Ohio

Le Matin (Morning) Mezzotint, 1886 Signed and dated in the plate (see photos) Edition: at least 650 impressions in both states Reference: Wentworth 82 ii/II Provenance: Heirs of Edmu...

Pair of Finn Juhl "Spade" Danish Teak Armchairs by John Stuart Inc. Cicra 1960s. Mid-Century Modern Period. Designed by Finn Juhl and made by John Stuart Inc. The "Spade" armchair (n...

Barbara Wood Signed and Numbered Final Touch 1990s Lithograph Limited Edition. 122/975. Hand signed bottom right. Info on artist on back. In good condition. Has four layer mat. I...

Walnut mid-century modern 6-drawer chest of drawers with diamond pattern inlaid drawer fronts and sculpted legs. Great condition. Part of a 4-piece set. 44" tall x 37" wide x 18 1/2"...

White Head Eagle Mezzotint printed in colors, 2014 Signed lower right (see photo) Titled lower center (see photo) WHITE HEAD EAGLE. The Print Club of Cleveland Publication No. 94, 20...

Antique 1897 Rookwood Pottery 512B ceramic glazed jug / pitcher / vase by artist Harriet E. Wilcox. A medium-sized whiskey jug with handle, decorated with an impressive vibrant stalk...

Vintage hand knotted floral rug or mat. Made of wool featuring a floral motif over a tan field with geometric designs along the boarder. Pinks...

A rich purple amethyst pendant in a pear cut shape with a little natural diamond accent for a lovely added shine! If you love this setting, we can make it work for any center stone! ...

Spectacular Widdicomb piece. Two independent display cases join together and are capped by a single crown that finishes off the piece brilliantly. Incredible details. The cabinet fea...

Baker Stately Homes Collection Neoclassical ebonized and gold bench. Circa 1940-1949. Baker Furniture Regency bench from the Stately Hom...

By designer Sal Praschnik, this beautiful band ring will get lots of compliments. 18 karat solid yellow gold. Weighs 10dwt Approximately 8mm wide with diamonds all the way around...

Michael Rozell Studio floor standing shelf, US, 2020. This very beautifully detailed and well made crafted floor standing shelf is made out of figured walnut and redwood burl. There...

Lino Litho BR, Planche VI Linocut and lithograph, 1970 Signed lower right in pencil (see photo) Edition: 99 (56/99) (see photo) Published by London Arts Group, Detroit Condition: Exc...

NNJ Designs presents a 0.91 carat pear shaped Purple Sapphire loose gemstone! This Purple Sapphire gemstone would be perfect for the jewelry setting of your choice and can be a lovel...

XXe Siecle, No. 34, Mai 1970 Color lithograph, 1970 Unsigned (as usual for XXeme Siecle edition) From: XXe Siecle, Volume 34, 1970 Published by G. di San Lazzaro for A. Maeght, Paris...

A ring that speaks volumes—this 1.99ct Tanzanite dazzles with a bold round cut and rich blue-violet hues. Nestled in 14k yellow gold, it’s adorned with ethereal marquise-shaped diamo...

Classic Silver gelatin print on photographic paper, 2006 Signed in pencil and dated in pencil on verso (see photo) Condition: Excellent Image size: 12 78 x 9 1/2 Inches Sheet size: 1...

Large antique giltwood picture / art / mirror frame, beveled and carved with a swirling foliate / acanthus leaf motif. Accomodates art approximately 34" x 25". Dimensions: 41" x 3.5...

Taos Series Mixed media on handmade paper Signed and dated by the artist lower right Archival framing with Conversation Glass Frame size: 29 3/4 x 34 inches Image size: 19 1/2 x 19 1/2 inches Provenance: Peter Marciniak, New Hampshire Distinguished Midwest Private Collection Regarding the artist: Select Exhibition: 1991 Franz Bader Gallery, Washington, D.C. (solo) 1980 Guggenheim Museum, New York, NY 1974 Bertha Schaefer Gallery; New York, NY (solo) 1972 Childe Hassam Purchase Show, National Institute of the Arts and Letters 1971 "The Turkish Bath of Ingres,” Louvre Museum, Paris, France 1971 Guest Artist, Tamarind Institute; Albuquerque, NM 1970 “American Drawings of the Sixties,” New School Art Center; New York, NY 1966 Dorsky Gallery, New York, NY (solo) 1962 Dwan Gallery...

This beautiful pendant features a 9.39 carat London Topaz gemstone with natural earth mined diamonds. This pendant makes a stunning statement piece made in 14k gold that will elevate...

Standing Female Nude in Profile, hand on hip Colored chalks on Strathmore Charcoal grey paper, c. 1980 Signed in chalk lower right (see photo) In 1941, Fidelma Cadmus (Paul’s sister)...

Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The Capitol and the Steps of S. Maria in Aracoeli) Etching, 1775 Watermark: Double Circle Fleur de Lys A lifetime impression with the price etching in the plate Printed in Rome, before the plates are moved to Paris and the numerous posthumous editions Reference: Hind 38 ii/IV Robison 38 ii/V with the price Wilton Ely 190 Condition: A fine Roman...

Michigan Chair Company Victorian style side or desk chair, circa 1910-20. Made from walnut with an ornate crest rail and spindled back. Features...

Mixed media collage by John R, Murray 3/3/1979. Frame has some wear. Image size is at 15.5" W x 19.75" H, Overall Dimensions: 1.5" depth x 16.75" W x 20.75" H. This piece has been ve...

Antique Victorian balloon back arm chair. Made of walnut featuring high back with paneled foliate crest, low arms and serpentine legs with castors. Upholstery by Shillito's Departm...

Corinne Color lithograph, 1898 Signed in the stone lower left (see photo) Published in L’Estampe Moderne with their blindstamp lower right corner, Lugt 2790 (see photo) Edition 2000 ...

Late 20th century Hammer Graphics lithograph poster print of "Arnie in the Rain" at Augusta National Golf Course by LeRoy Neiman. Rare signed copy by both Leroy Neiman lower right ed...

This stunning Steuben boudoir art glass lamp is decorated with gold heart and vines. This lamp has the original Bryant socket. The shade is 8 1/2" diameter and the lamp stands at 13 ...

Le banc de jardin (The Garden Bench) Mezzotint and engraving on cream chine collé laid down on ivory wove paper, 1883 Signed in the plate (see photo) Condition: Brilliant impression...

Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Why buy our stumps? KILN DRIED Our stumps all go through a drying process in our kiln, sometimes for up to a month. We are meticulous with bringing each and every log to a specific moisture level. This process helps with major cracking, long-term moisture issues, and bugs. ECO FRIENDLY In an effort to replenish the trees we use, we plant 50+ trees a year. In addition, we practice salvage logging. Where do we source these? Some of the trees fall naturally. Some have damage from severe wind, lightning, flood, disease, or other natural disturbance so they need to be cut and removed before they fall. Others are fresh cut because people want them off their land. Salvage logging may reduce erosion, reduce intensity of future wildfires, and slow buildup of pest insects. FAMILY OWNED These are made from our family to yours. Quality is of utmost importance, and we hand cut, de-bark, sand, and finish every piece with care. COMMERCIAL GRADE These stumps are meant to be loved and USED. Each is finished with a durable commercial-grade finish. This finish is tough enough for spills, kids, and holds up in hotel and hospitality settings. This sculpted stump table...

Beautiful Mid Century Black Marble/Brass Base and Forrest Green Glass Table Lamp Brass is tarnished, Glass is in good condition Lamp is in working condition Small brass finial No sh...

MCM Jack Van Der Molen Secretary Desk and Dresser for Vanleigh. The first drawer pulls out as a writing desk, the second drawer is also narrow but is a regular drawer. There are also...

A Cart Race Hand colored etching & aquatint, 1788 Signed in the plate (see photo) Published by William Hollande, London Inscribed in the plate with title, artist's name and publication line 'Rowlandson. 1788./ London. Pubd 1789 by Wm Holland No 50. Oxford Street.' Reference: M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938) British Museum Satires 7607 Grego, 'Rowlandson', i. 260, Grego II.392 Provenance: Chris Beetles Ltd., London (label), 2003 Jeffrey M. Kaplan, Washington, D.C. (label) Fursten zu Oettingen-Wallerstein, Lugt 2715a, verso (see photo) Condition: Excellent Printed on 18th century laid paper Archival framing by Chris Beetles Ltd., London Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the church... Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the clouds of dust which they have raised, with a row of gabled houses (right) inscribed 'St Giles', terminating in a church spire (left), and probably representing Broad St. Giles. The occupants of the carts are Irish costermongers typical of St. Giles. The foremost horse gallops, urged on by the shouts of a standing man brandishing a club. The other occupants, two women and a man, cheer derisively the next cart, whose horse has fallen, one woman falling from it head-first, another lies on the ground. The driver lashes the horse furiously. The third cart, of heavier construction, is starting. The horses are partly obscured by the clouds of dust, but denizens watch from casement windows and a door. Two ragged urchins (right) cheer the race; a dog barks. "It was said that the amount of copper Thomas Rowlandson etched would sheathe the British Navy. An inveterate gambler, for much of his life Rowlandson had to produce a flood of his comic prints to stay ahead of financial losses.A wealthy uncle and aunt raised Rowlandson after his textile-merchant father went bankrupt. His career developed quickly. He entered London's Royal Academy Schools in 1772, visited Paris in 1774, exhibited at the Royal Academy in 1775, and won a silver medal in 1777. He left school in 1778 to set up in business. Rowlandson's depictions of life in Georgian England exposed human foibles and vanity with sympathy and rollicking humor. During the 1780s he consolidated the delicate style he used for his coarse subjects. He worked mainly in ink and watercolor, his rhythmic compositions, flowing line, and relaxed elegance inspired by French Rococo art...

An original Condition Pair of Neoclassical Italian Paint Decorated and partial guilt low cocktail tables with Glass Tops over Guilt Gold tops and a carved and guilt pedestal bases.

Solid 14K Gold Chain – Available in Yellow, White, and Rose Gold Elevate your everyday look with our premium Solid 14K Gold Chain, crafted with exceptional attention to detail and d...

Red Venini Italian art glass vase signed and dated 1981. 8.5" tall x 8" in diameter.

These gorgeous matched 10.75" handmade alpaca pitchers were crafted in Mexico and feature traditional all-over decoration in the form of inlaid rows of abalone tiles. The pitchers ha...

Solid 14K Gold Chain – Available in Yellow, White, and Rose Gold Elevate your everyday look with our premium Solid 14K Gold Chain, crafted with exceptional attention to detail and d...

This painting is the first in a series of large paintings I'm doing over the course of the 2021 summer months. I started with a medium blue/gray base to give richness and consistent saturation across the whole piece. I wanted this to feel like hiking through the deep woods on a hot, humid day when the visceral experience of nature is unavoidable. I had the Dinosaur Jr...

Irish Sea Watercolor, 1947 Signed and dated by the artist lower right Condition: Excellent Image/Sheet size: 12 x 18 inches Provenance: Estate of the Artist ...

A colorful unique metal wall sculpture with forms and designs in the manner of Post Modern and the Memphis design movement. Very well crafted by Curtis Jere and can be hung horizonta...

John Teyral (American, 1912-1999) Fishing Village, Sicily, c. 1965 Oil on canvas Signed upper right 37.5 x 44.5 inches, framed John Teyral was one of Cleveland's most acclaimed arti...

Travelers Boat at Ibrim Original gold toned albumin photograph, c. 1862 From: Upper Egypt and Ethiopia, c. 1862, Vol 3, (36 plates) Published by William Mackenzie, London, Glasgow & ...

Pair iron Lily of the Valley white garden chairs. Very nice condition. Not sure if finish is original. Dimensions: 22" depth x 25.5" w x 32" h, seat height 16".

Mid-Century Modern adjustable wall shelves. Constructed of birch and coated wire. Made by String in Sweden. Measures: 39" tall x 31.5" x 11.75"...

S. Kirk & Sons hand chased and hand decorated platter/serving tray in sterling silver. Adorned on the edge with crisp floral details. Presentation tray presented in 1937 to N.W. Phel...

Giuseppe De Gregorio (1920-2007/Italy). Large abstract oil on canvas titled "Colline di Fuoco" "Hills of Fire". Signed, titled and dated '63-'64 on verso. Primary colors, framed and ...

Kimono Fabric Design Color woodcut with pochoir embellishments on fine silver mica ground. 1936 Unsigned as usual From "Ukiyoe Kosode," a deluxe limited edition album of kimono fabri...

Untitled Mexican Landscape (Man Walking on Street) Ink and watercolor on paper. Signed with the estate stamp lower right (see photo) From the Estate of the Artist with the artist's estate stamp lower right. C. 1960's Condition: excellent Image/Sheet size: 9 7/8 x 7 5/8 inches William C. Grauer (1895-1985) William C. Grauer (1895-1985) was born in Philadelphia to German immigrant parents. After attending the Philadelphia Museum School of Industrial Art, Grauer received a four year scholarship from the City of Philadelphia to pursue post graduate work. It was during this time that Grauer began working as a designer at the Decorative Stained Glass Co. in Philadelphia. Following his World War I service in France, Grauer moved to Akron, Ohio where he opened a studio in 1919 with his future brother-in-law, the architect George Evans Mitchell. Soon, the Rorimer-Brooks design company, the developer Van Swerngen brothers, as well as the Sterling Welch and Halle Bros. department stores realized the extent of Grauer's talent and eagerly employed him. Grauer’s work during this time included architectural renderings for Shaker Square, Moreland Courts, and other many other projects commissioned by Cleveland architects. Grauer also remained true to his roots as a master designer of stained glass windows. With his work in such high demand, Grauer received a commission in 1921 to paint murals for the French Grill...

The White Gate (New Castle, Delaware) Lithograph, 1961 Signed in pencil lower right (see photo) Numbered and title in the lower left (see photos) Condition: Excellent Image size: 15 ...

Pierce Table Pele de Tigre Honed by Phillip Jividen Dimensions: L 52 x W 102 x H 34 cm Materials: Pele de Tigre Phillip’s works are about creating timeless pieces that feel familia...

Conte crayon on paper, c. 1905-1909 Signed lower right Archival frame by Graham Gallery, New York, hand carved frame with silk matting and gold fillet (see photo of corner) Provenanc...

These elegant earrings feature round rhodolite garnets (5mm, ~2.5cttw) from Madagascar, accented by 32 shimmering diamonds (0.30cttw) in a sleek 14K gold setting (2.03g). A perfect p...

This charming pair of gilded olive brown Mintons pâte-sur-pâte footed moon flask vases feature a romantic caged putto motif executed in white slip on a bla...

L'ACTEUR . . . . - On voit bien qu'il fait chaud . . . . . . . trois spectateurs dans la salle ..... faut-il commencer ? . . . . LE DIRECTEUR .- Et encore un des trois est le vendeu...

Made from mahogany with drop leaves that open to create an oval surface. Features banding over square tapered legs, inlay, dovetailed drawers and brass hardware. Inspired by Sheraton...

Cincinnati Union Terminal, Perspective From East Drypoint, 1930-1931 Signed in pencil lower right (see photo) Initialed and dated the the plate above the pencil signature From: Cincinnati Series (8 Plates), this No. 2 Edition: 155, completed May 4, 1931 Delivered to Fellheimer & Wagner, 1931 Louis Conrad Rosenberg 1890-1983 An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology...

Beautiful Handcrafted McTieque 18K Yellow Gold and Platinum Eagle Brooch 100 full-cut round brilliant diamonds measuring approximately 1.3-1.8mm each A...

Designed to stand out, this 2.6-carat emerald-cut ruby ring features a rich red center stone accented by earth-mined round and baguette diamonds in a sparkling halo. Set in 14K yello...

Self Portrait (With Model) Lithograph, 1959-1960 Signed and numbered in pencil (see photos) Edition: 50 (30/50) Commissioned by ACA Gallery, NYC Depicts the artist in his studio at S...