Paris - Furniture

Side table Daily with iron base structure painted in black in matte finish and with polished stainless steel feet in gilded finish. With storage part in genuine leather in brown fini...

Sculpture Guepard in solid bronze in black and silvered bronze finish, exceptional piece in limited Edition 1990. Real size, made by J.Carrera.

This is a Fukuro Obi made in Japan around 1920s. Obi is a belt of varying size and shape worn with both traditional Japanese clothing like Kimono.Obi are categorised by their desig...

Sculpture black skull in blackened glass paste, handcrafted piece, made in France. Exceptional and unique piece.

Rape of the Sabine Women, Flanders Tapestry, Late 16th Century - L4m22xh2m35 - No. 1473 Manufacture Des Flandres Epoque: 16th century Style: Haute époque-Renaissance-Louis XIII Condi...

Presenting the "Grands Oiseaux" plates, an exquisite piece from the renowned Escalier de Cristal, the definitive tableware store of the 19th century. This hand-painted plate delicat...

Chandelier Osman 560.16 by Corrado Dotti x TOOY 16 Lights Model shown: Finish: Brushed brass Color: Clear glass Lighting source : 16 x E14 220/240V Compliant with US electric syste...

Tahiti designed by Ettore Sottsass for Memphis Milano is a table lamp made with a rotating head in polychrome enamelled metal on a plastic laminate base with black and white Bacterio...

Hans Agne Jakobsson "Elidus "Wall lamps . Adjustable shade with brass grid, label marked, type 7078, approx. 15x9x15 cm Price for 1 Lamp, 4 lamps available Good condition

Line Vautrin 'Soleil à Pointes N.3' mirror 1955 Talosel and mirror.

"Beautiful Flanders Tapestry - represents Penelope 17th century Depicts Penelope recognizing Odysseus on the shores of Ithaca. Close to the Eiffel Tower, We are a family business sp...

Mirror Wilson with 2 solid ash pole composing the frame, solid ash in stained black finish, With clear mirror glass, mirror supplied with back plate for wall fixing. Also availabl...

Concrete Pigalle Coffee Table M by SNOC Dimensions: W 80 x H 38 cm. Materials: Concrete. Pigalle Collection highlights the feeling of lightness and solidity with its aluminum skel...

An architectural and rigorous bench that can be used as a coffee or side table, Modernist, Constructivist, Brutalist, Popular Art, solid geometric construction of thick strips of sol...

A simple, sensual and imposing table lamp, Space-Age, Post-Modernist, Shabby-Chic, massive base in white granite Murano glass, white cylindrical lampshade, Cenedese signature acid-et...

Anthroposophical frame, carved natural fruit wood. Rudolf Steiner school, Dornach design, Switzerland. 1940s. Sight: 20 x 15,3 cm. Overall: 30 x 23,3 cm.

Voyage Pendant lamp by Bymars x AGO Lighting Silver Materials: Aluminum, Cotton fabric, PMMA Light Source: Integrated LED (SMD), DC Watt. 24 W Color temp. 2700 / 3000K Cabl...

Cabinet golden doors in solid walnut wood and polished brass and UV-resistant clear. Acrylic coating. Ideal for Martini and Gin Bottles.

Visconti Armchair by EBUR Dimensions: W 70 x D 106 x H 92 cm. Materials: Velvet, walnut. Weight: 30 Kg. Also Available in different colors: Capri II velvet, Pierre Frey. The Visco...

Popus Editions Giovanna 3 seater sofa in Almond Green Como Velvet Upholstery Giovanna is a sofa with a strong profile. A sober, plush line, with this famous detail that changes ev...

Exceptional limited edition 1/2 tapestry "Pelops" with certificate from a private collection, 1964. Ateliers Pinton brothers in Felletin, under the supervision of Pierre Baudouin 2ex + 1EA Editor Aram Iynedjian. The tapestry will be sold with its certificate of authenticity from the gallery. From the 15th century, the name of Pinton was associated with the Aubusson tapestry. Since then, over the generations, the Pinton family has largely contributed to the development of this fabulous cultural heritage until the creation in the 19th century, of the Felletin factory, in the department of Creuse. Even today, in these workshops, the craftsmen execute the same correct gestures with the same attention to detail and thus extend the chain of the history of the tapestry of tradition but also contemporary. The hand of specialists, the eye of designers and dyers and the taste of the most demanding clientele find their meaning in the fabric of the carpets. The excellence of French know-how, a living heritage society and custodian of Aubusson's cultural heritage, has always collaborated with great artists. The works of Charles Le Brun, Charles Lapicque, Pablo Picasso, Jean-Michel Othoniel, and many other big names in the world of painting, architecture, design, fell into the looms and know-how ancestral of this unique Creuse creator. Editor Aram Iynedjian Aram Iynedjian, Lausanne gallery owner and editor of tapestries from Braque, Estève and Lapicque, the latter meets Pierre Baudouin, the most famous of the cardboard painters of the time. The one who translated the works of Le Corbusier, Calder or Picasso into tapestry then collaborates with Charles Lapicque and they will develop a work of great richness. Lapicque came to realize these two summits which are "Pélops" and "Diane et Actéon". I realize that you should never try to describe a work of art Let’s look at it. Let us admire the science of composition, linear purity, technical perfection, the beauty of color, the truth of the drama. Let us see, if we can, the implacable presence of genius. "We will now understand that after having based a painting on the love of tapestry, it was relatively easy, and very tempting, to build a tapestry faithful to my painting," explained the artist in the exhibition catalog. of the Galerie Verrière in 1970. It was not until 1961 that he began to produce cardboards both for the tapestry of the Lisse in Aubusson, but also at the Mobilier National, with the help of Pierre Baudouin Charles Lapicque (1898-1988) Born in 1898 in Theizé (Rhône) in a family practicing both the arts and the sciences, Charles Lapicque is no exception to the rule: gifted for music and drawing, he graduated from the École Centrale in 1921, works as engineer until 1928 before integrating in 1931 a laboratory at the Faculty of Sciences of Paris, where he carried out research on the perception of colors, crowned by the title of Doctor of Physical Sciences in 1938. He thus studies the reactions of the eye in front of an intense light source, at the origin of the formation of starry images which he will use in his works, and defines a theory of the staggering of colors in space which overturns the rules of the Renaissance: "I had shown that the Classic rule, that of Vinci, advocating placing the blues in the distance, the reds, oranges and yellows in the foreground, is a nonsense; it makes more sense, more favorable to do the opposite. "(In Red and blue in the arts, 1936) It was around 1920 that Charles Lapicque began to paint in Brittany where he spent every summer since his childhood, first on the motif and then in a workshop that his stepfather Jean Perrin, Nobel Prize in Physics, had him build in 1927 ; he then definitively adopted the work of memory, in accordance with the art of music which he deeply loved and the Bergsonian philosophy of knowledge: "It is up to us to give reality an appearance that it has no itself, a form, a figure (...). " His youthful production immediately reveals a great originality, oscillating between figuration and abstraction which sometimes intertwine: alongside synthetic paintings by their simplified drawing and their flat colors, he designs an Homage to Palestrina (1925), composed of a grid derived from Cubism, entirely abstract, relayed by a Christ with Thorns (1939), according to a principle that he will develop after 1939, in line with his optical discoveries. In fact, during the war years, an almost abstract period began, that of the tight blue framework, applied to backgrounds ranging from yellow to red and revealing a more or less identifiable world (Jeanne d'Arc crossing the Loire, 1940; Rencontres series, 1940-1945). Exhibited in 1929 by the gallery owner Jeanne Bucher, Lapicque abandoned his scientific career in 1943 to devote himself entirely to painting. He continued his work which resulted in 1946-1953 in white-frame structures; their much softer lines lead him to the system of either black or white interlacing which encloses areas of pure color, most often in solid color. With The Battle of Waterloo in 1949, Lapicque still uses optics - zooming in on a given area - to depict spaces with multiple perspectives and decomposed times. This new interest in the liveliness of color developed in the following period, which can be described as flamboyant or Baroque (1954-1963): illustrated in particular by the series of Breton lagoons and twilight or nocturnal views of Venice in the light. Stars, which the artist himself describes as “daring sweets”, it begins with the Raoul Dufy Prize of the Venice Biennale, awarded in 1953 to the artist who took the opportunity to give free rein to his passion for the Serenissima until July 1956. Another point in common with his elder brother is the expression of movement. Begun in 1949 in The Battle of Waterloo then in 1952 with Dimanche aux regates, it became an obsession from 1964, in the exploration of new themes, such as the different shots of tennis players captured on the fly (1965), the mythological scenes and sea storms. These dizzying years precede the artist's last period: as he comes of age, he discovers serenity, revealed by a painting now with acrylic paint, much more peaceful from 1974, which even borders on a childish naivety at the end. of his life. All of his work includes an astonishing diversity of themes, also nourished by his travels (Rome in 1957, Greece in 1964, Holland in 1974 ...), with a predilection for the sea, rocks, sailboats, music, tennis, horses, wild beasts, but also for history and mythology, as evidenced by knights, kings and ancient gods. It also deploys, in total creative freedom, a wide variety of styles and orientations. Having been one of the pioneers of non-figurative art, thus paving the way for artists like Manessier, Bazaine, Vieira da Silva, De Staël, etc. Owners of the new non-figurative Paris School of the Postwar period, Charles Lapicque then returned to figuration, in a "new interpretation" of appearance, even if he continued to rub shoulders with abstraction at times. "Drawing runs after color and color after drawing. " Heir to the Fauves, Charles Lapicque plays like them on pure colors, whose dissonances, associated with a totally free design and an overloaded composition in a multiple space, make him a precursor of the New Figuration in all its forms: the Narrative Figuration born in France in the early 1960s, represented in particular by Gérard Fromanger, Erró, Bernard Rancillac and Gérard Guyomard; Free Figuration born in the early 1980s, marked by Robert Combas, Hervé and Richard Di Rosa, Louis Jammes and François Boisrond, and which, in turn, influenced the American Bad Painting of a Jean-Michel Basquiat or a Keith Haring, deliberately neglected and Expressionist; Lapicque's “Classic subjects” were able to feed Cultivated Painting, which also appeared in the early 1980s with Jean-Michel Alberola, Patrice Giorda and Gérard Garouste...

Console Table Black Pebble with all structure in resin marble finish with 3 feet and table top in same finish.

Table Lamp Birdy Cream White with stoneware structure with a natural colourless glaze. Including a Beige Linen lampshade. 1 bulb, lamp holder type E27, max, 40 watt, bulb not inclu...

"S31" stool by French designer Pierre Chapo (1927-1987). This iconic stool is in solid elm. Original 1970s edition in perfect original condition. Very good condition. DV1206-1207.

Mirror Cariello Antique Gold with frame in solid mahogany wood in antique gold finish, with wooden back and with clear mirror glass.

Antigone XL Pendant Lamp by Elsa Foulon Unique Piece Dimensions: 75 x 50 x H 35cm + Stem height made to order Materials: Ceramic, Brass Also available in ...

Netsuke, très probablement en bois d’ébène, représentant deux souris sur une vannerie, l’une s’en extrayant et l’autre reposant dessus. Traitement réaliste du pelage et de la queue a...

Chair No. 14 Iconic bistro chair conceived by Michael Thonet in 1869, now produced in the same manufacture in Czech Republic by TON. Wood: solid beech Finish: black stain Sea...

Bench Randy Cedar with solid natural aromatic cedar wood in natural finish. Made from on block of cedar wood. With base in steel in lacquered finish. Solid cedar wood include movemen...

Table Lamp Coupole with black granite base and stand in aluminium in bronze finish. With shade in black cotton outside and gilt inside. 1 bulb, lamp holder type E27, max 40 watt, 220...

ceramic lamp by georges Pelletier, France, 1970's

Popus Editions Lena 2.5 seater sofa in Brown Verone Velvet Upholstery It looks like it's straight out of a movie, with its generous curves and wide armrests. It is a real invitati...

Table walnut grove with all structure in solid walnut wood. Feet with dovetail hand-crafted work underlining the table base. Also available all in soli...

Direct from a private mansion in Paris, a magnificent 299 pc. antique French sterling silver flatware set by France’s premier s...

Lion bronze by Edouard Delabrière (1829-1912) Signed E. DELABRIERRE France, 19th century.

Superb divination orb, 19th century France. Crystal ball, glass decorations and bronze frame. Good condition, minor damage to crystal and glass parts. Dimensions in cm ( H x D ) : ...

Inrō with four gold lacquer compartments, decorated with a lake landscape. Accompanied by a bronze ryusa manju. Small boxes formed of compartments that fit one on top of the other, i...

Lamp Suprematic Three CS1 - one of the lamps from the "Suprematic" collection. The collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism i...

An important rectangular wall mirror, Art-Deco, Modernist, Bauhaus. A beautiful, sculptural, bright wood frame is surrounding an authentic silver mirror from the early thirties. The ...

A large Japanese style four lights sconce attributed to G. Viardot, in shape of a dragon made in carved tinted wood, holding in its mouth a Japanese blossoming cherry tree branch, fr...

This stunning 1920s porcelain tea set is a timeless addition to any collection. Comprising three elegant pieces—a teapot, a creamer, and a sugar bowl—it showcases exceptional craftsm...

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...

Solid Oak Big Bed by Mylene Niedzialkowski Dimensions: L 160 x W 200. Materials: Solid oak wood. A solid oak bed with turned legs, available in several ...

Stratus Wall Lamp 50 by Elsa Foulon Unique piece. Dimensions: D 20 x W 50 x H 50 cm Materials: Ceramic, fabric, metal. All our lamps can be wired accordin...

Beautiful Primeveres René Lalique bowl, France 1920/1930s. Decorations of flowers all around the bowl. Signed R. Lalique. Dimensions in cm ( H x D ) : 6.5 x 16 In fair condition. O...

Rare dairy store creamery counter in colored earthenware, Circa 1900 period. White and grey marble top. This case piece bears the label - Heinrich Nax, Frankfurt. Minor restorations ...

Unique building stool by Goons Dimensions:  W 41 x D 26 x  H 33 cm Materials: Wood Dimensions can be adjusted +/- 10 cm Goons is located in Paris, France. All of their designs are ...

Coatrack Zachary with solid brass stand in aged brass finish and with black grey marble base in polished finish.

Armchair Demon with structure in polished stainless steel with seat and back in genuine leather in whisky finish. Also available with black leather.   

An abstract relief painting, black center, different shades of orange, pink, red, purple around, with a green surrounding line, post-modern, abstract, forme-libre, oil on wooden pann...

Sculptural glass vases “Gutta” pay homage to the ancient glassblower-artist technique "guta," which goes back to the times of the Kyivan Rus'. The Guttas vases were designed by NOOM...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

Coffee table tessa large with solid walnut wood bases and with travertine table top. Given the design of the room, this coffee table must be placed on a flat floor, this design un...

Daybed hanging with structure in steel and polyethylene. With cushion seat and back included. Colors finish in linen cream (indoor), or grey or light grey (outdoor). Structure avai...

Weights sport set includes pairs of 1kg, 3kg, and 5 kg weights. Base in solid bronze in matt finish. Featuring walnut wood grips and fine leather inserts, with high quality grain...

Red overlay glass snuff bottle depicting a fish, 19th century A rare translucent glass snuffbox with small bubbles in the shape of a fish, ruby red overlay decor with a fish among th...

Modern Wall/Ceiling Lamp 'BOLINA' 509.45 by Fabio Fantolino x TOOY Compliant with USA electrical system Model shown: Hardware in Dark bronze, details in Caramel nabuk and Amber gla...

Table maxima round with wooden black lacquered top with polished brass rim around. On black marble base with polished brass rods around the base.

This is a flower vase which was made in Japan around 1980s. This has a style of Oribe ware with porcelaine. On the bottom, there is a signature of Shunhou. Shunpō is a skilled cer...

Important presentation frame in carved and gilded wood, of curved shape, with symmetrical decoration of shells and foliage. It is enriched with the two sides consoles...