatest English landscape painters, and a major figure of the Golden age of English watercolour. Although most popularly known for his works in watercolour, he also painted over 300 works in oil towards the end of his career, now considered "one of the greatest, but least recognised, achievements of any British painter. His son, known as David Cox the Younger (1809-1885), was also a successful artist. Early life in Birmingham, 1783–1804 Cox's birthplace in Deritend, Birmingham, illustrated by Samuel Lines Cox was born on 29 April 1783 on Heath Mill Lane in Deritend, then an industrial suburb of Birmingham. His father was a blacksmith and whitesmith about whom little is known, except that he supplied components such as bayonets and barrels to the Birmingham gun trade. Cox's mother was the daughter of a farmer and miller from Small Heath to the east of Birmingham. Early biographers record that "she had had a better education than his father, and was a woman of superior intelligence and force of character." Cox was initially expected to follow his father into the metal trade and take over his forge, but his lack of physical strength led his family to seek opportunities for him to develop his interest in art, which is said to have first become apparent when the young Cox started painting paper kites...

This beautiful ring features a 3.99 carat cushion cut Tanzanite gemstone with natural earth mined diamonds and milgrain detail, all set in solid 14K gold. This Tanzanite ring makes a...

Designer: Tove & Edvard Kindt-Larsen Manufacturer: Seffle Mobelfabrik Period/Model: Mid-Century Modern Specs: Rosewood Condition: These Tove & Edvard Kindt-Larsen nesting tab...

Bertoia for Knoll wire chrome plated bar stool. Two are available. Price reflects one. Very solid and in very good condition. Remnants of a Knoll label was attached to the back of th...

A welded steel box vase sculpture with flamed metal decoration to the body and applied designs to each side . Made in the manner of Paul Evans with highlighted edges to the design in...

Poem 71-25 (Me) Color woodcut with cement mold embossing, 1971 Signed, titled and numbered in pencil (see photos) Edition 100 (55/100) (see photo) Signed with the artist's stamp lowe...

This gorgeous c. 1910 Duffner & Kimberly leaded glass lamp features a 16" shade in a geometric pattern with a scalloped edge and a vented heat cap. The original base displays a beaut...

Die Bettler (The Beggars) Lithograph, 1922 Signed in pencil lower right (see photo) From: Berliner Reise Series, Plate 7 Printed on wove paper Edition: 100...

From Baker Furniture Stately Homes Collection. Monumental Empire Revival Scrolled Arm Sofa.

Untitled Acrylic with gold leaf on canvas collage mounted on canvas, c. 2002 Unsigned Provenance: Estate of the Artist Condition: Excellent Imag...

A nice sized Mid Century X torched metal based coffee table with plate glass top manufactured in the manner of the Knoll Barcelona table . This v...

Set of 15 Baccarat Perfection clear crystal 8 oz barrel shaped flat tumblers / wine / old fashioned glasses. Made in France. Discontinued. Dimensions: 3.5" x 4" (Diameter x Height)

Nude Woman in Chair Watercolor, gouache, ink, and pencil on heavy paper, c. 1930-35 Signed with the artist's Estate stamp lower right (see photo) Note: "Matchstick" ink drawing of fe...

This oil on canvas by George Thompson Pritchard is called "City Gates, Morocco" and features a Moroccan scene of figures and a camel rider passing through a city gate archway. This p...

Miss Taylor Drypoint, c. 1900 Signed in pencil lower left (see photo) Small edition, about 10 Very rich impression, full of burr Condition: Excellent Image size: 21-1/4 x 13-1/4" She...

Thirsty: The Appearance of a Town Geisha - a So-Called Wine-Server - in the Ansei Era Color woodcut, 1888 Signed; Seal: Taiso (see photo) Plate 22 from the series "Thirty-two Aspects...

Antique Middle Eastern etched Arabic brass dallah / coffee pot with long spout, flip top lid, and two tone woven leather wrapped handle. Dimensions: 12" ...

Theodore Alexander Italian sideboard. Marble top with brass gallery rail. Decorative figural brass lion head mounts and ornate toe caps. Three dove tailed drawers. Interior has remov...

The 21st Floor-A View of the World Trade Center in the Skyline Screen print, c. 1990 Signed: Joni Frankel lower left Edition 200 (42/200) Signed lower lef...

Father Stefan Fridolin, "Schatzbehalter" (Treasury of the True Riches of Salvation): The 30th Figure - Astrological Diagram with Scene of the Nativity Woodcut, 1491 Unsigned, as issued Published by Anton Koberger Diagram has Zodiac signs on outer ring, planets in the lower registers, and Nativity in the center. Condition: Very good for a 15h century woodcut, with the usual slight age stains Sheet size: 11 1/2 x 8 1/4 inches Wogelmut was the teacher of Albrecht Durer and employed young Durer in many project of the last decade of the 15th century. Michel Wolgemut Biography Wolgemut trained with his father Valentin Wolgemut (who died in 1469 or 1470) and is thought to have been an assistant to Hans Pleydenwurff in Nuremberg. He worked with Gabriel Malesskircher in Munich early in 1471, leaving the city after unsuccessfully suing Malesskircher's daughter for breach of contract, claiming she had broken off their engagement. He then returned to his late father's workshop in Nuremberg, which his mother had maintained since Valentin's death. In 1472 he married Pleydenwurff's widow and took over his workshop;[3] her son Wilhelm Pleydenwurff worked as an assistant, and from 1491 a partner, to Wolgemut. Some consider Wilhelm a finer artist than Wolgemut, however he died in January 1494, when he was probably still in his thirties. Wilhelm's oeuvre remains unclear, though works in various media have been attributed to him. Woodcuts Michael Wolgemut, Danse Macabre, 1493 Two large and copiously illustrated books have woodcuts supplied by Wolgemut and his stepson Wilhelm Pleydenwurff; both were printed and published by Germany's largest publisher, the Nuremberger Anton Koberger, who was also Dürer's godfather. The first is the Schatzbehalter der wahren Reichthumer des Heils (1491); the other is the Historia mundi, by Schedel (1493), usually known as the Nuremberg Chronicle...

A set of four Arcoroc clear stemmed deep ruby red cordial glasses perfect to complete that cocktail shaker set or for your bar area. Stamped made in France to...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of nude man bent over. 24x18 inches. Signed. Some p...

Derriere le miroir, no. 87-88-89. Pages 6-7 Terres de Grand Feu, (Land of Great Fire) Color lithograph, 1956 From: Derriere le Miroir, Volume 87-88-89, 1956 Unsigned as issued by DL...

Moto-Fuite Color lithograph, c. 1902 Signed in the stone lower right (see photo) Published by Edmund Sagot (1857-1917), Paris Printed by Atelier Chaix, Paris Large edition with titl...

Exquisite late 19th century Swiss marquetry / parquetry cylinder music box capable of playing eight different tunes. Rectangular hardwood box with painted wood grain sides and inlaid...

Antique Meissen porcelain footed cabinet plate / centerpiece bowl / serving platter / compote featuring scalloped oval form with low relief grapevines, gr...

Mid-Century Modern Jack Van Der Molan Gentleman's Dresser for Vanleigh. This unique tallboy or gentleman's dresser has 4 drawers, the top two drawers have dividers for small items to...

1980s White Furniture Company Mandarin dining flip top server or dry bar. Features a rectangular form with lacquer, mahogany and burlwood. The top has a unique sliding mechanism an...

Antique 13 piece lot of of early 20th century German band uniform accessories. Lot includes: pamphlet commemorating the "Silver Jubilee of the Swabian Singers' Associationg of Dayton...

Moto-Flirt Color lithograph, c. 1902 Signed in the stone lower right (see photo) Published by Edmund Sagot (1857-1917), Paris Printed by Atelier Chaix, Paris Large edition with title...

Vintage Statement Necklace with Arizona Chrysocolla – A Rare Navajo Handcrafted Treasure Behold this extraordinary, bold, and mesmerizing vintage necklace made from Arizona chrysoco...

Preliminary drawing for Remy de Gourmont, Couleurs, published in Le Mercure de France (Colors, new tales follow old things), 1908 Graphite and colored pencil, 1926 Signed in pencil l...

Drexel Heritage Campaign Style Arm Chair, circa 1970s. Features a distressed walnut finish with a curved back and 'x' frame with round brass medallion. Tag along underside. Dimens...

Rocky Inlet (France) Oil on canvas, relined, c. 1915 Signed: K A Buehr, lower right (see photo) Created during the artist's time in Giverny and Normandy Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibitiion at the North Franklin Street Gallery. Provenance: Gift of the artist to his wife, Mary Hess Buehr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Gallery Condition: Craquelure to the paint surface (normal with aging of 100 years) Relined Canvas size: 11 1/8 x 14 1/4 inches Frame size: 16 x 19 inches “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...

From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters without the calendarium as published Very ra...

Pair of Gold and Yellow Diamond cufflinks with Gibeon Meteorite. A pair of 7/8" amoeba shaped 18k gold cuff links with approximately 1.00 ct of ye...

Empire style eglomise mirrored round center table. Black finish painted leaf details and trim in gold. Distressed mirror top. Excellent condition. 38" diameter x 30.5"