Paris Figurative Sculptures

A patinated bronze sculpture reproduction of the Laocoon group by the Napolitan world famous Fonderia Chiurazzi, Italy 1880-1900. Rediscovered in 1506 in Rome The Laocoon Group is believed to be created sometime between 42-20 BCE by three sculptors from Rhodos – Hagesander, Athenodoros and Polydorus, after the work of more ancien Hellenistic sculptors. Recreated and issued (with several sizes and creative variations) by Fonderia Chiurrazzi, this piece is more than just an incredibly precise and expressive reproduction of the iconic antic sculpture...

Sculpture Samuraï all in stoneware, hand-crafted piece with subtle engraved details and decorated with enamels.

This is an antique wooden netsuke made in Japan around Taisho period 1920s. Netsuke is a miniature sculpture, originating in 17th century Japan. Initially a simply-carved button fas...

POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...

Concorde Model Scale 1/36 sculpture, in resin fiber, on aluminium polished base. From Air France Agency. On base: height 110cm.

Diego Giacometti style bronze statue "le chat maitre d'hotel" made in France around 1970 The Butler Cat, 1961-1964 is one of Diego Giacometti's most iconic works. He created it in ...

Model supersonic concorde aircraft with structure and base in polished aluminum.

Important 15th century polychrome wood virgin and child Origin: Southern Germany Period: Late 15th Century, Ca. 1480-1490 Height : 125 cm Polychrome limewood Good condition Provenance : Private collection, Alsace, France. As soon as 1430, sculpture starts a major and deep stylistic evolution than will unfold over a century, until around 1530. We call it the International Gothic. This production is particularly interested in a quest for realism. This important Virgin and Child wears a long red dress with a round gilded neckline. A delicate golden belt...

Sculpture Samurai Raku red and silver made in Raku ceramic which have metallic silvered sheen. Raku ceramics Samurai are distinguished by their raw appearance. The smoking techn...

Chanel Addict black & white Pill sculpture with all structure in resin in lacquered finish. On acrylic base. Limited Edition of 8 pieces, numbered and s...

Superb Lalique Virgin and Child sculpture on a black lacquered wooden base, France 1970s. Beautiful crystal form which captures the subject's devotion a...

Sculpture Stormtrooper Blue Helmet Butterflies with original blue Stormtrooper helmet in matte blue resin ornamented with Morphos butterflies (no cites required for this butterfly). ...

Sculpture red coral handcrafted sculpture with more than 800 red cabochons hand-placed. With structure and base in solid brass gold-plated 24-karat. Except...

Sculpture Liberty Statue United States flag painted. Sculpture in melting. Unique and Exceptional Piece.

Sculpture Concorde model in high quality resin, scale 1/25. Vertical base in blackened steel. Exceptional piece. Made in France. Base: L 71 x D 55cm. Model: Wingspan 100cm x heig...

Sculpture Samuraï Puppet Musha Nyngyo A Set of 2 with structure in wood, hand-carved wood, hand-painted wood, hand-lacquered wood, covered with hand-em...

Miguel Ortiz Berrocal A silvered brass puzzle sculpture titled "Portrait de Michele" by Miguel Ortiz Berrocal. Artist's signature and edition number D.6 cm, H. 11,5 cm

Sculpture Majordome colonial in hand carved plaster. Original piece, on plaster base.   

Sculpture apple graffiti C in handcrafted ceramic.  

Sculpture black cobra in ceramic and enameled ceramic in black finish with gold finish details.

Adam and Eve, 1925 Lost wax bronze. 62cm high (base: 85x40cm). Signed on lower right edge of self-base: LAWRIE 25. German born Lee Lawrie, a pupil of Augustus Saint Gaudens, was o...

Great female statue of Judith in bronze with brown patina and white marble from Carrara. This young woman holds in her hands, stretched over his head, a scimitar in its scabbard, ready to draw it. The weapon is fitted with a hilt decorated by a stylized lion on the top of the sword guard...

Jean Cocteau ceramic vase - "Les Vestales" from 1958 Edition originale Madeline & Jolly - Signed - and with original certificat Red Terracotta earthenware with yellow / blue / green...

Sculpture happy bronze all in green solid bronze.

Sculpture R2D2 life size model star wars. Set upon a millennium falcon base. sculpted in resin and with accurate lights and sounds. With rotative hea...

Sculpture Concorde model black in fiberglass in black matt finish. Scale 1/36em on polished brushed aluminium base. Exceptional and unique piece.

Sculpture black skull in blackened glass paste, handcrafted piece, made in France. Exceptional and unique piece.

IMPORTANT SEDES SAPIENTIAE VIRGIN AND CHILD ALSO CALLED « THRONE OF WISDOM » ORIGIN: FRANCE, BURGUNDY PERIOD: EARLY 13th CENTURY Height : 75 cm Len...

Sculpture Apple Graffiti A in handcrafted ceramic.

SAINT CATHERINE OF ALEXANDRIA ORIGIN : SWABIA, ULM REGION PERIOD : ca. 1510-1520 Height : 118 cm Length : 39 cm Depth : 17 cm Limewood...

Sculpture Pirate Champagne Playmo with all structure in bio-based styrene plastic. Playmobil customized, hand- painted as Ruinart champagne pirate with imitation Hermes scarf, with...

CARVED POLYCHROME WOOD DEPICTING SAINT FLORIAN ORIGIN : SWABIA, SOUTHERN GERMANY PERIOD : LATE 15th CENTURY Height : 98 cm Length : 29 cm Depth : 24 cm Polychrome limewood Very fine condition Provenance - Swiss collection STAEHELIN-PARAVICINI - March 1939 - Auction Jacob Hecht -18 April 1929, Berlin - Sammlung Prof Q.A. LEIMHAAS Munich, Helbing - 26 May 1908 (Research by Thierry Fraslin) During the Middle-Age Saint Florian was particularly popular, subject to worship in Austria -Tyrol- Bavaria and Bohemia. Embodying courage and commitment Saint Florian was invoked to protect the soul of the living against sins and to keep the soul of the deads from the purgatory. From the mid-15th century he safeguards from water and fire. The legend has it that when he was young the saint had contained the fire of a burning...

Stormtrooper With Bent Arm Life Size Star Wars, Licensed Figure, Lucas Film, in Limited Edition 333 pieces. In Fiberglass.  

SAINT WOMAN IN POLYCHROME CARVED WOOD   ORIGIN : ITALY PERIOD : late 13th century   Height : 103 cm Length : 28  cm Width : 16 cm  Remains of polychromy   ...

VIRGIN AND CHILD IN MAJESTY, ALSO KNOWN AS "SEDES SAPIENTIAE"   ORIGIN : SPAIN, CATALOGNE PERIOD: EARLY 13th CENTURY   Height :  95 cm Width : 32 cm Depth : 28 cm   Softwood No polychromy     In the middle of the 12th century, the Virgin took her place in churches, seated in Majesty, serving as a throne for her son Jesus. She is then called Sedes Sapientiae, meaning the Throne of Wisdom. At that time, she is not represented for herself and only exists because she has been designated as Theotokos, the mother of God, at the Council of Ephesus in 431, where the divine nature of Christ was proclaimed from his birth.   The upright and perfectly hieratic bust of this Virgin and Child in Majesty is seated on a throne-bench. She is dressed in a tunic with a rounded neckline and covered with a fine mantle placed on her narrow shoulders. The supple and natural drapery follows the lines of the body.   Large curls frame her face with delicate and regular features, a long straight nose, almond-shaped eyes, and small lips.   She supports the Infant Jesus with her left hand. Like his mother, he is dressed in a long tunic, and his little feet are visible in the folds. He holds a small sphere in his left hand, while with his right hand, he gestures in blessing. The face of Christ bears a strong resemblance to his mother’s one, and he gives a slight smile.   The position of the Child is no longer as hieratic, nor frontal or central as in the early 12th century, but his face still turns towards the faithful.   The 13th century indeed emerges as a period of transition in the artistic domain. The statuary, while retaining certain characteristics still belonging to the habits of the previous century, also develops new formal solutions.   As a result, Mary maintains a hieratic and frontal position, while her son shifts to place himself well to the left on her knee. Similarly, while the Virgin seems perfectly still, Jesus, on the other hand, appears much more animated, especially in the positioning of his hands. His left hand holds the orb, and judging by the raised right arm directed towards the faithful, one can easily imagine that he was making a gesture of blessing.   The influence of the Sedes Sapientiae from previous centuries still seems particularly prevalent in this work.   These few characteristics allow dating this Spanish Virgin...

Stormtrooper with straight arm life-size star wars, licensed figure, Lucas film, in limited edition 333 pieces. In fiberglass.

Dimensions: 7.5 x 12 x 18.5 cm Material: Pottery Name: Kitanoumi Period: Showa (1980s) Kitanoumi Toshimitsu (May 16, 1953 to November 20, 2015), born Toshimitsu Obata (Obata Toshi...

Sculpture Desert Samuraï entirely made of rubber from new tires, hand-sculpted, hand-assembled tires. Exceptional and unique piece.

A stunning green-patinated bust of Beethoven, sculpted by Pierre Le Faguays for Max Le Verrier. A masterpiece of French Art Deco from the 1920s, it captures the composer lost in the ...

Sculpture life-size in Resin US Astronaut NASA. Made in 2018.

Hand-sculpted ceramic Sculpture or decorative vase "Kanan" with stylized face One of a kind handmade piece signed by the French ceramicists DALO, 2025 The height is 37 cm

Famous sculpture "Idole", decorative vase in clay with stylized face, handmade by French ceramicists DALO Earthenware with white enamel. One of a kind Measures: H 27 cm x L 19 cm.

Impressive floor lamp designed by Carlo Giorgi for Bottega Gadda, Italy in the 1970s, composed by nine leaves mounted on ball joints and hidden six electric bulbs, made entirely of polished brass...

Sculpture La Ferrari with all structure in assembled aluminium pieces (4mm thickness), all painted with original Ferrari rosso corsa paint. Limited Editio...

Large high relief in carved and gilt wood, with many traces of polychromy, representing the Adoration of the Shepherds. The evangelist Luke first mentions that the scene takes place at night. A sudden light, which frightens the shepherds, signals the arrival of an angel who announces "great joy". He gives them a sign: they will find "a newborn baby wrapped...

IMPORTANT WOOD SCULPTURE REPRESENTING SAINT BARBARA ORIGIN : NORTHERN FRANCE OR FLANDERS PERIOD : 16th CENTURY Height: 103 cm Length: 40 cm Depth: 30 cm Oak wood Good condition Saint Barbara was the daughter of Dioscorus who imprisonned her in a tower to prevent her from being corrupted by Christianity. Despite this, she was taught and baptisted by a local priest. According to legend, she proved her faith by carving a third window into the tower, symbolic of the Trinity. Once her father learned this, he threatened her with his sword. She managed to escape and hide, not before being revealed by a sheperd. She was thrown in jail and tortured, refusing to denounce her faith. Her father forced her up to the mountain’s summit and decapitated her, afterwhich God struck him down by lightning. Saint Barbara`s following was popularized in the Occident in the 13th century because of the Golden Legend...

A huge Burgundy 15th century Christ on its cross. Oak wood . Cross is modern. Damages, some parts missing. 98x83 cm without the cross.

Stunning Bronze of an African lady carrying water, in the style of Karl Hagenauer (1898-1956), 1970’s, Bronze with double black and gilt patina, pierced for electrification Dimensions : 163.5 cm / 64,37 inches Stunning life-size bronze sculpture of an African woman...

Sculpture amethyst flower I on marble base with metal gold finish leaves, with minerals stones sticks and with amethyst stone in the heart of the flower.

Sculpture Zebra Gold Skull with structure in resin hand-painted with gold and black paint, on solid blackened iron base. Base: 25x25cm. Exceptional and uniq...

Sculpture Idea Bronze all in solid bronze in old gold finish.

Magnificent and extremely rare Antoine-Louis Barye sculptural bronze titled "Peace". Beautiful and rich nuance of red and green patina on a representation of a resting shepherd and a...

IMPORTANT GERMAN PIETÀ FROM THE 14th CENTURY ORIGIN: GERMANY, REGION DE COLOGNE PERIOD: BEGINNING IF THE 14th CENTURY, ca. 1330 Height: 98 cm Length: 45 cm Depth: 33 cm Polychromed linden wood Good condition of conservation Provenance : particular Alsatian collection The theme of the Pietà or Vesperbild appears in Germany at the end of the 13th century, reflecting the mysticism of the late Middle Ages. Although the theme does not exist in the Gospels, it was often mentioned in contemporary devotional literature. Indeed, during the first half of the 14th century, mystical thought and devotional practices changed under the impulse of a number of religious, among them Heinrich Suso and St Bridget. In his writings, Suso placed important emphasis on contemplation and meditation in the footsteps of Christ's martyrdom. This will have great impact in the field of art, especially in Germany and later in France. The emphasis will from now on be on grief, death is shown in a straightforward way. The wounds of Christ are gaping and bloody. The suffering of Christ and the seven sorrows of the Virgin Mary are meditated upon. This piece demonstrates the interest of the faithful in these representations where pathos reigns. The virgin is represented seated in a frontal position. The bust is very elongated. She is wearing a red dress with a simple neckline and a blue mantel...

An exceptional life-size two patina bronze figure, representing a young African woman taming a snake, dressed with a feathered loincloth and a long drape in her hair, and wearing Afr...

Sculpture Earth globe black and teak n°2 all in hand-carved natural teak root and with black volcanic sand. On swivel base with easy rotative syste...

Sculpture Freedom Bronze with all structure in solid bronze in brown finish. Base dimensions: L40xD20x0,5cm.

Beautiful contemporary art sculptural representation of Mao Zedong by Huang Gang (1961) from the early 2000s Chinese art movement. Signed and numbered. Dim...

Sculpture Stormtrooper Black Helmet Butterflies with original black Stormtrooper helmet in matte black resin ornamented with black papillo gambrisius butterflies (no cites required f...

Four candle light angels, Provence or Italy 17th century Set of angels, bearers of the light brought by Christ. They are on supports with coats of arms, their hands on a scroll for...

SMALL SCULPTURE FIGURING AN ANGEL ORIGIN : GERMANY PERIOD : 15TH CENTURY Height: 48,5 cm Width : 20 cm Depth : 12 cm