Paris

Dining table Nagoya round with structure in solid ash wood, with ash veneered top with white transparent paint and body in ash wood in black lacquered finish.

This is a vintage piggy bank of manekineko cat. It is made with pottery and it was made around 1970s in Showa era. This cat is rocking object, it is rare than the other manekineko ca...

The enchanting "Make A Wish" fine jewelry earrings, designed to be worn in a unique and unconventional way, enhancing the symbolism of shooting stars. This collection embraces the un...

Christian Dior Couture by John Galliano rare necklace

Mixed media (acrylic, gouache,oil) on canvas Miyuki Takanashi is a Japanese artist born in 1961 who lives & works in Sapporo in Japan. She is graduated from Hokkaido University of E...

Chanel earrings composed of a small silver metal hoop and a large pendant with the CC logo motif in black enamel. Diameter of the hoop 1.55 cm, dimensions of the CC 2.75 x 2.05 cm, t...

Selene Pendant Lamp XL by Elsa Foulon Unique piece Dimensions: Ø 85/90 x H 55/60 cm. Materials: Ceramic and Brass. Dimensions may...

Magnificent Birkin 30 in deep midnight blue ostrich leather. The corners are in excellent condition. It has a lock, zipper pull, bell, and keys (x2). Condition: very good Made in Fra...

XL belt pouch or Cityslide bag, Large Model version, in blue leather (probably Swift) and silver metal (palladium), a first front pocket closed by a zip with leather pull, a large in...

Au gré des vents is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 87 × 70 × 63 cm (34.3 × 27.6 × 24.8 in). The sculpture is signed and numbered, it...

Rare Dior by John Galliano Limited edition 2005 collection (0008/1000 in the world) Peccary leather Saddle bag and sea green hardware. A true treasure, very good condition it comes w...

suite of 4 S45 chairs by Pierre Chapo in elm with crossed legs. 107 x 41 x 42 cm

Box selenite and marble medium in black marble with lid. With natural selenite on lid's top.

In the heart of 19th-century Paris, the art scene flourished with an unparalleled vibrancy, attracting connoisseurs and creators from around the globe. One pivotal event that capture...

This striking 1992 original poster by French artist Robert Combas was created for the Floralies Internationales de Bordeaux, a grand celebration of horticulture held at Bordeaux-Lac....

OVERTURES LIKE THAT 2024 Paris, France This painting portrays a mysterious pattern. The almost living floral shapes and organic shadows allude to both beauty and danger in an abstr...

A magnificent and exceedingly rare ensemble of twelve “Lotus” pâte-de-verre plates by the French pâte-de-verre master Gabriel Argy-Rousseau, dating from the height of the Art Deco pe...

Chanel boots in slightly gray beige suede, padded heel, almond toe, high shaft, closed with a long full-length rear zip. Size EU39 or UK6 and US8.5, heel 6 cm,...

Sunburst ribbed amber glass with hand-gilded rings, finished with a beaded wooden swing handle on carved terminals. Beautiful for petits fours, fruit, or as a sculptural decorative p...

Barrie jacket in cashmere knit (64%) and navy blue cotton in a trompe l'oeil denim style, straight cut, contrasting white stitching, collar, chest pockets and long sleeves closed by ...

Chandelier Osman 560.16 by Corrado Dotti x TOOY 16 Lights Model shown: Finish: Brushed brass Color: Clear glass Lighting source : 16 x E14 220/240V Compliant with US electric syste...

Beautiful Hermès Kelly II 35 in black Togo leather delivered in its original Hermès dust bag Delivered with zipper pull, bell, lock and key (x2) present. Corners are in excellent con...

Line Vautrin 'Soleil à Pointes N.3' mirror 1955 Talosel and mirror.

Set of 6 Glazed Stoneware Plates, Signed Gérard Hoffman, 1970s. Each piece features nuanced white and brown glazing, highlighting the depth and texture ...

A captivating oil painting by the Haitian master, Albert Desmangles. This piece is a wonderful example of his work within the highly sought-after School of Beauty art movement, which...

Claude GAVEAU Blue and Pink Composition : Surrealist Bouquet (Silence in petals) Original pastel drawing Handsigned in pencil Countersigned on the back (with another drawing on the ...

A luxurious asymmetrical pair of coffee or side tables or rectangular bedside tables, Art-Deco, Neo-Classical, Shabby-Chic, rectangular structures in patinated gilded bronze with bam...

A spectacular, sculptural and architectural chair, 3 dismountable massive pine pieces forming a pyramidal structure, allowing various seating heights, by Gijs Boelaars, Holland, 1970...

Presenting the "Grands Oiseaux" plates, an exquisite piece from the renowned Escalier de Cristal, the definitive tableware store of the 19th century. This hand-painted plate delicat...

100% cashmere throw, "Ikat Ivory / Pink / Green" model, crafted by Me & K. Dyed and woven using the traditional Ikat technique, an ancestral method where the threads are dyed before ...

Lion bronze by Edouard Delabrière (1829-1912) Signed E. DELABRIERRE France, 19th century.

An exceptional large vase or pot, Modernist, Free-Form, in a beautiful yellowish kaki blown glass, by Claude Morin, signed Morin / Dieulefit, under the base... France 1970.

IT'S NOT TRUE 2022 Paris, France Primarily matte and satin finish black paint, mixed with plaster and oil stick on canvas. An abstract and surreal painting with accents of pinks, reds, purples, and gold. A very faint profile of a leopard walking into the darkness is situated on the lower left side of the canvas. In the upper right "MDCCCXCIV" (1894) is hand painted in gold serif font. Vertical movement is incorporated through the use of subtle colors. Evans Deventer...

An exceptional pair of wall lights with 2 faces, Art-Deco, Neo-Classical, Shabby-Chic, in off-white enameled plaster, circular wall bases, 2 thick arms of square section surmounted b...

Georges de FEURE (1868 - 1943) Return,1897 Original lithograph Printed signature, as issued 1897/98 Printed on paper Vélin (wove) Size 40 x 31 cm (c. 16 x 12") INFORMATION : Publis...

Inspired by bold sportswear aesthetics, this oversized frame merges performance-inspired design with contemporary fashion. The dynamic yellow and blue color combination energizes the...

Chatty Trees II, Pines and Migrant Birds is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments, Indian ink and gold leaf on Japanese paper mou...

Spitfire aircraft model AP456 reduced model. Handcrafted in aluminum foil with engraved metal rivets, replica from 1936.  

"Gisou Stripe" Side Table by Studio Gaïa Paris. Its octagonal, striped design evokes a cryptic lock, adding an architectural and intriguing dimension. Crafted in travertine, marble, ...

IN GIRUM IMUS 2024 Paris, France This painting has a weathered, almost ancient quality, created on dyed antique Belgian linen with acrylic paint. The linen’s rich brown surface appe...

Armchair black crocodile with solid wood structure upholstered with alligator skin. Arms made with zebu horns and aries horns. Arms base with Impala horns. Details and nails in so...

Flemish school from the beginning of the 17th century (Circle of Martin DE VOS) Drawing Pen and wash 38 x 32 cm (58 x 52 cm with the frame) Inscription "Martin de Vos" Excellent cond...

This is a Fukuro Obi made in Japan around 1920s. Obi is a belt of varying size and shape worn with both traditional Japanese clothing like Kimono.Obi are categorised by their desig...

Set of 2 Hermès rings, Clarté model, PM format, in openwork silver with H on each side. Finger size FR48 or US4.5, inner diameter 1.54 cm, width of a ring 0.9 cm, weight of the 2 rin...

HIPPO Bar Chair Signed by Kristian Sofus Hansen and Tommy Hyldahl for Norr11. Model shown on the picture: Wood: Natural Oak Fabric: Barnum Bouclé 3 Bar Ch...

Canapé-lit Anfibio d'Alessandro Becchi pour Giovannetti, 1972. Entièrement restauré et recouvert de tissus italien marron de haute qualité. Matelas rembourré avec de la laine de mo...

Louis XVI style ‘Secrétaire à abattant’ with marquetry after Roentgen. Oak, thuya burl and ebonized pearwood veneer, wood marquetry, gilt bronze, green ‘Campan’ marble. France. ca. 1...

This is an object of a person from Hokkaido prefecture in Japan. They are called Ainu. This object is all hand carved. It was made around 1980s in Showa era. It is made with wood. ...

This magnificent modern tapestry from the Aubusson Manufacture, having benefited from a deep cleaning and a careful verification and doubled by experts in our artisanal Workshop. It ...

After Marc CHAGALL Circus Offset vintage poster, 1982 On heavy paper 66 x 46 cm / 26 x 18" INFORMATION : Vintage poster for the exhibition "25 livres illustres" at Patrick Cramer Ga...

Louis Vuitton dress in black elastic leather, round neck closed in front by a long gold metal zip with LV logo, 2 slit pockets closed by a matching zip, 1 box pleat on the lower part...

Concrete Pigalle Coffee Table M by SNOC Dimensions: W 80 x H 38 cm. Materials: Concrete. Pigalle Collection highlights the feeling of lightness and solidity with its aluminum skel...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

1077 - 18th century tapestry from the Aubusson Manufacture. Representation The Capture Of Birds Perfect state of conservation.

Dining table with circular glass top, 130 cm diameter, brushed aluminum base, signed Luigi Saccardo produced by Arrmet, Italy around 1970 Fair condition. More photos on demand

Alphonse MUCHA (1860-1939) "The Seasons" Variante 3 Rare original lithograph Each Season is signed at the lower part of the plate "Mucha". This lithograph is rare, since it was neve...

Exceptional limited edition 1/2 tapestry "Pelops" with certificate from a private collection, 1964. Ateliers Pinton brothers in Felletin, under the supervision of Pierre Baudouin 2ex + 1EA Editor Aram Iynedjian. The tapestry will be sold with its certificate of authenticity from the gallery. From the 15th century, the name of Pinton was associated with the Aubusson tapestry. Since then, over the generations, the Pinton family has largely contributed to the development of this fabulous cultural heritage until the creation in the 19th century, of the Felletin factory, in the department of Creuse. Even today, in these workshops, the craftsmen execute the same correct gestures with the same attention to detail and thus extend the chain of the history of the tapestry of tradition but also contemporary. The hand of specialists, the eye of designers and dyers and the taste of the most demanding clientele find their meaning in the fabric of the carpets. The excellence of French know-how, a living heritage society and custodian of Aubusson's cultural heritage, has always collaborated with great artists. The works of Charles Le Brun, Charles Lapicque, Pablo Picasso, Jean-Michel Othoniel, and many other big names in the world of painting, architecture, design, fell into the looms and know-how ancestral of this unique Creuse creator. Editor Aram Iynedjian Aram Iynedjian, Lausanne gallery owner and editor of tapestries from Braque, Estève and Lapicque, the latter meets Pierre Baudouin, the most famous of the cardboard painters of the time. The one who translated the works of Le Corbusier, Calder or Picasso into tapestry then collaborates with Charles Lapicque and they will develop a work of great richness. Lapicque came to realize these two summits which are "Pélops" and "Diane et Actéon". I realize that you should never try to describe a work of art Let’s look at it. Let us admire the science of composition, linear purity, technical perfection, the beauty of color, the truth of the drama. Let us see, if we can, the implacable presence of genius. "We will now understand that after having based a painting on the love of tapestry, it was relatively easy, and very tempting, to build a tapestry faithful to my painting," explained the artist in the exhibition catalog. of the Galerie Verrière in 1970. It was not until 1961 that he began to produce cardboards both for the tapestry of the Lisse in Aubusson, but also at the Mobilier National, with the help of Pierre Baudouin Charles Lapicque (1898-1988) Born in 1898 in Theizé (Rhône) in a family practicing both the arts and the sciences, Charles Lapicque is no exception to the rule: gifted for music and drawing, he graduated from the École Centrale in 1921, works as engineer until 1928 before integrating in 1931 a laboratory at the Faculty of Sciences of Paris, where he carried out research on the perception of colors, crowned by the title of Doctor of Physical Sciences in 1938. He thus studies the reactions of the eye in front of an intense light source, at the origin of the formation of starry images which he will use in his works, and defines a theory of the staggering of colors in space which overturns the rules of the Renaissance: "I had shown that the Classic rule, that of Vinci, advocating placing the blues in the distance, the reds, oranges and yellows in the foreground, is a nonsense; it makes more sense, more favorable to do the opposite. "(In Red and blue in the arts, 1936) It was around 1920 that Charles Lapicque began to paint in Brittany where he spent every summer since his childhood, first on the motif and then in a workshop that his stepfather Jean Perrin, Nobel Prize in Physics, had him build in 1927 ; he then definitively adopted the work of memory, in accordance with the art of music which he deeply loved and the Bergsonian philosophy of knowledge: "It is up to us to give reality an appearance that it has no itself, a form, a figure (...). " His youthful production immediately reveals a great originality, oscillating between figuration and abstraction which sometimes intertwine: alongside synthetic paintings by their simplified drawing and their flat colors, he designs an Homage to Palestrina (1925), composed of a grid derived from Cubism, entirely abstract, relayed by a Christ with Thorns (1939), according to a principle that he will develop after 1939, in line with his optical discoveries. In fact, during the war years, an almost abstract period began, that of the tight blue framework, applied to backgrounds ranging from yellow to red and revealing a more or less identifiable world (Jeanne d'Arc crossing the Loire, 1940; Rencontres series, 1940-1945). Exhibited in 1929 by the gallery owner Jeanne Bucher, Lapicque abandoned his scientific career in 1943 to devote himself entirely to painting. He continued his work which resulted in 1946-1953 in white-frame structures; their much softer lines lead him to the system of either black or white interlacing which encloses areas of pure color, most often in solid color. With The Battle of Waterloo in 1949, Lapicque still uses optics - zooming in on a given area - to depict spaces with multiple perspectives and decomposed times. This new interest in the liveliness of color developed in the following period, which can be described as flamboyant or Baroque (1954-1963): illustrated in particular by the series of Breton lagoons and twilight or nocturnal views of Venice in the light. Stars, which the artist himself describes as “daring sweets”, it begins with the Raoul Dufy Prize of the Venice Biennale, awarded in 1953 to the artist who took the opportunity to give free rein to his passion for the Serenissima until July 1956. Another point in common with his elder brother is the expression of movement. Begun in 1949 in The Battle of Waterloo then in 1952 with Dimanche aux regates, it became an obsession from 1964, in the exploration of new themes, such as the different shots of tennis players captured on the fly (1965), the mythological scenes and sea storms. These dizzying years precede the artist's last period: as he comes of age, he discovers serenity, revealed by a painting now with acrylic paint, much more peaceful from 1974, which even borders on a childish naivety at the end. of his life. All of his work includes an astonishing diversity of themes, also nourished by his travels (Rome in 1957, Greece in 1964, Holland in 1974 ...), with a predilection for the sea, rocks, sailboats, music, tennis, horses, wild beasts, but also for history and mythology, as evidenced by knights, kings and ancient gods. It also deploys, in total creative freedom, a wide variety of styles and orientations. Having been one of the pioneers of non-figurative art, thus paving the way for artists like Manessier, Bazaine, Vieira da Silva, De Staël, etc. Owners of the new non-figurative Paris School of the Postwar period, Charles Lapicque then returned to figuration, in a "new interpretation" of appearance, even if he continued to rub shoulders with abstraction at times. "Drawing runs after color and color after drawing. " Heir to the Fauves, Charles Lapicque plays like them on pure colors, whose dissonances, associated with a totally free design and an overloaded composition in a multiple space, make him a precursor of the New Figuration in all its forms: the Narrative Figuration born in France in the early 1960s, represented in particular by Gérard Fromanger, Erró, Bernard Rancillac and Gérard Guyomard; Free Figuration born in the early 1980s, marked by Robert Combas, Hervé and Richard Di Rosa, Louis Jammes and François Boisrond, and which, in turn, influenced the American Bad Painting of a Jean-Michel Basquiat or a Keith Haring, deliberately neglected and Expressionist; Lapicque's “Classic subjects” were able to feed Cultivated Painting, which also appeared in the early 1980s with Jean-Michel Alberola, Patrice Giorda and Gérard Garouste...

Minaudières are pieces of evening wear that appeared in the 30s, replacing bags for a more feminine look. They are made to hold everything a woman might need to refresh throughout th...

The Monti is an enveloping armchair with a wave-shaped back, upholstered with velvet, and raised on four balls feet in lacquered wood. Made with an oak structure and topped with high...

Sculpture elephant in hand-carved noble wood. All in waxed noble wood and with 2 tusks in white finish.